When Wicton Village Museum and Library are to be developed, the mysterious curator, Miss Isadora Dean, is incensed. On a visit to the museum, Charlie and Saima, in Year 5 at the village school, are given a statue's head of Janus to draw but as they hold it they are thrust back to Wicton in Roman times. Orcus, a cruel Roman tax collector, is involved in stealing thousands of denarii. Ruus, the son of the blacksmith Metallus, witnesses a fake ambush and murder, all part of an elaborate plot to steal thousands more. When the silver is stolen, it is buried in a clearing not far from town. Charlie, Saima and Ruus, not without some danger, unearth the bags. However, all three children become embroiled and they themselves become suspects 'on the run'. Whilst Metallus is imprisoned at the fort, they are trapped by Orcus in the temple, yet notice another hoard within. Charlie, always full of ideas, sees a way to trap the real culprits and sets out his plan. They must use the Janus head and go back to the future then return to free Ruus. Saima, truthful, stubborn and fast, runs to the fort to inform the authorities and just in the nick of time, soldiers arrive and arrest the true thieves. Charlie and Saima return to present day Wicton and when Alfie, a classmate, mentions a horse he had to draw carved on a brick from the temple, they set out on a treasure hunt. In the dead of night, they dig up a fortune at the museum building site but are immediately arrested. Back at school, they are marched into assembly. They expect the worst until Mr Blewin, the developer, springs a pleasant surprise.
This book (10 chapters) covers radar entomology and its application in the study and monitoring of insect flight and migration. Chapter 1 provides a general introduction to both radar and the biological phenomena that entomologists have studied with radars. An outline of alternative and complementary methods for studying insect movement and a brief historical account of developments in the field are included. Chapter 2 introduces the fundamentals of remote sensing and briefly summarizes some entomological applications of it that do not involve radio technology. The technique and theory underlying radar entomology are covered in chapters 3-8, whereas the principal biological findings that have resulted from the use of radar technology are discussed in chapters 9-14. This book is intended primarily for entomologists, although this publication may also be useful to behaviourists, ecologists, biometeorologists, radar ornithologists and radar meteorologists.
This study represents a contribution to the pre-Colonial archaeology of the Windward Islands in the Caribbean. The research aimed to determine how the Ceramic Age (c. 400 BC - AD 1492) Amerindian inhabitants of the region related to one another and others at various geographic scales, with a view to better understanding social interaction and organisation within the Windward Islands as well the integration of this region within the macro-region. This research approached the study of intra- and inter-island interaction and social development through an island-by-island study of some 640 archaeological sites and their ceramic assemblages. Besides providing insight into settlement sequences, patterns and micro-mobility through time, it also highlighted various configurations of sites spread across different islands that were united by shared ceramic (decorative) traits. These configurations were more closely examined by taking recourse to graph-theory. By extending the comparative scope of this research to the Greater Antilles and the South American mainland, possible material cultural influences from more distant regions could be suggested. While Windward Island communities certainly developed a localised material cultural identity, they remained open to a host of wide-ranging influences outside the Windward Island micro-region. As such, rather than representing a cultural backwater operating in the periphery of a burgeoning Taíno empire, it is argued that Windward Island communities actively and flexibly realigned themselves with several mainland South American societies in Late Ceramic Age times (c. AD 700-1500), forging and maintaining significant ties and exchange relationships. Alistair Bright was a member of the Caribbean Research Group at Leiden University from 2003 to 2010 and participated in numerous archaeological surveys and excavations in the Caribbean during that time. His research interests include the archaeology, ethnohistory and ethnography of the Caribbean and South America, as well as the archaeology of island societies throughout the world in general.
How do young people construct their identities in the complexity of their own country, belonging to the European Union, and being part of global society? This book is based on a unique empirical study of a thousand young people, aged between eleven and nineteen, from fifteen European countries. Covering East European states that joined the EU be
Alistair Paterson has written a comprehensive textbook detailing the millennium of cultural contact between European societies and those of the rest of the world. Beginning with the Norse intersection with indigenous peoples of Greenland, Paterson uses case studies and regional overviews to describe the various patterns by which European groups influenced, overcame, and were resisted by the populations of Africa, the Americas, East Asia, Oceania, and Australia. Based largely on the evidence of archaeology, he is able to detail the unique interactions at many specific points of contact and display the wide variations in exploration, conquest, colonization, avoidance, and resistance at various spots around the globe. Paterson’s broad, student-friendly treatment of the history and archaeology of the last millennium will be useful for courses in historical archaeology, world history, and social change.
A look at style and urbanism, offering a reconsideration of the role of fashion in city life and filling in overlooked gaps in the history of London and modern design.
People find me. When it's dark. 1863. An asylum. A woman locked in a windowless cell, with no memory as to who she is, or how she arrived there. When spiritualist medium Mrs Lyall requires a new assistant, this nameless woman seems the perfect candidate. But as the woman's past begins to reveal itself, so do new powers neither are prepared for. Alistair McDowall's haunting new play The Glow was the 2018 Pinter Commission, an award given annually by Lady Antonia Fraser to support a new commission at the Royal Court Theatre. This edition was published to coincide with the world premiere at London's Royal Court Theatre in January 2022.
“This account of four west coast journeys in search of the remnants of the earliest Christian missionaries is intriguing . . . Moffat is an engaging guide.” —The Scotsman Fourteen centuries ago, Irish saints brought the Word of God to the Hebrides and Scotland’s Atlantic shore. These “white martyrs” sought solitude, remoteness, even harshness, in places apart from the world where they could fast, pray and move closer to an understanding of God: places where they could see angels. Columba, who founded the famous monastery at Iona, was the most well-known of these courageous men who rowed their curraghs towards danger and uncertainty in a pagan land, but the many others are now largely forgotten by history. In this book, Alistair Moffat journeys from the island of Eileach an Naoimh at the mouth of the Firth of Lorne to Lismore, Iona and then north to Applecross, searching for traces of these extraordinary men. He finds them not often in any tangible remains, but in the spirit of the islands and remote places where they passed their exemplary lives. Brendan, Moluag, Columba, Maelrubha and others brought the Gaelic language and echoes of how the saints saw their world can still be heard in its cadences. And the tradition of great piety endures. “This account of four journeys to three small islands and a remote peninsula in the Scottish north-west has an air of exotic adventure.” —The Times Literary Supplement “I was drawn to Moffat’s personal response to pilgrimage as he retraced the spiritual journeys of the early monks . . . This delightful book is part history, part pilgrimage.” —Church Times
[an] exploration of Scotland's past through the eyes of a scholarly hiker ... Magnificent' - New Statesman, Books of the Year Fourteen centuries ago, Irish saints journeyed to the Hebrides and Scotland's Atlantic shore. They sought spiritual solitude in remote places, but their mission was also to spread the word of God to the peoples of Scotland. Columba was the most famous of these pioneers who rowed their curraghs towards danger and uncertainty in a pagan land, but the many others are now largely forgotten. Alistair Moffat sets off in search of these elusive figures. As he follows in their footsteps, he finds their traces not so much in tangible remains as in the spirit and memory of the places that lay at the very edge of their world.
When Wicton Village Museum and Library are to be developed, the mysterious curator, Miss Isadora Dean, is incensed. On a visit to the museum, Charlie and Saima, in Year 5 at the village school, are given a statue's head of Janus to draw but as they hold it they are thrust back to Wicton in Roman times. Orcus, a cruel Roman tax collector, is involved in stealing thousands of denarii. Ruus, the son of the blacksmith Metallus, witnesses a fake ambush and murder, all part of an elaborate plot to steal thousands more. When the silver is stolen, it is buried in a clearing not far from town. Charlie, Saima and Ruus, not without some danger, unearth the bags. However, all three children become embroiled and they themselves become suspects 'on the run'. Whilst Metallus is imprisoned at the fort, they are trapped by Orcus in the temple, yet notice another hoard within. Charlie, always full of ideas, sees a way to trap the real culprits and sets out his plan. They must use the Janus head and go back to the future then return to free Ruus. Saima, truthful, stubborn and fast, runs to the fort to inform the authorities and just in the nick of time, soldiers arrive and arrest the true thieves. Charlie and Saima return to present day Wicton and when Alfie, a classmate, mentions a horse he had to draw carved on a brick from the temple, they set out on a treasure hunt. In the dead of night, they dig up a fortune at the museum building site but are immediately arrested. Back at school, they are marched into assembly. They expect the worst until Mr Blewin, the developer, springs a pleasant surprise.
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