It has previously not been feasible to study in depth the expansion of Proust's famous novel, A la recherche du temps perdu. In 1913, the novel was to be 1500 pages; by 1922, when Proust died, it was 3000. How did it grow to such proportions? Which characters were always there - which ones sprang from their author's imagination in his very last years? Had Proust always been as interested in certain psychological phenomena as he was to become during the First World War and after? With the public release of the Proust manuscripts, these questions can be answered with a greater range, and certainty. With an extensive and original survey of the post-1914 manuscripts, typescripts and proofs of A la recherche du temps perdu, Alison Winton provides an intellectual and spiritual biography of one of the greatest twentieth-century European novelists, at the height of his creative period. She shows what ideas, images and aspects of personality were increasingly preoccupying Proust as he inserted more and more episodes into his novel.
It has previously not been feasible to study in depth the expansion of Proust's famous novel, A la recherche du temps perdu. In 1913, the novel was to be 1500 pages; by 1922, when Proust died, it was 3000. How did it grow to such proportions? Which characters were always there - which ones sprang from their author's imagination in his very last years? Had Proust always been as interested in certain psychological phenomena as he was to become during the First World War and after? With the public release of the Proust manuscripts, these questions can be answered with a greater range, and certainty. With an extensive and original survey of the post-1914 manuscripts, typescripts and proofs of A la recherche du temps perdu, Alison Winton provides an intellectual and spiritual biography of one of the greatest twentieth-century European novelists, at the height of his creative period. She shows what ideas, images and aspects of personality were increasingly preoccupying Proust as he inserted more and more episodes into his novel.
Reading critically, and writing using critical techniques, are crucial skills you need to apply to your academic work. If you need to engage with published (or unpublished) literature such as essays, dissertations or theses, research papers or oral presentations, this proven guide helps you develop a reflective and advanced critical approach to your research and writing. New to this edition: Two new chapters on basic and advanced writing skills More advice on self-bias and perception Updates and additional examples throughout Updated online resources providing additional support. A Companion Website provides additional resources to help you apply the critical techniques you learn. From templates and checklists, access to SAGE journal articles and additional case studies, these free resources will make sure you successfully master advanced critical skills.
Most Tim Burton films are huge box-office successes, and several are already classics. The director's mysterious and eccentric public persona attracts a lot of attention, while the films themselves have been somewhat overlooked. Here, Alison McMahan redresses this imbalance through a close analysis of Burton's key films () and their industrial context. She argues that Burton has been a crucial figure behind many of the transformations taking place in horror, fantasy, and sci-fi films over the last two decades, and demonstrates how his own work draws on a huge range of artistic influences: the films of George Melies, surrealism, installation art, computer games, and many more. The Films of Tim Burton is the most in-depth analysis so far of the work of this unusual filmmaker - a director who has shown repeatedly that it is possible to reject mainstream Hollywood contentions while maintaining critical popularrity and commercial success.
Air transport began in Australia in the early 1900s. Find out about the first powered flights, early pioneers of aviation, and Australias first airlines. Read about air transport today - the aircraft and what they carry, the people who work on planes and in airports, and safety measures to prevent accidents. And think about what flight might be like in the future as designers and engineers work to make aircraft quieter, more efficient and able to carry many more passengers.
Plant Biology is a new textbook written for upper-level undergraduate and graduate students. It is an account of modern plant science, reflecting recent advances in genetics and genomics and the excitement they have created. The book begins with a review of what is known about the origins of modern-day plants. Next, the special features of plant genomes and genetics are explored. Subsequent chapters provide information on our current understanding of plant cell biology, plant metabolism, and plant developmental biology, with the remaining three chapters outlining the interactions of plants with their environments. The final chapter discusses the relationship of plants with humans: domestication, agriculture and crop breeding. Plant Biology contains over 1,000 full color illustrations, and each chapter begins with Learning Objectives and concludes with a Summary.
What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.
“Family history begins with missing persons,” Alison Light writes in Common People. We wonder about those we’ve lost, and those we never knew, about the long skein that led to us, and to here, and to now. So we start exploring. Most of us, however, give up a few generations back. We run into a gap, get embarrassed by a ne’er-do-well, or simply find our ancestors are less glamorous than we’d hoped. That didn’t stop Alison Light: in the last weeks of her father’s life, she embarked on an attempt to trace the history of her family as far back as she could reasonably go. The result is a clear-eyed, fascinating, frequently moving account of the lives of everyday people, of the tough decisions and hard work, the good luck and bad breaks, that chart the course of a life. Light’s forebears—servants, sailors, farm workers—were among the poorest, traveling the country looking for work; they left few lasting marks on the world. But through her painstaking work in archives, and her ability to make the people and struggles of the past come alive, Light reminds us that “every life, even glimpsed through the chinks of the census, has its surprises and secrets.” What she did for the servants of Bloomsbury in her celebrated Mrs. Woolf and the Servants Light does here for her own ancestors, and, by extension, everyone’s: draws their experiences from the shadows of the past and helps us understand their lives, estranged from us by time yet inextricably interwoven with our own. Family history, in her hands, becomes a new kind of public history.
Winner of the Helen and Stan Vine Jewish Book Award and finalist for the Man Booker Prize In Far to Go, one of our most accomplished young writers takes us inside the world of an affluent Jewish family in Prague during the lead-up to Hitler's invasion of Czechoslovakia. In 1939, Pavel and Anneliese Bauer are secular Jews whose lives are turned upside down by the arrival of Hitler. They are unable to leave the country in time to avoid deportation, but they do manage to get their six-year-old son Pepik a place on a Kindertransport. Meanwhile, a fascinating and compelling present-day strand in the story slowly reveals the unexpected fates of each of the Bauers. Through a series of surprising twists, Pick leads us to ask: What does it mean to cling to identity in the face of persecution? And what are the consequences if you attempt to change your identity? Inspired by the harrowing five-year journey Alison Pick's own grandparents embarked upon from their native Czechoslovakia to Canada during the Second World War, Far to Gois an epic historical novel that traces one family's journey through these tumultuous and traumatic events. A layered, beautifully written, moving, and suspenseful story by one of our rising literary stars.
In Psalm 18 in Words and Pictures: A Reading Through Metaphor, Alison Gray engages in an in-depth study of the figurative language of Psalm 18, demonstrating the necessity of a dynamic approach to metaphor interpretation within a given textual unit. As one of the longest and most elaborate in the Hebrew Bible, Psalm 18 provides fertile soil for studying the interplay between words and images. While previous studies of the Psalm have focused on questions of form, structure, or unity - as well the relation to its Doppeltext of 2 Samuel 22 - Alison Gray explores the ways in which a metaphor-oriented hermeneutic enriches the psalm’s translation and exegesis.
Nowhere was the transition from church-based aid to federal welfare state brought about by the Great Depression more dramatic than in the South. For a moment, the southern Protestant establishment turned to face the suffering that plantation capitalism pushed behind its image of planter's hatsand hoopskirts. When starving white farmers marched into an Arkansas town to demand food for their dying children and when priests turned away hungry widows and orphans because they were no needier than anyone else, southern clergy of both races spoke with one voice to say that they had done allthey could. It was time for a higher power to intervene. They looked to God, and then they looked to Roosevelt.When Roosevelt promised a new deal for the "forgotten man," Americans cheered, and when he took office, churches and private agencies gratefully turned much of the responsibility for welfare and social reform over to the state. Yet, argues historian Allison Collis Greene, Roosevelt's New Dealthreatened plantation capitalism even while bending to it. Black southern churches worked to secure benefits for their own communities while white churches divided over loyalties to Roosevelt and Jim Crow. Frustrated by their failure and fractured by divisions over the New Deal, leaders in the majorwhite Protestant denominations surrendered their moral authority in the South. Although the Protestant establishment retained a central role in American life for decades after the Depression, its slip from power made room for upstart Pentecostals and independent evangelicals, who emphasized personalrather than social salvation.
The interconnectedness of communities, organisations, governing bodies, policy and individuals in the field of disaster studies has never been accurately examined or comprehensively modelled. This kind of study is vital for planning policy and emergency responses and assessing individual and community vulnerability, resilience and sustainability as well as mitigation and adaptation to climate change impacts; it therefore deserves attention. Disasters and Social Resilience fills this gap by introducing to the field of disaster studies a fresh methodology and a model for examining and measuring impacts and responses to disasters. Urie Bronfenbrenner’s bioecological systems theory, which is used to look at communities holistically, is outlined and illustrated through a series of chapters, guiding the reader from the theory's underpinnings through research illustrations and applications focused on each level of Bronfenbrenner’s ecosystems, culminating in an integration chapter. The final chapter provides policy recommendations for local and national government bodies and emergency providers to help individuals and communities prepare and withstand the effects of a range of disasters. This book will be of great interest to scholars and students of disaster and emergency management, disaster readiness and risk reduction (DRR), and to scholars and students of more general climate change and sustainability studies.
In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.
The Routledge Handbook of Forensic Linguistics provides a unique work of reference to the leading ideas, debates, topics, approaches and methodologies in Forensic Linguistics. Forensic Linguistics is the study of language and the law, covering topics from legal language and courtroom discourse to plagiarism. It looks at the linguist as expert providing evidence for the defence and prosecution, investigating areas from blackmail to trademarks and warning labels. The Routledge Handbook of Forensic Linguistics includes a comprehensive introduction to the field written by the editors and a collection of thirty-seven original chapters written by the world’s leading academics and professionals, both established and up-and-coming, designed to equip a new generation of students and researchers to carry out forensic linguistic research and analysis. The Routledge Handbook of Forensic Linguistics is the ideal resource for undergraduates or postgraduates new to the area. Malcolm Coulthard is Professor of Forensic Linguistics at Aston University, UK. Author of numerous publications, the most recent being An Introduction to Forensic Linguistics (co-authored with Alison Johnson, Routledge, 2007). Alison Johnson is Lecturer in Modern English Language at Leeds University, UK. Previous publications include An Introduction to Forensic Linguistics (co-authored with Malcolm Coulthard, Routledge, 2007). Contributors: Janet Ainsworth, Michelle Aldridge, Dawn Archer, Kelly Benneworth, Vijay Bhatia, Ronald R. Butters, Deborah Cao, Malcolm Coulthard, Paul Drew and Traci Walker, Bethany Dumas, Diana Eades, Susan Ehrlich, Fiona English, Tim Grant, Peter Gray, Gillian Grebler, Mel Greenlee, Sandra Beatriz Hale, Chris Heffer, Elizabeth Holt and Alison Johnson, Kate Howarth, Michael Jessen, Krzystof Kredens and Ruth Morris, Greg Matoesian, Gerald McMenamin, Frances Rock, Laura Felton Rosulek, Nancy Schweda-Nicholson, Roger Shuy, Lawrence Solan, Elizabeth Stokoe and Derek Edwards, Peter Tiersma, Tatiana Tkaèuková, David Walsh and Ray Bull, David Woolls, and Jerome Bruner.
Taking the prologue of John's Gospel as a case-study in feminist biblical criticism, the author engages with a persistent view that the biblical text is seriously compromised by its association with patriarchal values. Close analysis of five interpretations by Augustine, Hildegard von Bingen, Martin Luther, Adrienne von Speyr and Rudolf Bultmann shows how, unavoidably, interpretation clothes the biblical text with the varied and dazzling patterns of the patriarchal reading context. But in a second turn, drawing on the techniques of both structuralist criticism and deconstruction, and offering three further inventive readings of this powerful passage, Jasper reflects woman and the feminine in the shining garment of her own contextualized reading.
A record of the National Mapping Programme project in Northamptonshire. It recovered and mapped archaeological evidence from field systems, through settlement remains, to funerary monuments, and ranges from the Neolithic to the 20th century.
Emerging from diaries, letters and memoirs, the voices of this remarkable book tell a new story of life arriving amidst a turbulent world. Before the Plunket Society, before antibiotics, before ‘safe’ Caesarean sections and registered midwives, nineteenth-century birthing practice in New Zealand was typically determined by culture, not nature or the state. Alison Clarke works from the heart of this practice, presenting a history balanced in its coverage of social and medical contexts. Connecting these contexts provides new insights into the same debates on childhood – from infant feeding to maternity care – that persist today. Tracing the experiences of Māori and Pākehā birth ways, this richly illustrated story remains centered throughout on birthing women, their babies and families: this is their history.
The depth and range of this book are astonishing, as it describes the cultural conditions out of which French literature has emerged as a vital component of Western civilization from the Middle Ages to the present day. Informative and immensely readable, it makes a compelling and humane case for the continued study of literature in a changing world." —Colin Davis, Royal Holloway, University of London "Written with great panache, this book locates French literature in the wider culture of the Western world. Finch shows how, from Marie de France to MC Solar, literature in France has always intertwined with politics, history, geography, money, sex, language, gender, class and race. Women writers and the new Francophone literatures receive welcome recognition. A remarkable achievement." —Michael Sheringham, Oxford University "Alison Finch's superbly written book brings the cultural dimension of French literature fully into focus. While revealing how the agenda of literary study has changed, she demonstrates that we can engage with the great canonical texts of French literature in new and exciting ways. The book is to be commended for its clarity, its shrewd analyses and its sheer readability." —Tim Unwin, Bristol University This book is the first to offer a cultural history of French literature from its very beginnings, analysing the relationship between French literature and France's evolving power structures from the Middle Ages through to the present day. It shows the political connections between the elite literature of France and other aspects of its culture, from racism, misogyny, tolerance and liberal reform to song, street performance, advertizing and cinema. The nation's literature contributed to these and was shaped by them. The book highlights the continuities and the unique fault-lines in the society that, over a millennium, has produced 'French culture'. It looks at France's early and continuing struggle for a national identity through both its language and its literature, and it shows that this struggle co-exists with openness to other cultures and a bawdy or subtle rebelliousness against the Church and other forms of authority. En route it takes in cuisine, gardens and the French tradition in mathematics. The survey provides an accessible approach to key issues in the history of French culture as well as a wide context for specialists.
“Opera is community, comfort, art, voice, breath, life. It’s hope.” All art exists to make life more bearable. For Alison Kinney, it was the wild, fantastical world of opera that transformed her listening and her life. Whether we’re listening for the first time or revisiting the arias that first stole our hearts, Avidly Reads Opera welcomes readers and listeners to a community full of friendship, passion, critique—and, always, beautiful music. In times of delirious, madcap fun and political turmoil, opera fans have expressed their passion by dispatching records into the cosmos, building fairy-tale castles, and singing together through the arduous work of social activism. Avidly Reads Opera is a love letter to the music and those who love it, complete with playlists, a crowdsourced tip sheet from ultra-fans to newbies, and stories of the turbulent, genre-busting, and often hilarious history of opera and its audiences. Across five acts—and the requisite intermission—Alison Kinney takes us everywhere opera’s rich melodies are heard, from the cozy bedrooms of listeners at home, to exclusive music festivals, to protests, and even prisons. Part of the Avidly Reads series, this slim book gives us a new way of looking at culture. With the singular blend of personal reflection and cultural criticism featured in the series, Avidly Reads Opera is an homage to the marvelous, sensational world of opera for the casual viewer.
Hans Keller 1919–1985: A musician in dialogue with his times is the first full biography of Hans Keller and the first appearance in print of many of his letters. Eight substantial chapters, integrating original documents with their historical context, show the development of Keller’s ideas in response to the people and events that provoked them. A musician of penetrating insight, Keller was also an exceptional writer and broadcaster, whose remarkable mind dominated British musical life for forty years after the Second World War. It was a vital time for music in Britain, fuelled by unprecedented public investment in the arts and education and the rapid development of recording and broadcasting. Keller was at the centre of all that was happening and his far-sighted analysis of the period is deeply resonant today. Illustrated throughout by extracts from Keller’s writings, diaries and correspondence with musicians including Arnold Schoenberg, Benjamin Britten and Yehudi Menuhin, this book vividly conveys the depth of his thought and the excitement of the times. Published for the centenary of Keller’s birth, it is an illuminating celebration of his life and works for all those interested in the music and history of post-war Britain.
An incisive biography of E. E. Cummings’s early life, including his World War I ambulance service and subsequent imprisonment, inspirations for his inventive poetry. E. E. Cummings is one of our most popular and enduring poets, one whose name extends beyond the boundaries of the literary world. Renowned for his formally fractured, gleefully alive poetry, Cummings is not often thought of as a war poet. But his experience in France and as a prisoner during World War I (the basis for his first work of prose, The Enormous Room) escalated his earliest breaks with conventional form the innovation with which his name would soon become synonymous. Intimate and richly detailed, The Beauty of Living begins with Cummings’s Cambridge upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary Decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism, and other “modern” movements in the arts. As the United States prepared to enter World War I, Cummings volunteered as an ambulance driver, shipped out to Paris, and met his first love, Marie Louise Lallemand, who was working in Paris as a prostitute. Soon after reaching the front, however, he was unjustly imprisoned in a brutal French detention center at La Ferté-Macé. Through this confrontation with arbitrary and sadistic authority, he found the courage to listen to his own voice. Probing an underexamined yet formative time in the poet’s life, this deeply researched account illuminates his ideas about love, justice, humanity, and brutality. J. Alison Rosenblitt weaves together letters, journal entries, and sketches with astute analyses of poems that span Cummings’s career, revealing the origins of one of the twentieth century’s most famous poets.
It is vital that healthcare practitioners understand the psychological impact of childbirth when caring for women. This accessible guide is designed to improve the care that women receive and, as a result, public health outcomes related to maternal and infant wellbeing. This book outlines how clinicians can offer practical support to women after birth. It: discusses what we know about how women adapt to motherhood and develop a post-childbirth identity; outlines some of the causes and manifestations of post-traumatic stress following childbirth; provides practical guidance for setting up postnatal pathways for women traumatised by birth and how to communicate effectively; equips practitioners with the knowledge and skills to support pregnant women with a fear of birth; incorporates narratives from women to demonstrate how their births and related events were perceived and processed, before discussing how women’s views can be used to inform future practice; highlights the importance of restorative supervision for healthcare professionals working in this area to promote staff resilience and sustainability. Drawing together theoretical knowledge, evidence, practical skills and women’s narratives to help clinicians understand the psychology of childbirth and support women, it is of significant value to all healthcare practitioners engaged in maternity services.
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