Takes a look at human evolution focusing on the long line of women and of female behavior that was to follow the age of the much-studied oldest human remains.
Rewritten with the new primary care environment in mind, this greatly expanded and updated edition of Child Mental Health in Primary Care extends the structured approach of the first edition to adoelscent mental health. As in the first edition, Primary Child and Adolescent Mental Health covers each problem in a uniform way, offering definitions, assessment outlines, detailed management options and indications for referral. Numerous case examples further illuminate aspects of many conditions. Comprehensive and practical, the forty-eight chapters of Primary Child and Adolescent Mental Health cover the full range of difficulties and disabilities affecting the mental health of children and young people. The book is divided into three volumes, and can either be read from cover to cover or used as a resource to be consulted for guidance on specific problems. This book is vital for all healthcare professionals including general practitioners, health visitors and other staff working in primary care to assess, manage and refer children and adolescents with mental health problems. School medical officers, social workers and educational psychologists, many of whom are in the front line of mental health provision for children and young people, will also find it extremely useful. Reviews of the first edition: 'This very comprehensive and detailed book provides the tools for primary care health professionals not only to assess a child's needs but in many cases also to implement an initial package of care.' JUST FOR NURSES 'I have no reservation in recommending the book to all people working with children and families in any capacity. An important training text for a variety of professions. A very effective text to be used in daily practice for quick reference.' CHILD AND ADOLESCENT MENTAL HEALTH 'This book is well produced and clearly written. A useful book for anyone interested or involved with children.' FAMILY PRACTICE 'I looked through the book again and again but could not find anything missing.' NURSING TIMES
This book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.
Laurence Alison is one of my academic heroes. He does what every writer longs to do. He makes the difficult clear - without losing his rigour.' Malcolm Gladwell 'They are quietly revolutionising the study and practice of interrogation... Their findings are changing the way law enforcement and security agencies approach the delicate and vital task of gathering human intelligence.' Guardian Get what you want from even the most difficult characters All of us have to deal with difficult people. Whether we're asking our neighbour to move a fence or our boss for a pay rise, we can struggle to avoid arguments and get what we want. Laurence and Emily Alison are world leaders in forensic psychology, and they specialise in the most difficult interactions imaginable: criminal interrogations. They advise and train the police, security agencies, the FBI and the CIA on how to deal with extremely dangerous suspects when the stakes are high. After 30 years' work - and unprecedented access to 2,000 hours of terrorist interrogations - they have developed a ground-breaking model of interpersonal communication. This deceptively simple approach to handling any encounter works as well for teenagers as it does for terrorists. Now it's time to share it with the world. Rapport reveals that every interaction follows four styles: Control (the lion), Capitulate (the mouse), Confront (the Tyrannosaur) and Co-operate (the monkey). As soon as you understand these styles and your own goals you can shape any conversation at will. And you'll be closer to the real secret: how to create instant rapport.
The Displacement of the Body in Ælfric's Virgin Martyr Lives addresses 10th-century Old English hagiographical translations, from Latin source material, by the abbot and grammarian Ælfric. The vitae of Agnes, Agatha, Lucy, and Eugenia, and the married saints Daria, Basilissa, and Cecilia, included in Ælfric's s Old English Lives of Saints, recount the lives, persecution, and martyrdom of young women who renounce sex and, in the first four stories, marriage, to devote their lives to Christian service. They purport to be about the primacy of virginity and the role of the body in attaining sanctity. However, a comparison of the Latin sources with Ælfric's versions suggests that his translation style, characterized by simplifying the most important meanings of the text, omits certain words or entire episodes that foreground suppressed female sexuality as key to sainthood. The Old English Lives de-emphasize the physical nature of faith and highlight the importance of spiritual purity. In this volume, Alison Gulley explores how the context of the Benedictine Reform in late Anglo-Saxon England and Ælfric's commitment to writing for a lay audience resulted in a set of stories depicting a spirituality distinct from physical intactness.
This book confronts a significant paradox in the development of literary realism: the very novels that present themselves as purveyors and celebrants of direct, ordinary human experience also manifest an obsession with art that threatens to sabotage their Realist claims. Unlike previous studies of the role of visual art, or music, or theatre in Victorian literature, Realism, Representation, and the Arts in Nineteenth-Century Literature examines the juxtaposition of all of these arts in the works of Charlotte Brontë, William Thackeray, George Eliot, Thomas Hardy, and others. Alison Byerly combines close textual analysis with discussion of relevant ancillary topics to illuminate the place of different arts within nineteenth-century British culture. Her book, which also contains sixteen illustrations, represents an effort to bridge the growing gap between aesthetics and cultural studies.
God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.
Tracing the experiences of women who were designated insane by judicial processes from 1850 to 1900, this book considers the ideas and purposes of incarceration in three dedicated facilities: Bethlem, Fisherton House and Broadmoor. The majority of these patients had murdered, or attempted to murder, their own children but were not necessarily condemned as incurably evil by medical and legal authorities, nor by general society. Alison C. Pedley explores how insanity gave the Victorians an acceptable explanation for these dreadful crimes, and as a result, how admission to a dedicated asylum was viewed as the safest and most human solution for the 'madwomen' as well as for society as a whole. Mothers, Criminal Insanity and the Asylum in Victorian England considers the experiences, treatments and regimes women underwent in an attempt to redeem and rehabilitate them, and return them to into a patriarchal society. It shows how society's views of the institutions and insanity were not necessarily negative or coloured by fear and revulsion, and highlights the changes in attitudes to female criminal lunacy in the second half of the 19th century. Through extensive and detailed research into the three asylums' archives and in legal, governmental, press and genealogical records, this book sheds new light on the views of the patients themselves, and contributes to the historiography of Victorian criminal lunatic asylums, conceptualising them as places of recovery, rehabilitation and restitution.
Continuing the GUARDIANS OF THE CROWN series with a story of spies and traitors and a time when the price of betrayal is death… London 1654: As England languishes in the grip of the reign of Oliver Cromwell, there are those who plot to restore the King. Fleeing her old life, Thamsine Granville has nothing left to lose. Alone and friendless, the desperate act of throwing a brick at the coach of Oliver Cromwell could well mean her death. Only the act of a stranger saves her. Kit Lovell is one of the King’s men, a disillusioned Royalist who passes his time cheating at cards, living off his wealthy and attractive mistress, and plotting the death of Oliver Cromwell. Far from the bored, benevolent rescuer that he seems, Kit plunges Thamsine into his world of espionage and betrayal – a world that has no room for falling in love. Torn between Thamsine and loyalty to his master and King, Kit’s carefully constructed web of lies begins to unravel and to save Thamsine he must make one last desperate gamble – the cost of which might be his life.
Someone wants her dead… But is it tied to another murder? When Amish nanny Liddie Miller is attacked more than once while caring for Jonah Troyer’s children, the attempts stir up too many memories of his wife’s murder for comfort. Though the police insist the murderer died in prison, Jonah’s convinced there’s a connection. And he won’t let another woman die on his watch. He just has to figure out the culprit’s motives…before it’s too late. From Harlequin Love Inspired Suspense: Courage. Danger. Faith.
This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.
The story continues where The Simple Wish ends. Simon Hill finds himself lost in a different solar system, but as he looks for clues to the location of Earth, he finds himself the focal point in a much bigger war than the one back on Earth. As he starts out making a living while he searches for the way home, he makes friends that become a family, but as the war heats up. Is it just his imagination or can he sense Janet's hand in the background gently guiding him and his new family during the war.
Discover The Riverside Lane series from Alison Sherlock! 'A lovely story of finding yourself and discovering what home means. I couldn’t stop turning the pages. Loved it.' Bestselling author, Jessica Redland 'Glorious escapism. Uplifting, heartwarming and joyful, Alison Sherlock writes with a warmth and lightness of touch' Bestselling author, Kerry Fisher This boxset contains the complete Riverside Lane boxset The Village Shop for Lonely Hearts The Village of Lost and Found The Village Inn of Secret Dreams The Village of Happy Ever Afters The Village Shop for Lonely Hearts After losing her job in New York, Amber Green isn’t looking forward to visiting her godmother in the sleepy village of Cranbridge. With its empty lanes and rundown shops, it’s hardly a place to mend her lonely heart. But when Amber discovers that Cranbridge Stores, owned by her godmother Cathy and son Josh, is under threat of financial ruin, she realises that her skills as a window dresser might just be able to help save the struggling shop. The Village of Lost and Found Scandal-hit party girl Lucy Conway needs to leave London fast, so she packs her bags and escapes to the sleepy village of Cranbridge to take care of her beloved Uncle Frank. But the country village isn’t quite as idyllic as she remembers. To make matters worse, her Uncle’s pride and joy, The Cranbridge Times, is close to going out of business. With time on her hands, can Lucy work some magic and together save the family newspaper? The Village Inn of Secret Dreams After escaping her parents’ unhappy marriage to sleepy Cranbridge a long time ago, Belle Clarke dreams of staying at The Black Swan Inn forever. But with the rundown Inn threatened with closure, Belle may be forced to leave, unless a buyer can be found ... quickly. So, when her oldest friend Pete Kennedy returns from working abroad with a plan to save the Inn, Belle should be overjoyed. The trouble is, Pete has some rather radical ideas for the renovation which Belle disagrees with. But when a snow storm hits, Belle and Pete are forced to put aside their differences and work together to help the village. The Village of Happy Ever Afters Molly Hopkins has happily watched all of her friends’ dreams come true on Riverside Lane. Deciding to follow her passion for baking, Molly takes the plunge and opens a Tea Garden in the village hoping to make it a summer to remember! Logan Armstrong trusts no one but his beloved Grandad. He just wants his brief stay in Cranbridge to be as quiet as possible. But his Grandad has other ideas; he dreams of seeing the old watermill working again which might just mean Logan has to ask the village for help. Can Molly finally overcome her lack of confidence and believe in her abilities to make the tea garden a success?
“A well-plotted, atmospheric story of one woman’s carefully-constructed world falling apart” from the author of Sewing the Shadows Together (Promoting Crime Fiction). From the outside, Olivia seems to lead an idyllic existence with her husband and children. But when she starts receiving notes, she knows her perfect life is under threat. She thought she’d managed to put the past behind her, but someone seems determined to reveal her secret. Meanwhile, girls are vanishing in the area and Olivia fears for her family’s safety. There’s a real reason that Olivia left Scotland all those years ago—and it may have links to the recent disappearances. When someone is out to get you, is there anywhere you can hide? “With many suspicious characters, several red-herrings, and a high ‘creepiness’ factor, this novel will be loved by many. Recommended to readers who enjoy a thriller with damaged characters, a stunning setting, secrets, creepy hotels, and a satisfying resolution.” —Fictionophile “Reading this book was much like being on a scary and unpredictable rollercoaster ride with several twists and turns along the way.” —gingerbookgeek “The book is well written and all characters are realistic and believable . . . quite an enjoyable, absorbing read.” —Relax and Read Book Reviews
This is an atmospheric thriller, set in London in the first half of the 19th century. It combines an exciting murder mystery plot with strong period detail, Dickensian characters, and a real sense of everyday life among poor people in Southwark.
This book helps students master the key learning skills they need to become successful learners throughout their degree and beyond. It clearly explains the core skills they will need right from the start of the course, such as writing and numeracy skills and how to organise studies. It also introduces more advanced skills that students will need as the course progresses, such as research and evidence based practice. It shows how to use these important skills to succeed both at university and as a registered nurse.
How do you go on after making a life-altering discovery about yourself? Sophie St. John’s grandmother, a world-renowned writer, may be as talented as she is rude, but Sophie is just Sophie: clumsy, emotional, and prone to outbursts. When she stars in a class play based on her grandmother’s famous novel and then comes across an old legal case while doing research for homework, Sophie uncovers a profound, devastating, life-changing secret — a secret her parents have kept from her since birth. Faced with a revelation that changes her entire future, Sophie must confront her dysfunctional family, ponder her life goals, and summon the courage to finally start living on her own terms.
Hollywood is placeless, timeless, and iconic, a key fabricator and forger of American cultural myths and stories. How, then, will the history of Hollywood be written?
Nurses in all areas of clinical practice must be able to recognise, assess and manage changes to a patient's condition. With a strong focus on pathophysiology, the comprehensive new edition of this essential textbook retains the case study approach that made the first edition so popular with students and educators alike. Offering further reading resources and definitions of key terms to aid learning it develops nurses' key skills such as identifying and explaining the pathophysiology of sepsis; recognising and managing hypovolaemic shock; assessment and management of cardiovascular, neurological and traumatic injury; and understanding priorities in initial stroke assessment and management, including nursing care following administration of a thrombolytic drug. Written by contributors from a range of clinical and academic backgrounds, Nursing the Acutely Ill Adult is essential reading for all students within the adult branch of nursing, a comprehensive book guide to understanding the common signs and symptoms related to serious acute illness in adults. New to this Edition: - A chapter on strokes to account for the significant changes that have occurred in the management of the hyper-acute phase of stroke - A chapter on sepsis in response to feedback from students, staff and lead clinicians - Case studies revised to accommodate a wider variety of settings - Covers possible interventions for problems related to diabetes, chronic respiratory disease and renal disease
This bold study traces the processes by which a ‘history’ and canon of Caribbean literature and criticism have been constructed. It offers a supplement to that history by presenting new writers, texts and critical moments that help to reconfigure the Caribbean tradition. Focusing on Anglophone or Anglocreole writings from across the twentieth century, Alison Donnell asks what it is that we read when we approach ‘Caribbean Literature’, how it is that we read it and what critical, ideological and historical pressures may have influenced our choices and approaches. In particular, the book: * addresses the exclusions that have resulted from the construction of a Caribbean canon * rethinks the dominant paradigms of Caribbean literary criticism, which have brought issues of anti-colonialism and nationalism, migration and diaspora, ‘double-colonised’ women, and the marginalization of sexuality and homosexuality to the foreground * seeks to put new issues and writings into critical circulation by exploring lesser-known authors and texts, including Indian Caribbean women’s writings and Caribbean queer writings. Identifying alternative critical approaches and critical moments, Twentieth-Century Caribbean Literature allows us to re-examine the way in which we read not only Caribbean writings, but also the literary history and criticism that surround them.
In this forceful and compelling book, Alison Booth traces through the novels, essays, and other writings of George Eliot and Virginia Woolf radically conflicting attitudes on the part of each toward the possibility of feminine greatness.
During the years when George IV ruled the United Kingdom, first as Prince Regent then as King, his extravagant tastes served to characterize the times - the Regency period being identified strongly with new trends in British architecture, fashion and culture. The literary expression of this era was the genre of so-called 'silver fork' novels set in fashionable London society. Initially devoured as authentic insights into the rarefied world of the best social circles, these novels were thus serving as etiquette primers for growing numbers of nouveaux riches. The detail and décor of the novels gives them an enduring socio-historical interest, hence the value of Alison Adburgham's study, first published in 1983, which offers astute readings of such 'silver fork' specialists as Disraeli, Bulwer-Lytton, and Catherine Gore. With an assured eye for the social context of these works, Adburgham explores the class tensions and complex social interactions behind the high sheen of the silver fork.
The Summer of Secrets is the scintillating debut from Alison Lucy, out in May 2012. But what happened before Danny and Harriet landed on their honeymoon paradise in the Caribbean? Find out in these three exclusive short stories, and read on for early chapters from The Summer of Secrets... 'The Summer of Secrets is a love story about three sisters who do not know about each other until they each set out to search for their father in the last place he was seen, a mysterious island off the Caribbean coast of Mexico. To understand how a sweet man like Danny Featherbow came to father three children he never met, by women that he never saw again, I thought I would write about the three mothers who feature in The Summer of Secrets, because once upon a time they too were young women with huge dreams of romance. Romance that they found in Danny's arms. It was only time that changed them...' Alison Lucy, 2012 Perfect for fans of Tasmina Perry, Veronica Henry and Lesley Lokko. The Summer of Secrets is a sizzling summer read about three women, relationships and the secret that binds them.
Lucy Fooshee lives a charmed life--a local beauty queen who snared farmer Bob and became his beautiful young bride. But when sexy Billy Lee lopes into town, Lucy embarks on a scandalous affair, triggering a series of events which force the town to reveal its bigotry--and compels Lucy to confront the true meaning of happiness, sexuality, and freedom.
Contains over 450 entries that describe books that have female heroines; includes publishing information, a short overview of the plot, and recollections from famous women about what their favorite book was as a child.
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