Preliminary arguments : culture, economy, and the city -- Origins and early growth of the Hollywood motion picture industry -- A new map of Hollywood -- The other Hollywood : television program production -- Dream factories : studios, soundstages, and sets -- The digital visual effects industry -- Local labor markets in Hollywood -- Hollywood in America and the world : distribution and markets -- Cinema, culture, globalization.
Here is an extensive and highly original inquiry into the origins, dynamics, and internal order of the modern metropolis. Allen J. Scott demonstrates how the metropolis emerges out of the basic mechanisms of production and work in contemporary society, and how those mechanisms guide general patterns of urban development. His work will be stimulating to social scientists and to planners and policy makers as well. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
A stand-alone working document, Stormwater Effects Handbook: A Toolbox for Watershed Managers, Scientists, and Engineers assists scientists and regulators in determining when stormwater runoff causes adverse effects in receiving waters. This complicated task requires an integrated assessment approach that focuses on sampling before, during, and aft
Why is the U.S. motion picture industry concentrated in Hollywood and why does it remain there in the age of globalization? Allen Scott uses the tools of economic geography to explore these questions and to provide a number of highly original answers. The conceptual roots of his analysis go back to Alfred Marshall's theory of industrial districts and pick up on modern ideas about business clusters as sites of efficient and innovative production. On Hollywood builds on this work by adding major new empirical elements. By examining the history of motion-picture production from the early twentieth century to the present through this analytic lens, Scott is able to show why the industry (which was initially focused on New York) had shifted the majority of its production to Southern California by 1919. He also addresses in detail the bases of Hollywood's long-standing creative energies and competitive advantages. At the same time, the book explores the steady globalization of Hollywood's market reach as well as the cultural and political dilemmas posed by this phenomenon. On Hollywood will appeal not only to general readers with an interest in the motion-picture industry, but also to economic geographers, business professionals, regional development practitioners, and cultural theorists as well.
This book presents an exploratory account of the origins and dynamics of cities. The author recounts how the essential foundations of the urbanization process reside in two interrelated forces. These are the tendency for many different kinds of human activity to gather together to form functional complexes on the landscape, and the multifaceted intra-urban space-sorting crosscurrents set in motion by this primary urge. From these basic points of departure, the city in all its fullness emerges as a reflexive moment in social and economic development. The argument of the book is pursued both in theoretical and in empirical terms, devoting attention to the changing character of urbanization in the capitalist era. A point of particular emphasis concerns the peculiar patterns of resurgent urbanization that are making their historical and geographical appearance in the currently emerging phase of cognitive-cultural capitalism and that are now rapidly diffusing across the globe.
Culture is big business. It is at the root of many urban regeneration schemes throughout the world, yet the economy of culture is under-theorized and under-developed. In this wide-ranging and penetrating volume, the economic logic and structure of the modern cultural industries is explained. The connection between cultural production and urban-industrial concentration is demonstrated and the book shows why global cities are the homelands of the modern cultural industries. This book covers many sectors of cultural economy, from craft industries such as clothing and furniture, to modern media industries such as cinema and music recording. The role of the global city as a source of creative and innovative energy is examined in detail, with particular attention paid to Paris and Los Angeles.
Here is an extensive and highly original inquiry into the origins, dynamics, and internal order of the modern metropolis. Allen J. Scott demonstrates how the metropolis emerges out of the basic mechanisms of production and work in contemporary society, and how those mechanisms guide general patterns of urban development. His work will be stimulating to social scientists and to planners and policy makers as well. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
This book offers an introduction to worship from the standpoint of process theology. It helps worship planners develop services of worship that are characterized by an intense vision of community with God, where depth of feeling surmounts verbal language and touch the believer in the most life-shaping ways. Process conceptuality allows the church to move toward genuinely contemporary worship while drawing from the past, explaining how worship is understood in this Christian tradition and moving to practical approaches such as conceiving the service, preparing the prayers, the liturgy, and the sermon; the sacraments, the wedding and the funeral, and the arts' role in worship. The ultimate goal is not only to show how process theology can inform each aspect of the service of worship, but to help the Christian community deepen its apprehension of God through services of worship.
Since the Second World War there has been considerable growth in the importance of non-manufacturing based forms of production to the performance of many Western economies. Many countries have seen increased contributions being made by industries such as the media, entertainment and artistic sectors. Gathering together a leading international, multi disciplinary team of researchers, this informative book presents cutting-edge perspectives on how these industries function, their place in the new economy and how they can be harnessed for urban and regional economic and social development.
This book is about the renaissance of cities in the twenty first century and their increasing role as centers of creative economic activity. It attempts to put some conceptual and descriptive order around issues of urbanization in the contemporary world, emphasizing the idea of the social economy of the metropolis, which is to say, a view of the urban organism as an intertwined system of social and economic life played out through the arena of urban space. The book opens with a review of some essentials of urban theory, the book aims to re-articulate the urban question in a way that is relevant to city life and politics in the present era. It then analyses the functional characteristics of the urban economy, with special reference to the rise of a group of core sectors such as media, fashion, music, etc., focused on cognitive and cultural forms of work. These sectors are growing with great rapidity in the world's largest cities at the present time, and they play a major role in the urban resurgence that has been occurring of late. The discussion then explores the spatial ramifications of this new economy in cities and the ways in which it appears to be ushering in major shifts in divisions of labor and urban social stratification, as marked by a growing divide between a stratum of elite workers on the one side and a low-wage proletariat on the other. Allen Scott is one of the world's foremost thinkers on the economies of modern cities, and in this book presents a concise introduction to his innovative and insightful perspective.
This book presents an incisive outline of the historical development and geography of cities. It focuses on three themes that constitute essential foundations for any understanding of urban form and function. These are: (a) the shifting patterns of urbanization through historical time, (b) the role of cities as centers of production and work in a globalizing world, and (c) the diverse housing and shelter needs of urban populations. The book also explores a number of critical urban problems and the political challenges that they pose. Empirical evidence from urban situations on all five continents is brought into play throughout the discussion.
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
ÔThis is vintage Allen Scott, but also a tour dÕhorizon of the state of urban studies, 2012, by one of its foremost global practitioners: compulsory reading.Õ Ð Peter Hall, University College London, UK ÔIn this book, Allen Scott enriches his longstanding research into the ways in which city-regions function as the main economic engines of global capitalism. The end result is a seminal synthesis of how city-regions are increasingly enchained with one another in intensifying relations of competition and cooperation, and is a must-read for students and scholars alike.Õ Ð Ben Derudder, Monash University, Australia and Ghent University, Belgium ÔScottÕs book is a remarkable treatment of the emerging global economy, weaving together the frontiers of technology and the ways in which labor is managed and surplus created with the cities of tomorrow. His book challenges conventional notions of the Òglobal cityÓ to provide a more nuanced account of the ways in which the emerging culturalÐcognitive economy of the 21st century is producing urban landscapes. His conception of the city of tomorrow is informed by deep knowledge of the contemporary city around the world and provides the reader with the conceptual building blocks to re-frame how we think about urbanization now and in the future.Õ Ð Gordon L. Clark, University of Oxford, UK This innovative volume offers an in-depth analysis of the many ways in which new forms of capitalism in the 21st century are affecting and altering the processes of urbanization. Beginning with the recent history of capitalism and urbanization and moving into a thorough and complex discussion of the modern city, this book outlines the dynamics of what the author calls the third wave of urbanization, characterized by global capitalismÕs increasing turn to forms of production revolving around technology-intensive artifacts, financial services, and creative commodities such as film, music, and fashion. The author explores how this shift toward a cognitive and cultural economy has caused dramatic changes in the modern economic landscape in general and in the form and function of world cities in particular. Armed with cutting-edge research and decades of expertise, Allen J. Scott breaks new ground in identifying and explaining how the cities of the past are being reshaped into a complex system of global economic spaces marked by intense relationships of competition and cooperation. Professors and students in areas such as geography, urban planning, sociology, and economics will find much to admire in this pioneering volume, as will journalists, policy-makers, and other professionals with an interest in urban studies.
This book explores the development and application of the law of treason in England across more than a thousand years, placing this legal history within a broader historical context. Describing many high-profile prosecutions and trials, the book focuses on the statutes, ordinances and customs that have at various times governed, limited and shaped this worst of crimes. It explores the reasons why treason coalesced around specific offences agreed by both the monarch and the wider political nation, why it became an essential instrument of enforcement in high politics, and why, over the past three hundred years, it has gradually fallen into disuse while remaining on the statute book. This book also considers why treason as both a word and a concept remains so potent in wider modern culture, investigating prevalent current misconceptions about what is and what is not treason. It concludes by suggesting that the abolition or 'death' of treason in the near future, while a logical next step, is by no means a foregone conclusion. The Rise and Fall of Treason in English History is a thorough academic introduction for scholars and history students, as well as general readers with an interest in British political and legal history.
This book focuses on the theme of the mutually constitutive relations between geographic space and the economic order. Three principle lines of investigation are identified and explored. First, Allen J. Scott sketches out the general theory of the division of labour and the ways in which it is reflected in geographic patterns of specialization and interaction. He examines, in particular, the role of the division of labour in the formation of large-scale agglomerations of economic activity and the ways in which their internal and external relationships are played out. Second, he considers the structure of geographic space as a fountainhead of creativity, learning, and innovation. A theory of the creative field is presented, and its application to the investigation of entrepreneurship, technological change, and the dynamics of the cultural economy is considered. Third, he offers an account of the regional question in less developed parts of the world. Here, he recovers some of the arguments of high development theory and shows how they can be revitalized in the light of a specifically geographic approach. These three lines of investigation are, of course, tightly intertwined with one another. The argument in general demonstrates that geographic space is not just an inert dimension in which the economy unfolds, but plays an active role in the eventuation of economic outcomes. This state of affairs raises many difficult policy questions about growth and development in both more and less economically advanced countries. Some of the more important of these questions are also broached in the book.
The Solway Country – the lands surrounding the inner Solway Firth – constitutes one of the many small regional worlds of the British Isles that are remarkable for the ways in which their landscapes evoke a powerful sense of territorial identity rooted not only in their physical appeal, but also in the richness and distinctiveness of their human history and geography. The Solway Country is an archetypical but hitherto little known exemplar of places like these. This book captures the spirit and substance of the Solway Country’s allure by means of a series of layered narratives dealing with its natural milieu, its past social and political turmoil, its changing forms of rural and agrarian life, and its responses to the industrial and urban forces that were unleashed in Britain after the eighteenth century. The Solway Country has the added charm of being partly in England and partly in Scotland, so that its personality partakes of elements of both. At the same time, the region exhibits a composite geographic unity derived from the central physical feature of the Solway Firth itself and from the many common aspects of local life and livelihood that have left deep imprints on the landscape. This unity is expressed symbolically in the peculiar hybrid culture of ballads and songs that emerged alongside the theft, murder, and mayhem that raged in the Anglo-Scottish marchlands in the days of the border reivers.
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