Poetry of Belonging is an exploration of north-Indian Muslim identity through poetry at a time when the Indian nation state did not exist. Between 1850 and 1950, when precolonial forms of cultural traditions, such as the musha’irah, were undergoing massive transformations to remain relevant, certain Muslim ‘voices’ configured, negotiated, and articulated their imaginings of what it meant to be Muslim. Using poetry as an archive, the book traces the history of the musha’irah, the site of poetic performance, as a way of understanding public spaces through the changing economic, social, political, and technological contexts of the time. It seeks to locate the changing ideas of watan (homeland) and hubb-e watanī (patriotism) in order to offer new perspectives on how Muslim intellectuals, poets, political leaders, and journalists conceived of and expressed their relationship to India and to the transnational Muslim community. The volume aims to spark a renegotiation of identity and belonging, especially at a time when Muslim loyalty to India has yet again emerged as a politically polarizing question.
This book examines facets of North Indian Muslim identity c. 1850-1950. It focuses specifically on the role of literature and poetry as the medium through which certain Muslim 'voices' articulated, negotiated, configured and expressed their understandings of what it meant to be Muslim and Indian, given the socio-political exigencies of the time. Specifically, a history of the public space of poetry will be presented and half of the book will chart a history of the mushairah (poetic symposium) over this period. In doing so it will analyse the multiple ways in which this space adapted to the changing economic, social, political and technological contexts of the time. The second half of the book will present a history of the ideas that were often articulated in the space of the mushairah and changing notions of the watan (homeland) amongst various Muslim individuals will be analysed.
Poetry of Belonging is an exploration of north-Indian Muslim identity through poetry at a time when the Indian nation state did not exist. Between 1850 and 1950, when precolonial forms of cultural traditions, such as the musha’irah, were undergoing massive transformations to remain relevant, certain Muslim ‘voices’ configured, negotiated, and articulated their imaginings of what it meant to be Muslim. Using poetry as an archive, the book traces the history of the musha’irah, the site of poetic performance, as a way of understanding public spaces through the changing economic, social, political, and technological contexts of the time. It seeks to locate the changing ideas of watan (homeland) and hubb-e watanī (patriotism) in order to offer new perspectives on how Muslim intellectuals, poets, political leaders, and journalists conceived of and expressed their relationship to India and to the transnational Muslim community. The volume aims to spark a renegotiation of identity and belonging, especially at a time when Muslim loyalty to India has yet again emerged as a politically polarizing question.
After the trauma of mass violence and massive population movements around the partition of India and Pakistan in 1947, both new nation states faced the enormous challenge of creating new national narratives, symbols, and histories, as well as a new framework for their political life. While leadership in India claimed the anti-colonial movement, Gandhi, and a civilizational legacy in the subcontinent, the new political elite in Pakistan were faced with a more complex task: to carve out a separate and distinct Muslim history and political tradition from a millennium long history of cultural and religious interaction, mixing, and coexistence. Drawing on a rich archive of diverse sources, Ali Qasmi traces the complex development of ideas of citizenship and national belonging in the postcolonial Muslim state, offering a nuanced and sweeping history of the country's formative period. Qasmi paints a rich picture of the long, arduous, and often conflict-ridden process of writing a democratic constitution of Pakistan, while simultaneously narrating the invention of a range of new rituals of state—such as the exact color of the flag, the precise date of birth of the national poet of Pakistan, and the observation of Eid as a "national festival"—providing an illuminating analysis of the practices of being Pakistani, and a new portrait of Muslim history in the subcontinent.
Internationally renowned, Muzaffar Ali has donned many hats in his lifetime. The scion of the princely house of Kotwara, the boy Muzaffar was shaped by the changing post-Partition India. Having studied science at Aligarh University, he started his career in an advertisement agency in Calcutta, worked with the nascent Air India and then ventured on a journey that produced cinematic masterpieces like Umrao Jaan. Along the way, his path collided with many-from Satyajit Ray to Faiz Ahmad Faiz-and he has cultivated many a passion, whether for cars or couture. His autobiography is a peek into this wealth of experience-a close look at Ali, prince, poet, philosopher, film-maker, automobile aficionado and artist. Zikr is also a rich interior portrait of an artist, as Ali takes us behind the scenes of films like Anjuman and Gaman, speaking of the sensibilities that shaped them and the influences on his work. Above all, this is a book that resounds with a deep love for life. Whether you're looking for inspiration, seeking to venture off the beaten track of Bollywood or wishing to bite into a slice of erstwhile Awadhi culture, Zikr has something to offer all.
This book is a brief historical account of Khilafat, an Islamic political institution mired in controversies from its inception. It is an attempt to present an objective critique of the Islamic polity that, in a way, was primarily responsible for crafting schisms in Islam with its commencement. By the time the last Khilafat of the Ottomans came to an end in the aftershock of the Second World War, the Muslim political elite in India launched a movement for the restoration and continuation of the Ottoman Khilafat. The most paradoxical dimension of the issue was that in the Arab peninsula, the epicenter of Islam, the people were struggling to cast away the yoke of the Ottoman Khilafat, then why were the Indian Muslims emotionally involved in a movement that was vehemently condemned and assailed by a majority of Muslims outside the Indian subcontinent? This title is co-published with Aakar Books. Print editions not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
The history of Afghanistan is largely military history. From the Persians and Greeks of antiquity to the British, Soviet, and American powers in modern times, outsiders have led military conquests into the mountains and plains of Afghanistan, leaving their indelible marks on this ancient land at the juncture of Europe, Asia, and the Middle East. In this book Ali Ahmad Jalali, a former interior minister of Afghanistan, taps a deep understanding of his country's distant and recent past to explore Afghanistan's military history during the last two hundred years. With an introductory chapter highlighting the major military developments from early times to the foundation of the modern Afghan state, Jalali's account focuses primarily on the era of British conquest and Anglo-Afghan wars; the Soviet invasion; the civil war and the rise of the Taliban; and the subsequent U.S. invasion. Looking beyond persistent stereotypes and generalizations—e.g., the "graveyard of empires" designation emerging from the Anglo-Afghan wars of the 19th century and the Soviet experience of the 1980s—Jalali offers a nuanced and comprehensive portrayal of the way of war pursued by both state and non-state actors in Afghanistan against different domestic and foreign enemies, under changing social, political, and technological conditions. He reveals how the structure of states, tribes, and social communities in Afghanistan, along with the scope of their controlled space, has shaped their modes of fighting throughout history. In particular, his account shows how dynastic wars and foreign conquests differ in principle, strategy, and method from wars initiated by non-state actors including tribal and community militias against foreign invasions or repressive government. Written by a professional soldier, politician, and noted scholar with a keen analytical grasp of his country's military and political history, this magisterial work offers unique insight into the military history of Afghanistan—and thus, into Afghanistan itself.
This book is the first major study of provincial history in the Qajar period. Drawing extensively on unpublished Iranian and British documents, it explores the history of Mazandaran, a province in the Caspian region, during 1848-1914, when the province as a part of Iran was exposed to the policies of rival great powers, particularly Tzarist Russia. While showing socio-economic characteristics of Mazandaran and its potential for development, the book examines in detail the transformation of the traditional provincial community and economy in the course of the 19th and early 20th centuries.
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