Allen Ginsberg (1926-1997) was one of twentieth-century literature's most prolific letter-writers. This definitive volume showcases his correspondence with some of the most original and interesting artists of his time, including Jack Kerouac, William S. Burroughs, Gregory Corso, Neal Cassady, Lionel Trilling, Charles Olson, Lawrence Ferlinghetti, Philip Whalen, Peter Orlovsky, Philip Glass, Arthur Miller, Ken Kesey, and hundreds of others. Through his letter writing, Ginsberg coordinated the efforts of his literary circle and kept everyone informed about what everyone else was doing. He also preached the gospel of the Beat movement by addressing political and social issues in countless letters to publishers, editors, and the news media, devising an entirely new way to educate readers and disseminate information. Drawing from numerous sources, this collection is both a riveting life in letters and an intimate guide to understanding an entire creative generation.
Allen Ginsberg was the bard of the beat generation, and Howl, Kaddish and Other Poems is a collection of his finest work published in Penguin Modern Classics, including 'Howl', whose vindication at an obscenity trial was a watershed moment in twentieth-century history. 'I saw the best minds of my generation destroyed by madness, starving hysterical naked' Beat movement icon and visionary poet, Allen Ginsberg broke boundaries with his fearless, pyrotechnic verse. This new collection brings together the famous poems that made his name as a defining figure of the counterculture. They include the apocalyptic 'Howl', which became the subject of an obscenity trial when it was first published in 1956; the moving lament for his dead mother, 'Kaddish'; the searing indictment of his homeland, 'America'; and the confessional 'Mescaline'. Dark, ecstatic and rhapsodic, they show why Ginsberg was one of the most influential poets of the twentieth century. Allen Ginsberg (1926-97) was an American poet, best known for the poem 'Howl' (1956), celebrating his friends of the Beat Generation and attacking what he saw as the destructive forces of materialism and conformity in the United States at the time. He was inducted into the American Academy of Arts and Letters, was awarded the medal of Chevalier de l'Ordre des Arts et des Lettres by the French Minister of Culture, won the National Book Award for The Fall of America and was a co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute, the first accredited Buddhist college in the Western world. If you enjoyed Howl, Kaddish and Other Poems, you might like Jack Kerouac's On the Road, also available in Penguin Modern Classics. 'The poem that defined a generation' Guardian on 'Howl' 'He avoids nothing but experiences it to the hilt' William Carlos Williams
Featuring the legendary and groundbreaking poem "Howl," this remarkable volume showcases a selection of Allen Ginsberg's poems, songs, essays, letters, journals, and interviews, and contains sixteen pages of his personal photographs. One of the Beat Generation's most renowned poets and writers, Allen Ginsberg became internationally famous not only for his published works but also for his actions as a human rights activist who championed the sexual revolution, gay liberation, Buddhism and Eastern religion, and the confrontation of societal norms—all before it became fashionable to do so. He was also the dynamic leader of war protesters, artists, Flower Power hippies, musicians, punks, and political radicals. The Essential Ginsberg collects a mosaic of material that displays the full range of Ginsberg's mental landscape. His most important poems, songs, essays, letters, journals, and interviews are displayed in chronological order. His poetic masterpieces, "Howl" and "Kaddish," are presented here along with lesser-known and difficult-to-find songs and prose. Personal correspondence with William Burroughs and Jack Kerouac is included, as well as photographs—shot and captioned by Ginsberg himself—of his friends and fellow rogues William Burroughs, Neal Cassady, and others. Through his essays, journals, interviews, and letters, this definitive volume will inspire readers to delve deeper into a body of work that remains one of the most impressive literary canons in American history.
Here, for the first time, is a volume that gathers the published verse of Allen Ginsberg in its entirety, a half century of brilliant work from one of America's great poets. The chief figure among the Beats, Ginsberg changed the course of American poetry, liberating it from closed academic forms with the creation of open, vocal, spontaneous, and energetic postmodern verse in the tradition of Walt Whitman, Guillaume Apollinaire, Hart Crane, Ezra Pound, and William Carlos Williams. Ginsberg's classics Howl, Reality Sandwiches, Kaddish, Planet News, and The Fall of America led American (and international) poetry toward uncensored vernacular, explicit candor, the ecstatic, the rhapsodic, and the sincere—all leavened by an attractive and pervasive streak of common sense. Ginsberg's raw tones and attitudes of spiritual liberation also helped catalyze a psychological revolution that has become a permanent part of our cultural heritage, profoundly influencing not only poetry and popular song and speech, but also our view of the world. The uninterrupted energy of Ginsberg's remarkable career is clearly revealed in this collection. Seen in order of composition, the poems reflect on one another; they are not only works but also a work. Included here are all the poems from the earlier volume Collected Poems 1947-1980, and from Ginsberg's subsequent and final three books of new poetry: White Shroud, Cosmopolitan Greetings, and Death & Fame. Enriching this book are illustrations by Ginsberg's artist friends; unusual and illuminating notes to the poems, inimitably prepared by the poet himself; extensive indexes; as well as prefaces and various other materials that accompanied the original publications.
Rainy night on Union Square, full moon. Want more poems? Wait till I’m dead.—Allen Ginsberg, August 8, 1990, 3:30 A.M. The first new Ginsberg collection in over fifteen years, Wait Till I’m Dead is a landmark publication, edited by renowned Ginsberg scholar Bill Morgan and introduced by award-winning poet and Ginsberg enthusiast Rachel Zucker. Ginsberg wrote incessantly for more than fifty years, often composing poetry on demand, and many of the poems collected in this volume were scribbled in letters or sent off to obscure publications and unjustly forgotten. Wait Till I’m Dead, which spans the whole of Ginsberg’s long writing career, from the 1940s to the 1990s, is a testament to Ginsberg’s astonishing writing and singular aesthetics. Following the chronology of his life, Wait Till I’m Dead reproduces the poems together with extensive notes. Containing 104 previously uncollected poems and accompanied by original photographs, Wait Till I’m Dead is the final major contribution to Ginsberg’s sprawling oeuvre, a must-read for Ginsberg neophytes and longtime fans alike.
The first collection of letters between the two leading figures of the Beat movement Writers and cultural icons Jack Kerouac and Allen Ginsberg are the most celebrated names of the Beat Generation, linked together not only by their shared artistic sensibility but also by a deep and abiding friendship, one that colored their lives and greatly influenced their writing. Editors Bill Morgan and David Stanford shed new light on this intimate and influential friendship in this fascinating exchange of letters between Kerouac and Ginsberg, two thirds of which have never been published before. Commencing in 1944 while Ginsberg was a student at Columbia University and continuing until shortly before Kerouac's death in 1969, the two hundred letters included in this book provide astonishing insight into their lives and their writing. While not always in agreement, Ginsberg and Kerouac inspired each other spiritually and creatively, and their letters became a vital workshop for their art. Vivid, engaging, and enthralling, Jack Kerouac and Allen Ginsberg: The Letters provides an unparalleled portrait of the two men who led the cultural and artistic movement that defined their generation.
Shows Ginsberg to be not only a legendary protest writer but also a lyric poet preoccupied with passion, place and fate' The New York Times This is the only volume to bring together all of Allen Ginsberg's published verse in its entirety, celebrating half a century of brilliant work form one of America's greatest poets. Presented chronologically, it sets Ginsberg's verse against the story of his extraordinary life: from his most famous landmark works 'Howl' and 'Kaddish' to the poems White Shroud and Cosmopolitan Greetings, and on to his later writings such as the caustically funny 'Death and Fame', the provocative 'New Democracy Wish List' and the elegiac 'Things I'll Not Do (Nostalgias)'. Ginsberg, as chief figure among the Beats, was at the centre of a social and political revolution, yet his groundbreaking verse also changed the course of American poetry with its freewheeling spontaneity, rawness, honesty and energy. Also containing illustrations by Ginsberg's artist friends, illuminating notes to the poems, original prefaces and photographs, this is the essential record of one of the most influential voices in twentieth century poetry
In 1977, twenty years after the publication of his landmark poem “Howl,” and Jack Kerouac’s seminal book On the Road, Allen Ginsberg decided it was time to teach a course on the literary history of the Beat Generation. Through the creation of this course, which he ended up teaching five times, first at the Naropa Institute and later at Brooklyn College, Ginsberg saw an opportunity to present the history of Beat Literature in his own inimitable way. Compiled and edited by renowned Beat scholar Bill Morgan, and with an introduction by Anne Waldman, The Best Minds of My Generation presents the lectures in edited form, complete with notes, and paints a portrait of the Beats as Ginsberg knew them: friends, confidantes, literary mentors, and fellow revolutionaries. Ginsberg was seminal to the creation of a public perception of Beat writers and knew all of the major figures personally, making him uniquely qualified to be the historian of the movement. In The Best Minds of My Generation, Ginsberg shares anecdotes of meeting Kerouac, Burroughs, and other writers for the first time, explains his own poetics, elucidates the importance of music to Beat writing, discusses visual influences and the cut-up method, and paints a portrait of a group who were leading a literary revolution. For Beat aficionados and neophytes alike, The Best Minds of My Generation is a personal yet critical look at one of the most important literary movements of the twentieth century.
One of the central relationships in the Beat scene was the long–lasting friendship of Allen Ginsberg and Gary Snyder. Ginsberg introduced Snyder to the East Coast Beat writers, including Jack Kerouac, while Snyder himself became the model for the serious poet that Ginsberg so wanted to become. Snyder encouraged Ginsberg to explore the beauty of the West Coast and, even more lastingly, introduced Ginsberg to Buddhism, the subject of so many long letter exchanges between them. Beginning in 1956 and continuing through 1991, the two men exchanged more than 850 letters. Bill Morgan, Ginsberg's biographer and an important editor of his papers, has selected the most significant correspondence from this long friendship. The letters themselves paint the biographical and poetic portraits of two of America's most important—and most fascinating—poets. Robert Hass' insightful introduction discusses the lives of these two major poets and their enriching and moving relationship.
One of the central relationships in the Beat scene was the long–lasting friendship of Allen Ginsberg and Gary Snyder. Ginsberg introduced Snyder to the East Coast Beat writers, including Jack Kerouac, while Snyder himself became the model for the serious poet that Ginsberg so wanted to become. Snyder encouraged Ginsberg to explore the beauty of the West Coast and, even more lastingly, introduced Ginsberg to Buddhism, the subject of so many long letter exchanges between them. Beginning in 1956 and continuing through 1991, the two men exchanged more than 850 letters. Bill Morgan, Ginsberg's biographer and an important editor of his papers, has selected the most significant correspondence from this long friendship. The letters themselves paint the biographical and poetic portraits of two of America's most important—and most fascinating—poets. Robert Hass' insightful introduction discusses the lives of these two major poets and their enriching and moving relationship.
Personally selected by Allen Ginsberg, Selected Poems 1947-1995 is the definitive collection of the best works of one of the most influential and revolutionary poets of the twentieth century. Allen Ginsberg, famous for helping catalyze the Beat Generation, wrote poetry for over fifty years. His innovative verse and provocative attitudes of spiritual, political, and sexual liberation inspired countless poets and musicians, visual and performance artists worldwide, and helped shape several generations' views of the world. Selected Poems 1947-1995 commemorated Ginsberg's brilliant career as one of America's most distinguished poets. Here are well-known masterpieces such as the lyric "Howl" and the narrative "Kaddish"--classic works of American literature--as well as more recent gems, the long dream poem "White Shroud," the visionary "After Lalon," and the political rock lyric "The Ballad of the Skeletons," a song he recorded in 1996 with a stellar band that included Philip Glass, Lenny Kaye, and Paul McCartney.
Assembled by Allen Ginsberg, Selected Poems 1947-1995 is the definitive collection of the best works of one of the most influential and revolutionary poets of the twentieth century. Allen Ginsberg, famous for helping catalyze the Beat Generation, wrote poetry for more than fifty years. His innovative verse and provocative attitudes of spiritual, political, and sexual liberation inspired countless poets, musicians, and visual and performance artists worldwide, and helped shape several generations' views of the world. Selected Poems 1947-1995 commemorates Ginsberg's brilliant career as one of America's most distinguished poets. Here are well-known masterpieces such as the lyric "Howl" and the narrative "Kaddish" -- classic works of American literature -- as well as more recent gems, including the long dream poem "White Shroud," the visionary "After Lalon," and the political rock lyric "The Ballad of the Skeletons," a song he recorded in 1996 with a stellar band that included Philip Glass, Lenny Kaye, and Paul McCartney.
Original Draft Facsimile, Transcript, and Variant Versions, Fully Annotated by Author, with Contemporaneous Correspondence, Account of First Public Reading, Legal Skirmishes, Presursor Texts, and Bibliography
Original Draft Facsimile, Transcript, and Variant Versions, Fully Annotated by Author, with Contemporaneous Correspondence, Account of First Public Reading, Legal Skirmishes, Presursor Texts, and Bibliography
First published in 1956, Allen Ginsberg's Howl is a prophetic masterpiece—an epic raging against dehumanizing society that overcame censorship trials and obscenity charges to become one of the most widely read poems of the century. This annotated version of Ginsberg's classic is the poet's own re-creation of the revolutionary work's composition process—as well as a treasure trove of anecdotes, an intimate look at the poet's writing techniques, and a veritable social history of the 1950s.
Allan Ginsberg was the leading poet and conscience of the Beat generation. Indian Journals collects Ginsberg’s writings from his trip to India in 1962–63.
These revealing, personal journals of America's most influential living poet are "the essential record of the questing, wild-eyed, lustful young poet's sexual, spiritual, and literary odyssey"--Kirkus Reviews (starred)
Marking the fiftieth anniversary of "Howl," Illuminated Poems celebrates the collaboration of two visionaries of different generations: Allen Ginsberg, the quintessential Beat and America's best-known poet, and Eric Drooker, the New Yorker cover artist whose provocative, apocalyptic images add a new dimension and urgency to Ginsberg's poems. Illuminated Poems contains two works only available in this volume, an introduction by Ginsberg, and thirty-four poems from 1948 through the present day, including the poem "Howl" in its entirety. Perhaps the single poem that captures the anguish and aspirations of the Beat Generation, "Howl" was originally published fifty years ago and is one of the most widely read poems of the twentieth century.
An autobiographical journey through America in the turbulent 1960s—the essential backstory to Ginsberg’s National Book Award–winning volume of poetry Published in 1974, The Fall of America was Allen Ginsberg’s magnum opus, a poetic account of his experiences in a nation in turmoil. What his National Book Award–winning volume documented he had also recorded, playing a reel-to-reel tape machine given to him by Bob Dylan as he traveled the nation’s byways and visited its cities, finding himself again and again in the midst of history in the making—or unmaking. Through a wealth of autopoesy (transcriptions of these recorded poems) published here for the first time in the poet’s journals of this period, Ginsberg can be overheard collecting the observations, events, reflections and conversations that would become his most extraordinary work as he witnessed America at a time of historic upheaval and gave voice to the troubled soul at its crossroads. The Fall of America Journals, 1965–1971 contains some of Ginsberg’s finest spontaneous writing, accomplished as he pondered the best and worst his country had to offer. He speaks of his anger over the war in Vietnam, the continuing oppression of dissidents, intractable struggles, and experiments with drugs and sexuality. He mourns the deaths of his friends Neal Cassady and Jack Kerouac, parses the intricacies of the presidential politics of 1968, and grapples with personal and professional challenges in his daily life. An essential backstory to his monumental work, the journals from these years also reveal drafts of some of his most highly regarded poems, including “Wichita Vortex Sutra,” “Wales Visitation,” “On Neal’s Ashes,” and “Memory Gardens,” as well as poetry published here for the first time and his notes on many of his vivid and detailed dreams. Transcribed, edited, and annotated by Michael Schumacher, a writer closely associated with Ginsberg’s life and work, these journals are nothing less than a first draft of the poet’s journey to the heart of twentieth-century America.
In the 1950s and early 1960s, Allen Ginsberg and his fellow Beats led an insurrection that profoundly altered the American literary and cultural landscapes. Collected here are journal entries culed from eighteen notebooks that Ginsberg kept during this extraordinary period -- thoughts, poems, dreams, reflections, and diary notes that intimately illuminate Ginsberg's actual travels and his mental journeys. They reveal a remarkable and fascinating life: conversations with William Carlos Williams; drug experiences; a chance meeting with Dylan Thomas; stays in Mexico, San Francisco, and New York; first impressions of "Naked Lunch"; bits and peices of "America, Kaddish" and other poems; political "ravings"; and, of course, times with William S. Burroughs, Jack Kerouac, Gergory Corso, Herbert Huncke, Peter Orlovsky, and many, many others. What emerges is a truly unique personal account that will touch the mind and the soul.
An insider's history of the "Beat" movement and its personalities through the personal photographs of one of its principle figures. Pointing his camera randomly at the counterculture around him, the poet created a unique visual record of his friends and companions covering a period of almost forty years. His subjects include Jack Kerouac, William Burroughs, Neal Cassady, Robert Frank, Paul Bowles, Timothy Leary, dozens of other writers, painters, and friends, and several revealing self-portraits. Beneath each photograph are Ginsberg's handwritten reminiscences of the circumstances, people, and places relating to the photograph.
Wives in the avocados, babies in the tomatoes!-and you, García Lorca, what were you doing by the watermelons?' Profane and prophetic verses about sex, death, revolution and America by the great icon of Beat poetry. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
Half a century after "founding" the Beat Generation, Allen Ginsberg has written this powerful collection of poems that are suffused with a range of emotional colors that gives Ginsberg's work an elegiac tone.
“The way to point to the existence of the universe is to see one thing directly and clearly and describe it. . . . If you see something as a symbol of something else, then you don't experience the object itself, but you're always referring it to something else in your mind. It's like making out with one person and thinking about another.” —Ginsberg speaking to his writing class at Naropa Institute, 1985 With “Howl” Allen Ginsberg became the voice of the Beat Generation. It was a voice heard in some of the best-known poetry of our time—but also in Ginsberg’s eloquent and extensive commentary on literature, consciousness, and politics, as well as his own work. Much of what he had to say, he said in interviews, and many of the best of these are collected for the first time in this book. Here we encounter Ginsberg elaborating on how speech, as much as writing and reading, and even poetry, is an act of art. Testifying before a Senate subcommittee on LSD in 1966; gently pressing an emotionally broken Ezra Pound in a Venice pensione in 1967; taking questions in a U.C. Davis dormitory lobby after a visit to Vacaville State Prison in 1974; speaking at length on poetics, and in detail about his “Blake Visions,” with his father Louis (also a poet); engaging William Burroughs and Norman Mailer during a writing class: Ginsberg speaks with remarkable candor, insight, and erudition about reading and writing, music and fame, literary friendships and influences, and, of course, the culture (or counterculture) and politics of his generation. Revealing, enlightening, and often just plain entertaining, Allen Ginsberg in conversation is the quintessential twentieth-century American poet as we have never before encountered him: fully present, in pitch-perfect detail.
Allen Ginsberg was one of the bravest and most admired poets of this century. Famous for energizing the Beat Generation literary movement upon his historic encounter with Gregory Corso, Jack Kerouac, and William Burroughs in mid-century New York City, Ginsberg influenced several generations of writers, musicians, and poets. When he died on April 5, 1997, we lost one of the greatest figures of twentieth-century American literary and cultural history. This singular volume of final poems commemorated the anniversary of Ginsberg's death, and includes the verses he wrote in the years shortly before he died.
One of the central relationships in the Beat scene was the long–lasting friendship of Allen Ginsberg and Gary Snyder. Ginsberg introduced Snyder to the East Coast Beat writers, including Jack Kerouac, while Snyder himself became the model for the serious poet that Ginsberg so wanted to become. Snyder encouraged Ginsberg to explore the beauty of the West Coast and, even more lastingly, introduced Ginsberg to Buddhism, the subject of so many long letter exchanges between them. Beginning in 1956 and continuing through 1991, the two men exchanged more than 850 letters. Bill Morgan, Ginsberg's biographer and an important editor of his papers, has selected the most significant correspondence from this long friendship. The letters themselves paint the biographical and poetic portraits of two of America's most important—and most fascinating—poets. Robert Hass' insightful introduction discusses the lives of these two major poets and their enriching and moving relationship.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.