A collection that focuses on the natural world, these are poems of wilderness and of wildness. Alison Swan's collection of poems, A Fine Canopy, illustrates how the natural world envelops and encloses us with so many beautiful things: crowns of leaves, the ubiquitous blue sky, our luminous moon, and snow. So much snow. An ecopoet whose writing shows her advocacy for natural resources, in this collection Swan calls the reader to witness, appreciate, and sustain this world before it becomes too late. These poems were written out of an impulse to track down wisdom in the open air, outside of the noisy world of cars and commerce. Swan seeks insight on shores and in scraps of woods and fields—especially on four particular peninsulas: Michigan's upper and lower, Florida, and Washington state's Olympic—and also inside motherhood, which might be the wildest place of all. These are poems about the interconnection of all things, and "knowing things we cannot see." A journey through seasons with a soundtrack of birdsong, Swan's words are incredibly sensory. The reader is made to feel the weight of muddy jeans, the jolt at the tug of a dog's leash, and to see the bright flash of a cardinal's red plumage. Swan's poems remind us that although we all want to make a mark on our world, the smaller the better: stepping into fresh snow, dashing through forests atop dry leaves, laying wet bodies on warm concrete. These quiet interactions with places are as hopeful as they are harmless. Without necessarily tackling the topics head-on, A Fine Canopy evokes the devastation of climate change and the destruction of natural resources. This book engages deeply with the other-than-human to express and investigate alarm, dismay, anger, admiration, adoration in what feels like the end of the world unless we begin to think outside the box. These poems will carry weight with all readers of poetry, especially those who are interested in ecopoetry and connecting with the world around them.
An inspiring and practical exploration of how we can tap into the deep-rooted and powerful symbolism of fairytales to bring about positive change in every aspect of our lives. In this practical and inspiring book, writer and professional storyteller Alison Davies shows how to use fairy tales to gain confidence, find romance and discover your path to self-fulfilment. From Sleeping Beauty, symbol of transformation, to the 'rescuer' Prince Charming, to the scary, shapeshifting wolf in Little Red Riding Hood, the characters in these fabulous stories are embedded deep in our imagination and conjure up feelings that we can all identify with on some level. We can use fairy tales to understand what really makes us tick, to access our primal nature and rediscover the latent power within. They can help us to break bad habits, overcome obstacles and emerge from the chrysalis to make our mark in the world. Working with fairy tales can be as easy as aligning to a character in a tale and then putting a positive spin on it. Sometimes the simple act of 'making it real', by living out the story in your mind, can change the way you think and behave. Davies offers a whole host of tips and practical exercises for working with the symbols, characters and storylines in fairy tales. These include storyboarding your own fairy tale to boost your creativity, devising a quest to build energy and confidence, identifying your inner hero to help with problem solving and learning how to be your own fairy godmother in order to bring the changes you want into your life!
Determined to lose weight, two sisters with little in common--Stephanie, an overwhelmed, stay-at-home mother of a six-month-old infant, and Meredith, a successful food critic with no boyfriend in sight--decide to join forces to accomplish their goals. By the author of Pug Hill. Original.
A darkly brilliant first novel that imagines a missing chapter in the life of Ovid, the most popular author of his day. Between the known details of the poet's life and these enigmas, Alison has interpolated a haunting drama of passion and psychological manipulation.
Cultural law is a new and exciting field of study and practice. The core themes of linguistic and other cultural rights, cultural heritage, traditional crafts and knowledge, the performing arts, sports, and religion are of fundamental importance to people around the world, engaging them at the grass roots and often commanding their daily attention. The related legal processes are both significant and complex. This unique collection of materials and commentary on cultural law covers a broad range of themes. Opening chapters explore critical issues involving cultural activities, artifacts, and status as well as the fundamental concepts of culture and law. Subsequent chapters examine the dynamic interplay of law and culture with respect to each of the core themes. The materials demonstrate the reality and efficacy of comparative, international, and indigenous law and legal practices in the dynamic context of culture-related issues. Throughout the book, these issues are presented at multiple levels of legal authority: international, national, and subnational.
Expect a life-changing experience[Re]Awakenings are the starting points for life-changing experiences; a new plane of existence, an alternate reality or cyber-reality. This genre-spanning anthology of new speculative fiction explores that theme with a spectrum of tales, from science fiction to fantasy to paranormal; in styles from clinically serious to joyfully silly. As you read through them all, and you must read all of them, you will discover along the way that stereo-typical distinctions between the genres within speculative fiction are often arbitrary and unhelpful. You will be taken on an emotional journey through a galaxy of sparkling fiction; you will laugh, you will cry; you will consider timeless truths and contemplate eternal questions.All of life is within these pages, from birth to death (and in some cases beyond). In all of these stories, most of them specifically written for this anthology, the short format has been used to great effect. If you haven'¿¿t already heard of some of these authors, you soon will as they are undoubtedly destined to become future stars in the speculative fiction firmament. Remember, you read them here first!
When the Franklin Motor Expedition set out across the Canadian Prairies to collect First Nations artifacts, brutal assimilation policies threatened to decimate these cultures and extensive programs of ethnographic salvage were in place. Despite having only three members, the expedition amassed the largest single collection of Prairie heritage items currently held in a British museum. In this book, Alison K. Brown draws together the multiple narratives that make up this encounter, consulting descendants of the collectors and members of the affected First Nations and reviewing both expedition images and the artifacts themselves. In doing so, she explores the context within which the collection was made as well as the complex relationships between museums, anthropologists, and First Nations. Accessibly written and vigorously researched, First Nations, Museums, Narrations raises timely questions about the role of collections in the twenty-first century and considers the way forward for indigenous peoples and the museums that house their cultural treasures.
This book is the first to offer a cultural history of French literature from its very beginnings, analysing the relationship between French literature and France’s evolving power structures from the Middle Ages through to the present day. It shows the political connections between the elite literature of France and other aspects of its culture, from racism, misogyny, tolerance and liberal reform to song, street performance, advertising and cinema. The nation’s literature contributed to these and was shaped by them. The book highlights the continuities and the unique fault-lines in the society that, over a millennium, has produced ‘French culture’. It looks at France’s early and continuing struggle for a national identity through both its language and its literature, and it shows that this struggle co-exists with openness to other cultures and a bawdy or subtle rebelliousness against the Church and other forms of authority. En route it takes in cuisine, gardens and the French tradition in mathematics. The survey provides an accessible approach to key issues in the history of French culture as well as a wide context for specialists.
The surprising and dramatic life of the least known of King Henry VIII’s wives is illuminated in the fourth volume in the Six Tudor Queens series—for fans of Philippa Gregory, Hilary Mantel, and The Crown. Newly widowed and the father of an infant son, Henry VIII realizes he must marry again to ensure the royal succession. Forty-six, overweight, and suffering from gout, Henry is soundly rejected by some of Europe's most eligible princesses. Anna of Kleve, from a small German duchy, is twenty-four, and has a secret she is desperate to keep hidden. Henry commissions her portrait from his court painter, who depicts her from the most flattering perspective. Entranced by the lovely image, Henry is bitterly surprised when Anna arrives in England and he sees her in the flesh. Some think her attractive, but Henry knows he can never love her. What follows is the fascinating story of an awkward royal union that somehow had to be terminated. Even as Henry begins to warm to his new wife and share her bed, his attention is captivated by one of her maids-of-honor. Will he accuse Anna of adultery as he did Queen Anne Boleyn, and send her to the scaffold? Or will he divorce her and send her home in disgrace? Alison Weir takes a fresh and astonishing look at this remarkable royal marriage by describing it from the point of view of Queen Anna, a young woman with hopes and dreams of her own, alone and fearing for her life in a royal court that rejected her almost from the day she set foot on England’s shore.
After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.
An acutely observed, evocative collection of short stories blending fiction, biography, and memoir--from a Booker-longlisted author. Evocative, sensual, and tender, these stories confront our reality culture and interrogate our relationship with iconic figures, coming to life at the boundary between reality and fiction. A woman emerging from mourning spends her savings on a fur coat, a coat she will wear to a dance that will change her life. A professor of cardiovascular physiology lingers on the cusp of consciousness as he waits for his new heart to be delivered, still beating, from another body--and is carried on a tidal wave of memories to an attic room half a century ago. Visiting Sylvia Plath's grave in Yorkshire, the author imagines a conversation with the poet, a fellow North American who settled in grey England. She reflects on the treasured photograph of Princess Diana she took as a teenager, one of a multitude taken during a life cut short. And at Charleston, Angelica Garnett, child of the Bloomsbury group, is overpowered by echoes of the past; by all the beloved ghosts that spring to life before her eyes. MacLeod's characters hover on the border of life and death, where memory is most vivid and the present most elusive. Moving from the London riots of 2011 to 1920s Nova Scotia, from Oscar Wilde's grave to the Brighton Pier, these exquisitely formed stories capture the small tragedies and profound truths of existence.
The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem
You don't know what it's like to work for you. Wanna know how to datamine your way to winning your employees' hearts and minds? Or how to use personality profiles to leverage business value from your workers? Then buy another book! In UnLeadership: Make Building Relationships Your Business, you'll learn how to use old-fashioned, authentic, and raw humanity to lead your people and build connections. Authors Scott and Alison Stratten deliver their signature combination of business snark and timeless advice, drawing on dozens of interviews with finance, entertainment, tourism, and hospitality leaders to show you how to ditch the spreadsheets and remember how to be awesome! The book is full of case studies perfect for brand-new business leaders, solopreneurs, as well as people who run bigger teams. You'll also find: Interviews with recognized business leaders loaded with invaluable wisdom and unguarded, human moments A fun and authentic reading experience direct from the people who run UnMarketing.com, a world-leading viral marketing company Unfiltered and engaging commentary on what actually makes your followers, employees, and team members tick, and what they look for in a kick-ass leader There are plenty of books out there trying to reduce leadership to boring stats and sterile profiles. This ain't one of 'em. This is a book for leaders looking to make real and honest connections with their people so they can build an agile team that gets results. A book by humans, for humans. Grab a copy today!
Twelve-year-old AJ is dreading spending the summer with her uber-strict grandmother—that is, until she’s recruited to join Grandma Jo’s heist club—in this hilarious and quirky twist on a summer vacation story. AJ does not, under any circumstances, want to spend an entire month living with her strict Grandma Jo. Not only does her grandmother tell her how to walk, what to eat, and which rooms she can enter, she fills all of AJ’s free time with boring sewing lessons! Grandma Jo wants nothing more than to transform her adventurous, fun-loving granddaughter into a prim and proper lady…and AJ hates it. But AJ’s dull summer takes an exciting turn when she discovers that her grandmother’s “bridge group” is actually a club of crooks! And when Grandma Jo offers to teach AJ lock picking instead of embroidery in exchange for help with a few capers, AJ is thrilled to join her grandmother’s madcap band of thieves who claim to steal only for ethical reasons. But even the most respectable ladies can hide some truly surprising secrets, and AJ must decide for herself what it truly means to be one of the good guys.
Incorporating essays, short stories, film and book analyses, Consorting with the Shadow examines the psychological bond between women and the archetypal creatures of imagination, the vampires, shape-shifters, and other monsters we fear, love, and wish to emulate.
“Beautifully written essays” on animals, “the real and mythological, the ordinary and the exotic, the wild and the domesticated” (Publishers Weekly). Humans were surrounded by other animals from the beginning of time: they were food, clothes, adversaries, companions, jokes, and gods. And yet, our companions in evolution are leaving the world—both as physical beings and spiritual symbols—and not returning. In this collection of linked essays, Alison Hawthorne Deming examines what the disappearance of animals means for human imagination and existence. Moving from mammoth hunts to dying house cats, she explores profound questions about what it means to be animal. What is inherent in animals that both leads us to destroy and leads us toward peace? As human animals, how does art both define us as a species and how does it emerge primarily from our relationship with other species? The reader emerges with a transformed sense of how the living world around us has defined and continues to define us in a powerful way. “Beautifully written essays on animal and human behavior and biology . . . highly recommended for lovers of words and nature.” —Publishers Weekly “Human beings live in an age in which industrialization and mass extinction are facts of life. But as Deming suggests in this collection, the more people denude the planet of animals, the more diminished they become in spirit . . . Eloquent, sensitive and astute.” —Kirkus Reviews “Serpentine intellect and wry humor.” —Booklist
This is the first full-length study of literary tourism in North America as well as Britain, and a unique exploration of popular response to writers, literary house museums, and the landscapes or "countries " associated with their lives and works. An interdisciplinary study ranging from 1820-1940, Homes and Haunts: Touring Writers' Shrines and Countries unites museum and tourism studies, book history, narrative theory, theories of gender, space, and things, and other approaches to depict and interpret the haunting experiences of exhibited houses and the curious history of topo-biographical writing about famous authors. In illustrated chapters that blend Victorian and recent first-person encounters that range from literary shrines and plaques to guidebooks, memoirs, portraits, and monuments, Alison Booth discusses pilgrims such as William and Mary Howitt, Anna Maria and Samuel Hall, and Elbert Hubbard, and magnetic hosts and guests as Washington Irving, Wordsworth, Martineau, Longfellow, Hawthorne, James, and Dickens. Virginia Woolf's feminist response to homes and haunts shapes a chapter on Mary Russell Mitford, Gaskell, and the Brontës, and another on the Carlyles' house and Monk's House. Booth rediscovers collections of personalities, haunted shrines, and imaginative re-enactments that have been submerged by a century of academic literary criticism.
If you want to be the best, you have to have the right skillset. From tackling tough questions and remembering everything you want to say to succeeding at numeracy tests, THE ULTIMATE INTERVIEW BOOK is a dynamic collection of tools, techniques, and strategies for success. Short, punchy chapters mean you can read up quickly and start applying what you've learned immediately. Discover the main themes, key ideas and tools you need and bring it all together with practical exercises. This is your complete course in acing that job interview. ABOUT THE SERIES ULTIMATE books are for managers, leaders, and business executives who want to succeed at work. From marketing and sales to management and finance, each title gives comprehensive coverage of the essential business skills you need to get ahead in your career. Written in straightforward English, each book is designed to help you quickly master the subject, with fun quizzes embedded so that you can check how you're doing.
Mentored to Perfection: The Masculine Terms of Success in Academia examines how mentoring programs between women tend to replicate the hierarchical relations of patriarchy that they are meant to dismantle. Simone Dennis and Alison Behie argue that, while paradigmatic mentoring programs look like networking support services for neophytes, these mentorships nevertheless replicate the very institutional structures they seek to uproot. The generosity that senior women show to junior women as they share their tips and offer their support ironically obscures participants’ involvement in debt relations and the biases of replicating a particular type of success. This book considers the possibilities for disrupting our tendency to reproduce ourselves in the masculine terms of success.
Uncertainty is the norm in medical practice, yet often gives rise to distress in clinicians, who fear they will make shameful or guilt inducing errors. This book offers a succinct method to clinicians for classifying uncertainty and finding the right skills to manage different types of uncertainty successfully. Every clinician experiences moments when 'they don't know what to do'. Modern medicine is increasingly complex and training has also become more complicated. The days of 'see one, do one, teach one' are over. Yet, both younger clinicians and senior practitioners describe uncertainty as one of the most challenging and stressful aspects of clinical work. If uncertainty is uncomfortable or threatening to individual practitioners, it also provides complex educational challenges. How can we learn to cope with uncertainty effectively ourselves? How can we teach others to understand and manage uncertainty? In this ground breaking book, the authors propose ways to cut through uncertainty, which is explored as an inevitable (and even desirable) component of clinical practice. A Map of Uncertainty in Medicine (MUM) is used to classify uncertainty and to define the skills that will help find a way though practical difficulties. It is always good to have your MUM with you in a tricky situation!
This book offers an original critique of the billionaire founders of US West Coast tech companies, addressing their collective power, influence, and ideology, their group dynamics, and the role they play in the wider sociocultural and political formations of digital capitalism. Interrogating not only the founders’ political and economic ambitions, but also how their corporations are omnipresent in our everyday lives, the authors provide robust evidence that a specific kind of patriarchal power has emerged as digital capitalism’s mode of command. The ‘New Patriarchs’ examined over the course of the book include: Sergey Brin and Larry Page of Google, Elon Musk of Tesla, Jeff Bezos of Amazon, Mark Zuckerberg of Facebook, and Peter Thiel. We also include Sheryl Sandberg. The book analyses how these (mostly) men legitimate their rapidly acquired power, tying a novel kind of socially awkward but ‘visionary’ masculinity to exotic forms of shareholding. Drawing on a ten million word digital concordance, the authors intervene in feminist debates on patriarchy, masculinity, and postfeminism, locating the power of the founders as emanating from a specifically racialised structure of oppression tied to imaginaries of the American frontier, the patriarchal household, and settler colonialism. This is an important interdisciplinary contribution suitable for researchers and students across Digital Media, Media and Communication, and Gender and Cultural Studies.
An inspiring and practical exploration of how we can tap into the deep-rooted and powerful symbolism of fairytales to bring about positive change in every aspect of our lives. In this practical and inspiring book, writer and professional storyteller Alison Davies shows how to use fairy tales to gain confidence, find romance and discover your path to self-fulfilment. From Sleeping Beauty, symbol of transformation, to the 'rescuer' Prince Charming, to the scary, shapeshifting wolf in Little Red Riding Hood, the characters in these fabulous stories are embedded deep in our imagination and conjure up feelings that we can all identify with on some level. We can use fairy tales to understand what really makes us tick, to access our primal nature and rediscover the latent power within. They can help us to break bad habits, overcome obstacles and emerge from the chrysalis to make our mark in the world. Working with fairy tales can be as easy as aligning to a character in a tale and then putting a positive spin on it. Sometimes the simple act of 'making it real', by living out the story in your mind, can change the way you think and behave. Davies offers a whole host of tips and practical exercises for working with the symbols, characters and storylines in fairy tales. These include storyboarding your own fairy tale to boost your creativity, devising a quest to build energy and confidence, identifying your inner hero to help with problem solving and learning how to be your own fairy godmother in order to bring the changes you want into your life!
When Dominic discovers he had an older brother who died before he was bornhe realizes the reason why he is such a disappointment to his father. Hisbrother was a brilliant academic and promising scientist - but Dominic prefersto spend his time painting.Dominic heads for Cambridge to find out more about his brother and discoversmuch more than he ever bargained for - after his brother's death his father hadhim cloned and the result was Dominic. How can Dominic ever live with thismindblowing discovery? If the truth is ever made public it could put people'slives in danger - including his own.BLTackles this very current issue of cloning in a way that makes readers realizethe human consequences of scientific advances
If you want to be the best, you have to have the right skillset. From people skills and effective networking to building assertiveness and mastering memory techniques, THE ULTIMATE PERSONAL SUCCESS BOOK is a dynamic collection of tools, techniques, and strategies for success. Discover the main themes and key ideas, and bring it all together with practical exercises. This is your complete course in personal success. ABOUT THE SERIES ULTIMATE books are for managers, leaders, and business executives who want to succeed at work. From marketing and sales to management and finance, each title gives comprehensive coverage of the essential business skills you need to get ahead in your career. Written in straightforward English, each book is designed to help you quickly master the subject, with fun quizzes embedded so that you can check how you're doing.
From a poet and essayist whose writing about nature has won her comparisons with Gary Snyder and Terry Tempest Williams comes a new collection that offers further evidence of her ability to trace the intersections of the human and nonhuman worlds. The title poem is a lyrical excavation of the city of Prague, where layers of history, culture and nature have accumulated to form “a genius loci”—a guardian spirit.
Rachel Wilde comes from a dimension that exists adjacent to ours. The people there have structured their society around daemon collecting: they locate, catch, and repair malfunctioning daemons (creatures out of phase with our world that tempt people to do good or evil). Now Rachel has been given two unusual assignments: 1) find a person who has been trying to break down dimensional barriers, and 2) track down a missing line of gatekeepers, human placeholders for a daemon that was too badly damaged to repair. Authorities of Rachel’s world believe the missing gatekeepers are descended from a girl who went missing from West Africa hundreds of years ago, likely sold into slavery. With no leads to go on, Rachel seeks help from Bach, a raving homeless man who happens to be an oracle. Bach does put her in the path of both of her targets—but he also lands her in a life-threatening situation. Somehow, Rachel has to stop the criminal, reunite a gatekeeper with her stolen past, and, above all, survive.
This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.
Are some of the world's most talented children's book authors essentially children themselves? In this engaging series of essays, Pulitzer Prize-winning author Alison Lurie considers this theory, exploring children's classics from many eras and relating them to the authors who wrote them, including Little Women author Louisa May Alcott and Wizard of Oz author Frank Baum, as well as Dr. Seuss and Salman Rushdie. Analyzing these and many others, Lurie shows how these gifted writers have used children's literature to transfigure sorrow, nostalgia, and the struggles of their own experiences.
In times of delirious, madcap fun and political turmoil, opera fans have expressed their passion by dispatching records into the cosmos, building fairy-tale castles, and singing together through the arduous work of social justice. OPERA welcomes readers and listeners to a community full of friendship, passion, critique-and always, beautiful music"--
Five of my narrating voices are male, middle aged to elderly. Their accents varyan East Coast American professor in Driving, Oxbridge is British with a tinge of Irish in Hippo Club, Mose Konen, and The Man in the Apple-Green Tie. And for the narrator of Ostraneni, the reader may imagine the dialect of a member of the elite of ancient fifth century BC Athens. Four of these monologues are in a female voice: the elderly womans aggressive/defensive voice of Gazelle came to me in a dream shortly after I had moved to New York City to live in the early 1980s, the naive voice of a Midwestern girl recounts a childhood trauma in Snakedoctors, a subdued young woman tells of her relationship to her parents in At the Lake House, and Bronze Age Greek accents of Ismenethe lonely, hysteric, forgotten princess of Thebes and sister to Antigonein the eponymous tragedy by Sophocles, again, invite imagination. That is how I hear them.
ALL BETSEY DOBSON HAS EVER ASKED IS THE CHANCE TO BE VIEWED ON HER OWN MERITS, BUT IN A MAN’S WORLD, THAT IS THE UNFORGIVABLE SIN When Betsey disembarks from the London train in the seaside resort of Idensea, all she owns is a small valise and a canary in a cage. After attempting to forge a letter of reference she knew would be denied her, Betsey has been fired from the typing pool of her previous employer. Her vigorous protest left one man wounded, another jilted, and her character permanently besmirched. Now, without money or a reference for her promised job, the future looks even bleaker than the debacle behind her. But her life is about to change . . . because a young Welshman on the railroad quay, waiting for another woman, is the one man willing to believe in her. Mr. Jones is inept in matters of love, but a genius at things mechanical. In Idensea, he has constructed a glittering pier that astounds the wealthy tourists. And in Betsey, he recognizes the ideal tour manager for the Idensea Pier & Pleasure Building Company. After a lifetime of guarding her secrets and breaking the rules, Betsey becomes a force to be reckoned with. Now she faces a challenge of another sort: not only to outrun her sins, but also to surrender to the reckless tides of love. . . .
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