Why did Karl Marx want to exclude politics and the market from his vision of a future socialism? In Karl Marx: The Burden of Reason, Allan Megill begins with this question. Megill's examination of Marx's formative writings casts new light on Marx's relation to philosophy and reveals a hitherto largely unknown 'rationalist' Marx. In demonstrating how Marx's rationalism permeated his attempts to understand politics, economics, and history generally, Megill forces the reader to rethink Marx's entire intellectual project. While Megill writes as an intellectual historian and historian of philosophy, his highly original redescription of the Marxian enterprise has important implications for how we think about the usability of Marx's work today. Karl Marx: The Burden of Reason will be of interest to those who wish to reflect on the fate of Marxism during the era of Soviet Communism. It will also be of interest to those who wish to discern what is living and what is dead, what is adequate and what requires replacement or supplementation, in the work of a figure who, in spite of everything, remains one of the greatest philosophers and social scientists of the modern world.
In the past thirty years, historians have broadened the scope of their discipline to include many previously neglected topics and perspectives. They have chronicled language, madness, gender, and sexuality and have experimented with new forms of presentation. They have turned to the histories of non-Western peoples and to the troubled relations between “the West” and the rest. Allan Megill welcomes these developments, but he also suggests that there is now confusion among historians about what counts as a justified account of the past. In Historical Knowledge, Historical Error, Megill dispels some of the confusion. Here, he discusses issues of narrative, objectivity, and memory. He attacks what he sees as irresponsible uses of evidence while accepting the art of speculation, which incomplete evidence forces upon historians. Along the way, he offers succinct accounts of the epistemological road historians have traveled from Herodotus and Thucydides through Leopold von Ranke and Alexis de Tocqueville, and on to Hayden White, Natalie Zemon Davis, and Lynn Hunt.
In this book, the author presents an interpretation of four thinkers: Nietzsche, Heidegger, Foucault, and Derrida. In an attempt to place these thinkers within the wider context of the crisis-oriented modernism and postmodernism that have been the source of much of what is most original and creative in twentieth-century art and thought.
Why did Karl Marx want to exclude politics and the market from his vision of a future socialism? In Karl Marx: The Burden of Reason, Allan Megill begins with this question. Megill's examination of Marx's formative writings casts new light on Marx's relation to philosophy and reveals a hitherto largely unknown 'rationalist' Marx. In demonstrating how Marx's rationalism permeated his attempts to understand politics, economics, and history generally, Megill forces the reader to rethink Marx's entire intellectual project. While Megill writes as an intellectual historian and historian of philosophy, his highly original redescription of the Marxian enterprise has important implications for how we think about the usability of Marx's work today. Karl Marx: The Burden of Reason will be of interest to those who wish to reflect on the fate of Marxism during the era of Soviet Communism. It will also be of interest to those who wish to discern what is living and what is dead, what is adequate and what requires replacement or supplementation, in the work of a figure who, in spite of everything, remains one of the greatest philosophers and social scientists of the modern world.
In this book, the author presents an interpretation of four thinkers: Nietzsche, Heidegger, Foucault, and Derrida. In an attempt to place these thinkers within the wider context of the crisis-oriented modernism and postmodernism that have been the source of much of what is most original and creative in twentieth-century art and thought.
One of the powers of art is its ability to convey the human aspects of political events. In this fascinating survey on art, artists, and anarchism, Allan Antliff interrogates critical moments when anarchist artists have confronted pivotal events over the past 140 years. The survey begins with Gustave Courbet’s activism during the 1871 Paris Commune (which established the French republic) and ends with anarchist art during the fall of the Soviet empire. Other subjects include the French neoimpressionists, the Dada movement in New York, anarchist art during the Russian Revolution, political art of the 1960s, and gay art and politics post-World War II. Throughout, Antliff vividly explores art’s potential as a vehicle for social change and how it can also shape the course of political events, both historic and present-day; it is a book for the politically engaged and art aficionados alike. Allan Antliff is the author of Anarchist Modernism.
In this definitive and meticulously researched account of the Jewish experience in Canada, award-winning and critically acclaimed author Allan Levine documents a story that is rich, accessible, often surprising, and epic in its scope. Relying on an abundance of primary sources and first-hand documentation and interviews, Seeking the Fabled City chronicles the successes and failures, the obstacles overcome and those not conquered, of a historic journey and the people who travelled it. Seeking the Fabled City is a story that unfolds over 250 years--from the decade after the conquest of New France in 1759, when small numbers of Sephardic Jews of Spanish and Portuguese descent arrived in British North America, through the great wave of Russian and Eastern European Jewish immigration at the turn of the twentieth century, to the present, in which Canada's large Jewish community, no longer hindered by the anti-Semitism of the past, is free to flourish. This is a chronicle of a people that takes place at hundreds of locales across the country--mainly in the large urban centres of Montreal, Toronto, Vancouver, and Winnipeg, but also in west coast and maritime villages and tiny prairie towns--in a riveting drama with a cast of thousands. Relying on an abundance of primary sources and first-hand documentation and interviews, Seeking the Fabled City chronicles the successes and failures, the obstacles overcome and those not conquered, of a historic journey and the people who travelled it.
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