In short, delightful essays, a professor of English explains the key features that make American speech so expressive and distinct. With chapters on ethnic dialects and dialects in the movies, the author reveals the resplendence of one of our nation's greatest natural resources--its endless and varied talk.
It is said to be the most frequently spoken (or typed) word on the planet, more common than an infant's first word ma or the ever-present beverage Coke. It was even the first word spoken on the moon. It is "OK"--the most ubiquitous and invisible of American expressions, one used countless times every day. Yet few of us know the hidden history of OK--how it was coined, what it stood for, and the amazing extent of its influence. Allan Metcalf, a renowned popular writer on language, here traces the evolution of America's most popular word, writing with brevity and wit, and ranging across American history with colorful portraits of the nooks and crannies in which OK survived and prospered. He describes how OK was born as a lame joke in a newspaper article in 1839--used as a supposedly humorous abbreviation for "oll korrect" (ie, "all correct")--but should have died a quick death, as most clever coinages do. But OK was swept along in a nineteenth-century fad for abbreviations, was appropriated by a presidential campaign (one of the candidates being called "Old Kinderhook"), and finally was picked up by operators of the telegraph. Over the next century and a half, it established a firm toehold in the American lexicon, and eventually became embedded in pop culture, from the "I'm OK, You're OK" of 1970's transactional analysis, to Ned Flanders' absurd "Okeley Dokeley!" Indeed, OK became emblematic of a uniquely American attitude, and is one of our most successful global exports. "An appealing and informative history of OK." --Washington Post Book World "After reading Metcalf's book, it's easy to accept his claim that OK is 'America's greatest word.'" --Erin McKean, Boston Globe "Entertaininga treat for logophiles." --Kirkus Reviews "Metcalf makes you acutely aware of how ubiquitous and vital the word has become." --Jeremy McCarter, Newsweek
Examines the phenomenon of new word creation, offering criteria for predicting the success of new words and including the American Dialect Society's listing of words of the year from 1991 to 2001.
Machine generated contents note: -- 1. Introduction: Speaking of the Generations -- 2. The Republican Generation - (born 1742-1766) -- 3. The Compromise Generation - (born 1767-1791) -- 4. The Transcendental Generation - (born 1792-1821) -- 5. The Gilded Generation - (born 1822-1842) -- 6. The Progressive Generation - (born 1843-1859) -- 7. The Missionary Generation - (born 1860-1882) -- 8. The Lost Generation - (born 1883-1900) -- 9. The G.I. Generation - (born 1901-1924) -- 10. The Silent Generation - (born 1925-1942) -- 11. The Boom Generation - (born 1943-1960) -- 12. The Thirteenth Generation, or Generation X - (born 1961-1981) -- 13. The Millennial Generation, or Generation Y - (born 1982-2004) -- 14. The Homeland Generation - (born 2005-current).
An international tour of words that have shaped the English language explores the etymology of words such as paradise, siesta, geyser, justice, tattoo, and zombie, revealing their often fascinating origins in foreign cultures.
Perhaps more than anyone else, politicians are what they say — and how they say it. In Presidential Voices, Metcalf examines both how the presidents have spoken to the American public and how the American public has wanted its presidents to speak. Drawing on a wide variety of sources, Metcalf shows what contemporaries have said about the chief speakers in the White House. He explores the distinctive words that our presidents favored (and in many cases coined), along with the regional accents that livened the Oval Office. In addition, he uncovers the hidden influence of speechwriters and the changing media on how presidents present themselves to voters. He concludes his survey of presidential speech with entertaining linguistic portraits of all forty-three presidents. From Silent Cal to the Great Communicator, Presidential Voices sheds new and original light on the ways in which our commanders in chief have commanded the language. After reading this book, you will never again take what our president says for granted.
Had you said "What a guy!" in 17th-century England, anyone would have understood you were admiring a flaming effigy of Guy Fawkes of the Gunpowder Treason Plot. How times have changed! In America and, indeed, most of the English-speaking world, "guy" is so embedded in daily speech that we scarcely notice how odd it truly is: a singular "guy" referring to males only, a plural "guys" encompassing the entire human race. The journey from England's greatest villain to America's favorite second-person plural pronoun offers a story rich with surprising and unprecedented turns. Through his trademark breezy, highly readable style, acclaimed writer Allan Metcalf takes us deep into this history, uncovering the intrigue, murderous plots, and torture out of which the word emerged in 1605. From there, it's a thrilling run through 17th-century England, bloody religious controversies, and across the Atlantic to America, where the word took on a life of its own, exploding into popular culture and day-to-day conversation. From the disappearance of thou, to George Washington and the American Revolution, to the modern revival of Guy Fawkes in V for Vendetta, Metcalf explores the improbable history of a simple word so indispensable to our daily lives, and that evokes deep insights into the evolution of English itself.
A professor of English and expert on American language examines the broad sweep of presidential speech, identifying the various ways in which presidents have communicated with the American public and their rhetorical expectations of his role. Original.
This book presents a unique historical view of American English. It chronicles year by year the contributions Americans have made to the vocabulary of English and the words Americans have embraced through the evolution of the nation. For important years from the settlement of Jamestown until 1750, and for every year from 1750 through 1998, a prominent word is analyzed and discussed in its historical context. The result is a fascinating survey of American linguistic culture through past centuries. The authors -- both lifelong students of American English -- bring great depth of understanding to these key words that have made America, and American English, what they are today.
Guy"" and ""guys"" are used so ubiquitously in daily conversation, we scarcely notice them. But both derive from the name of England's greatest terrorist, Guy Fawkes. Acclaimed expert on words Allan Metcalf dives deep into the strange and unprecedented history of America's favorite and most controversial pronoun. Along the way, a cast of characters as interesting as Guy Fawkes himself make an appearance, including kings and queens of England, popes, George Washington, show tunes' crooners, and today's Occupy protesters.
Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019 MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020 Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.
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