Following the journey of eight bargain store objects, Alison Hulme reveals the complex story behind society’s simplest and cheapest commodities. Inspired by Walter Benjamin’s Arcades Project, On the Commodity Trail explores the colourful and fascinating histories of everyday objects.Along the way, we observe raw materials on municipal rubbish dumps in China, newly re-made products in the world’s largest wholesale market, and take a journey across the seas, to bargain stores in Europe and North America, arriving finally in the homes of consumers. Weaving together narratives from the people we meet at different parts of the commodity chain – waste peddlers, wholesalers, store owners, and shoppers – the book examines the places and people at the heart of these localized yet immense global networks.Unlike other investigations of commodity chains, this study does not chart a straightforward trajectory from production to consumption. Instead, it demonstrates that the low-end commodity chain is one of constant rupture in which products are made and re-made, blurring the dividing line between producing and consuming.An ethnography of material culture as well as an examination of commodity culture at a time of economic downturn, this deeply-engrossing book makes a unique contribution to our understanding of commodity chains and consumer culture.
This book redefines the place of the Wordsworthian imagination in a cultural moment often classified as the transition from Romantic to Victorian. Taking The Excursion and a constellation of related texts as a framework, the book suggests that the staggering critical neglect of Wordsworth's major project is correlated with the persistent inability of literary historians to chart that transition. To understand this elusive phase of literary and cultural history, the author proposes, we need to understand Wordsworth's role in it. The book reevaluates the significance of The Excursion, both in Wordsworth's corpus and in the contexts of the French Revolution and the post-Napoleonic industrial/imperial order leading up to the Reform Bill of 1832. Through a series of theoretically informed readings of The Excursion alongside other Wordsworthian texts, the author reveals Wordsworth's ongoing vital engagement with questions of imagination and ideology, questions that persist, in ever-shifting forms, through the continuities and discontinuities of historical context. Foregrounding problems of rhetorical interpretation as The Excursion's central concern, this study focuses on the implications of these problems for the text's promotion of a social vision. It examines various figural systemsfamily narratives, property, education, and imperialismand shows how diverse critical strategies of assimilating poetic text to doctrine meet with a resistant blankness at the heart of the figural production of meaning in the poem. This blankness is suggestive of the gap between Wordsworth's poetry and its simple appropriation by cultural or political analysis. Paradoxically it also suggests that an understanding of the dynamics of poetic figuration is crucially relevant to any study of Wordsworth's social and political theory.
The language, themes and imagery of the Bible have been rewritten into texts across time. In the Revelation of John, the Hebrew Bible echoes and is reinvented, just as in James Hogg's The Private Memoirs and Confessions of a Justified Sinner (1824) many explicit and implicit readings and interpretations of the Bible are offered. In Texts Reading Texts, these readings of the Bible, and the ways in which Revelation and Hogg's Confessions have themselves been read, are considered from the two postmodern perspectives of marginalization and deconstruction. By reading the two seemingly unrelated texts side by side from these perspectives, traditional readings of them both are disturbed and challenged.
For fans of Wolf Hall, Alison Weir’s New York Times bestselling biography of Henry VIII brilliantly brings to life the king, the court, and the fascinating men and women who vied for its pleasures and rewards. “WEIR’S BOOK OUTSHINES ALL PREVIOUS STUDIES OF HENRY. Beautifully written, exhaustive in its research, it is a gem. . . . She succeeds masterfully in making Henry and his six wives . . . come alive for the reader.”—Philadelphia Inquirer Henry VIII, renowned for his command of power and celebrated for his intellect, presided over one of the most magnificent–and dangerous–courts in Renaissance Europe. Never before has a detailed, personal biography of this charismatic monarch been set against the cultural, social, and political background of his glittering court. Now Alison Weir, author of the finest royal chronicles of our time, brings to vibrant life the turbulent, complex figure of the King. Packed with colorful description, meticulous in historical detail, rich in pageantry, intrigue, passion, and luxury, Weir brilliantly renders King Henry VIII, his court, and the fascinating men and women who vied for its pleasures and rewards. The result is an absolutely spellbinding read.
Traditionally, class analysis has exaggerated the role of economic differentiation, particularly that of the informal economy, and has underestimated the degree of common consciousness amongst the `labouring class'. In Divisions and Solidarities, Alison MacEwen Scott examines class analysis and the inter-relationship between gender and class which creates a shared interest between men and women in some contexts and a divergence of interest in others. Using case studies of the urban population in Latin America, she presents a major critique of existing class theories and presents a new theoretical treatment on class formation, the orthodoxy of the informal economy, class consciousness and political participation.
Winner of the Association of Dress Historians Book of the Year Award, 2022 Traditionally associated with rural ways of life in England, often hand-crafted and held up as one of the only items of English folk dress to survive into the 20th century, the smock frock is an object of curiosity in many museum collections. Drawing on a wide variety of sources from surviving garments to newspapers and photographs, this book reveals the hidden history of the smock frock to present new social histories. Discussing the smock frock in its widest contexts, Alison Toplis explores how garments were handmade and manufactured by the ready-made clothing industry, and bought by men of different trades. She traces the smock frock's usage across England as well as in export markets such as Australia. Following the garment's decline in the late 19th century, the book investigates how this essentially utilitarian style of workwear came to be held up as an example of disappearing 'peasant' craft in an emotional response to urbanisation, and how it was preserved by collectors under the influence of the Arts and Crafts movement. Around the turn of the 20th century, the smock frock was reinvented as both women's and children's wear and is now regularly revived in fashion collections by the likes of Molly Goddard. Drawing together extensive visual and material cultures, Alison Toplis unravels a new history of the smock frock.
Cultural Geography in Practice provides an innovative and accessible approach to the sources, theories and methods of cultural geography. Written by an international team of prominent cultural geographers, all of whom are experienced researchers, this book is a fully illustrated guide to methodological approaches in cultural geography. In order to demonstrate the practice of cultural geography each chapter combines the following features: ·Practical instruction in using one of the main methods of cultural geography (e.g. interviewing, interpreting texts and visual images, participatory methods) ·An overview of a key area of concern in cultural geography (e.g. the body, national identity, empire, marginality) ·A nuts and bolts description of the actual application of the theories and methods within a piece of research With the addition of boxed definitions of key concepts and descriptions of research projects by students who devised and undertook them, Cultural Geography in Practice is an essential manual of research practice for both undergraduate and graduate geography students.
Lake Quannapowitt is named for James Quonopohit, a member of the Pawtucket tribe of Nipmuc Indians and signer of the 1686 deed selling land to European colonists. A town called Redding (now Wakefield) developed on the shore of the lake that provided colonists with a bounty of fish, including salmon and alewives, until mills stopped their passage upstream. The town remained rural until the Boston and Maine Railroad arrived in 1845. Overnight, new markets became accessible, and Lake Quannapowitt ice was exported to destinations worldwide. Icehouses dominated the shoreline and stood side-by-side with boathouses and bathhouses. Some in Wakefield remember the last days of ice harvesting, although barely a trace of its existence remains. More residents remember Hill's Boathouse and Dance Hall, where many a romance began. For recent arrivals who walk and jog its idyllic 5-kilometer shore, the lake's industrial and complex past will come as a surprise.
This detailed study is the first exploration of rural consumption of clothing in early nineteenth-century Britain. Drawing on evidence from a range of sources including newspapers, trade directories, court records, visual sources and surviving garments, Toplis investigates how the apparel of the mass of the British population was acquired.
Alexander von Humboldt was one of the most important scientists of the 19th century. Captivating his readers with his vibrant, lyrical prose, he transformed understandings of the earth and space by rethinking nature as the interconnection of global forces. This text argues that style was key to the success of these translations and shows how Humboldt's British translators, now largely forgotten figures, were pivotal in moulding his prose and his public persona as they reconfigured his works for readers in Britain and beyond.
The “superb” time travel adventure of one lonely young girl, a remarkable family, and an impossible task, set between modern and Elizabethan England (The Washington Post) "A beautiful book . . . a form of enchanting ghost story, with the ghosts drawn in with the grace of a painter on a fan." —The Observer Penelope Taberner Cameron is a solitary and a sickly child, a reader and a dreamer. Her mother, indeed, is of the opinion that the girl has grown all too attached to the products of her imagination and decides to send her away from London for a restorative dose of fresh country air. But staying at Thackers, in remote Derbyshire, Penelope is soon caught up in a new mystery, as she finds herself transported at unforeseeable intervals back and forth from modern to Elizabethan times. There she becomes part of a remarkable family that is, Penelope realizes, in terrible danger as they plot to free Mary, Queen of Scots, from the prison in which Queen Elizabeth has confined her. Penelope knows the tragic end that awaits the Scottish queen, but she can neither change the course of events nor persuade her new family of the hopelessness of their cause, which love, loyalty, and justice all compel them to embrace. Caught between present and past, Penelope is ever more torn by questions of freedom and fate. To travel in time, she discovers, is to be very much alone. And yet the slow recurrent rhythms of the natural world, beautifully captured by Alison Uttley, also speak of a greater ongoing life that transcends the passage of the years.
Packed with incredible true stories and legendary medieval intrigue, this epic narrative history chronicles the first five queens from the powerful royal family that ruled England and France for over three hundred years. The Plantagenet queens of England played a role in some of the most dramatic events in our history. Crusading queens, queens in rebellion against their king, seductive queens, learned queens, queens in battle, queens who enlivened England with the romantic culture of southern Europe—these determined women often broke through medieval constraints to exercise power and influence, for good and sometimes for ill. This second volume of Alison Weir’s critically acclaimed history of the queens of medieval England now moves into a period of even higher drama, from 1154 to 1291: years of chivalry and courtly love, dynastic ambition, conflict between church and throne, baronial wars, and the ruthless interplay between the rival monarchs of Britain and France. We see events such as the murder of Becket, the Magna Carta, and the birth of parliaments from a new perspective. Weir’s narrative begins with the formidable Eleanor of Aquitaine, whose marriage to Henry II established a dynasty that ruled for over three hundred years and created the most powerful empire in western Christendom—but also sowed the seeds for some of the most destructive family conflicts in history and for the collapse, under her son King John, of England’s power in Europe. The lives of Eleanor’s four successors were just as remarkable: Berengaria of Navarre, queen of Richard the Lionheart; Isabella of Angoulême, queen of John; Alienor of Provence, queen of Henry III; and finally Eleanor of Castile, the grasping but beloved wife of Edward I. Through the story of these first five Plantagenet queens, Alison Weir provides a fresh, enthralling narrative focusing on these fascinating female monarchs during this dramatic period of high romance and sometimes low politics, with determined women at its heart.
This is a comprehensive reference guide examining the language employed by Shakespeare to represent women in the full range of his poetry and plays. Including over 350 entries, Alison Findlay shows the role of women within Shakespearean drama, their representations on the Shakespearean stage, and their place in Shakespeare's personal and professional lives.
Escape from a bullying mother takes one young woman to an even more dangerous place. Alice Angel has known only a life of rules, restriction and punishments as she strays from the rigid path of Victorian proprietary that her mother has set out for her. A constant disappointment to all but her doting father, she longs for the day that she might break free from the stifling atmosphere of her mother's rule. After a chance encounter with a charming stranger, and a final incident with her family that sees her condemned to the madhouse, Alice sees her opportunity to run and grasps it with both hands. She escapes to join the Agapemonites in their Abode of Love, where ex-Reverend Henry Prince rules his isolated colony of women as their Beloved. Prince ignites a passion in Alice that she never knew existed, and she dares to think she might be free at last. But as Alice becomes more deeply drawn into the life of Prince's strange religious sect, secrets are revealed that seem to hint at a darker nature lurking behind the man's charm. Instead of freedom, is Alice in fact more trapped, alone and in danger than ever before?
Most studies of the interwar years have focussed upon literary elites, rendering that past and its literature in almost exclusively male terms. In Forever England Alison Light argues that we cannot make sense of Englishness in the period, or understand the changes within literary culture, unless we recognise the extent to which the female population represented the nation between the wars. From the traumatic aftermath of the First World War, Forever England traces the making of a conservative national temperament which could be defensive and protective, yet modernising in outlook. In a series of literary anaylses, the author suggests some of the tones and accents of this new version of Englishness; in particular she looks at new kinds of readership and fiction, at the historical and emotional significance of the `whodunit', the burgeoning of historical romance, and the creation of a middlebrow culture in the period. Forever England evokes a powerful sense of period and of the pleasures of reading, providing an intimate picture of interwar life from inside the English middle classes. As a feminist inquiry, it argues from a different kind of social and political history; one which makes connections between the interior structures of private life and their more public national forms. Controversially, it also urges that feminism deal with conservative, as well as radical, desires and their place in women's lives.
The cases covered here record the county's most fascinating but least-known crimes, as well as famous murders that gripped not just Cambridgeshire but the whole nation. From the mysterious barn fire at Burwell that killed seventy-six people to the unsolved murder of Cambridge shopkeeper Alice Lawton, and from poisoning in St Neots to the murder of a fifteen-year-old drummer boy whose ghost haunted the killer and drove him to confess, this is a collection of the county's most dramatic and interesting criminal cases. Alison Bruce has gone back to original records and documents to uncover the truth about these extraordinary crimes. Using contemporary illustrations and tracing the stories through the words of those who were actually there, she re-creates the drama of case and courtroom. Cambridgeshire Murders is a unique re-examination of the darker side of the county's past.
Some fairy tales are born of dreams . . . and some are born of nightmares. 'I loved Path of Needles. Dark but satisfying like the best chocolate' ELLY GRIFFITHS, bestselling author of The Postscript Murders Chrissie Farrell is young, beautiful and about to be crowned Queen of the Dance. But on the evening of her triumph she is abducted and murdered, her body left for the police to find. With no other clues, the disturbing way in which Chrissie's body has been posed has PC Cate Corbin at a loss - until university lecturer Alice Hyland is called in. An expert on fairy tales, Alice quickly notices a connection between the murder and an obscure version of Snow White. When a second body is found, Alice is dragged further into the investigation - and only then realises that she is becoming a suspect. 'Psychologically complex hybrid of magical realism and police procedural' Publishers Weekly Now Alice must fight, not just to prove her innocence, but to protect herself: because the body count is growing and it's looking like she might be next . . .
Alison Uttley is famous for her books about the country and her children's books, including the Little Grey Rabbit and Sam Pig series. Previously published in the 1960s as Recipes from an Old Farmhouse, this book is based on the recipes she enjoyed as a childhood, including Mrs Lowe's Parkins, named after the neighbour who baked them and different natural remedies, including cough mixture and tinctures. Using her inimitable style, the famous author recalls incidents of childhood, including picking cowslips for cowslip wine and the importance of the seasons for produce in the days before most foodstuffs were available year-round. Divided into sections for different dishes, including cakes, breads and drinks, this is a beautifully written book which will appeal to fans of Alison Uttley, those who love cooking or anyone who wants a good read.
Originally published in 1931, this is a fictionalized account of author Alison Uttley’s childhood experiences at her family farm home in Castletop, near Cromford.
In this beautifully written biography, Alison Weir paints a vibrant portrait of a truly exceptional woman and provides new insights into her intimate world. Renowned in her time for being the most beautiful woman in Europe, the wife of two kings and mother of three, Eleanor of Aquitaine was one of the great heroines of the Middle Ages. At a time when women were regarded as little more than chattel, Eleanor managed to defy convention as she exercised power in the political sphere and crucial influence over her husbands and sons. Eleanor of Aquitaine lived a long life of many contrasts, of splendor and desolation, power and peril, and in this stunning narrative, Weir captures the woman—and the queen—in all her glory. With astonishing historic detail, mesmerizing pageantry, and irresistible accounts of royal scandal and intrigue, she recreates not only a remarkable personality but a magnificent past era.
Based on an extensive Canadian survey of support services for adults with developmental disabilities, and 141 interviews with such adults, their families, and support staff, this book discusses the empowerment through community which developmentally disabled people can experience in today's post-deinstitutionalized society. The Canadian origins of the work do not prevent it from being relevant to professionals working with these populations in the United States and elsewhere. Annotation copyrighted by Book News, Inc., Portland, OR
In their journeys to prison and community re-entry, women leaving prison tend to share overarching challenges connected to lives of poverty, trauma, and abuse. Community Re-Entry: Uncertain Futures for Women Leaving Prison provides a rare opportunity to hear directly from women who have spent time in a Canadian federal penitentiary. Based on more than a decade of engagement with women in prison, the authors gathered rich and personal information on women’s lived experiences during incarceration and what they anticipated and hoped for on release. This book relates their narratives and the authors’ critical analysis of their experiences both within and outside prison. By bridging relational and other critical theories (critical feminist, critical race, critical disability, and post-structural understandings) with lived experience, this volume sheds light on the challenges incarcerated women face as they seek to return to the community as valued and contributing citizens. Community Re-Entry’s unique perspective on women’s post-imprisonment policy will appeal to academics, community-based advocates and activists, and undergraduate and postgraduate students studying criminology and social science courses on gender and crime, correctional policy, and qualitative research methods.
Based on an extensive Canadian survey of support services for adults with developmental disabilities, and 141 interviews with such adults, their families, and support staff, this book discusses the empowerment through community which developmentally disabled people can experience in today's post-deinstitutionalized society. The Canadian origins of the work do not prevent it from being relevant to professionals working with these populations in the United States and elsewhere. Annotation copyrighted by Book News, Inc., Portland, OR
In their journeys to prison and community re-entry, women leaving prison tend to share overarching challenges connected to lives of poverty, trauma, and abuse. Community Re-Entry: Uncertain Futures for Women Leaving Prison provides a rare opportunity to hear directly from women who have spent time in a Canadian federal penitentiary. Based on more than a decade of engagement with women in prison, the authors gathered rich and personal information on women’s lived experiences during incarceration and what they anticipated and hoped for on release. This book relates their narratives and the authors’ critical analysis of their experiences both within and outside prison. By bridging relational and other critical theories (critical feminist, critical race, critical disability, and post-structural understandings) with lived experience, this volume sheds light on the challenges incarcerated women face as they seek to return to the community as valued and contributing citizens. Community Re-Entry’s unique perspective on women’s post-imprisonment policy will appeal to academics, community-based advocates and activists, and undergraduate and postgraduate students studying criminology and social science courses on gender and crime, correctional policy, and qualitative research methods.
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