Through a close and informative reading of seven key texts in Acts, Kauppi analyses the appearances of Graeco-Roman religion, offering evidence of practices including divination and oracles, ruler cult and civic foundation myth. Foreign But Familiar Gods then uses a combination of these scriptural texts and other contemporary evidence (including archaeological and literary material) to suggest that one of Luke's subsidiary themes is to contrast Graeco-Roman and Christian religious conceptualizations and practices.
This thoroughly revised third edition of Allan F. Moore's ground-breaking book, now co-authored with Remy Martin, incorporates new material on rock music theory, style change and the hermeneutic method developed in Moore’s Song Means (2012). An even larger array of musicians is discussed, bringing the book right into the 21st century. Rock's 'primary text' – its sounds – is the focus of attention here. The authors argue for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock, punk rock, metal and subsequent styles. They also explore the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.
This title was first published in 2001: Revised to respond to developments within the discipline and with new material added to reflect the author's and others' further work in this field, this book's focus remains British rock. Its aims are: to establish analytic criteria for rock as a whole; to provide a historicized discussion of British rock; and to enable a critical re-evaluation of progressive rock itself. This book has been written in the conviction that, with "rock" criticism and commentary in general, insufficient attention is paid to what the author calls the "primary text" - that constituted by the sounds themselves, as opposed to commentaries on them. In the first chapter, Allan Moore argues for the development of a musicology particular to rock, which may share aspects of established musicology, but which acknowledges that rock differs in its purposes, publics and aims. The primary elements of such a musicology are then laid out in Chapter 2. Next, there are critiques of rock myths of authenticity and unmediated expression. These are centred on the ideological appropriation of the ethos and techniques of the "blues", and extend to discussions of a range of more recent rock styles. The crucial role played by authenticity in the reception of rock is considered at more length in Chapter 5.
This thoroughly revised second edition of Allan Moore's ground-breaking book features new sections on melody, Britpop, authenticity, intertextuality, and an extended discussion of texture. Rock's 'primary text' - its sounds - is the focus of attention here. Allan Moore argues for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock and subsequent styles. He also explores the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.
Perfect for fans of Patrick O'Brian, Bernard Cornwell and CS Forester, another engrossing Matthew Hervey adventure from the pen of THE SUNDAY TIMES BESTSELLING AUTHOR Allan Mallinson. "Captain Matthew Hervey is as splendid a hero as ever sprang from an author's pen." -- THE TIMES "I enjoyed the adventure immensely...As compelling, vivid and plausible as any war novel I've ever read" -- DAILY TELEGRAPH "With this intelligent but pacy book, Brigadier Mallinson stays well on course to be regarded as the landlubbers' Patrick O'Brian" - SUNDAY TELEGRAPH "Highly enjoyable novel. Great story. Thoroughly recommend for lovers of adventure novels." -- ***** Reader review "An amazing author with an extraordinary knowledge and ability to recreate the famous wars of the late 18 and 19th centuries. A really worthwhile read, as indeed is the whole series" -- ***** Reader review ********************************************* Portugal 1826: Newly returned from India, Matthew Hervey joins a party of officers sent to lend support to the Portuguese regent. But the Peninsula is a place redolent with memories. For it was here as a seventeen-year-old cornet that Hervey had his first taste of military action: the French had forced the British army into humiliating retreat until, under the leadership of Sir John Moore, they made a defiant stand at Corunna. As he prepares for battle once more, Hervey finds himself confronting ghosts from his past... Rumours of War is the six book in Allan Mallinson's Matthew Hervey series. His adventures continue in An Act of Courage. Have you read his previous adventures A Close Run Thing, The Nizam's Daughters, A Regimental Affair, A Call to Arms and The Sabre's Edge?
Making British Culture explores an under-appreciated factor in the emergence of a recognisably British culture. Specifically, it examines the experiences of English readers between around 1707 and 1830 as they grappled, in a variety of circumstances, with the great effusion of Scottish authorship – including the hard-edged intellectual achievements of David Hume, Adam Smith and William Robertson as well as the more accessible contributions of poets like Robert Burns and Walter Scott – that distinguished the age of the Enlightenment.
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