The Talking Book casts the Bible as the central character in a vivid portrait of black America, tracing the origins of African-American culture from slavery’s secluded forest prayer meetings to the bright lights and bold style of today’s hip-hop artists. The Bible has profoundly influenced African Americans throughout history. From a variety of perspectives this wide-ranging book is the first to explore the Bible’s role in the triumph of the black experience. Using the Bible as a foundation, African Americans shared religious beliefs, created their own music, and shaped the ultimate key to their freedom—literacy. Allen Callahan highlights the intersection of biblical images with African-American music, politics, religion, art, and literature. The author tells a moving story of a biblically informed African-American culture, identifying four major biblical images—Exile, Exodus, Ethiopia, and Emmanuel. He brings these themes to life in a unique African-American history that grows from the harsh experience of slavery into a rich culture that endures as one of the most important forces of twenty-first-century America.
Callahan suggests that scholars have wrongly placed the sequence and therefore the importance of the works collectively known as the Johannine tradition - the Gospel of John and the Johannine Epistles. His proposal includes literary, theological, and historical analysis as he argues for the reevaluation of a significant part of the biblical canon.
The Talking Book casts the Bible as the central character in a vivid portrait of black America, tracing the origins of African-American culture from slavery’s secluded forest prayer meetings to the bright lights and bold style of today’s hip-hop artists. The Bible has profoundly influenced African Americans throughout history. From a variety of perspectives this wide-ranging book is the first to explore the Bible’s role in the triumph of the black experience. Using the Bible as a foundation, African Americans shared religious beliefs, created their own music, and shaped the ultimate key to their freedom—literacy. Allen Callahan highlights the intersection of biblical images with African-American music, politics, religion, art, and literature. The author tells a moving story of a biblically informed African-American culture, identifying four major biblical images—Exile, Exodus, Ethiopia, and Emmanuel. He brings these themes to life in a unique African-American history that grows from the harsh experience of slavery into a rich culture that endures as one of the most important forces of twenty-first-century America.
Callahan suggests that scholars have wrongly placed the sequence and therefore the importance of the works collectively known as the Johannine tradition - the Gospel of John and the Johannine Epistles. His proposal includes literary, theological, and historical analysis as he argues for the reevaluation of a significant part of the biblical canon.
Virtually all modern commentaries on Philemon agree with the interpretation from late antiquity that the letter treats the case of Onesimus, a pilfering runaway slave, who Paul is attempting to rehabilitate in the eyes of Philemon, his rightfully angry master. In this commentary, however, Allen Callahan tells another story. His reading of the rhetorical situation and reconstruction of the historical context provides a new narrative for the letter. He interpretation for which he argues is that of several nineteenth-century American abolitionist interpreters. Here, then, is not the story of a runaway slave but a story of the estrangement of two Christina brothers, Onesimus and Philemon. Professor Callahan proposes that his alternative reading of the letter offers a paradigm for Christian reconciliation that necessarily includes diplomacy, persuasion, forbearance, and reparations for injured parties. In other words, the letter speaks of the challenging implications of Christian love and the imperative of Christian justice. If there is an interpretation of great moment to be offered for this otherwise unremarkable piece of correspondence, then the treatment of these themes holds the promise of such an interpretation. Allen Dwight Callahan teaches New Testament at Harvard Divinity School.
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