Audiences at theaters, fairs, statue raisings, and commemorations of national figures; political rallies; ethnic mobs; May Day celebrations; monarchical festivities; and finally war rallies all take up places in this history. Not only insurgent crowds, but festive ones as well have political and material goals, Freifeld finds. And hope for liberal nationalism, which Hungarian crowds carried from their experience of 1848, thus continued to confront the monarchy, its bureaucracy, and the gentry.
Alice James (1848-1892) was the sister of Henry and William James, as literary as her more famous brothers, but as was typical for a Victorian woman, never formally educated and thus deprived of any opportunity for a normal "career." In her introductory biographical essay, Professor Ruth Bernard Yeazell of Yale University argues that Alice James instead made a career of her lifelong neurasthenic illness and anticipation of death. In this selection of letters, many written from the invalids bed, one finds Alice James witty and lyrical, but always deeply morbid: an artist of the deathbed, reminiscent of Kafkas fictional Hunger Artist. Susan Sontag was inspired by this book to write her play, Alice in Bed. And critic Elaine Showalter has said that The Death and Letters of Alice James is, "A book everyone interested in womens history and literature will want.
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