The art of Jewish storytelling thrives in this captivating collection of tales by Allen Hoffman, filled with memorable characters. This captivating collection of stories by Allen Hoffman, award winning author of the critically acclaimed Small Worlds series are deeply felt explorations into the Jewish mind and world?stories in the tradition of Isaac Bashevis Singer. At the same time, illuminated by compassion and humor, they transcend cultural boundaries and provide fascinating studies in the universal human experience. Kagan the compulsive gambler, Bluma the old beggar woman, Hymie the well-to-do arsonist, and Maxie the juggling uncle are but a few of the comic and sympathetic characters of Hoffman's title novella and four short stories that celebrate the human experience. Hoffman loves and integrates two worlds, the modern secular and the timeless traditional. Kagan's Superfecta is a dazzling, inspirational performance.
It is Rosh Hashanah — the Jewish New Year and Day of Judgment — in Moscow during the Stalinist purges of 1936. In the Lubyanka secret police prison, senior investigator Grisha Shwartzman masterfully pursues the rigorous logic and obsessive legalism of the Soviet witch-hunt. Facing an extraordinary prisoner, Grisha realizes that the Soviet system he has faithfully served is murderously corrupt and that he himself will be the next victim — but not an innocent one. In despair, he flees to his home, where his deranged wife and an unexpected Rosh Hashanah letter from his father-in-law, the enigmatic Krimsker Rebbe in America, await him. The Day of Judgment proves to be a startling experience as Grisha, the once idealistic radical, judges himself, accepts his responsibilities, and is guided to sublime passion and possible redemption by his mad wife, who for twenty years has been patiently awaiting him in a closed wardrobe. In 1942 a train of imprisoned Jews leaves the Warsaw ghetto for "resettlement in the East." It is Yom Kippur — the Day of Atonement and the holiest day of the Jewish year. In a crowded cattle car stands a lonely, defeated individual who is ashamed that he cannot even remember his own name. During the tortuous journey Yechiel Katzman will overhear a talmudic debate and meet a dull-witted giant who turns out to be none other than Itzik Dribble, also from Krimsk. As they arrive in the death camp of Treblinka, Yechiel remembers not only his name but also the Krimsker Rebbe's prophetic curse that exiled him from Krimsk forty years earlier. Yet as death approaches, that curse will prove a blessing. Stalin and Hitler decree certain death, but Grisha and Yechiel discover Jewish fates. The devil incites loneliness, degradation, despair, and even complicity; through memory, the victims elicit community, dignity, and the awareness of sanctity. Grisha's "Soviet" Rosh Hashanah and Yechiel's "Nazi" Yom Kippur are truly "Days of Awe." Even when death is certain, life can be lived.
Big League Dreams finds the Krimsk Rebbe and many of his flock in St. Louis on a Saturday, the Sabbath, in the summer of 1920. In St. Louis, it is the summer of 1920 and the day is the Sabbath, but there is little rest for the Jews from Krimsk and less reverence for the wondrous Krimsker Rebbe, who led them to the New World seventeen years before. The rebbe's former hasidim have embraced America to discover that the vision of "gold in the streets" evokes larceny in the heart. Matti Sternweiss, the ungainly, studious child wonder in Krimsk, now the cerebral catcher for the St. Louis Browns, is scheming to fix Saturday's game against the pennant-contending Detroit Tigers. It is an American Sabbath: Prohibition, bookies, the criminal syndicate, the Hiberian fellowship of the police brass, hometown blondes, a bootlegging rabbi, and big league baseball. It is also Krimsk in America: Boruch Levi, the successful junkman, confiscates his zany, crippled brother-in-law Barasch's sizable bets; Barasch's lusty wife, Malka, has her own connubial reasons for wanting to stop the gambling; the chief of police fatefully inspires his loyal disciple, Boruch Levi, to bring Matti before the Krimsker Rebbe on the Sabbath in order to preserve the purity of the national pastime. Recluse and wonder-worker, messianist and pragmatist, the Krimsker Rebbe navigates the muddy Mississippi River, haunted by a recurring prophetic vision of Pharaoh's blood-red Nile. In the final, decisive innings, with Matti crouched behind home plate, it will come down to Ty Cobb versus the kabbalah. Richly imagined, populated with robust, complex characters, Big League Dreams is a profoundly original, inspiring, and comic creation. It is the second volume in the series Small Worlds, which follows the people of Krimsk and their descendants in America, Russia, Poland, and Israel. In each volume Allen Hoffman draws on his deep knowledge of Jewish religion and history to evoke the finite yet infinite "small worlds" his characters inhabit.
Classic in its vision and generosity, this extraordinary novel follows the lives and loves of the villagers of Krimsk, a small Hasidic settlement in Eastern Europe, in 1903. The first volume in Allen Hoffman's critically acclaimed series, Small Worlds takes place in 1903 and introduces the wondrous rebbe of Krimsk—a small Hasidic settlement in Eastern Europe. Secluded in his study for the past five years, the beloved rebbe suddenly emerges on the eve of Tisha B'Av, the holiday for commemorating the destruction of the holy temple in Jerusalem. His congregants are overjoyed to see him, but their joy is to be short-lived, for this holiday at the dawn of the twentieth century will be marked by strange and momentous events that will change their lives forever. Small Worlds is the first in a series of novels concerning the people of Krimsk and their descendants in America, Poland, Russia, and Israel. In each volume Allen Hoffman draws on his deep knowledge of Jewish religion and history to evoke the "small worlds" his characters inhabit. Echoes of Jewish literary tradition can be heard in Small Worlds, especially the mystical realism of Isaac Bashevis Singer and the poignant humor of Sholom Aleichem, on whose tales Fiddler on the Roof is based.
A celebration of Jewish men's voices in prayer—to strengthen, to heal, to comfort, to inspire from the ancient world up to our own day. "An extraordinary gathering of men—diverse in their ages, their lives, their convictions—have convened in this collection to offer contemporary, compelling and personal prayers. The words published here are not the recitation of established liturgies, but the direct address of today's Jewish men to ha-Shomea Tefilla, the Ancient One who has always heard, and who remains eager to receive, the prayers of our hearts." —from the Foreword by Rabbi Bradley Shavit Artson, DHL This collection of prayers celebrates the variety of ways Jewish men engage in personal dialogue with God—with words of praise, petition, joy, gratitude, wonder and even anger—from the ancient world up to our own day. Drawn from mystical, traditional, biblical, Talmudic, Hasidic and modern sources, these prayers will help you deepen your relationship with God and help guide your journey of self-discovery, healing and spiritual awareness. Together they provide a powerful and creative expression of Jewish men’s inner lives, and the always revealing, sometimes painful, sometimes joyous—and often even practical—practice that prayer can be. Jewish Men Pray will challenge your preconceived ideas about prayer. It will inspire you to explore new ways of prayerful expression, new paths for finding the sacred in the ordinary and new possibilities for understanding the Jewish relationship with the Divine. This is a book to treasure and to share.
Allen Ginsberg (1926-1997) was one of twentieth-century literature's most prolific letter-writers. This definitive volume showcases his correspondence with some of the most original and interesting artists of his time, including Jack Kerouac, William S. Burroughs, Gregory Corso, Neal Cassady, Lionel Trilling, Charles Olson, Lawrence Ferlinghetti, Philip Whalen, Peter Orlovsky, Philip Glass, Arthur Miller, Ken Kesey, and hundreds of others. Through his letter writing, Ginsberg coordinated the efforts of his literary circle and kept everyone informed about what everyone else was doing. He also preached the gospel of the Beat movement by addressing political and social issues in countless letters to publishers, editors, and the news media, devising an entirely new way to educate readers and disseminate information. Drawing from numerous sources, this collection is both a riveting life in letters and an intimate guide to understanding an entire creative generation.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.