In the wake of the financial crisis and Great Recession, the health of state and local pension plans has emerged as a front burner policy issue. Elected officials, academic experts, and the media alike have pointed to funding shortfalls with alarm, expressing concern that pension promises are unsustainable or will squeeze out other pressing government priorities. A few local governments have even filed for bankruptcy, with pensions cited as a major cause. Alicia H. Munnell draws on both her practical experience and her research to provide a broad perspective on the challenge of state and local pensions. She shows that the story is big and complicated and cannot be viewed through a narrow prism such as accounting methods or the role of unions. By examining the diversity of the public plan universe, Munnell debunks the notion that all plans are in trouble. In fact, she finds that while a few plans are basket cases, many are functioning reasonably well. Munnell's analysis concludes that the plans in serious trouble need a major overhaul. But even the relatively healthy plans face three challenges ahead: an excessive concentration of plan assets in equities; the risk that steep benefit cuts for new hires will harm workforce quality; and the constraints plans face in adjusting future benefits for current employees. Here, Munnell proposes solutions that preserve the main strengths of state and local pensions while promoting needed reforms.
In One-Way Tickets, Borinsky offers up a splendid tour across 20th-century literatures, providing a literary travelogue to writers and artists in exile. She describes their challenges in adjusting to new homelands, issues of identity and language, and the brilliant works produced under the discomforts and stresses of belonging nowhere. Speaking with the authority of first-hand experience, Borinsky relates the story of her own family—Eastern European Jews, with one-way tickets to Buenos Aires, refugees from the countries that “spat them out and massacred those who stayed on.” Borinksy herself becomes an exile, fleeing Argentina after the take-over of a bloody military dictatorship. She understood, then, her grandfather’s lessons: “There’s nothing like languages to save your life, open your mind, speed you away from persecution.” As a writer of poetry, fiction, and essays, the author also knows intimately the struggles of writing from between worlds, between languages. In these pages, we encounter Russian Vladimir Nabokov, writing in English in the United States; Argentine writer Julio Cortázar in Paris; Polish writer, Witold Gombrowicz in Buenos Aires; Alejandra Pizarnik, Argentine writer for whom exile is a state of mind; Jorge Luis Borges, labyrinthine traveler in time and space; Isaac Bashevis Singer, a Jewish writer in New York driven from Poland by the Nazis; Latino writers Oscar Hijuelos, Cristina Garcia, and Junot Diaz; and Clarice Lispector, transplanted from Ukraine, to Brazil, to Europe, and the United States. Not surprisingly, these charismatic and artistic people, as well as many others in Borinsky’s nearly encyclopedic associations, inhabit equally intriguing circles. She introduces us to a wide range of friends and lovers, mentors and detractors, compatriots and hosts. We come away with a terrific breadth of knowledge of 20th-century literature and culture in exile—its uneasy obsessions, its difficult peace, its hard-won success.
A how-to guide for creating and funding social justice program grants This groundbreaking book shows how to increase funding for social justice philanthropy. Social justice philanthropy provides direct services to alleviate suffering and works to transform the systems and institutions that cause that suffering. Written in an engaging, easy-to-read style, Change Philanthropy offers an insider's view what works and what doesn't work when developing grantmaking strategies in support of social change. It gives clear guidance showcases foundations of all types and sizes including Liberty Hill Foundation, Charles Stewart Mott Foundation, Needmor Fund, Jacobs Family Foundation, Discount Foundation, Global Fund for Women, Schott Foundation, Ford Foundation, and the Open Society Institute. The book also includes a wealth of illustrative examples and contains practical suggestions and tips that can be applied immediately to support any social justice agenda. Offers a guide for increasing funds for social justice programs and suggestions for foundations on which programs to fund Gives step-by-step advice for developing a successful grantmaking strategy Includes a wealth of examples from leading foundations Sponsored by The Center for Community Change
Offers a new perspective on Byzantine imperial imagery, demonstrating the role foreign styles and iconography played in the visual articulation of imperial power.
When twenty-two year old Caeden North runs away from his miserable life in the city, he finds himself in the peculiar town of Dovewood. There he meets people as strange and enchanting as the characters in his childhood fantasies. While he seeks to discover the truth behind the secrets around him, he begins to form friendships for the first time in years. In the midst of a rivalry between two of these friends, a mysterious disaster unfolds, and Caeden must lead the way in the face of his own demons to find resolve.
Every Character Has a Voice Point of view isn't just an element of storytelling–when chosen carefully and employed consistently in a work of fiction, it is the foundation of a captivating story. It's the character voice you can hear as clearly as your own. It's the unique worldview that intrigues readers–persuading them to empathize with your characters and invest in their tale. It's the masterful concealing and revealing of detail that keeps pages turning and plots fresh. It's the hidden agenda that makes narrators complicated and compelling. It's also something most writers struggle to understand. In The Power of Point of View, RITA Award-winning author Alicia Rasley first teaches you the fundamentals of point of view (POV)–who is speaking, why, and what options work best within the conventions of your chosen genre. Then, she takes you deeper to explain how POV functions as a crucial piece of your story–something that ultimately shapes and drives character, plot, and every other component of your fiction. Through comprehensive instruction and engaging exercises, you'll learn how to: • choose a point of view that enhances your characters and plots and encourages reader involvement • navigate the levels of a character's point of view, from objective viewing to action to emotion • craft unusual perspectives, including children, animal narrators, and villains A story changes depending on who's telling it, and The Power of Point of View will help you determine which of your characters can make your story come to life.
Alicia Borinsky argues that the contemporary Latin American novel does not just ingeniously dismantle the referential claims of the more traditional novel; it offers a postmodern version of the lessons taught by fiction. Latin American fiction, perhaps the most inventive literature of recent decades, seems marked by its self-reflexivity, by its playful relationship to history and the everyday, and by its concerns with the ways in which language works. But is it, Borinsky asks, really a literature whose primary goal is to raise metafictional questions about writing and reading? While the effects of this literature include dismantling the illusions of realism, naturalism, and historicism, the haunting and disturbing energy of its major works lies in their capacity of invoke a region beyond literature through literature. Theoretical Fables progresses by way of close readings of the works of eight canonical—and not quite canonical—Latin American Authors. Borinsky argues that the Latin American "theoretical fable" has its origins in the work of the early twentieth-century Argentinean writer Macedonio Fernández. In this light she studies the works of Jorge Luis Borges, Gabriel Garcia Márquez, Julio Cortázar, José Donoso, Adolfo Bioy Cesares, Manuel Puig, and Maria Luisa Bombal.
Offers a compendium of interesting facts about women, covering everything from shopping, marriage, and food, to Oprah Winfrey, sex, pets, and cosmetics.
Since 1993, more than five hundred women and girls have been murdered in Ciudad Juárez across the border from El Paso, Texas. At least a third have been sexually violated and mutilated as well. Thousands more have been reported missing and remain unaccounted for. The crimes have been poorly investigated and have gone unpunished and unresolved by Mexican authorities, thus creating an epidemic of misogynist violence on an increasingly globalized U.S.-Mexico border. This book, the first anthology to focus exclusively on the Juárez femicides, as the crimes have come to be known, compiles several different scholarly "interventions" from diverse perspectives, including feminism, Marxism, critical race theory, semiotics, and textual analysis. Editor Alicia Gaspar de Alba shapes a multidisciplinary analytical framework for considering the interconnections between gender, violence, and the U.S.-Mexico border. The essays examine the social and cultural conditions that have led to the heinous victimization of women on the border—from globalization, free trade agreements, exploitative maquiladora working conditions, and border politics, to the sexist attitudes that pervade the social discourse about the victims. The book also explores the evolving social movement that has been created by NGOs, mothers' organizing efforts, and other grassroots forms of activism related to the crimes. Contributors include U.S. and Mexican scholars and activists, as well as personal testimonies of two mothers of femicide victims.
Funny and Feminist Trivia Women of Interest is a humorous compendium of little known facts about the history, fame, fortunes, fashions, and fictions of the female species–enough to impress your mother and your boss, win arguments with your boyfriends and husbands, and generally know more about your fabulous female self. One of the most fascinating trivia books for women. Did you know that women outnumber men by five to one in shoplifting convictions? Or that researchers at Northwestern University found that men change their minds two to three times more than women? Women of Interest spans history, crosses cultures, ranges from the silly to the salacious to the truly useful and back again. Designed to delight the feminist in you, this outrageously funny book is organized into ten trivia-filled chapters covering all sorts of humorous histories and fun facts. Ideal for trivia games for adults or feminist gifts, now women really can know everything. Feminist, funny gifts for women. It’s time to challenge that know-it-all girlfriend, or grab the ultimate bathroom reader for your feminist BFF. Whether you’re searching for feminist books or trivia books, Women of Interest makes a wonderful addition to trivia games and bookshelves alike. Inside, you’ll learn that: Diamonds didn’t become a girl’s best friend until the thirteenth century. Before that, they were for men only. Zazel, a woman, was the first human cannonball. She launched into the air through a giant spring inside a cannon. Marilyn Monroe was the very first Artichoke Queen in the artichoke capital of the world. If you enjoy comedy books, trivia books for adults, or funny gifts for her─and enjoyed titles such as What If, 399 Games Puzzles & Trivia Challenges, Uncle John's Truth Trivia and the Pursuit of Factiness, The Woman's Encyclopedia of Myths and Secrets, or Thank You for Being a Friend: A Golden Girls Trivia Book─then you’ll love Women of Interest.
Explore quotations drawn from inspiring correspondence—and the powerful stories behind them—from some of history's most noted (and notorious) letter-writers in Signed & Sealed, a beautiful collection from Quotabelle. From the authors of Beautifully Said, Grit & Grace, and Bravely, comes Signed & Sealed, a charming gift book that captures the wit, heart, whimsy, drama, and brilliance of correspondence between iconic and little-known pairs both past and present. Inside, readers will find quotations from these exchanges—highlighting the openings and closings penned by their authors—alongside intriguing stories that reveal the who, what, when, and where behind each carefully selected passage. With chapter themes like “with a wink,” “with a swoon,” and “with an agenda,” this clever, rigorously researched collection delivers wisdom and inspiration drawn from the private words of public pairs. Quoted segments of these correspondences are drawn from letters of all sorts—from fan mail and love letters to sage advice and fond farewells. The featured quotations—and the back stories that accompany them—are perfectly suited for bibliophiles, history buffs, pen pals, stationery fans, and letter lovers of all ages. The 100 featured correspondents include friends, colleagues, lovers, family members, and professional admirers, among them Frida Kahlo and Georgia O'Keefe, John Adams and Abigail Smith, Duke Ellington and Ella Fitzgerald, Elizabeth Taylor and Andy Warhol, Nelson Mandela and his young daughters, plus many more. This unique collection was meticulously researched and curated with care by Quotabelle, a start-up that elevates women’s voices through the power of words. It’s bound to inspire today’s letter writers to create their own new “signatures.” Signed & Sealed is a perfect pairing with Quotabelle’s Salutations & Signoffs notecards, both designed to revive the lost art of letter-writing, one line at a time.
Written for a diverse population of readers (all ages, different educational backgrounds, varying educational goals), this book allows for self or online instruction. The primary goal of the book is to teach Microsoft Office 2003, with an approach that is based on clearly-defined projects. A key feature of the book is the use of Microsoft procedural syntax: steps begin with where the action is to take place, followed by the action itself. The instruction is error-free, clearly written, and logically arranged. This series provides users with the skills to solve business problems using the computer as a tool. This book effectively covers: the use of Word , including formatting, special utilities, research papers, clip art and tables, creating newsletters with multiple columns and special formats, charts, tables, and text effects, and group projects; the use of Excel , including creating a workbook with formulas, advanced formulas, functions, and charting, customizing a workbook, adding logic, and checking work; the use of Access , including databases and tables, forms and reports, queries, access pages and database conversion, relational databases, and forms and subforms; and the use of PowerPoint, including presentation creation and formatting, enhancing presentations with graphic elements, advanced graphic techniques, and delivering a presentation. For anyone wishing to learn to effectively use the different components of Microsoft Office 2003.
In One-Way Tickets, Borinsky offers up a splendid tour across 20th-century literatures, providing a literary travelogue to writers and artists in exile. She describes their challenges in adjusting to new homelands, issues of identity and language, and the brilliant works produced under the discomforts and stresses of belonging nowhere. Speaking with the authority of first-hand experience, Borinsky relates the story of her own family—Eastern European Jews, with one-way tickets to Buenos Aires, refugees from the countries that “spat them out and massacred those who stayed on.” Borinksy herself becomes an exile, fleeing Argentina after the take-over of a bloody military dictatorship. She understood, then, her grandfather’s lessons: “There’s nothing like languages to save your life, open your mind, speed you away from persecution.” As a writer of poetry, fiction, and essays, the author also knows intimately the struggles of writing from between worlds, between languages. In these pages, we encounter Russian Vladimir Nabokov, writing in English in the United States; Argentine writer Julio Cortázar in Paris; Polish writer, Witold Gombrowicz in Buenos Aires; Alejandra Pizarnik, Argentine writer for whom exile is a state of mind; Jorge Luis Borges, labyrinthine traveler in time and space; Isaac Bashevis Singer, a Jewish writer in New York driven from Poland by the Nazis; Latino writers Oscar Hijuelos, Cristina Garcia, and Junot Diaz; and Clarice Lispector, transplanted from Ukraine, to Brazil, to Europe, and the United States. Not surprisingly, these charismatic and artistic people, as well as many others in Borinsky’s nearly encyclopedic associations, inhabit equally intriguing circles. She introduces us to a wide range of friends and lovers, mentors and detractors, compatriots and hosts. We come away with a terrific breadth of knowledge of 20th-century literature and culture in exile—its uneasy obsessions, its difficult peace, its hard-won success.
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