Fin de siecle Vienna was once memorably described by Karl Kraus as a "proving ground for the destruction of the world." In the decades leading to the World War that brought down the Austro-Hungarian empire, the city was at once an operetta dream world masking social and political problems and tension, as well as a center for the far-reaching explorations and innovations in music, art, science, and philosophy that would help to define modernity. One of the most powerful critiques of the retreat into fantasy was that of the philosopher Ludwig Wittgenstein, whose early career in Vienna has helped frame debates about ethical and aesthetic values in culture. In Wittgenstein's Vienna Revisited Allan Janik expands upon his work Wittgenstein's Vienna (co-authored with Stephen Toulmin) to amplify a number of significant points concerning the genesis of Wittgenstein's thought, the nature of Viennese culture, and criticism of contemporary culture. Although Wittgenstein is the central figure in this volume, Janik places considerable emphasis on other influential figures, both Viennese and non-Viennese, in order to break down some of the persistent stereotypes about the philosopher and his surrounding culture, especially the myths of "carefree" Vienna and Wittgenstein the positivist. The persistence of these myths, in Janik's view, stems in part from the inability of many historians to differentiate past from present in the evaluation of intellectual currents. Janik reviews a number of figures overlooked in assessing Wittgenstein: Otto Weininger, Kraus, Schoenberg, Nietzsche, Wagner, Ibsen, Offenbach, and Georg Trakl. All of these, Janik demonstrates, are absolutely necessary to understand what was at stake in the debates on aestheticism and the critique of a modern culture. Wittgenstein's efforts to recognize the limits of thought and language and thus to be fair to science, religion, and art account for his place of honor among critical modernists. These essays elucidate Wittgenstein's perspective on our culture.
Otto Weininger (1880-1903) is the most controversial figure to emerge from fin de siècle Vienna. The son of a Jewish goldsmith, he studied philosophy and psychology at the University of Vienna and spoke six languages by the time he was 21. After receiving his Ph.D. in 1902, he converted to Christianity and, in 1903, he published his book Sex and Character—a groundbreaking and highly provocative study that would come to influence Adolf Hitler, Ludwig Wittgenstein, and James Joyce, among others. As troubled as he was brilliant, Weininger took his own life on October 3, 1903, leaving behind a small number of works, an array of challenging ideas, and many unanswered questions. In Hitler’s Favorite Jew, Professor Allan Janik draws upon a half-century of research to explore the life and legacy of Otto Weininger, and to illuminate his outsized impact on some of the greatest thinkers and the greatest monster of the twentieth century. Janik explains how Weininger came to write his bizarre book featuring outrageous claims about women and Jews, and argues that, contrary to the received wisdom, Weininger’s true goal was progressive and humanistic. With its deep insights into both Weininger the man and Viennese intellectual life at the turn of the century, Hitler’s Favorite Jew offers a rich and multifaceted portrait that challenges our ideas about sexuality, the nature of anti-Semitism, and the puzzle of human identity.
This is a remarkable book about a man (perhaps the most important and original philosopher of our age), a society (the corrupt Austro-Hungarian Empire on the eve of dissolution), and a city (Vienna, with its fin-de siècle gaiety and corrosive melancholy). The central figure in this study of a crumbling society that gave birth to the modern world is Wittgenstein, the brilliant and gifted young thinker. With others, including Freud, Viktor Adler, and Arnold Schoenberg, he forged his ideas in a classical revolt against the stuffy, doomed, and moralistic lives of the old regime. As a portrait of Wittgenstein, the book is superbly realized; it is even better as a portrait of the age, with dazzling and unusual parallels to our own confused society. “Allan Janik and Stephen Toulmin have acted on a striking premise: an understanding of prewar Vienna, Wittgenstein's native city, will make it easier to comprehend both his work and our own problems....This is an independent work containing much that is challenging, new, and useful.”—New York Times Book Review.
The essay entitled "Writing about Weininger" (pp. 96-115) is a critique of Jacques Le Rider's book "Le Cas Otto Weininger: Racines de l'antiféminisme et de l'antisémitisme" (Paris, 1982). Argues that Le Rider did not treat the issues raised in Weininger's "Geschlecht und Charakter" in their historical-philosophical context, judging them, instead, by current moral standards as antisemitic, anti-feminist, and irrational. Denies Le Rider's claim that Weininger influenced Hitler and that he was a self-hating Jew.
Otto Weininger was an Austrian philosopher whose provocative book Sex and Character suggested that all humans had both male and female characteristics, while also equating femininity with "Jewishness"-an idea seized on by the Nazis. In Hitler's Favorite Jew: The Enigma of Otto Weininger, Professor Allan Janik draws upon a half century of research to explore the life and work of this highly controversial figure, shedding new light on his intellectual development and beliefs, and questioning the accepted interpretation of Weininger's ideas-assertions that have fueled the fires of male chauvinism and racial bigotry for a hundred years.
Wittgenstein in Vienna" documents Wittgenstein's life in the city: the places he, his family and those with whom he was in contact, lived, worked, entertained and socialized. The book will be a source of enrichment to the cultural tourist in Vienna. Its authors are authorities on Wittgenstein's philosophy especially in relation to Viennese culture and popular culture, in particular the world of the coffee house and cabaret.
“Filled with insights into the social, historical, and economic forces responsible for the overmedicalization of human unhappiness and distress.” —George Graham, Metapsychology In this surprising book, Allan V. Horwitz argues that our current conceptions of mental illness as a disease fit only a small number of serious psychological conditions and that most conditions currently regarded as mental illness are cultural constructions, normal reactions to stressful social circumstances, or simply forms of deviant behavior. “Thought-provoking and important . . . Drawing on and consolidating the ideas of a range of authors, Horwitz challenges the existing use of the term mental illness and the psychiatric ideas and practices on which this usage is based . . . Horwitz enters this controversial territory with confidence, conviction, and clarity.” —Joan Busfield, American Journal of Sociology “Horwitz properly identifies the financial incentives that urge therapists and drug companies to proliferate psychiatric diagnostic categories. He correctly identifies the stranglehold that psychiatric diagnosis has on research funding in mental health. Above all, he provides a sorely needed counterpoint to the most strident advocates of disease-model psychiatry.” —Mark Sullivan, Journal of the American Medical Association “Horwitz makes at least two major contributions to our understanding of mental disorders. First, he eloquently draws on evidence from the biological and social sciences to create a balanced, integrative approach to the study of mental disorders. Second, in accomplishing the first contribution, he provides a fascinating history of the study and treatment of mental disorders . . . from early asylum work to the rise of modern biological psychiatry.”— Debra Umberson, Quarterly Review of Biology
Every man has the capacity to grow facial hair, but the decision to do so has always come with layers of meaning. Facial hair has traditionally marked a passage into manhood, but its manifestations have been determined by class, religion, history and occupational status. In the end, the act of displaying facial hair is still regarded as a form of ultimate cool. With wit and insight, One Thousand Beards delves into the historical, contemporary and cultural meaning of facial hair in all of its forms, complete with numerous photographs and illustrations.
With internationalist aspirations and wide-ranging historical perspectives, East German films about artists and their work became hotly contested spaces in which filmmakers could look beyond the GDR and debate the impact of contemporary cultural policy on the reception of their pre-war cultural heritage. Spanning newsreels, documentaries, and feature films, Screening Art is the first full-length investigation into a genre that has been largely overlooked in studies of DEFA, the state-owned Eastern German film studio. As it shows, “artist-films” played an essential role in the development of new paradigms of socialist art in postwar Europe.
This trusted, authoritative reference for mental health clinicians and students is now in a thoroughly revised third edition. Using vivid case scenarios, Allan E. Barsky explains when and why clinicians may be called to participate in legal proceedings. He describes and illustrates best practices for record keeping, responding to subpoenas, preparing reports, giving testimony as a fact witness or expert witness, managing ethical dilemmas, and reducing malpractice risks. Appendices feature reproducible agreements and other sample documentation. Readers can download and print these materials at the companion website, which also offers additional case examples, learning activities, and resources. A supplemental test bank is available on request to instructors who adopt the book for courses. Key Words/Subject Areas: mental health law, legal issues in clinical practice, psychotherapists, forensic psychology, psychologists, social workers, being an expert witness, dealing with malpractice suits, lawsuits, proceedings, confidentiality, protecting client records, family Audience: Clinical psychologists, social workers, counselors, psychiatrists, and child welfare professionals; also of interest to forensic psychologists and psychiatrists"--
Samuels and Ropper's Neurological CPCs from the New England Journal of Medicine is a collection of clinicopathological cases (CPCs) authored by two of the most frequent discussors of the storied "Clinical Pathologic Conference" first introduced by Richard Cabot in the early 1900s and published in the "New England Journal of Medicine." In one concise volume, the authors present 18 cases, assembled chronologically, that encompass the wider variety of neurologic conditions encountered by every resident and practicing clinician. Each case concludes with a modern perspective to bring the classic case in to a modern setting. These cases exemplify the traditional method of neurologic diagnosis and are the perfect catalyst with which to stimulate discussions with students and residents as well as a supplement to standardized course material.
Prepare for the oral boards with the thoroughly updated Clinical Cases in Anesthesia. This comprehensive and current anesthesia review tool presents case studies representing today's most commonly encountered clinical situations, equipping you to master the latest anesthesia treatment protocols and practice guidelines and achieve your very best score. - Learn the most practical solutions to contemporary problems, and understand the relevant scientific and clinical principles, through actual case studies presented in a helpful Q&A format. - Review the most recent knowledge with updated coverage of the cardiovascular, respiratory, and central nervous system; updated abdomen, trauma, and post-anesthesia care sections; and a completely new section on critical care. - Stay abreast of the latest treatment options, practice guidelines, and pharmacology information with comprehensive updates throughout.
This new edition of Pediatric Gastrointestinal Disease is dedicated to the maintenance of a comprehensive approach to the practice of Pediatric Gastroenterology. Considered to be the definitive reference work, this fourth edition has been extensively reviewed. As a result, the size and content of various sections have been modified and new ......
Containing more than three hundred poems, including nearly a hundred previously unpublished works, this unique collection showcases the intellectual range of Claude McKay (1889-1948), the Jamaican-born poet and novelist whose life and work were marked by restless travel and steadfast social protest. McKay's first poems were composed in rural Jamaican creole and launched his lifelong commitment to representing everyday black culture from the bottom up. Migrating to New York, he reinvigorated the English sonnet and helped spark the Harlem Renaissance with poems such as "If We Must Die." After coming under scrutiny for his communism, he traveled throughout Europe and North Africa for twelve years and returned to Harlem in 1934, having denounced Stalin's Soviet Union. By then, McKay's pristine "violent sonnets" were giving way to confessional lyrics informed by his newfound Catholicism. McKay's verse eludes easy definition, yet this complete anthology, vividly introduced and carefully annotated by William J. Maxwell, acquaints readers with the full transnational evolution of a major voice in twentieth-century poetry.
Wittgenstein in Vienna" documents Wittgenstein's life in the city: the places he, his family and those with whom he was in contact, lived, worked, entertained and socialized. The book will be a source of enrichment to the cultural tourist in Vienna. Its authors are authorities on Wittgenstein's philosophy especially in relation to Viennese culture and popular culture, in particular the world of the coffee house and cabaret.
Fin de siecle Vienna was once memorably described by Karl Kraus as a "proving ground for the destruction of the world." In the decades leading to the World War that brought down the Austro-Hungarian empire, the city was at once an operetta dream world masking social and political problems and tension, as well as a center for the far-reaching explorations and innovations in music, art, science, and philosophy that would help to define modernity. One of the most powerful critiques of the retreat into fantasy was that of the philosopher Ludwig Wittgenstein, whose early career in Vienna has helped frame debates about ethical and aesthetic values in culture. In Wittgenstein's Vienna Revisited Allan Janik expands upon his work Wittgenstein's Vienna (co-authored with Stephen Toulmin) to amplify a number of significant points concerning the genesis of Wittgenstein's thought, the nature of Viennese culture, and criticism of contemporary culture. Although Wittgenstein is the central figure in this volume, Janik places considerable emphasis on other influential figures, both Viennese and non-Viennese, in order to break down some of the persistent stereotypes about the philosopher and his surrounding culture, especially the myths of "carefree" Vienna and Wittgenstein the positivist. The persistence of these myths, in Janik's view, stems in part from the inability of many historians to differentiate past from present in the evaluation of intellectual currents. Janik reviews a number of figures overlooked in assessing Wittgenstein: Otto Weininger, Kraus, Schoenberg, Nietzsche, Wagner, Ibsen, Offenbach, and Georg Trakl. All of these, Janik demonstrates, are absolutely necessary to understand what was at stake in the debates on aestheticism and the critique of a modern culture. Wittgenstein's efforts to recognize the limits of thought and language and thus to be fair to science, religion, and art account for his place of honor among critical modernists. These essays elucidate Wittgenstein's perspective on our culture.
This is a remarkable book about a man (perhaps the most important and original philosopher of our age), a society (the corrupt Austro-Hungarian Empire on the eve of dissolution), and a city (Vienna, with its fin-de siècle gaiety and corrosive melancholy). The central figure in this study of a crumbling society that gave birth to the modern world is Wittgenstein, the brilliant and gifted young thinker. With others, including Freud, Viktor Adler, and Arnold Schoenberg, he forged his ideas in a classical revolt against the stuffy, doomed, and moralistic lives of the old regime. As a portrait of Wittgenstein, the book is superbly realized; it is even better as a portrait of the age, with dazzling and unusual parallels to our own confused society. “Allan Janik and Stephen Toulmin have acted on a striking premise: an understanding of prewar Vienna, Wittgenstein's native city, will make it easier to comprehend both his work and our own problems....This is an independent work containing much that is challenging, new, and useful.”—New York Times Book Review.
The essay entitled "Writing about Weininger" (pp. 96-115) is a critique of Jacques Le Rider's book "Le Cas Otto Weininger: Racines de l'antiféminisme et de l'antisémitisme" (Paris, 1982). Argues that Le Rider did not treat the issues raised in Weininger's "Geschlecht und Charakter" in their historical-philosophical context, judging them, instead, by current moral standards as antisemitic, anti-feminist, and irrational. Denies Le Rider's claim that Weininger influenced Hitler and that he was a self-hating Jew.
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