In a crucial period between the World Wars, Woodsworth helped define the character of the modern Canadian, non-Marxist Left and of many of Canada's important economic and social institutions.
This comprehensive analysis of Boris Karloff's life and career incorporates criticism, in-depth production information and discussions of cinematic themes and characters, with an account of the historical periods and events depicted in the films and the Hollywood era in which they were produced. Each of Karloff's horror films is examined at length, as well as his contributions to other media. Over 100 posters, portraits, film scenes and candid photos illustrate the text, and numerous contemporaries (Evelyn Karloff, Laurence Olivier, Henry Brandon, Ian Wolfe, Zita Johann, others) are quoted throughout.
UNLOCK THE MEANING OF EASTERN MAGICK In scope and clarity, there is no book that can compare to The Eastern Mysteries. This reissue of David Allen Hulse's landmark work is the one book all students of the occult must own. It catalogs and distills, in hundreds of tables of secret symbolism, the true import of each ancient Eastern magickal tradition. Each chapter is a key that unlocks the meaning behind one of the magickal languages. Through painstaking research and analysis, Hulse has accomplished an unprecedented feat -- that of reconstructing the basic underlying systems that form the vast legacy of mystery traditions. The real genius of this accomplishment is that it is presented in a way that is immediately understandable and usable. Although the book deals with many foreign scripts, ancient tongues, and lost symbols, it is designed for the beginning student. Included is a wealth of cross references, excellent introductory material and overviews, an extensive annotated bibliography, and -- new to this edition -- a complete index.
In the five state region of Illinois, Indiana, Iowa, Kentucky and Missouri, 1027 men and women are known to have been legally hanged, gassed or electrocuted for capital crimes during the century after the Civil War. Drawing on thousands of hours of research, this comprehensive record covers each execution in chronological order, filling numerous gaps in a largely forgotten story of the American experience. The author presents each case dispassionately with the main focus given to essential facts.
Among Golden Age Hollywood film stars of European heritage known for playing characters from the East--Chinese, Southeast Asians, Indians and Middle Easterners--Anglo-Indian actor Boris Karloff had deep roots there. Based on extensive new research, this biography and career study of Karloff's "eastern" films provides a critical examination of 41 features, including many overlooked early roles, and offers fresh perspective on a cinematic luminary so often labeled a "horror icon." Films include The Lightning Raider (1919), 14 silent films from the 1920s, The Unholy Night (1929), The Mask of Fu Manchu (1932), The Mummy (1932), John Ford's The Lost Patrol (1934), the Mr. Wong series (1938-1940), Targets (1968), and Isle of the Snake People (1971), one of six titles released posthumously.
Presented in chronological order, this book provides essential details about the 1,152 men and women who were legally put to death in North and South Carolina during the century after the Civil War. Each entry contains information about the criminals themselves and the deeds which cost them their lives. Based almost entirely on original archival materials such as court records, contemporary newspapers, prisoner files, appellate reports, gubernatorial correspondence, etc., a newer picture of the historical record emerges that students of Southern justice will find both revealing and disconcerting.
Habits of Industry provides a richly descriptive social, historical, and cultural account of the Carolina Piedmont -- the area between the Blue Ridge Mountains and the Coastal Plain -- over the course of 150 years. By examining the social and religious culture of the region, Allen Tullos illuminates the lives of the working men and women whose "habits of industry" shaped their world. Tullos combines archival research with an extensive collection of oral histories to shed new light on the essentially all-white textile industry in the era before World War II. He examines such topics as workers' transition from an agrarian folk culture to an industrial working class, the changing patterns of employers' paternalistic relations, and the contrasting and complimentary meanings of "industry." Using biographies and autobiographies of both mill owners and mill workers, Tullos juxtaposes the entrepreneurial narratives of the Belks, Hammetts, Tompkinses, Dukes, and Loves with the equally remarkable stories of such workers as Ethel Hillard, Alice and Grover Hardin, and Nigel League.
Rewatching on the Point of the Cinematic Index offers a reassessment of the cinematic index as it sits at the intersection of film studies, trauma studies, and adaptation studies. Author Allen H. Redmon argues that far too often scholars imagine the cinematic index to be nothing more than an acknowledgment that the lens-based camera captures and brings to the screen a reality that existed before the camera. When cinema’s indexicality is so narrowly defined, the entire nature of film is called into question the moment film no longer relies on a lens-based camera. The presence of digital technologies seemingly strips cinema of its indexical standing. This volume pushes for a broader understanding of the cinematic index by returning to the early discussions of the index in film studies and the more recent discussions of the index in other digital arts. Bolstered by the insights these discussions can offer, the volume looks to replace what might be best deemed a diminished concept of the cinematic index with a series of more complex cinematic indices, the impoverished index, the indefinite index, the intertextual index, and the imaginative index. The central argument of this book is that these more complex indices encourage spectators to enter a process of ongoing adaptation of the reality they see on the screen, and that it is on the point of these indices that the most significant instances of rewatching movies occur. Examining such films as John Lee Hancock’s Saving Mr. Banks (2013); Richard Linklater’s oeuvre; Paul Greengrass’s United 93 (2006); Oliver Stone’s World Trade Center (2006); Stephen Daldry’s Extremely Loud and Incredibly Close (2011); and Christopher Nolan’s Dunkirk (2017), Inception (2010), and Memento (2000), Redmon demonstrates that the cinematic index invites spectators to enter a process of ongoing adaptation.
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