The latest installment in SLACK’s Pocket Guide series, The Pocket Guide to Medical Retina provides essential information on medical retina diseases along with multimodal imaging of each condition, perfect for medical students, residents, fellows, or comprehensive ophthalmologists. This accessible small handbook covers the basics while allowing readers to quickly synthesize information easily related to clinical encounters. With over 300 high-resolution original figures, The Pocket Guide to Medical Retina is an image-heavy book with succinct text so information can be rapidly distilled. Drs. Jason Hsu and Allen Chiang have created the ultimate quick-summary pocket guide on retinal conditions including: Up-to-date figures, including spectral-domain optical coherence tomography and autofluorescence in addition to color fundus photos Macular diseases Retinal vascular diseases Infectious inflammatory diseases Noninfectious inflammatory diseases Retinal degenerations and dystrophies Pediatric retinal diseases Trauma-related retinopathies Drug-related retinopathies Peripheral retinal diseases Retinal and choroidal tumors With its portable size and plethora of useful information, The Pocket Guide to Medical Retina is a must-have for medical students up to practicing ophthalmologists.
Bliss Wiant went to China in 1923 with the lofty goal of some day introducing hymns to Chinese Christians that would not sound foreign to them. It was a goal that occupied much of his life. The locale of his work was Yenching University, which was arguably the premier institution of higher education in China. There he established a department of music, and enabled students to discover and develop their musical talents. There also he taught students who had never before seen a western musical score, to sing and to love Handel's Messiah and other great music of the west. In less than 10 years after its first performance, the reputation of the university chorus was such that it was invited by the government of China to present the Messiah in Nanking, the national capitol, as the finale to a two-week exposition of the arts. A major milestone in the pursuit of his life's goal was reached in that same year (1937), when a hymnal (English Title, "Hymns of Universal Praise") was published. This was the culmination of years of collaborative effort involving scores of individuals. Not only was the hymnal a uniquely inter-denominational achievement, it also included for the first time, a substantial number of original, indigenous hymns. Wiant's work in China produced in him a great love for the people as well as a deep admiration for their culture, which he saw both as misunderstood and unappreciated in the U.S. Consequently he devoted much of his energy in the years that followed to being a cultural ambassador, representing China to his own countrymen. An important manifestation of this was his work and that of his wife, Mildred, in translating into English a number of the Chinese hymns that first appeared in Hymns of Universal Praise. Several of these are now found in hymns used in the U.S., in effect closing a circle begun when Wiant went to China in 1923.
This book began as a year-long ethnography of a school in Taiwan in 1991 then evolved more into a historical sociology of national formation and its cultural mindset. Cultural nationalism is a widely debated but poorly understood process. Contrary to prevailing perceptions, the Cold War may have given way to a more progressive open society, but the politicization of ethnicity hardened a more deeply entrenched cultural frame of mind. Instead of liberating an indigenous reality, Taiwanese consciousness has ironically polarized the political dead ends of reunification and independence. In the final analysis, the ethnography can serve as a paradigmatic case study for critical cultural studies. There are clear ramifications also for a comparative study of the cultural politics of other Chinese speaking or Asian societies and their histories.
It was Louis Allen’s work on Japan which dominated his prodigious output as a scholar, researcher and writer and which received greatest attention internationally. This collection of his writings focuses entirely on his principal fields of research, viz, Japan and the Pacific War, the post-war conflicts in Burma, Malaya and Indochina, and the immediate post-war years in the context of Japan, security and reconciliation. Importantly, in addition to the 24 essays brought together here from both known and unknown sources, we are pleased to publish for the first time Louis Allen’s own undated autobiographical paper entitled ‘Innocents Abroad: Investigating War Crimes in South-East Asia’, providing a unique, first-hand account of his war-time life and activities. This volume also includes a complete bibliography of Louis Allen’s writings covering all disciplines.
Versatile entertainer Steve Allen is the creator of The Tonight Show and PBS's award-winning Meeting of the Minds. In But Seriously . . . he explores such topics as nuclear war, interracial justice, and Frank Sinatra. One article titled "How to Attack a Liberal" advises conservatives how to best ethically confront his beliefs. His reflections tackle weighty topics sure to be thought-provoking.
It was Louis Allen’s work on Japan which dominated his prodigious output as a scholar, researcher and writer and which received greatest attention internationally. This collection of his writings focuses entirely on his principal fields of research, viz, Japan and the Pacific War, the post-war conflicts in Burma, Malaya and Indochina, and the immediate post-war years in the context of Japan, security and reconciliation. Importantly, in addition to the 24 essays brought together here from both known and unknown sources, we are pleased to publish for the first time Louis Allen’s own undated autobiographical paper entitled ‘Innocents Abroad: Investigating War Crimes in South-East Asia’, providing a unique, first-hand account of his war-time life and activities. This volume also includes a complete bibliography of Louis Allen’s writings covering all disciplines.
Winner of the Joseph Levenson Post-1900 Book Prize This cultural study of public space examines the cityscape of Taipei, Taiwan, in rich descriptive prose. Contemplating a series of seemingly banal subjects--maps, public art, parks--Joseph Allen peels back layers of obscured history to reveal forces that caused cultural objects to be celebrated, despised, destroyed, or transformed as Taipei experienced successive regime changes and waves of displacement. In this thoughtful stroll through the city, we learn to look beyond surface ephemera, moving from the general to the particular to see sociocultural phenomena in their historical and contemporary contexts. Watch the book trailer: https://www.youtube.com/watch?v=xBdGIoox7zM
This authoritative and comprehensive survey features over 2,400 entries. Subjects range from battles, soldiers, and military activities to politics, culture, and the Holocaust. Enlivened by 85 illustrations, its panoramic perspective encompasses WWII's enduring influences on the American way of life. "A unique and valuable look at the war."—General James Doolittle
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The remote vastness of Mongolia has remained somewhat of a mystery to most Westerners - no less so in the 20th century. Homeland of the legendary conqueror Chingiz Khan, in modern times Mongolia itself has been the object of imperial rivalry. For most of the 20th century it was under Soviet domination. Mikhail Gorbachev began the withdrawal of Soviet troops from Mongolia in 1989, a process completed in 1992. By 1996 a coalition of opposition parties triumphed in national elections, and Mongolia launched itself on a new course. It is perhaps the most intriguing of the post-community "transition" societies. This volume examines Mongol history over the past century, embracing not only Mongolia proper but also Mongol communities in Russia and China. Contributions, based on new archival research and the latest fieldwork, are from the world's top experts in the field - including four authors from Mongolia and others from Japan, Russia, Taiwan, Great Britain and the United States. Stephen Kotkin's introductory chapter is an overview of Mongol studies. The essays in part 1 examine Sino-Russian competition over Outer Mongolia. Part 2 looks at international diplomacy in Mongolia, including the role of Japan. Part 3 focuses on contemporary issues ranging from economic and cultural change to emergent elites. A concluding essay surveys Mongolian foreign policy.
Bliss Wiant went to China in 1923 with the lofty goal of some day introducing hymns to Chinese Christians that would not sound foreign to them. It was a goal that occupied much of his life. The locale of his work was Yenching University, which was arguably the premier institution of higher education in China. There he established a department of music, and enabled students to discover and develop their musical talents. There also he taught students who had never before seen a western musical score, to sing and to love Handel's Messiah and other great music of the west. In less than 10 years after its first performance, the reputation of the university chorus was such that it was invited by the government of China to present the Messiah in Nanking, the national capitol, as the finale to a two-week exposition of the arts. A major milestone in the pursuit of his life's goal was reached in that same year (1937), when a hymnal (English Title, "Hymns of Universal Praise") was published. This was the culmination of years of collaborative effort involving scores of individuals. Not only was the hymnal a uniquely inter-denominational achievement, it also included for the first time, a substantial number of original, indigenous hymns. Wiant's work in China produced in him a great love for the people as well as a deep admiration for their culture, which he saw both as misunderstood and unappreciated in the U.S. Consequently he devoted much of his energy in the years that followed to being a cultural ambassador, representing China to his own countrymen. An important manifestation of this was his work and that of his wife, Mildred, in translating into English a number of the Chinese hymns that first appeared in Hymns of Universal Praise. Several of these are now found in hymns used in the U.S., in effect closing a circle begun when Wiant went to China in 1923.
Critiques the idea of a Chinese cultural identity and argues that such identities are instead determined by geopolitical and economic forces. Forget Chineseness provides a critical interpretation of not only discourses of Chinese identityChinesenessbut also of how they have reflected differences between Chinese societies, such as in Hong Kong, Taiwan, Peoples Republic of China, Singapore, and communities overseas. Allen Chun asserts that while identity does have meaning in cultural, representational terms, it is more importantly a product of its embeddedness in specific entanglements of modernity, colonialism, nation-state formation, and globalization. By articulating these processes underlying institutional practices in relation to public mindsets, it is possible to explain various epistemic moments that form the basis for their sociopolitical transformation. From a broader perspective, this should have salient ramifications for prevailing discussions of identity politics. The concept of identity has not only been predicated on flawed notions of ethnicity and culture in the social sciences but it has also been acutely exacerbated by polarizing assumptions that drive our understanding of identity politics.
This book began as a year-long ethnography of a school in Taiwan in 1991 then evolved more into a historical sociology of national formation and its cultural mindset. Cultural nationalism is a widely debated but poorly understood process. Contrary to prevailing perceptions, the Cold War may have given way to a more progressive open society, but the politicization of ethnicity hardened a more deeply entrenched cultural frame of mind. Instead of liberating an indigenous reality, Taiwanese consciousness has ironically polarized the political dead ends of reunification and independence. In the final analysis, the ethnography can serve as a paradigmatic case study for critical cultural studies. There are clear ramifications also for a comparative study of the cultural politics of other Chinese speaking or Asian societies and their histories.
In the ongoing financial crisis, policy makers have for the most part appeared to be reactive, formulating emergency solutions as events unfold. However, in contrast to their performance during the Great Depression, central banks around the world, led by the Federal Reserve, acted decisively following the collapse of Lehman Brothers and provided huge injections of liquidity into the financial markets, thereby preventing a far worse outcome. International Liquidity and the Financial Crisis compares the 2008 crisis with the disaster of 1931 and explores the similarities and differences. It considers the lasting effects of the crisis on international liquidity, the possibilities for an international lender of last resort, and the enlargement of the International Monetary Fund after the crisis. It shows that there is no clear demarcation between monetary and macro-prudential policies, and discusses how central banks need to adapt to a new environment in which global liquidity is much scarcer.
Written after the outbreak of war between Japan and China but putting aside British sentiments of suspicion, dislike and a sense of competition, G C Allen bases his observations of Japanese social, political and economic life on his first-hand experience of living and working in the country for a number of years. He argues that the economic expansion of Japan was regarded as a greater threat to Britain because of Japan’s political aims and aggressive territorial expansion, but he is at pains to explain the Japanese domestic circumstances which gave rise to this situation. He also argues that the expansion of the British Empire has some parallels with Japanese expansion, without condoning Japanese methods. Overall the author emphasizes the extent to which judgments about the qualities of the Japanese people have been influenced by the political views of writers in Western countries.
Unstructuring Chinese Society is a culmination of long term field work and archival research that challenges existing theories of social organisation and cultural change. The book makes new sense of historical contradictions, political conflicts and deep seated social transformations that have underlined the experience of colonial rule and the practices of local institutions in Hong Kong over the past century. By focusing on the ongoing interactions of discourse, practices and global-local relations in cultural terms, Unstructuring Chinese Society puts forth a fresh perspective in the field of historical anthropology, while addressing ongoing critical concerns in postcolonial theory and our understanding of tradition and modernity.
This book stands as a rebuke to any who would attempt to forward simplistic interpretations of China's rise. In place of parsimonious arguments, or an endorsement of any singular set of images (whether pacific or confrontational), it repeatedly calls attention to the remarkable complexity of China's emerging international profile. More specifically, the leading Chinese and American scholars working in the fields of Chinese foreign policy, international political economy, and national security, who contributed to this volume argue that while China appears to be entering a new era in its relationship with the outside world, such a development encompasses disparate, even contradictory, policies, and, as a result, there is a great deal of fluidity within China's place in world politics.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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