Lake Quannapowitt is named for James Quonopohit, a member of the Pawtucket tribe of Nipmuc Indians and signer of the 1686 deed selling land to European colonists. A town called Redding (now Wakefield) developed on the shore of the lake that provided colonists with a bounty of fish, including salmon and alewives, until mills stopped their passage upstream. The town remained rural until the Boston and Maine Railroad arrived in 1845. Overnight, new markets became accessible, and Lake Quannapowitt ice was exported to destinations worldwide. Icehouses dominated the shoreline and stood side-by-side with boathouses and bathhouses. Some in Wakefield remember the last days of ice harvesting, although barely a trace of its existence remains. More residents remember Hill's Boathouse and Dance Hall, where many a romance began. For recent arrivals who walk and jog its idyllic 5-kilometer shore, the lake's industrial and complex past will come as a surprise.
This book brings together policymaker and practitioner knowledge, experiences, and perspectives on the interaction between the assessment and inclusion agenda to the fore. The book’s analysis is built on comparative qualitative data from five different countries on four continents: Argentina, China, Denmark, England, and Israel. These countries have been chosen for their distinctive, and even contrasting, education policies, sociocultural and economic circumstances, and variations in performance across supranational and national standardised student assessments. In addressing these specific contexts, the book provides insights into the pitfalls and synergies which emerge as key stakeholders attempt to mediate these two educational concerns in both policy and practice.
Emerging from diaries, letters and memoirs, the voices of this remarkable book tell a new story of life arriving amidst a turbulent world. Before the Plunket Society, before antibiotics, before ‘safe’ Caesarean sections and registered midwives, nineteenth-century birthing practice in New Zealand was typically determined by culture, not nature or the state. Alison Clarke works from the heart of this practice, presenting a history balanced in its coverage of social and medical contexts. Connecting these contexts provides new insights into the same debates on childhood – from infant feeding to maternity care – that persist today. Tracing the experiences of Māori and Pākehā birth ways, this richly illustrated story remains centered throughout on birthing women, their babies and families: this is their history.
The Foundations of Female Entrepreneurship explores the relationship between home, household headship and enterprise in Victorian London. It examines the notions of duty, honor and suitability in how women’s ventures are represented by themselves and others and engages in a comparison of the interpretation of historical female entrepreneurship by contemporaries and historians in the UK, Europe and America. It argues that just as women in business have often been hidden by men, they have often also been hidden by the ‘home’ and the conceptualization of separate spheres of public and private agency and of ‘the’ entrepreneur. Drawing on contextual evidence from 1747 to 1880, including fire insurance records, directories, trade cards, newspapers, memoirs, the census and extensive record linkage, this study concentrates on the early to mid-Victorian period when ideals about gender roles and appropriate work for women were vigorously debated. Alison Kay offers new insight into the motivations of the Victorian women who opted to pursue enterprises of their own. By engaging in empirical comparisons with men's business, it also reveals similarities and differences with the small to medium sized ventures of male business proprietors. The link between home and enterprise is then further excavated by detailed record linkage, revealing the households and domestic circumstances and responsibilities of female proprietors. Using both discourse and data to connect enterprise, proprietor and household, The Foundations of Female Entrepreneurship provides a multi-dimensional picture of the Victorian female proprietor and moves beyond the stereotypes. It argues that active business did not exclude women, although careful representation was vital and this has obscured the similarities of their businesses with those of many male business proprietors.
The Public Relations Handbook is a comprehensive and detailed introduction to the theories and practices of the public relations industry. It traces the history and development of public relations, explores ethical issues which affect the industry, examines its relationship with politics, lobbying organizations and journalism, assesses its professionalism and regulation and advises on training and entry into the profession. The Public Relations Handbook combines theoretical and organizational frameworks for studying public relations with examples of how the industry works in practice. It draws on a range of promotional strategies and campaigns from businesses, public and non-profit organizations including the AA, Airbus, BT, Northamptonshire County Council, Cuprinol and Action for Children. The Fourth Edition includes: case studies, examples and illustrations from a range of campaigns from small and multinational corporations, local government and charities; a companion website with new international case studies updated quarterly; specialist chapters on financial public relations, internal communications and marketing public relations; strategic overviews of corporate identity, globalisation and evaluation; a thorough examination of ethics and professionalism; more than fifty illustrations from recent PR campaigns; a completely revised chapter on corporate social responsibility a new chapter on risk, issues and crisis management.
This book is a sweeping global and intellectual history that radically recasts our understanding of Malthus's Essay on the Principle of Population, the most famous book on population ever written or ever likely to be. Malthus's Essay is also persistently misunderstood. First published anonymously in 1798, the Essay systematically argues that population growth tends to outpace its means of subsistence unless kept in check by factors such as disease, famine, or war, or else by lowering the birth rate through such means as sexual abstinence. Challenging the widely held notion that Malthus's Essay was a product of the British and European context in which it was written, Alison Bashford and Joyce Chaplin demonstrate that it was the new world, as well as the old, that fundamentally shaped Malthus's ideas.
The Gap-Year Guidebook 2010' has comprehensive advice on travelling, volunteering, working round the world, languages, sports courses, office skills, career breaks and life after the gap year.
For roughly a century, the log cabin occupied a central and indispensable role in the rapidly growing United States. Although it largely disappeared as a living space, it lived on as a symbol of the settling of the nation. In her thought-provoking and generously illustrated new book, Alison Hoagland looks at this once-common dwelling as a practical shelter solution--easy to construct, built on the frontier’s abundance of trees, and not necessarily meant to be permanent--and its evolving place in the public memory. Hoagland shows how the log cabin was a uniquely adaptable symbol, responsive to the needs of the cultural moment. It served as the noble birthplace of presidents, but it was also seen as the basest form of housing, accommodating the lowly poor. It functioned as a paragon of domesticity, but it was also a basic element in the life of striving and wandering. Held up as a triumph of westward expansion, it was also perceived as a building type to be discarded in favor of more civilized forms. In the twentieth century, the log cabin became ingrained in popular culture, serving as second homes and motels, as well as restaurants and shops striking a rustic note. The romantic view of the past, combined with the log cabin’s simplicity, solidity, and compatibility with nature, has made it an enduring architectural and cultural icon. Preparation of this volume has been supported by Furthermore: a program of the J. M. Kaplan Fund
Lancaster and York. For much of the fifteenth century, these two families were locked in battle for control of the British monarchy. Kings were murdered and deposed. Armies marched on London. Old noble names were ruined while rising dynasties seized power and lands. The war between the royal House of Lancaster and York, the longest and most complex in British history, profoundly altered the course of the monarchy. In The Wars of the Roses, Alison Weir reconstructs this conflict with the same dramatic flair and impeccable research that she brought to her highly praised The Princes in the Tower. The first battle erupted in 1455, but the roots of the conflict reached back to the dawn of the fifteenth century, when the corrupt, hedonistic Richard II was sadistically murdered, and Henry IV, the first Lancastrian king, seized England's throne. Both Henry IV and his son, the cold warrior Henry V, ruled England ably, if not always wisely--but Henry VI proved a disaster, both for his dynasty and his kingdom. Only nine months old when his father's sudden death made him king, Henry VI became a tormented and pathetic figure, weak, sexually inept, and prey to fits of insanity. The factional fighting that plagued his reign escalated into bloody war when Richard Plantagenet, Duke of York, laid claim to the throne that was rightfully his--and backed up his claim with armed might. Alison Weir brings brilliantly to life both the war itself and the historic figures who fought it on the great stage of England. Here are the queens who changed history through their actions--the chic, unconventional Katherine of Valois, Henry V's queen; the ruthless, social-climbing Elizabeth Wydville; and, most crucially, Margaret of Anjou, a far tougher and more powerful character than her husband,, Henry VI, and a central figure in the Wars of the Roses. Here, too, are the nobles who carried the conflict down through the generations--the Beauforts, the bastard descendants of John of Gaunt, Richard Neville, Earl of Warwick, known to his contemporaries as "the Kingmaker"; and the Yorkist King, Edward IV, a ruthless charmer who pledged his life to cause the downfall of the House of Lancaster. The Wars of the Roses is history at its very best--swift and compelling, rich in character, pageantry, and drama, and vivid in its re-creation of an astonishing, dangerous, and often grim period of history. Alison Weir, one of the foremost authorities on the British royal family, demonstrates here that she is also one of the most dazzling stylists writing history today.
Nearly all critics of Hawthorne have ignored this element of development, thus missing the complex evolution of the subject and the revealing intertextual play of meaning that is evident in everything Hawthorne wrote during this period.
Picture your 21st birthday. Did you have a party? If so, do you remember who was there? How clear are these memories? Should we trust them? Such questions have fascinated scientists for hundreds of years, and, as Alison Winter shows in this book, the answers have changed dramatically in just the past century.
The ultimate illustrated guide to the sculpture parks and trails of England, Scotland, Ireland and Wales. This exciting guide to the sculpture parks, trails and gardens of England, Ireland, Scotland and Wales is the perfect book for those who like art and the outdoors. Divided up into countries and regions, the book is informative as well as beautifully illustrated with fabulous images of sculptures by a broad array of international artists. It provides information on all the major sculpture venues of interest, featuring the best and most established, while also providing a wide range of other interesting places to visit and explore. Each feature provides directions of how to get there, along with an overview of the park or trail, and lists sculptures of particular interest and quality, while maps of each area will help you find places close by to visit. This makes it easy to see which places are suited to you depending on your preferences, level of interest and time available. This fully revised 2nd edition provides updated information and new entries for England, as well as brand new sections providing thorough coverage of Scotland, Ireland and Wales. The ideal guide for those with a passion for both nature and sculptures.
Traditional critics of Jane Austen's novels consider her fiction from the perspective of male literature, male social values, and male myths and assumptions about women. These critics often give excellent readings of Austen, but they mitigate their own best efforts by trying to separate her life from the fiction and the fiction from her awareness of women's predicament in society. In Jane Austen and the Province of Womanhood, Alison Sulloway offers a fresh and comprehensive vision of Austen as a moderate feminist. Her studies of the letters, fictional fragments, and minor works, as well as novels, reveal a systematic pattern of feminist plots, themes, motifs, and symbols. She traces the influence on Jane Austen of Anglican conduct literature in addition to the progressive novels written by such women writers as Frances Burney and Maria Edgeworth. Austen's covert acknowledgment of the previously ignored "feminist revolt of the 1790s," Sulloway contends, accounts for the dammed-up energy behind her protective mask of irony. Sulloway perceives Austen and her heroines as survivors attempting to find decent solutions in a society whose owners and managers saw scant need to consider women's dignity. Her book is mediatory, just as Austen, that "provincial Christian gentlewomen," also mediated between the traditional forces of hostility toward women and the counter-forces of radical disruptions. Finally, Sulloway contends, the greatest beauty of Austen's fiction is not in her subtle depiction of the strains of eighteenth-century womanhood but in a certain joy—"Austenian joy"—that transcends grief and anger at various human abuses. More than stoic resolution, it is a comedic gift and a moral resilience that signifies grace under pressure. Sulloway com pares it to the instinctive courage of a soldier who rejoices when a single bird sings during a lull in the bombing. To read Jane Austen for this vision is to appreciate fully her gallant wit and her compassion. Jane Austen and the Province of Womanhood will benefit any Austen scholar as well as students and teachers of eighteenth- and nineteenth-century literature.
As ultrasound is used more widely by a range of healthcare professionals as a successful imaging tool for musculoskeletal conditions, Musculoskeletal Ultrasound demystifies the technique for students and practitioners who do not necessarily have specialised knowledge in this area. The text is written at a level suitable for both students and more experienced practitioners, and has been edited by experienced sonographers working in consultant practice and education. It covers basic ultrasound anatomy and normal variants, common pathology, how to report, and differential diagnoses processes. With contributions from leading musculoskeletal sonographers and a physiotherapist, and with input from radiology and rheumatology, this book provides a rounded, evidence-based resource for anyone wishing to incorporate musculoskeletal ultrasound into their practice. - Accessible, step-by-step approach to support understanding - Highly illustrated, ultrasound images included throughout - Tips to help the reader problem solve and avoid common pitfalls
Alligators, Old Mink & New Money is a celebration of the clothes that capture our memories and imaginations, that leave their indelible stamp on each of our lives. Alison Houtte—a former fashion model who runs the beloved Brooklyn, New York, boutique Hooti Couture—knows that every article of vintage clothing has a story behind it, and she uses these items as a springboard to explore such universal topics as relationships, self-image, the bond between mothers and daughters, and that elusive thing called style. Whether you're a flea market veteran who savors the thrill of the hunt, a couture shopper with a Vogue budget, or are simply drawn to the de rigueur world of vintage, Alligators, Old Mink & New Money offers a shopping adventure—through auctions, estate sales, flea markets, and clothing racks all over the world—to be savored, and inspired by!
Escape from a bullying mother takes one young woman to an even more dangerous place. Alice Angel has known only a life of rules, restriction and punishments as she strays from the rigid path of Victorian proprietary that her mother has set out for her. A constant disappointment to all but her doting father, she longs for the day that she might break free from the stifling atmosphere of her mother's rule. After a chance encounter with a charming stranger, and a final incident with her family that sees her condemned to the madhouse, Alice sees her opportunity to run and grasps it with both hands. She escapes to join the Agapemonites in their Abode of Love, where ex-Reverend Henry Prince rules his isolated colony of women as their Beloved. Prince ignites a passion in Alice that she never knew existed, and she dares to think she might be free at last. But as Alice becomes more deeply drawn into the life of Prince's strange religious sect, secrets are revealed that seem to hint at a darker nature lurking behind the man's charm. Instead of freedom, is Alice in fact more trapped, alone and in danger than ever before?
On a dark, rainy night in October 1900, George E. Bailey, caretaker of Breakheart Hill farm, disappeared. ...Some suspected foul play right away, as Bailey's 'wife' had recently gone to Maine, leaving Bailey alone with his farmhand, John C. Best, who was known to be a drunk and a potentially violent man, Nine days later, when Bailey's dismembered body was fished out of a local pond, all eyes quickly focused on Best. Crowds descended on the farm, and the sensational murder captured headlines in Boston's newspapers."--Back cover.
Scott's startlingly contemporary approach to theories of language and the creative impact of this on his work are explored in this new study. Alison Lumsden examines the linguistic diversity and creative playfulness of Scott's fiction and suggests that an evolving scepticism towards the communicative capacities of language runs throughout his writing. Lumsden re-examines this scepticism in relation to Scottish Enlightenment thought and recent developments in theories of the novel. Structured chronologically, the book covers Scott's output from his early narrative poems until the late, and only recently published, Reliquiae Trotcosienses
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