A gripping, character-driven young adult dystopian thriller set in a dark future London, with plot-twists that will keep you guessing until the final pages. Finalist in The Wishing Shelf Book Awards 2017 and highly recommended. Described by reviewers as "a breath of fresh air," "beautifully written" and "the rarest of non-instalove gems.
Powers make her an outcast. Fear will get her killed. At eighteen, Vesper is driven by one ambition—to live up to her family's expectations and win a place at the Royal Academy. But when she fails an unexpected test, Vesper is taken from the white tower of New Vegas and dumped on the city floor—home to those the city outlaws. She quickly finds herself branded a slave in a shadow city where factions war and monsters terrorize the streets. Most terrifying of all are the powers that Vesper and her new friends wield. Having killed once, Vesper is determined it won't happen again. To save her friends, Vesper must learn to control her power. And that means facing her greatest fear—that her power could destroy her.
Powers make her an outcast. Fear will get her killed. At eighteen, Vesper is driven by one ambition—to live up to her family's expectations and win a place at the Royal Academy. But when she fails an unexpected test, Vesper is taken from the white tower of New Vegas and dumped on the city floor—home to those the city outlaws. She quickly finds herself branded a slave in a shadow city where factions war and monsters terrorize the streets. Most terrifying of all are the powers that Vesper and her new friends wield. Having killed once, Vesper is determined it won't happen again. To save her friends, Vesper must learn to control her power. And that means facing her greatest fear—that her power could destroy her.
A history of criminal justice—from bigamy and body snatching to fraud and murder. “Offers a fascinating insight into the social conditions of the time” (Crime Review). From the woman who steals a cloak, to the highwayman and the middle-class forger, this book allows us a glimpse of the rich mix of criminals, their crimes, and sentences in early nineteenth-century Britain. With no statutory right of appeal against either the verdict or sentence at this time, the prisoner’s only hope for relief was to petition the Crown for mercy via the Home Office, and with sentences including death and transportation, the stakes were high. The petitioner’s objective was to prove the prisoner worthy of mercy, usually by establishing their respectability, and it is upon these petitions this book draws. Many of the thousands of petitions, held by the National Archives in Kew, reveal fascinating incidental information about the prisoner’s personal life or circumstances that cannot be found in other records. The supporting documentation, witness depositions or character references, often give us rare details of everyday routines, working conditions, illnesses, relationships, and life in a locality. As cases are followed in this book, some far beyond the Home Secretary’s decision, the criminals, supporters, prosecutors and judiciary are brought to life, occasionally with surprising results. Read as individual cases, each subject is fascinating; viewed together, the collection reveals a unique, intimate, and vivid insight into life in 1820s and 1830s Britain. “Open[s] up a level of detail of the crimes committed and the life of what was often the ordinary working man and women.” —Police History Society
Madness: History, Concepts and Controversies provides a comprehensive and critical analysis of current perspectives on mental illness and how they have been shaped by historical trends and dominant sociocultural paradigms. From its representation among world religions and wider folkloric myth, to early attempts to rationalize and treat symptoms of mental disorder, this book outlines the principle contemporary models of understanding mental health and situates them within a wider historical and social context. The authors consider a variety of current controversies within the mental health arena and provide numerous pedagogical features to allow students the opportunity to understand and engage in current issues and debates relating to psychological disorders. By discussing key issues such as the social construction of mental illness, this text provides an essential overview of how societies and science has understood mental illness, and will appeal to students, researchers and general readers alike.
This book details how the landscape for children's services has changed over the last ten years (2008--2018) and what these changes entail for the organizations that deliver early intervention services for children and their families. Body and Lehane offer insight into the key debates about how the relationship between the state and voluntary sector is managed, the rationale and impact of social policy decisions in early intervention provision, and the governance of authority and accountability within services for children and families. Drawing on both recent policy and research, Children and Charities critically assesses assertions about the purpose and role of the voluntary sector in the provision of early intervention and prevention.
Bestselling author and acclaimed historian Alison Weir brings her Tudor Queens series to a close with the remarkable story of Henry VIII's sixth and final wife, who manages to survive him and remarry, only to be thrown into a romantic intrigue that threatens the very throne of England. “A superb read and a remarkable end to a brilliant series.”—Historical Novel Society Having sent his much-beloved but deceitful young wife Katheryn Howard to her beheading, King Henry fixes his lonely eyes on a more mature woman, thirty-year-old, twice-widowed Katharine Parr. She, however, is in love with Sir Thomas Seymour, brother to the late Queen Jane. Aware of his rival, Henry sends him abroad, leaving Katharine no choice but to become Henry’s sixth queen in 1543. The king is no longer in any condition to father a child, but Katharine is content to mother his three children, Mary, Elizabeth, and the longed-for male heir, Edward. Four years into the marriage, Henry dies, leaving England’s throne to nine-year-old Edward—a puppet in the hands of ruthlessly ambitious royal courtiers—and Katharine's life takes a more complicated turn. Thrilled at this renewed opportunity to wed her first love, Katharine doesn't realize that Sir Thomas now sees her as a mere stepping stone to the throne, his eye actually set on bedding and wedding fourteen-year-old Elizabeth. The princess is innocently flattered by his attentions, allowing him into her bedroom, to the shock of her household. The result is a tangled tale of love and a struggle for power, bringing to a close the dramatic and violent reign of Henry VIII.
This book provides a novel approach to the study of security and global governance by demonstrating that psychological interventions are integral to global governmentality.
The third edition of this work on family law, comprising text, cases and materials, provides not only an explication of legal principle but also explores, primarily from a feminist perspective, some of the assumptions about, and constructions of, gender, sexual orientation, class and culture that underlie the law. It examines the ideology of the family and, in particular, the role of the law in contributing to and reproducing that ideology. Structured around the themes of equality, welfare, and family privacy, the book aims to offer the benefits of a textbook while also giving students a wide-ranging set of materials for classroom discussion. As well as providing a firm grounding in family law, the text sets the law in its social and historical context and encourages a critical approach by students to the subject. It provides an ideal introduction to family law for undergraduates, but will be equally helpful for postgraduate students of family law for whom it provides a challenging selection of materials set within a theoretical framework rich in ideas and arguments. Review of the second edition: 'Diduck and Kaganas examine legal developments to shed light on society, principally by investigating the ways in which family law constructs and regulates family life and responsibilities. Theirs is an important and ambitious book that aims ultimately at a feminist restatement of family law. .... [T]he [book] is written and referenced in such depth that it is a useful resource for legal as well as social science researchers at all levels, whether looking for theoretical inspiration or drawing up a literature review. The range of diverse sources that Diduck and Kaganas draw on is impressive: they seem to have included every bit of material that helps feminists make sense of family law. There is a well-pitched selection of further reading of such material at the end of each chapter. What's more, they undersell themselves by describing their book as "Text, Cases and Materials", because they have woven by far the largest proportion of the cases and materials into the text.' Helen Reece, Times Higher Education, May 2007. Reviews of first edition: 'A stimulating work which attempts to situate family law in its social, historical and political context. Its appeal should not be confined to family law students, as its commitment to a critical and analytical approach offers insights and ideas with broader significance.' Mary Childs, Child and Family Law Quarterly, September 2002 'The arguments are provocative, the analysis is stimulating and the materials amassed strongly support the authors' aim to question the "axiomatic status of what is traditionally designated as the family".' Fiona E Raitt, Infant and Child Development, September 2002 'It is not often that one can say of a textbook in Law that it "makes interesting reading" with quite the enthusiasm that can be expressed for this text. This new publication offers something that few textbooks seem to offer - a book you CAN open up virtually anywhere and find an interesting piece on almost any aspect of the broad family law spectrum.' Penny Booth, The Law Teacher, September 2002 'All the major themes in feminist and constructionist perspectives in family law are presented together with a wealth of readings and extensive references. As a teaching manual, it is excellent - a coherent feminist perspective across the entire range of family law' Marty Slaughter, Feminist Legal Studies, July 2003
Examining the diversity of perspectives and approaches in family law scholarship and drawing upon this work, this book provides an analysis of recent trends in family law from a socio-legal and feminist perspective, and questions the nature of the 'nuclear' family.
This book promotes the idea that professionalism among teachers should be marked by democratic relations, rather than by managerialism and performance management. It provides a thorough investigation of issues around the participation of trainee teachers in the Lifelong Learning Sector, by reflecting on their experiences and questioning how well initial teacher education prepares teachers as professional practitioners in the sector. The reflexive nature of the book promotes a deep discussion of the nature of professionalism, drawing upon the works of John Dewey, Michel Foucault and Pierre Bourdieu, and places initial teacher education in the Lifelong Learning Sector firmly within the policy and ideological context of regulation, audit and control. It also illuminates pertinent discussions around teacher agency through a consideration of confidence, excellence, and routinised practices. Finally, the book takes us ‘through the looking glass’ to reveal the tensions within the teacher education curriculum as it prepares trainee teachers for a ready-made world, whilst at the same time attempting to encourage principles of social justice, inclusive practice and education as a democratic endeavour. It will be compelling reading for students and researchers working in Education and Sociology, particularly those with an interest in lifelong learning and teacher training.
This book sets Shakespeare in the religious context of his times, presenting a balanced, up-to-date account of current biographical and critical debates, and addressing the fascinating, under-studied topic of how Shakespeare's writing was perceived by literary contemporaries - both Catholic and Protestant - whose priorities were more obviously religious than his own. It advances new readings of several plays, especially Hamlet, King Lear and The Winter's Tale; these draw in many cases on new and under-exploited contemporary analogues, ranging from conversion narratives, books of devotion and polemical pamphlets to manuscript drama and emblems. Shakespeare's writing has been seen both as profoundly religious, giving everyday human life a sacramental quality, and as profoundly secular, foreshadowing the kind of humanism that sees no necessity for God. This study attempts to reconcile these two points of view, describing a writer whose language is saturated in religious discourse and whose dramaturgy is highly attentive to religious precedent, but whose invariable practice is to subordinate religious matter to the particular aesthetic demands of the work in hand. For Shakespeare, as for few of his contemporaries, the Judaeo-Christian story is something less than a master narrative.
The Catholic contribution to English literary culture has been widely neglected or misunderstood. This book sets out to rehabilitate a wide range of Catholic imaginative writing, while exposing the role of anti-Catholicism as an imaginative stimulus to mainstream writers in Tudor and Stuart England. It discusses canonical figures such as Sidney, Spenser, Webster and Middleton, those whose presence in the canon has been more fitful, and many who have escaped the attention of literary critics. Among the themes to emerge are the anti-Catholic imagery of revenge tragedy and the definitive contribution made by Southwell and Crashaw to the post-Reformation revival of religious verse in England. Alison Shell offers a fascinating exploration of the rhetorical stratagems by which Catholics sought to demonstrate simultaneous loyalties to the monarch and to their religion, and of the stimulus given to the Catholic literary imagination by the persecution and exile so many of these writers suffered.
Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In Out in Public,
Bestselling author and acclaimed historian Alison Weir tells the tragic story of Henry VIII’s fifth wife, a nineteen-year-old beauty with a hidden past, in this fifth novel in the sweeping Six Tudor Queens series. “A vivid re-creation of a Tudor tragedy.”—Kirkus Reviews In the spring of 1540, Henry VIII is desperate to be rid of his unappealing German queen, Anna of Kleve. A prematurely aged and ailing forty-nine, with an ever-growing waistline, he casts an amorous eye on a pretty nineteen-year-old brunette, Katheryn Howard. Like her cousin Anne Boleyn, Katheryn is a niece of the Duke of Norfolk, England’s premier Catholic peer, who is scheming to replace Anna of Kleve with a good Catholic queen. A flirtatious, eager participant in the life of the royal court, Katheryn readily succumbs to the king’s attentions when she is intentionally pushed into his path by her ambitious family. Henry quickly becomes besotted and is soon laying siege to Katheryn’s virtue. But as instructed by her relations, she holds out for marriage and the wedding takes place a mere fortnight after the king’s union to Anna is annulled. Henry tells the world his new bride is a rose without a thorn, and extols her beauty and her virtue, while Katheryn delights in the pleasures of being queen and the rich gifts her adoring husband showers upon her: the gorgeous gowns, the exquisite jewels, and the darling lap-dogs. She comes to love the ailing, obese king, enduring his nightly embraces with fortitude and kindness. If she can bear him a son, her triumph will be complete. But Katheryn has a past of which Henry knows nothing, and which comes back increasingly to haunt her—even as she courts danger yet again. What happens next to this naïve and much-wronged girl is one of the saddest chapters in English history.
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