From National Book Award–winner Michael J. Arlen and screenwriter Alice Arlen, here is the fascinating, adventurous life of Alicia Patterson, who became, at age thirty-four, one of the youngest and most successful newspaper publishers in America when she founded Newsday. With The Huntress, the Arlens give us a revealing picture of the lifestyle and traditions of the Patterson-Medill publishingdynasty—one of the country’s most powerful and influential newspaper families—but also Alicia’s rebellious early years and her dominating father, Joseph Patterson. Founder and editor of the New York Daily News, Patterson was a complicated and glamorous figure who in his youth had reported on Pancho Villa in Mexico and had outraged his conservative Chicago family by briefly espousing socialism. Not once but twice, first at age twenty, Alicia agreed to marry men her father chose, despite having her own more interesting suitors. He encouraged her to do the difficult training required for an aviation transport license; in 1934 she became only the tenth woman in America to receive one. Patterson brought her along to London to meet with Lord Beaverbrook, to Rome to meet Mussolini, and to Moscow in 1937, at the time of Stalin’s “show trials,” where a young George Kennan took her under his wing. Alicia caught the journalism bug writing for Liberty magazine, an offshoot of the Daily News. A trip to French Indochina highlighted her hunting skills and made the sultan of Johor an ardent admirer; another trip would involve India,the dangerous sport of pigsticking, several maharajas, and a tiger hunt. A third marriage, to Harry Guggenheim, blew hot and cold but it did last; it was with him that she started Newsday in a former car dealership on Long Island. Governor Adlai E. Stevenson, two-time Democratic candidate for president, would be one of her last admirers. With access to family archives of journals and letters, Michael and Alice Arlen have written an astonishing portrait of a maverick newspaperwoman and an intrepid adventurer, told with humor, compassion, and a profound understanding of a time and place. (With black-and-white illustrations throughout)
Longtime fans of Rich's writing will welcome this engaging and thoughtful biography of her life. There is also a wonderful section that includes many of Rich's essays and stories — which were published in magazines but never appeared in book form — as well as excerpts from her journal and letters.
From National Book Award–winner Michael J. Arlen and screenwriter Alice Arlen, here is the fascinating, adventurous life of Alicia Patterson, who became, at age thirty-four, one of the youngest and most successful newspaper publishers in America when she founded Newsday. With The Huntress, the Arlens give us a revealing picture of the lifestyle and traditions of the Patterson-Medill publishingdynasty—one of the country’s most powerful and influential newspaper families—but also Alicia’s rebellious early years and her dominating father, Joseph Patterson. Founder and editor of the New York Daily News, Patterson was a complicated and glamorous figure who in his youth had reported on Pancho Villa in Mexico and had outraged his conservative Chicago family by briefly espousing socialism. Not once but twice, first at age twenty, Alicia agreed to marry men her father chose, despite having her own more interesting suitors. He encouraged her to do the difficult training required for an aviation transport license; in 1934 she became only the tenth woman in America to receive one. Patterson brought her along to London to meet with Lord Beaverbrook, to Rome to meet Mussolini, and to Moscow in 1937, at the time of Stalin’s “show trials,” where a young George Kennan took her under his wing. Alicia caught the journalism bug writing for Liberty magazine, an offshoot of the Daily News. A trip to French Indochina highlighted her hunting skills and made the sultan of Johor an ardent admirer; another trip would involve India,the dangerous sport of pigsticking, several maharajas, and a tiger hunt. A third marriage, to Harry Guggenheim, blew hot and cold but it did last; it was with him that she started Newsday in a former car dealership on Long Island. Governor Adlai E. Stevenson, two-time Democratic candidate for president, would be one of her last admirers. With access to family archives of journals and letters, Michael and Alice Arlen have written an astonishing portrait of a maverick newspaperwoman and an intrepid adventurer, told with humor, compassion, and a profound understanding of a time and place. (With black-and-white illustrations throughout)
Longtime fans of Rich's writing will welcome this engaging and thoughtful biography of her life. There is also a wonderful section that includes many of Rich's essays and stories — which were published in magazines but never appeared in book form — as well as excerpts from her journal and letters.
Quirky and always graceful, and with settings that range from San Francisco to North Carolina, from Paris to Mexico, the stories in this collection provide telling glimpses into the lives of "ordinary people made extraordinary by Adams's perception" ("Newsweek").
The author of the successful Maine Sporting Camps collects here classic and favorite recipes from the proprietors of 47 of Maine's most popular traditional backwoods retreats. The folks who cook at these camps know that tasty, satisfying food is an important part of their clients' backwoods experience, and they have perfected many recipes to fill the bill. Organized by season, the recipes also include quotes from the owners.
Summary: Playing for Profit examines how digital interactivity will affect the future of the technology and entertainment businesses, demanding new rules, different players, and bigger profits. It takes an insightful look into the strategies and methods that are driving the digital entertainment and interactive gaming industries, dissecting the thinking behind such issues as product innovation, market domination, risk taking, attracting and nurturing visionary employees, and unparalleled customer service. This book outlines how the entire entertainment industry will be redefined and how the current business models found in radio, recorded music, television, and computer games will be affected. Playing for Profit offers valuable lessons for managers in entertainment and technology companies and will dazzle the enthusiasts who follow the successes and failures of this remarkable industry.
The story centres on Alice, a young girl who falls asleep in a meadow and dreams that she follows the White Rabbit down a rabbit hole. She has many wondrous, often bizarre adventures with thoroughly illogical and very strange creatures, often changing size unexpectedly (she grows as tall as a house and shrinks to 3 inches [7 cm]). She encounters the hookah-smoking Caterpillar, the Duchess (with a baby that becomes a pig), and the Cheshire Cat, and she attends a strange endless tea party with the Mad Hatter and the March Hare. She plays a game of croquet with an unmanageable flamingo for a croquet mallet and uncooperative hedgehogs for croquet balls while the Queen calls for the execution of almost everyone present. Later, at the Queen's behest, the Gryphon takes Alice to meet the sobbing Mock Turtle, who describes his education in such subjects as Ambition, Distraction, Uglification, and Derision. Alice is then called as a witness in the trial of the Knave of Hearts, who is accused of having stolen the Queen's tarts. However, when the Queen demands that Alice be beheaded, Alice realizes that the characters are only a pack of cards, and she then awakens from her dream. The story was originally told by Carroll to Lorina, Alice, and Edith Liddell (the daughters of Henry George Liddell, dean of Christ Church, Oxford, where the author had studied and held a fellowship) on a picnic in July 1862. Alice asked Carroll to write out the stories for her, and in response he produced a hand-lettered collection entitled Alice's Adventures Under Ground. A visitor to the Liddell home saw the storybook and thought it should be published, so Carroll revised and expanded it. Appearing at a time when children's literature generally was intended to teach moral lessons, the book at first baffled critics, who failed to appreciate the nonsense that so captivated its young readers. But Carroll understood how children's minds worked, and the way he turned logic on its head appealed to their sense of the ridiculous. In the riddles and the poems-such as "How doth the little crocodile" and "You are old, Father William" (both parodies of well-known didactic poems)-he reached even more absurd heights. The work attracted a following and led to a sequel, Through the Looking-Glass, and What Alice Found There (dated 1872 but published in December 1871). By the end of the 19th century, Alice (taking the two volumes together) had become the most popular children's book in England, and within two more decades it was among the most popular storybooks in the world. It inspired numerous films, theatrical performances, and ballets as well as countless works of scholarly analysis.
“She commands her material so well that we are made to believe that her fiction—her plot—is no stranger than our lives.” --Ms. Magazine Listening to Billie is a brilliant portrait of a contemporary woman adventurously, decisively embarked on her own life. We first glimpse Eliza Hamilton Quarles as a blonde boarding-school student, sitting in a sophisticated New York club, listening to Billie Holiday. She is on the brink of her marriage to her older, worldly date. Twenty years later, a mother, divorced, she, tentatively begins a new life, with new lovers, new interests, new strength, even a new, more comfortable identity.
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