Using near-death experiences as a springboard into an in-depth discussion of five key areas of awareness, this guide explains how to recognize and demystify these seemingly inexplicable events. Readers are shown how to properly extract the lessons of a near-death experience through reflection and cultivate five key concepts: gratitude, humility, beauty, innocence, and a sense of place in the world. By visually connecting each of these ideas together in the shape of a five-point star, the author demonstrates how these key insights are interlinked, each supporting and adding value to the others, with the open area inside representing love. Brief but eloquent, it addresses a popular and important topic without overly-sentimental or religious overtones.
A combination of therapy and expertise in literature, this book explains the six archetypes derived from 4,000 years of literature and how they may guide unhappy people seeking meaning in their lives. Holding up the great books as the best way to understand these timeless story elements, the discussion devotes a chapter to each of the six archetypes; the innocent, the orphan, the pilgrim, the warrior-lover, the monarch pair, and the magician. Story structures are shown to be particularly suited to therapy with adolescents, many of whom have never stepped away from television and the shopping mall long enough to understand their unmet spiritual needs.
From daily activities such as work and eating to milestones such as graduation and marriage, this discussion debates the myths that guide lifestyles and questions why they exist in the first place. Each belief is broken down and examined in terms of how it works, exposing its true nature so that its value and necessity in culture as well as the way it operates can be determined. This unique self-help guide demonstrates how to reinvent old, outdated rituals; get rid of those rites that are entirely ineffective; and create new habits that provide a deeper meaning to everyday life. A gateway to finding a better understanding of what contributes to healthier relationships, this guide to rituals paves the way to sustaining a fulfilling and happy life.
Analyzing the ways in which the Grimm brothers' tales provide real, vital insights into how to live more happily, understand the need for personal and psychological growth, and find that significant other, this innovative study revives the true healing nature of these beloved tales. Combining enjoyment of these tales with insightful research, this exploration uses actual case histories to show how the odd and bizarre episodes in fairy tales are actually astounding renditions of human behaviors that occur during times of crisis. It also shows how the six archetypal stages of psychological development are present both in these tales and in everyday life. Contrary to common, contemporary fairy tale re-creations, this study discusses how the Grimm brothers’ stories deal with topics such as dysfunctional family dynamics, sexual jealousy, narcissism, incest, rape, and personal growth from trauma to wellness--noting that Cinderella didn’t have a fairy godmother and frogs were never kissed.
Addressing the need to understand the role of love in life, this compendium of startling insights relates love to the spiritual development in each of six universal archetypes. Attempting to answer such questions as What is love? How do we find it and how can we keep it? Why are there so many puzzling forms of it? and Why do so many people get it so wrong?, the book shows how love relates to the self-awareness in spiritual development for each archetype. Whether describing an Innocent, a Magician, a Monarch, an Orphan, a Pilgrim, or a Warrior-Lover, the featured archetype profiles offer essential guidance about what level of awareness is currently being lived, how to transition to the next stage, and how love can be nurtured. Each stage of development is tied to the ancient wisdom of the Tarot--the visual images of which act as reminders as to what to expect on life's journey--supported by real-life and pop culture examples that provide more immediate accessibility.
Based on a series of courses developed over a 15-year period, writing exercises take readers beneath the surface and offer a way to get back into harmony with themselves. Techniques described grew out of the author's work as an English teacher and as a counselor dealing with people who are emotionally disturbed, learning disabled, and imprisoned. No index. Annotation copyrighted by Book News, Inc., Portland, OR
First published in 1983, this book explores a number of avenues of critical thinking about Joseph Conrad, showing him as an author deeply concerned with humankind’s ethical motivation and its relationship with the ideas of evolution current in his day. Allan Hunter establishes Conrad’s detailed knowledge of the leading evolutionary arguments of the period and the main questions posed: were ethics God-given or were morals merely an evolved attribute? His novels are shown as debates with, and extensions of, the theories of Huxley, Darwin, Carlyle, Spencer, Lombroso and others on the nature of humanity and altruism.
A combination of Jungian study, literary analysis, and therapy, this guide offers a powerful vision for capitalizing on synchronicity to instill peace in the self and the world. Synchronous moments are more than pure chance, coincidence, and dumb luck; this book shows that by recognizing them as a connection to a much larger, older pattern, readers can use the myths of culture and 1,000-year-old civilizations to guide themselves out of suffering and into tranquility. Starting with a new explanation of synchronicity and then offering practical instructions and exercises to tap into this collective wisdom, the book helps readers identify the mythic patterns that guide humanity, allowing them to face inner monsters without fear, convert them into love and compassion, and relax as part of a universal harmony.
Derek is a girl. He wasn’t one of the boys as a kid. He admired, befriended, and socialized with the girls and always knew he was one of them, despite being male. That wasn’t always accepted or understood, but he didn’t care—he knew who he was. Now he’s a teenager and boys and girls are flirting and dating and his identity has become a lot more complicated: he’s attracted to the girls. The other girls. The female ones. This is Derek’s story, the story of a different kind of male hero—a genderqueer person’s tale. It follows Derek from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque. This century’s first decade saw many LGBT centers and services rebranding themselves as LGBTQ. The “Q” in LGBTQ is a new addition. It represents other forms of “queer” in an inclusive wave-of-the hand toward folks claiming to vary from conventional gender and orientation, such as genderqueer people. People who are affirmatively tolerant on gay, lesbian and transgender issues still ask “Why do we need to add another letter to the acronym? Isn’t anyone who isn’t mainstream already covered by ‘gay’ or ‘lesbian’ or ‘bisexual’ or ‘trans’? I’m all in favor of people having the right to call themselves whatever they want, but seriously, do we need this term?” Derek’s tale testifies to the real-life relevance of that “Q.” This is a genderqueer coming-of-age and coming-out story from an era long before genderqueer was trending.
Bill Staniforth is being harassed by a former colleague he once counseled, Miriam. What starts as an embarrassing annoyance for a man in an upwardly mobile neighborhood - hang up phone calls at all hours, his answering machine clogged with love messages - adds stress to his already tense marriage. For Bill's wife Holly has her own discontentments as she struggles to find meaning in work that is often uninspiring. Working at a struggling feminist publication that can barely afford to pay her she finds she's doing more busy work than she wants, and far less writing than she'd like. In her frustration she wants someone or something to blame. She decides that Miriam must have been Bill's lover, and that's why she can't leave him alone. With Bill too preoccupied to give her the attention she needs Holly pours out her woes a neighbor. A sympathetic ear becomes something more insidious, and soon the flirtation becomes an affair. Miriam, busy spying on Bill, discovers this and decides that the only way she can liberate Bill from his marriage is by blackmailing his wife. Miriam spends more and more time stalking Bill and doing New Age Druid rituals to bring him to her until her ex-husband, incensed by her neglect of their children, argues with her and strikes her. She recoils, hits her head on a door frame, and later that evening slips into a coma. The police are called in and they consider it attempted murder. They search Miriam's apartment, find the photographs she was using in her blackmail attempt, and Bill is arrested as a suspect. In jail, abandoned by wife and friends, and able to hire a decent lawyer only at the cost of bankrupting himself, Bill is forced to reasses every aspect of his life. Fighting off a rape attempt by two fellow inmates, Bill is reduced to thinking only about his day to day survival. When Miriam recovers consciousness Bill's innocence is established and he is released. He returns to his empty house. Holly has left him, he's lost his job, and he has to sell the house to pay his legal costs. His next door neighbor, Sue, takes him in. This is when he begins to learn personally about healing, about compassion, and about love. Miriam comes to claim Bill, believing they were lovers in a previous incarnation. When he refuses her she makes a final bid to win him. In the middle of the night she uses a Druid fire ceremony to release him from his other attachments, placing candles and oil lamps all around the house. The breeze blows over several lamps and the flames get out of hand. Bill awakes to find the house on fire. He manages to get everyone out of the house but is badly burned. Miriam is confined to an asylum, and Bill recovers to marry Sue.
Thanks to the perseverance and editorial effort of his son Allan, Jim Hunter's splendid war memoirs of flying and captivity can now be enjoyed by a wider audience. In the first part there is the account of his flying career in RAF Coastal Command, culminating in an extraordinarily brave attack by him and his Beaufighter on the German battle cruiser Scharnhorst. Shot down, he became a POW and the second half tells of his experiences in Stalag Luft 3.All this and more make From Coastal Command to Captivity a superb read and a late, but great, addition to the bibliography of POW life during the Second World War.
The Sixth Catrin Sayer Mystery. Detective Inspector Catrin Sayer now leads art investigation within the prestigious Art and Antiques Unit of the London Metropolitan Police. Her team is suddenly assigned to assist Trident, the organized crime unit, at a crime scene in East London where a valuable painting has been discovered. It is a suspicious death; a young woman has fallen from the balcony of an apartment owned by a gang leader. The painting has links to a drug gang in Glasgow where, some years earlier, Sayer was part of an investigation that led to the imprisonment of its leaders. Now she is sent to Scotland to conduct interviews of the gang leader and his accountant, with instructions to ‘stir them up a bit’. She does; and it has surprising consequences.
Philip Bertram Murray Allan (1884-1973), who also wrote under the pseudonyms Francis Cabochon and Alban M. Phillip, was a British author. His works include: The Pilgrims Books (16 volumes) (1919), The Book-Hunter at Home (1920), A Boys Book of Verse (written as Alban M. Phillip) (edited) (1924), Book of Loneliness (1926), The Prison- Breakers (written as Alban M. Phillip) (1927), The Golden Ladies of Pampeluna (written as Francis Cabochon) (1934), Trout Heresy (1936), Moth- Hunters Gossip (1937), Talking of Moths (1943) and Moths and Memories (1948).
When a mysterious book comes into their possession, strange things begin to happen to ninth-graders Hunter, Stretch, and Stubbs, from a strange janitor and a supernatural book to a disappearing bookstore.
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