In a breathtaking blend of lyrical memoir, photographs, and textual artifacts, Mother of Stories examines the complex legacy of a mother who was a gifted teacher, a passionate reader, and a pathological liar. While Alice Dailey was immersed in an academic study of death in Shakespeare’s history plays, her mother died from toxic exposure to mold. Composed in a fugue of grief, Mother of Stories is Dailey’s uncompromising account of the months before and after her mother’s death. Through varied forms of episodic and visual recreation, Mother of Stories confronts what it means to inherit violent family narratives and, in their wake, to have to reconceive the borders between lived, imaginary, and literary experience. A hybrid, richly imaginative work that synthesizes past and present, counterfeit and real, Mother of Stories oscillates between the inescapable weight of history and the cathartic liberation of art and storytelling. In constructing a poetic assemblage reminiscent at once of medieval miscellanies and contemporary experimental autotheory, Dailey’s acts of rehearsing, cutting, and folding history generate forms of radical critique that puncture and reconstitute the limits of literary nonfiction.
In a breathtaking blend of lyrical memoir, photographs, and textual artifacts, Mother of Stories examines the complex legacy of a mother who was a gifted teacher, a passionate reader, and a pathological liar. While Alice Dailey was immersed in an academic study of death in Shakespeare’s history plays, her mother died from toxic exposure to mold. Composed in a fugue of grief, Mother of Stories is Dailey’s uncompromising account of the months before and after her mother’s death. Through varied forms of episodic and visual recreation, Mother of Stories confronts what it means to inherit violent family narratives and, in their wake, to have to reconceive the borders between lived, imaginary, and literary experience. A hybrid, richly imaginative work that synthesizes past and present, counterfeit and real, Mother of Stories oscillates between the inescapable weight of history and the cathartic liberation of art and storytelling. In constructing a poetic assemblage reminiscent at once of medieval miscellanies and contemporary experimental autotheory, Dailey’s acts of rehearsing, cutting, and folding history generate forms of radical critique that puncture and reconstitute the limits of literary nonfiction.
Quirky and always graceful, and with settings that range from San Francisco to North Carolina, from Paris to Mexico, the stories in this collection provide telling glimpses into the lives of "ordinary people made extraordinary by Adams's perception" ("Newsweek").
How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare's English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead things—technologies such as literary doppelgängers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning. By situating Shakespeare's historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological order. Working from an eclectic body of theories, pictures, and machines that transcend time and media, Dailey composes a searching exploration of how the living use the dead to think back and look forward, to rule, to love, to wish and create.
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
An examination of how emotions were practised and performed through Old English texts.Scholarship is increasingly interested in investigating concepts of emotion found in Old English literature. This study takes the next step, arguing that both heroic and religious texts were vehicles for emotional practice - that is, for doing things with emotion. Using case studies from heroic poetry (Beowulf, The Battle of Brunanburh and The Battle of Maldon), religious poetry (Christ I and Christ III) and homilies (selections from the Vercelli Book, Blickling Homilies and the works of Wulfstan), it shows via detailed close readings that texts could be used to act out emotional styles, manage the emotions arising from specific events, and negotiate relationships both within social groups and with God. Meanwhile, a chapter on the Old English Boethius explores how the control of unruly emotions is theorized as the transfer of attachment from the things of this world to the things of the divine. Overall, the volume offers new angles on the social functions of genres and questions of reception and performance; and it gives insight into how early medieval people used emotions to relate to their world, temporal and eternal. angles on the social functions of genres and questions of reception and performance; and it gives insight into how early medieval people used emotions to relate to their world, temporal and eternal. angles on the social functions of genres and questions of reception and performance; and it gives insight into how early medieval people used emotions to relate to their world, temporal and eternal. angles on the social functions of genres and questions of reception and performance; and it gives insight into how early medieval people used emotions to relate to their world, temporal and eternal.
This book examines the personification of Wisdom as a female figure - a central motif in Proverbs, Job, Sirach, Wisdom and Baruch. Alice M. Sinnott identifies how and why the complex character of Wisdom was introduced into the Israelite tradition, and created and developed by Israelite/Jewish wisdom teachers and writers. Arguing that by personifying Wisdom the authors of Proverbs responded to Israel's defeat by Babylon and the loss of Davidic monarchy, and by retrieving and transforming the Wisdom figure the authors of Sirach, Baruch and Wisdom responded to the spread of Hellenism and the potential loss of identity for Jews. Sinnott concludes that personified Wisdom functioned to reinterpret and transform the Israelite/Jewish tradition.
Alice Foote was a gifted young writer whose talent wasn't showcased while she was alive. Years later and after her death, Alice's widower, Ed, found her shoe box of writings. He felt that the sentiments of the greeting cards she had purchased for him over the years had doubled in meaning now that he could read words she had written straight from her heart. He made it his life's mission to share her talent with the world. This book is a collection of the hidden treasures that Ed discovered.
This stunning ebook collection brings together the complete works of Alice Walker's prose fiction, including: THE THIRD LIFE OF GRANGE COPELAND MERIDIAN THE COLOR PURPLE THE TEMPLE OF MY FAMILIAR THE COMPLETE STORIES BY THE LIGHT OF MY FATHER'S SMILE THE WAY FORWARD IS WITH A BROKEN HEART NOW IS THE TIME TO OPEN YOUR HEART Whether discovering Alice Walker for the first time or finding works by her that you haven't read before, this is a must-have collection from one of America's greatest writers.
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