First published in 1932, this book contains a selection of Tennyson's poetry edited by renowned English author, poet and classicist Frank Laurence Lucas (1894-1967). A detailed editorial introduction is also included. This book will be of value to anyone with an interest in Tennyson and Lucas.
The Wordsworth Poetry Library comprises the works of the greatest English-speaking poets, as well as many lesser-known poets. Each collection has a specially commissioned introduction.
Many years in preparation, this first volume of Lang and Shannon's edition of Tennyson's correspondence lives up to all expectations. In a comprehensive introduction the editors present not only the biographical background, with vivid portrayals of the dramatis personae, but also the story of the manuscripts, the ones that were destroyed and the many that luckily survived. The Tennyson who emerges in this volume is not a serene or Olympian figure. He is moody, impulsive, often reckless, now full of camaraderie, now plagued by anxiety or resentment, deeply attached to close friends and family and uninterested in the social scene. His early life is unenviable: we see glimpses of the embittered, drunken father, the distraught mother, the swarm of siblings in the rectory at Somersby in Lincolnshire. The happiest period is the three years at Cambridge, terminated when his father dies, and the two years thereafter, with Arthur Hallam engaged to his sister and a frequent visitor at their house. The shock of Hallam's death in 1833, coupled with the savage attack on Tennyson's poems in the Quarterly Review, is followed by depression, bouts of alcoholism, financial problems, and gradually, in the 1840s, increasing recognition of his work. The year 1850 sees the publication of In Memoriam, his long-deferred marriage at age forty to Emily Seliwood, and his acceptance, not without misgivings, of the post of Poet Laureate. The editors have garnered and selected a large number of letters to and about Tennyson which supplement his own letters, fill in lacunae in the narrative, and reveal him to us as his friends and contemporaries saw him.
Tennyson', wrote T. S. Eliot, 'has the finest ear of any English poet since Milton,' and his verse remains unrivalled in its combination of verbal richness, emotional depth and intellectual engagement. Tennyson drew on classical and medieval legends in poems like 'The Lotos-Eaters' (1832) and 'The Lady of Shalott' (1832) to explore the spiritual tensions of the nineteenth century. In one of the great works of his maturity, 'In Memoriam' (1850) - written after the loss of his dearest friend - Tennyson vividly negotiated contemporary scepticism and the modern sciences of geology and evolution. Similar ground is covered in a dramatically darker mood in 'Maud' (1855), a poignant account of psychological disintegration.
A century ago Tennyson had begun to be dismissed as a poet whose work embodied everything the modern world was looking to leave behind. He still seems to readers to embody the substance of the Victorian era more fully than any other poet—but nowadays that is counted in his favor. Critics continue to find layers of complexity in poems once thought simplistic—while appreciating with fresh ears Tennyson’s aural mastery. This new edition includes the two long poems In Memoriam and Maud: A Monodrama in their entirety, all the short poems for which Tennyson remains famous, and a generous selection of his lesser-known poetry, together with a concise introduction to the poet and his work, and substantial headnotes for In Memoriam, Maud, and Idylls of the King. Unlike other editions that provide a selection of Tennyson’s work, this one includes both marginal glosses of obscure or archaic words and phrases, and extensive annotations at the bottom of each page. Appendices of visual material are also included.
The first volume of The Letters of Alfred Lord Tennyson showed the young manbecoming a poet and recorded the experiences--out of which so much of his poetrywas forged--that culminated in three personal triumphs: marriage, In Memoriam,and the Poet Laureateship. Volume IIreveals the gradual emergence of a new anddifferent Tennyson, moving confidentlyamong the great and famous--the intellectual, political, and artistic elite--yetremaining very much a son of Lincolnshire,whose childlike simplicity of manner strikesall who meet him. As a young man, he wasobliged to be paterfamilias of his father'sfamily; now he has a family of his own,with two sons reaching manhood, twohouses, and two lives, one in London andthe other at home. Through the letters we learn somethingabout his poetry (including "Maud," andThe Idylls of the King), much abouthis dealings with publishers, and evenmore about his travels--in Scotland,Wales, Cornwall, Norway, Switzerland,Auvergne, Brittany, the Pyrenees--and itis clear that all that he met became part ofhim and of his poetry. By the close of thisvolume he is one of the two or three mostfamous names in the English-speakingliterary world. The edition includes an abundance of letters to and about Tennyson as well as byhim, and its generous annotation has beencommended by reviewers for its range andwit.
A century ago Tennyson had begun to be dismissed as a poet whose work embodied everything the modern world was looking to leave behind. He still seems to readers to embody the substance of the Victorian era more fully than any other poet—but nowadays that is counted in his favor. Critics continue to find layers of complexity in poems once thought simplistic—while appreciating with fresh ears Tennyson’s aural mastery. This new edition includes the two long poems In Memoriam and Maud: A Monodrama in their entirety, all the short poems for which Tennyson remains famous, and a generous selection of his lesser-known poetry, together with a concise introduction to the poet and his work, and substantial headnotes for In Memoriam, Maud, and Idylls of the King. Unlike other editions that provide a selection of Tennyson’s work, this one includes both marginal glosses of obscure or archaic words and phrases, and extensive annotations at the bottom of each page. Appendices of visual material are also included.
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Alfred Lord Tennyson (1809-1892) was Poet Laureate of the United Kingdom during much of Queen Victoria's reign and remains one of the most popular poets in the English language.
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