The ultimate illustrated guide to the sculpture parks and trails of England, Scotland, Ireland and Wales. This exciting guide to the sculpture parks, trails and gardens of England, Ireland, Scotland and Wales is the perfect book for those who like art and the outdoors. Divided up into countries and regions, the book is informative as well as beautifully illustrated with fabulous images of sculptures by a broad array of international artists. It provides information on all the major sculpture venues of interest, featuring the best and most established, while also providing a wide range of other interesting places to visit and explore. Each feature provides directions of how to get there, along with an overview of the park or trail, and lists sculptures of particular interest and quality, while maps of each area will help you find places close by to visit. This makes it easy to see which places are suited to you depending on your preferences, level of interest and time available. This fully revised 2nd edition provides updated information and new entries for England, as well as brand new sections providing thorough coverage of Scotland, Ireland and Wales. The ideal guide for those with a passion for both nature and sculptures.
The ultimate illustrated guide to the sculpture parks and trails of England, Scotland, Ireland and Wales. This exciting guide to the sculpture parks, trails and gardens of England, Ireland, Scotland and Wales is the perfect book if you like art and the outdoors. Divided up into countries and regions, the book is informative as well as beautifully illustrated with fabulous images of sculptures by a broad array of international artists. The book gives you information on all the major sculpture venues of interest, featuring the best and most established, while also providing a wide range of other interesting places to visit and explore. Each feature provides directions of how to get there, along with an overview of the park or trail, and lists sculptures of particular interest and quality, while maps of each area will help you find places close by to visit. This makes it easy to see which places are suited to you depending on your preferences, level of interest and time available. This fully revised 2nd edition provides updated information and new entries for England, as well as brand new sections providing thorough coverage of Scotland, Ireland and Wales. It is an ideal guide if you have a passion for both nature and sculptures, or if you are looking for ideas for a fun family day out.
The Western Herbal Tradition is a comprehensive exploration of 27 plants that are central to the herbalist's repertoire. This fully illustrated colour guide offers analysis of these herbs through the examination of historical texts and discussion of current applications and research. Your practice of phythotherapy will be transformed as the herbal knowledge from these sources is illuminated and assessed. Each chapter offers clear information on identification, uses and recipes, as well as recommendations on safety, prescribing, dosage and full academic references. The Western Herbal Tradition reveals a deep understanding of the true essence of what each plant can offer, as well as a fascinating insight into the unique history of contemporary herbal practice. This book is a valuable resource for everyone interested in herbal medicine and its history.
What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.
Most studies of the interwar years have focussed upon literary elites, rendering that past and its literature in almost exclusively male terms. In Forever England Alison Light argues that we cannot make sense of Englishness in the period, or understand the changes within literary culture, unless we recognise the extent to which the female population represented the nation between the wars. From the traumatic aftermath of the First World War, Forever England traces the making of a conservative national temperament which could be defensive and protective, yet modernising in outlook. In a series of literary anaylses, the author suggests some of the tones and accents of this new version of Englishness; in particular she looks at new kinds of readership and fiction, at the historical and emotional significance of the `whodunit', the burgeoning of historical romance, and the creation of a middlebrow culture in the period. Forever England evokes a powerful sense of period and of the pleasures of reading, providing an intimate picture of interwar life from inside the English middle classes. As a feminist inquiry, it argues from a different kind of social and political history; one which makes connections between the interior structures of private life and their more public national forms. Controversially, it also urges that feminism deal with conservative, as well as radical, desires and their place in women's lives.
Erica Martin plans on being a movie star. So when a television director comes to Hawthorne, Erica is sure she will be able to convince him that she is a born actress. But when Erica's plans backfire and her roommate Stacy lands a modeling job, Erica is furious and decides to leave Hawthorne College.
Unlike many studies of the family in the ancient world, this volume presents readings of mothers in classical literature, including philosophical and epigraphic writing as well as poetic texts. Rather than relying on a male viewpoint, the essays offer a female perspective on the lifecycle of motherhood. Although almost all ancient authors are men, this book nevertheless aims to carefully unpack the role of the mother – not as projected by the son or other male relations, but from a woman’s own experiences – in order to better understand how they perceived themselves and their families. Because the primary interest is in the mothers themselves, rather than the authors of the texts in which they appear, the work is organized according to the lifecycle of motherhood instead of the traditional structure of the chronology of male authors. The chronology of the male authors ranges from classical Greece to late antiquity, while the motherly lifecycle ranges from pre-conception to the commemoration of offspring who have died before their mothers.
Family Relationships in Middle Childhood presents a study of family life among parents and children during 'middle childhood'. Combining the perspectives of parents and young children aged 4-8 in each family, this book is based on a study which explores how family members get on together, the factors both within and outside of the home that affect family life, and the role of family relationships in children's developing well-being. Including both lone mother and two-parent households, the study provides comparisons between mothers and fathers, as well as between mothers in different family types. It finds that young children can provide meaningful accounts of family life and have a role to play in decisions that affect their life at home; relationships between family members, rather than the structure of families, define the quality of family life; links between children's social competence; and the sibling relationship suggest that brothers and sisters have the potential to 'teach' each other socially appropriate behaviour.
This book assesses Goytisolo's contribution to cultural debates in Spain since the sixties and revises the prevailing critical interpretation of his fiction, arguing that his works represent an ethical engagement with postmodernist theory rather than an illustration of it. This monograph offers two new perspectives on Spanish writer, Juan Goytisolo. First, under the themes of authorship and dissidence, it integrates his writing across several genres, providing a rounded assessment of his contribution to cultural debates in Spain since the sixties and arguing that resistance to repressive discourses characterizes his essays and autobiographies as much as his fiction. Second, it revises the prevailing critical interpretation of Goytisolo's fiction by building on four premises: that his novels are less clearly oppositional than prevailing interpretations imply; that, in order to engage with discourses of identity, he employs an idiom which, contrary to his own statements, is not a poststructuralist autonomous world of words; that a textual practice grounded in the recognizable experience of post-Civil War Spain, rather than one which seeks out the realm of pure textuality, is essential to Goytisolo's subversive political intentions; and that the autobiographical element of much of his work constitutes a more complex narrative aesthetic than has been appreciated. The book argues that ifGoytisolo's work is interpreted as an ethical engagement with postmodernist theory, rather than as an illustration of it, then certain contradictions for which he has been criticized are seen in a new and valuable light. ALISON RIBEIRO DE MENEZES is a Senior Lecturer in Spanish at University College Dublin.
International Human Rights is a classic socio-legal study of the incompatibility and possible reconciliation of competing views of culture relativism and absolute fundamental human rights. It features prodigious research and insight that is much cited by academics and human rights lawyers and activists over two decades. Quality ebook edition features active Contents, linked notes, and proper presentation of text and charts. Are human rights universal? Universalists and cultural relativists have long been debating this question. In INTERNATIONAL HUMAN RIGHTS, Alison Dundes Renteln reconciles the two positions and argues that, within the vast array of cultural practices and values, it is possible to create structural equivalents to rights in all societies. She poses that empirical cross-cultural research can reveal universal human rights standards, then demonstrates it through an analysis of the concept of measured retribution. INTERNATIONAL HUMAN RIGHTS provides an unusual combination of abstract theory and empirical evidence. It will interest scholars and students in political science, sociology, anthropology, peace studies, cross-cultural research, and philosophy, as well as human rights activists.
This student-focused text provides an emphasis on skills development. Packed with real-life examples of what can go wrong with even the most well-conceived strategies, there is a focus on realism throughout. With a highly accessible writing style, this text it is an invaluable learning tool for all students in this area.
This study examines Luce Irigaray's oeuvre through the question of the divine, focusing upon her contention that women need a female divine if they are about to become subjects. It attempts to demonstrate that the issue of the divine should not be considered as one aspect of her thought but that it is central to her philosophy of sexual difference. Hence Irigaray's critique of patriarchy is presented as a critique of the dominance of a religion of masculinity that favours a single universal. Her proposal for two sexed universal divines is explored, along with her specific suggestions for female divine ideals. Particular emphasis is given to her engagements with Marx, Nietzsche, and Hegelianism, and to the mode of her adoption of Christianity. The study applauds the radical profundity of Irigaray's philosophy of sexual difference, while remaining critical of the universalism in her notion of the divine for the doubt it casts upon the realization of a sexed culture.
In this paperback debut, Alison Pollet brings us the story of an observant uptown girl named Penelope, whose posh upbringing can't protect her from changes at home and at school.It's 1981, and nothing is going right in Penelope's life. She has just started seventh grade at Elston Prep, and she and her best friend Stacy aren't getting along. Stacy is all caught up in who's wearing what to whose Bar Mitzvah, and has even become friends with Annabella and Pia, two of the biggest snobs at Elston! At home, things are no better: there's a new mother's helper to contend with, and Penelope's little brother Nathaniel just won't leave her alone. And when her parents are at home--which is rare--all they do is fight.
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