The aim of this book is to present a varied research within the four sub-fields of Anthropology: Archaeology, Ethnology, Linguistics and Biological Anthropology, as it was conceived by Frank Boaz. Perhaps my emphasis has been mostly in Archaeology, since I specialize in the Archaeology of Egypt and the Middle East. Nevertheless, I touch other topics as well. For instance sometimes I would connect archaeology and Egyptian art or literature and Egyptian linguistics. The total result has been a mixed of topics that relate in one way or another to Anthropology, the study of human behavior. Perhaps, if a student is looking for subjects to do term papers, or needs bibliography to start a research in a certain topic, this would be of help. I don't pretend that my research is paramount, but there are some subjects and investigations that are unique, as any truly research should be. I hope that the reader enjoys the vast amount of creativity human behavior can produce.
An investigation is made here of a marking and counting system used in Ancient Egypt similar to the one existing in Mesopotamia, during the fourth millennium BCE. Th e archaeological model indicates that, this development was crucial to the invention of writing and to social stratifi cation in both Mesopotamia and Ancient Egypt. Th is fact was corroborated by archaeological analysis of the areas, indicating a very early state formation at the beginning of the Middle Uruk Period in Mesopotamia, which corresponded to the Predynastic Period in Egypt. A correlation is made here of proto-signs from both areas, Mesopotamia and Ancient Egypt, which was probably used for longrange trade between both regions.
Since 1993, more than five hundred women and girls have been murdered in Ciudad Juárez across the border from El Paso, Texas. At least a third have been sexually violated and mutilated as well. Thousands more have been reported missing and remain unaccounted for. The crimes have been poorly investigated and have gone unpunished and unresolved by Mexican authorities, thus creating an epidemic of misogynist violence on an increasingly globalized U.S.-Mexico border. This book, the first anthology to focus exclusively on the Juárez femicides, as the crimes have come to be known, compiles several different scholarly "interventions" from diverse perspectives, including feminism, Marxism, critical race theory, semiotics, and textual analysis. Editor Alicia Gaspar de Alba shapes a multidisciplinary analytical framework for considering the interconnections between gender, violence, and the U.S.-Mexico border. The essays examine the social and cultural conditions that have led to the heinous victimization of women on the border—from globalization, free trade agreements, exploitative maquiladora working conditions, and border politics, to the sexist attitudes that pervade the social discourse about the victims. The book also explores the evolving social movement that has been created by NGOs, mothers' organizing efforts, and other grassroots forms of activism related to the crimes. Contributors include U.S. and Mexican scholars and activists, as well as personal testimonies of two mothers of femicide victims.
“What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror,” asserts Alicia Gaspar de Alba. Looking back across a career in which she has written novels, poems, and scholarly works about Sor Juana Inés de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juárez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of “bad women,” as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the “frames” imposed on them by capitalist patriarchal discourses. In [Un]Framing the “Bad Woman,” Gaspar de Alba revisits and expands several of her published articles and presents three new essays to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity—as well as how Chicanas can be liberated from these frames. Employing interdisciplinary methodologies of activist scholarship that draw from art, literature, history, politics, popular culture, and feminist theory, she shows how the “bad women” who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a “good woman” and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By “unframing” these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her compañeras and fellow luchadoras empowering models of struggle, resistance, and rebirth.
A comprehensive analysis of racial disparities and the determinants of entrepreneurial performance—in particular, why Asian-owned businesses on average perform relatively well and why black-owned businesses typically do not. Thirteen million people in the United States—roughly one in ten workers—own a business. And yet rates of business ownership among African Americans are much lower and have been so throughout the twentieth century. In addition, and perhaps more importantly, businesses owned by African Americans tend to have lower sales, fewer employees and smaller payrolls, lower profits, and higher closure rates. In contrast, Asian American-owned businesses tend to be more successful. In Race and Entrepreneurial Success, minority entrepreneurship authorities Robert Fairlie and Alicia Robb examine racial disparities in business performance. Drawing on the rarely used, restricted-access Characteristics of Business Owners (CBO) dataset compiled by the U.S. Census Bureau, Fairlie and Robb examine in particular why Asian-owned firms perform well in comparison to white-owned businesses and black-owned firms typically do not. They also explore the broader question of why some entrepreneurs are successful and others are not. After providing new comprehensive estimates of recent trends in minority business ownership and performance, the authors examine the importance of human capital, financial capital, and family business background in successful business ownership. They find that a high level of startup capital is the most important factor contributing to the success of Asian-owned businesses, and that the lack of startup money for black businesses (attributable to the fact that nearly half of all black families have less than $6,000 in total wealth) contributes to their relative lack of success. In addition, higher education levels among Asian business owners explain much of their success relative to both white- and African American-owned businesses. Finally, Fairlie and Robb find that black entrepreneurs have fewer opportunities than white entrepreneurs to acquire valuable pre-business work experience through working in family businesses.
La Rana ('The Frog') is two street blocks located between Crenshaw Boulevard and Van Ness Avenue in Torrance, California. La Rana has a colorful history of immigrants who settled in 1908 from various parts of Mexico with the following surnames: Torres, Ordaz, Grajeda, Flores, Alvarez, Duarte, and Solis. These families fled the Mexican Revolution and religious persecution in search of a brighter future for their children. They attended Torrance schools, such as Torrance Elementary, Nativity Catholic School, Torrance High School, and El Camino College. They earned degrees of higher education from a variety of schools like the University of California, Santa Barbara; California State University Long Beach; Loyola Marymount; the University of Arizona; and American InterContinental University. Today, those progenies include Devin Molina, an anthropologist; James Yanes, a medical doctor specializing in infectious diseases; Eddie Solis, an anesthesiologist; and Maria Dolores White, a nurse practitioner. Other professions include lawyers, nurses, teachers, police officers, accountants, professional baseball players, and a fire chief, as well as many business owners. Their stories are told through vintage photographs gathered from personal collections and commentary from friends and neighbors of the lives they led and the dreams they shared."--Page [4] of cover.
An investigation is made here of a marking and counting system used in Ancient Egypt similar to the one existing in Mesopotamia, during the fourth millennium BCE. Th e archaeological model indicates that, this development was crucial to the invention of writing and to social stratifi cation in both Mesopotamia and Ancient Egypt. Th is fact was corroborated by archaeological analysis of the areas, indicating a very early state formation at the beginning of the Middle Uruk Period in Mesopotamia, which corresponded to the Predynastic Period in Egypt. A correlation is made here of proto-signs from both areas, Mesopotamia and Ancient Egypt, which was probably used for longrange trade between both regions.
The aim of this book is to present a varied research within the four sub-fields of Anthropology: Archaeology, Ethnology, Linguistics and Biological Anthropology, as it was conceived by Frank Boaz. Perhaps my emphasis has been mostly in Archaeology, since I specialize in the Archaeology of Egypt and the Middle East. Nevertheless, I touch other topics as well. For instance sometimes I would connect archaeology and Egyptian art or literature and Egyptian linguistics. The total result has been a mixed of topics that relate in one way or another to Anthropology, the study of human behavior. Perhaps, if a student is looking for subjects to do term papers, or needs bibliography to start a research in a certain topic, this would be of help. I don't pretend that my research is paramount, but there are some subjects and investigations that are unique, as any truly research should be. I hope that the reader enjoys the vast amount of creativity human behavior can produce.
“What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror,” asserts Alicia Gaspar de Alba. Looking back across a career in which she has written novels, poems, and scholarly works about Sor Juana Inés de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juárez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of “bad women,” as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the “frames” imposed on them by capitalist patriarchal discourses. In [Un]Framing the “Bad Woman,” Gaspar de Alba revisits and expands several of her published articles and presents three new essays to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity—as well as how Chicanas can be liberated from these frames. Employing interdisciplinary methodologies of activist scholarship that draw from art, literature, history, politics, popular culture, and feminist theory, she shows how the “bad women” who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a “good woman” and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By “unframing” these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her compañeras and fellow luchadoras empowering models of struggle, resistance, and rebirth.
La Golondrina Peaceful Darkness By: Alicia Nunez In her back-to-back books La Golondrina and Peaceful Darkness, Alicia Nunez explores a family drama and what it means to be human. As she explores love and hatred, forgiveness and revenge, Nunez delivers a tale that won’t soon be forgotten.
In the first story of this absorbing collection, Margarita—sixteen and married to a soldier who has gone off to fight in the first great war—meets and falls in love with Federico Garcia Lorca. He calls her “Margarita Petita,” and then turns her name into a poem. When he refuses to marry the widowed gypsy girl after a tryst at the river leaves her pregnant, her mother curses both Lorca and his offspring: “May they all die before they see the light of day.” And so Lorca is killed by fascists and his child dies in Margarita’s womb, where it remains—petrified—for 80 years. Mysteries and furtive desires pervade the enthralling stories in this group of ten the author calls a “deconstructed novel.” Rich in imagery and language, they chronicle the gypsy’s life, including banishment from Andalusia by her mother, marriage to a famous Mexican bull fighter and the lives of numerous descendants who ultimately leave Mexico for El Paso, Texas. In one of the final stories, “Calaveras in the Closet,” the gypsy’s extensive family comes together for her funeral, where several long-guarded secrets will suddenly come to light. Also included in this volume is a historical novella, Liberata Wilgefortis: The True and Tragic Story of the Bearded Female Saint, a mystical retelling of an ancient legend about the first bearded female saint of the Catholic Church whose cult was removed by Vatican II in 1969. Expertly weaving poetry, historical events, myth and legend into intriguing short fiction, Alicia Gaspar de Alba confirms her place as one of the leading contemporary Latinx voices.
Camila is thrilled to be selling paintings of her abuella at a local bakery, but when a classmate tells her the paintings are ugly, Camila feels sad and considers quitting.
Every year Camila's school has a talent show, and Camila wants to sing her favorite song; but Ruby, a new girl, has already signed up to sing the same song and Camila is so mad she decides not to compete at all--until Ruby suggests that they sing together, and Camila discovers sometimes two voices are better than one.
At first Camila is thrilled to be chosen to represent her class in the school spelling bee, but than she becomes anxious about performing in front of an audience and considers withdrawing.
Camila's soccer team, Las Estrellas Fugaz, has lost three games in a row, so the players get together to practice working as a team, which they hope will turn their season around. Includes glossary and discussion points.
Camila has entered a singing competition and she knows that she wants to sing her family's favorite song; but when it comes to actually competing Camila is very nervous about the size of the audience and being in the spotlight--but Camila knows her family is there and that she can use that knowledge to overcome her stage fright. Includes artistic activity.
This Book marks a time period (1870s-1940s) when Mexican authors writing in English saw themselves as transnational authors whose role was to teach the English speaking public about Mexico. This book takes a look at four inspiring women whose ideas represent the way medicine and science permeated the personal lives of Mexican and Indigenous peoples whose lifestyles did not happen to meet the requirements of an industrialized or modern citizenry. These women include historical figures such as the folkloric healer, Teresa Urrea (1873-1906), and authors, Maria Amparo Ruiz de Burton (1872), Maria Cristina Mena (1914), and Josefina Niggli (1947). These women writers focused on the modernist construction of the body and brought in aspects of how the soul (through racial, gendered, national, political, and socio-economic lenses) was reconstructed as a way to manage the health and space of the Mexican/Indigenous populations in order to move into an era of industrialism and positivism. By focusing on how industrialism led to the negation of racialized bodies, knowledges, and spaces, this book takes a deeper look at the concept of the “individual” as a medical, economic, political, and theoretical term, focusing on the way medical knowledge, the doctor, surgery, experimentation, healing, and specifically, the soul, is treated in Latina modernist literature. This book adds to the modernist discussions of literary figures such as Bernard Shaw, T.S. Eliot, D.H. Lawrence, William Carlos Williams, Frida Kahlo, Ezra Pound, and Gertrude Stein. Urrea, Ruiz de Burton, Mena, and Niggli continue the critique of a burgeoning medical system and rhetoric, and they add the Mexican/Indigenous viewpoint and transnational perspective that is important to any dialogue.
A video contest is the perfect way for Camila to become a star. To enter, she must make a video that explains what her city, Los Angeles, means to her. But Los Angeles is so big! How will she decide what to talk about? As Camila works on her video, she realises that there's one special thing that makes her city feel like home.
This book examines how industrialism led to the negation of racialized bodies, knowledges, and spaces. It analyzes the concept of the "individual" as a medical, economic, political, and theoretical term, focusing on how medical knowledge, doctors, surgery, experimentation, healing, and the soul are treated in Mexican American modernist literature.
These fiction stories are about families and how history shaped their ethnicities, lives, and culture. The characters are my actual ancestors who spread out throughout Mexico, Texas, New Mexico, Arizona and other parts of the USA. Covering a span of 425 years, family histories come alive along with the historical events of their time. The ethnic groups in these stories are: Native Americans, Spanish, African, French, and Mexican mestisos who lived in Northern Mexico and the Southwestern United States. The “cactus on the forehead' is mostly used as a condescending identity. I chose to use this phrase as valued identity.The stories start in 1563 with the arrival of the explorer Francisco Ibarra, the beginning of the cattle industry in Chihuahua, and the cultural traditions brought on by this industry. It ends in 1988 with a trip to a “Genealogy Museum” with a brief window as to how these characters helped shaped history.All families have stories to tell. Patterns of values and traditions exist in all families. I hope that these stories inspire you to write your own stories and discover the wealth of information available about your ancestors.Alicia Dávila De Laurie
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.