Public libraries have strangely never been the subject of an extensive design history. Consequently, this important and comprehensive book represents a ground-breaking socio-architectural study of pre-1939 public library buildings. A surprisingly high proportion of these urban civic buildings remain intact and present an increasingly difficult architectural problem for many communities. The book thus includes a study of what is happening to these historic libraries now and proposes that knowledge of their origins and early development can help build an understanding of how best to handle their future.
The rising prevalence of dementia in the population continues to pose a serious public health challenge in both the developed and the developing world. Previous editions of Dementia have become acknowledged as a key 'gold standard' work in this field, and have had a genuinely international approach. The third edition has been fully revised and upda
This book provides a highly accessible introduction to the main theoretical, empirical and policy issues that emanate from the economic analysis of sport.
Few published collections of Gaelic song place the songs or their singers and communities in context. Brìgh an Òrain - A Story in Every Song corrects this, showing how the inherited art of a fourth-generation Canadian Gael fits within biographical, social, and historical contexts. It is the first major study of its kind to be undertaken for a Scottish Gaelic singer. The forty-eight songs and nine folktales in the collection are transcribed from field recordings and presented as the singer performed them, with an English translation provided. All the songs are accompanied by musical transcriptions. The book also includes a brief autobiography in Lauchie MacLellan's entertaining narrative style. John Shaw has added extensive notes and references, as well as photos and maps. In an era of growing appreciation of Celtic cultures, Brìgh an Òrain - A Story in Every Song makes an important Gaelic tradition available to the general reader. The materials also serve as a unique, adaptable resource for those with more specialized research or teaching interests in ethnology/folklore, Canadian studies, Gaelic language, ethnomusicology, Celtic studies, anthropology, and social history.
Reassesses major axial alignment at many megalithic ritual and funerary monuments (Neolithic to Bronze Age) in Britain and Ireland, not in terms of abstract astronomical concerns, but as an expression of repeated seasonal propitiation involving community, agrarian economy and ancestry in an attempt to mitigate variable environmental conditions.
The follow-up to Alistair Deayton’s David MacBrayne history tells the story of the other constituent company of Cal-Mac. Founded by the Caledonian Railway, the CSP vessels once flourished on the Clyde, sailing to points in Ayrshire, Renfrewshire and Argyll.
Built on research findings and data from a wide variety of empirical and attitudinal sources, this book raises timely issues about elitism, expansion, quality and access in higher education.
The Western Isles belonged to MacBrayne's. Their ships travelling the west coast of Scotland at a time when there were no proper roads. From the earliest vessels to the mighty Columba, this is the story of David MacBrayne.
Mystery City is the sequel to Treasure Trove and is the second book in the Whitborough novel series. Mystery City is a light-hearted story with many threads, a large cast of people, two mischievous dogs and a rhino with depression. It combines comedy with tragedy, as well as mystery and chaos, to culminate in a tongue-in-cheek novel written in the style of popular writers of old. The first book in the Whitborough novels, Treasure Trove, documented the consequences of two men’s bad decisions, which unleash a series of catastrophes that become too great to control. Mystery City continues the story, exploring the consequences of the events in Treasure Trove, covering the actions of the police, Home Office, and the Ministry of Defence. As the investigation into the events of the end of the first book get under way, new characters are drawn into the story, others are revisited and become more prominent in the narrative as the players try to uncover what has happened – and why. While the guilty parties go to ground, positioning themselves for what they assume must be the end game, the hunter become the hunted in this thrilling sequel.
The remote, rugged, rough country of North West Ulster possesses buildings as varied as its landscape. Monuments of the Celtic church - sculptured cross-slabs, high crosses and round towers - and medieval tower houses survive from its earliest centuries. Fortified houses from the Plantation period are succeeded by Georgian mansions, and the richly varied urban and rural buildings of the Victorian period. In its churches both Protestant and Catholic, North West Ulster shows itself no less diverse.
The Secret History of Here is the story of a single place in the Scottish Borders. The site on which Alistair Moffat’s farm now stands has been occupied since prehistoric times. Walking this landscape you can feel the presence and see the marks of those who lived here before. But it is also the story of everywhere. In uncovering the history of one piece of land, Moffat shows how history is all around us, if only we have the eyes to see it. Taking the form of a journal of a year, this is a walk through the centuries as much as the seasons, offering a glimpse into the lives of those who came before, as well as those who live here now.
Ally McCoist is one of Scottish soccer's best-loved characters. In a two-decade career, he won the hearts and minds of legions of fans as he established himself as one of the most popular sporting personalities in the UK. A schoolboy prodigy, it was always clear that McCoist was destined for top flight soccer. At just 16 he signed his first professional contract with St. Johnstone, shooting to prominence in the 1980-81 season, scoring 22 league goals, and playing a starring role for the Scottish youth team. He was soon hot property. After two years of mixed fortunes at Sunderland, McCoist returned to Scotland and signed with his boyhood heroes, the Glasgow Rangers. Over the next fifteen years, he established himself as arguably the greatest goal-scorer ever to play for the club. He not only gave heart and soul for Rangers but was also capped 61 times for Scotland. An authoritative and affectionate portrait of this much-loved sportsman, "Ally McCoist: Rangers Legend" charts the highs and lows of a fascinating career, culminating in McCoist reaching legendary status. It also looks at the events that helped to shape his life overcoming homesickness when first playing for an English club and how he coped when his young son had to undergo several life-saving operations. Having hung up his boots, Ally's vibrant personality made him a natural for the television screen. Now, however, he has come full circle and returned "home" after a successful spell as assistant manager at his beloved Rangers, he has taken over the reins to become manager. This wonderful book is a must-read for any soccer fan, or indeed for anyone captivated by this large-than-life character.
Anzac Memories was first published to acclaim in 1994, and has achieved international renown for its pioneering contribution to the study of war memory and mythology. Michael McKernan wrote that the book gave ‘as good a picture of the impact of the Great War on individuals and Australia as we are likely to get in this generation’, and Michael Roper concluded that ‘an immense achievement of this book is that it so clearly illuminates the historical processes that left men like my grandfather forever struggling to fashion myths which they could live by’. In this new edition Alistair Thomson explores how the Anzac legend has transformed over the past quarter century, how a ‘post-memory’ of the Great War creates new challenges and opportunities for making sense of the national past, and how veterans’ war memories can still challenge and complicate national mythologies. He returns to a family war history that he could not write about twenty years ago because of the stigma of war and mental illness, and he uses newly released Repatriation files to question his own earlier account of veterans’ post-war lives and memories and to think afresh about war and memory.
The authors draw upon a rich life history archive of letters, diaries, personal photographs and oral history interviews with former migrants, including those who settled in Australia and those who returned to Britain. They offer original interpretations of key historical themes, including motivations for emigration; gender relations and the family dynamics of migration; the 'very familiar and awfully strange' confrontation with the new world; the anguish of homesickness and return; and the personal and national identities of both settlers and returnees, fifty years on. --book cover.
Classics stand the test of time, and Alistair Cooke's history of America is a classic. Nearly three decades have passed since the original edition of America -- based on journalist-historian Cooke's extraordinarily popular thirteen-part television series -- sold more than a million copies. Yet Cooke's view of America's dynamic past and its impact upon the always-changing present continues to provide striking insights into the singular character of a nation. Those thirty years since award-winning America first rose to the top of best-seller lists have themselves wrought further dramatic changes. Presidents have been impeached, economies have toppled, empires have collapsed, and towers have fallen. In light of such events, Cooke has written for this new edition a compelling introduction and final chapter that bring his story of America up to date with the wisdom of the inimitably grand old man of correspondents. And what a story this book tells. From the discovery of America by European explorers to modern times; from the fighters for independence to the pioneers who tamed the West; from the slaves who fled to freedom to the huddled masses that sought a new life in the New World. And through it all, Cooke describes the essential forces that make America work so vitally. Updated in light of the September 11th tragedy, this new edition is complimented with full-color illustrations throughout.
This unique “fusion of science and the physical history” traces the story of the Scots through their DNA (Sunday Herald). An almost limitless archive of our history lies hidden inside our bodies, and this book traces the ancient story of Scotland from that scientific viewpoint. The mushrooming of genetic studies, of DNA analysis, is rewriting history in spectacular fashion. In Scotland: A Genetic Journey, Alistair Moffat explores the history that is printed on our genes, and in a remarkable new approach, uncovers the detail of where Scots are from, where they have journeyed, and who they are—and in so doing, vividly colors in a DNA map of Scotland. “[Moffat] is wonderfully able to communicate the epic elements of the story.” —Scotsman
Design of Transient Protection Systems: Including Supercapacitor Based Design Approaches for Surge Protectors is the only reference to consider surge protection for end-user equipment. This book fills the gap between academia and industry, presenting new product development approaches, such as the supercapacitor assisted surge absorber (SCASA) technique. It discusses protecting gear for modern electronic systems and consumer electronics, while also addressing the chain of design, development, implementation, recent theory and practice of developing transient surge protection systems. In addition, it considers all relevant technical aspects of testing commercial surge protectors, advances in surge protection products, components, and the abilities of commercial supercapacitors. - Provides unique, patented techniques for transient protectors based on supercapacitors - Includes recent advances in surge protection - Links scattered information from within academia and industry with new product development approaches on surge protection for end-user equipment
The late 1890s saw Arthur Conan Doyle return to England after several years abroad. His new house, named Undershaw, represented a fresh start but it was also the beginning of a dramatic decade that saw him fall in love, stand for parliament, fight injustice and be awarded a knighthood. However, for his many admirers, the most important event of that decade was the resurrection of Sherlock Holmes - the character that he felt had cast a shadow over his life.
Is this book about patterns? Yes and no. It is about software reuse and representation of knowledge that can be reapplied in similar situations; however, it does not follow the classic Alexandine conventions of the patterns community--i.e. Problem- solution- forces- context- example, etc. Chapter 6 on claims comes close to classic patterns, and the whole book can be viewed as a patterns language of abstract models for software engineering and HCI. So what sort of patterns does it contain? Specifications, conceptual models, design advice, but sorry not code. Plenty of other C++ code pattern books (see PLOP series). Nearest relative in published patterns books are Fowler's (1995) Analysis Patterns: Reusable object models and Coad, North and Mayfield. What do you mean by a Domain Theory? Not domains in the abstract mathematical sense, but domains in the knowledge--natural language sense, close to the everyday meaning when we talk about the application domain of a computer system, such as car rental, satellite tracking, whatever. The book is an attempt to answer the question ' what are the abstractions behind car rental, satellite tracking' so good design solutions for those problems can be reused. I work in industry, so what's in it for me? A new way of looking at software reuse, ideas for organizing a software and knowledge reuse program, new processes for reusing knowledge in requirements analysis, conceptual modeling and software specification. I am an academic, should I be interested? Yes if your research involves software engineering, reuse, requirements engineering, human computer interaction, knowledge engineering, ontologies and knowledge management. For teaching it may be useful for Master courses on reuse, requirements and knowledge engineering. More generally if you are interested in exploring what the concept of abstraction is when you extend it beyond programming languages, formal specification, abstract data types, etc towards requirements and domain knowledge. ADDITIONAL COPY: Based on more than 10 years of research by the author, this book is about putting software reuse on a firmer footing. Utilizing a multidisciplinary perspective--psychology and management science, as well as software--it describes the Domain Theory as a solution. The domain theory provides an abstract theory that defines a generic, reusable model of domain knowledge. Providing a comprehensive library of reusable models, practice methods for reuse, and theoretical insight, this book: *introduces the subject area of reuse and software engineering and explains a framework for comparing different reuse approaches; *develops a metric-oriented framework to assess the reuse claims of three competing approaches: patterns, ERPs, and the Domain Theory OSMs (object system models); *explains the psychological background for reuse and describes generic tasks and meta-domains; *introduces claims that provide a representation of design knowledge attached to Domain Theory models, as well as being a schema for representing reusable knowledge in nearly any form; *reports research that resulted from the convergence of the two theories; *describes the methods, techniques, and guidelines of design for reuse--the process of abstraction; and *elaborates the framework to investigate the future of reuse by different paradigms, generation of applications from requirements languages, and component-based software engineering via reuse libraries.
How did an ancient Indian spiritual discipline turn into a $20+ billion-a-year mainstay of the global wellness industry? What happened along yoga's winding path from the caves and forests of the sages to the gyms, hospitals and village halls of the modern West? This comprehensive history sets yoga in its global cultural context for the first time. It leads us on a fascinating journey across the world, from arcane religious rituals and medieval body-magic, through muscular Christianity and the British Raj, to the Indian nationalist movement and the arrival of yoga in the twentieth-century West. We discover how the practice reached its present-day ubiquity and how it became embedded in powerful social currents shaping the world's future, such as feminism, digital media, celebrity culture, the stress pandemic and the quest for an authentic identity in the face of unprecedented change. Shearer's revealing history boasts a colorful cast of characters past and present, who tell an engaging tale of scholars and scandal, science and spirit, wisdom and waywardness. This is the untold story of yoga, warts and all.
A lot of my plays begin as comedies and mutate in the course of the evening, because my instinct is that you have to welcome the audience in and make sure they're sitting comfortably before you can give them an adequate punch on the jaw.'Since the acclaimed London première of his first play in 1966, Christopher Hampton has established himself as one of Britain's most prominent, and least predictable, dramatists.From his best-known play, Les Liaisons Dangereuses, and its Oscar-winning film version, Dangerous Liaisons, to personal and critical favourites like Total Eclipse and Tales from Hollywood; from his films as writer-director (Carrington, Imagining Argentina) to his work as screenwriter-for-hire (Mary Reilly, The Quiet American); from translations (Art) to musicals (Sunset Boulevard), Hampton eloquently - and entertainingly - explores his varied career with interviewer Alistair Owen, and discusses its recurring theme: the clash of liberal and radical thought, exemplified by his most recent play, The Talking Cure, about the fathers of psychoanalysis, Jung and Freud.
This book is about bounded rationality and public policy. It is written from the p- spective of someone trained in public economics who has encountered the enormous literature on experiments in decision-making and wonders what implications it has for the normative aspects of public policy. Though there are a few new results or models, to a large degree the book is synthetic in tone, bringing together disparate literatures and seeking some accommodation between them. It has had a long genesis. It began with a draft of a few chapters in 2000, but has expanded in scope and size as the literature on behavioural economics has grown. At some point I realised that the geometric growth of behavioural - search and the arithmetic growth of my writing were inconsistent with an am- tion to be exhaustive. As such therefore I have concentrated on particular areas of behavioural economics and bounded rationality. The resulting book is laid out as follows: Chapter 1 provides an overview of the rest of the book, goes through some basic de?nitions and identi?es themes.
This is the first collection from groundbreaking playwright Alistair McDowall, "an exceptionally talented and fast-rising writer. Still only in his twenties, this writer is surely going places. Whatever he dreams up next, his name will almost certainly be in lights at the Royal Court soon, if not at the National Theatre." (The Times) Having won a Judges Award at the Bruntwood Prize in 2011 and been shortlisted for the Writers' Guild Best Play Award in 2013, Alistair McDowall is one of the most exciting playwrights of this generation. The anthology features the play that brought McDowall to people's attention, Brilliant Adventures, up to his latest major play, Pomona, that received ecstatic reviews, transferred to the National Theatre, and hailed him as one of the most important playwrights of this generation. It also includes two previously unpublished plays. Brilliant Adventures (Royal Exchange/Live Theatre, 2013) is a fast paced tale of brotherhood, addiction and breaking the laws of physics. It won McDowall a Bruntwood Prize. Captain Amazing (Live Theatre, 2013) is a funny and poignant one-man show that thrusts us into the life of Britain's only part-time superhero. Talk Show (Royal Court, 2013) is black comedy about talking and transmission. It was premiered as part of the Royal Court's Open Court season and has not previously been published. Pomona (Royal Welsh College of Music and Drama/Orange Tree Theatre, 2014) is a sinister and surreal thriller, which takes as its setting Manchester's Pomona - an abandoned concrete island at the heard of the city; a place where journeys end and nightmares are born. The anthology is introduced by the author and includes a foreword by Olivier-award-winning playwright Simon Stephens.
A.C. Crombie is one of the best known writers on the history of Science. Science, Optics and Music in Medieval and Early Modern Thought brings together a coherent body of essays that complement his books and are of independent value. A.C. Crombie traces general themes in the development of Science: the Aristotelian inheritance and the importance of the search for logical explanation in the middle ages; the ambitions and limitations of experiment and quantification; changing attitudes to scientific progress; the relations between Science and the Arts, and between Mathematics, Music and Medical Science; and the study of the senses. In particular he shows how the mechanistic hypothesis stimulated the experimental and philosophical study of vision.
Modern Playhouses is the first detailed study of the major programme of theatre-building which took place in Britain between the 1950s and the 1980s. Drawing on a vast range of archival material--much of which had never previously been studied by historians--it sets architecture in a wide social and cultural context, presenting the history of post-war theatre buildings as a history of ideas relating not only to performance but also to culture, citizenship, and the modern city. During this period, more than sixty major new theatres were constructed in locations from Plymouth to Inverness, Aberystwyth to Ipswich. The most prominent example was the National Theatre in London, but the National was only the tip of the iceberg. Supported in many cases by public subsidies, these buildings represented a new kind of theatre, conceived as a public service. Theatre was ascribed a transformative role, serving as a form of "productive" recreation at a time of increasing affluence and leisure. New theatres also contributed to debates about civic pride, urbanity, and community. Ultimately, theatre could be understood as a vehicle for the creation of modern citizens in a consciously modernizing Britain. Through their planning and appearance, new buildings were thought to connote new ideas of theatre's purpose. In parallel, new approaches to staging and writing posed new demands of the auditorium and stage. Yet while recognizing, as contemporaries did, that the new theatres of the post war decades represented change, Modern Playhouses also asks how radically different these buildings really were, and what their 'mainstream' architecture reveals of the history of modern British architecture, and of post-war Britain.
Neolithic Causewayed enclosures are amongst the oldest, rarest and most enigmatic of the ancient monuments found in Europe. First recognised as a distinct type in the 1920s, sixty-nine certain or probable examples have now been identified in the British Isles. As a class, they are of outstanding importance, for while their precise functions remain unclear, they represent the first non-funerary monuments and the earliest instance of the enclosure of open space. This book presents an overview of the findings of a systematic national programme of research, carried out by the RCHME, now merged with English Heritage. Every certain, probable and suggested causewayed enclosure in England has been investigated through integrated aerial and field survey. Specialist reconnaissance flying has been undertaken, along with the thorough analysis of aerial photographs taken from the 1920s onwards. This has greatly increased the number of sites known, turning the spotlight onto many that have received little or no archaeological attention in the past. The aerial surveys now available offer a new basis for improved understanding. Analytical field investigations of the few causewayed enclosures that are well preserved as earthworks have also squeezed fresh information out of even those long familiar to archaeologists. Far from merely ‘dotting the i’s and crossing the t’s’ of past fieldworkers, these detailed surveys have led to the rejection of some long-held theories and the proposal of new interpretations. This book significantly advances the understanding of causewayed enclosures both as individual monuments and as a class. It is a major contribution to the understanding of the British Neolithic, and to ‘landscape archaeology’ more generally.
A wonderful entertainment that reflects Alistair Cooke’s love affair with cinema, from his early days as a film critic to his iconic role as the host of Masterpiece Theatre Humphrey Bogart, Fred Astaire, Lauren Bacall, Marlene Dietrich, and Marilyn Monroe are just a few of the stars profiled, along with many directors, in this sparkling and comprehensive collection of reviews, interviews, and essays. Alistair Cooke’s first radio talk at the BBC was in October 1934, and the subject was cinema. He had begun reviewing films in the 1920s as a Cambridge undergraduate. This anthology of his best film criticism and essays includes his many favorite subjects. In “The Symbol Called Garbo,” Cooke reveals the woman behind the enigmatic screen goddess. James Cagney is identified as “one of the few technically perfect actors,” while Charlie Chaplin was “the funniest clown alive.” Shirley Temple’s multi-million-dollar appeal is explained, as is the subtlety underpinning the slapstick humor of the Marx Brothers. Directors such as Frank Capra, Fritz Lang, and Cecil B. DeMille meet with Cooke’s high praise, while Alfred Hitchcock evokes a more complicated reaction. Full of glamorous stars, provocative opinions, and fond memories, Alistair Cooke at the Movies is a very personal and captivating guide to the golden age of Hollywood and beyond.
This is the 4th edition of The EC Merger Regulation - a detailed guide to the method of merger control in the European Union. Fully revised for 2012, this comprehensive text describes how the European Commission determines approval of a notified merger, thereby providing information and techniques to complete merger deals successfully for companies operating in the European Union
Was the historical Jesus a preacher of imminent apocalyptic judgment or altogether a 'non-eschatological' teacher? Despite the popularity of both of these extreme portraits in contemporary scholarship, Wilson demonstrates a via media, in which Jesus, viewed especially through the window of Matthew 21-25, is both prophet and sage, but preeminently a judge during his ministry, in his invisible coming against Jerusalem in AD70, and at God's final assize. An important contribution. --Craig Blomberg, Distinguished Professor of New Testament, Denver Seminary In the crowded field of Matthean studies, this book offers something new, a discussion of the theme of judgment in Matthew 21-25, the account of Jesus' confrontation with the Jerusalem authorities. Dr Wilson is well abreast of current scholarship, but not afraid to take an independent line, not least in his robust defense of the view that reference to the 'coming of the Son of Man' refers not to the parousia but to the imminent vindication of the rejected Messiah. This exegesis enables him to link ch. 24 closely with the preceding dialogue and diatribe and to offer a satisfyingly coherent interpretation of the whole 'Jerusalem' section of the gospel which precedes the passion narrative. Over against Marcus Borg's non-eschatological Jesus, Wilson shows convincingly that Matthew's Jesus had a clear eye to the future, looking both to coming events in Palestinian history for his own vindication on the world stage and also to a more ultimate judgment in which he would play the leading role. Whether or not other scholars agree with Wilson's conclusions, this is the sort of careful exegetical scholarship which is needed to carry constructive discussion forward. --R. T. France, formerly Principal, Wycliffe Hall, Oxford Alistair Wilson has written a study that reveals first-class scholarship. He demonstrates that he is fully abreast of issues that are currently being discussed. In his interactions he is tactful, serene, and persuasive. While applauding the views of others, he nevertheless shows his difference from them by carefully demonstrating, on the basis of Matthew's Gospel, that Jesus indeed is judge both in the first century and at the consummation. This book is an excellent addition to evangelical research that champions a high view of Scripture. --Simon J. Kistemaker, Professor of New Testament Emeritus, Reformed Theological Seminary Alistair Wilson's monograph goes right to the heart of contemporary debate concerning the role of Jesus by drawing attention to the motif of judgment in his role as prophet and sage that so impressed the Evangelist Matthew. His fresh study of judgment in this Gospel shows that the early church was far removed from seeing in him the non-eschatological teacher of the late twentieth-century 'Jesus seminar.' This is an important scholarly contribution to the ongoing study of how Jesus was seen and understood by his contemporaries with considerable significance for how we ought to understand him today. --I. Howard Marshall, Emeritus Professor of New Testament Exegesis and Honorary Research Professor, University of Aberdeen Alistair Wilson is a minister of the Free Church of Scotland. He has taught New Testament at Highland Theological College in Dingwall, Scotland, and currently serves as Principal of Dumisani Theological Institute in South Africa.
I think I'd sleep a lot easier if I knew none of us would wake up tomorrow. Ollie's sister is missing. Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city. Here at the centre of everything, journeys end and nightmares are born. Pomona premiered in 2014 and has subsequently become a much-produced and widely studied drama text. It is published here as a Student Edition alongside commentary and notes by Dan Rebellato. The ancillary material is geared at students and includes: - an introduction outlining the play's plot, character, themes context and performance history - the full text of the play - a chronology of the playwright's life and work - extensive textual notes - questions for further study This play includes some strong language.
Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship.
If you have picked up this book and are browsing the Preface, you may well be asking yourself"What makes this book different from the large number I can find on amazon. com?". Well, the answer is a blend of the academic and the practical, and views of the subject you won't get from anybody else: how psychology and linguistics influence the field of requirements engineering (RE). The title might seem to be a bit of a conundrum; after all, surely requirements come from people so all requirements should be user-centred. Sadly, that is not always so; many system disasters have been caused simply because requirements engineering was not user-centred or, worse still, was not practised at all. So this book is about putting the people back into com puting, although not simply from the HCI (human-computer interaction) sense; instead, the focus is on how to understand what people want and then build appropriate computer systems.
This updated guide examines the different relationships between the various tiers of government in the UK and the EU, and how the EU's powers affect the UK, from a range of perspectives. It evaluates the role of the media, political parties, pressure groups, social media and the ever-changing position of public opinion, and places the relationship in its historical context to show how it has evolved over time. Each chapter includes an introduction, learning goals, a glossary, likely exam questions, helpful websites and suggestions for further reading. This new edition has two new chapters, 'Europeanisation' and 'The British Media and the EU', includes the fallout from the 2015 UK Parliament general election and the 2014 European Parliament election and draws on freshly updated examples, tables and figures updated throughout.
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