‘A powerful meditation on what it means to belong.’ The Times Literary Supplement ‘It took two decades for me to go in search of the parts of myself I had left behind in the Caribbean. What ghosts were waiting for me there? There was a thick, black journal in my flat, stuffed with letters, postcards, handwritten notes and diary entries. For the first time in years, I opened it.’ Twenty years after living there as a child, Alexis Keir returns to the Caribbean island of Saint Vincent. He is keen to uncover lost memories and rediscover old connections. But he also carries with him the childhood scars of being separated from his parents and put into uncaring hands. Inspired by the embrace of his relatives in the Caribbean, Alexis begins to unravel the stories of others who left Saint Vincent, searching through diary pages and newspaper articles, shipping and hospital records and faded photographs. He uncovers tales of exploitation, endeavour and bravery of those who had to find a home far away from where they were born. A child born with vitiligo, torn from his mother’s arms to be exhibited as a showground attraction in England; a woman who, in the century before the Windrush generation, became one of the earliest Black nurses to be recorded as working in a London hospital; a young boy who became a footman in a Yorkshire stately home. And Alexis’s mother, a student nurse who arrives in 1960s London, ready to start a new life in a cold, grey country – and the man from her island whom she falls in love with. From the Caribbean to England, North America and New Zealand, from windswept islands to the rainy streets of London, and spanning generations of travellers from the 19th century to the present, Windward Family takes you inside the beating heart of a Black British family, separated by thousands of miles but united by love, loss and belonging. Read what everyone is saying about Windward Family: ‘A powerful meditation on what it means to belong, both as a Black Briton in search of self-knowledge and acceptance… subtly explores the racism experienced by itinerant islanders and their children, and the long shadows cast by slavery and colonialism on St Vincent… a paean to the resilience and courage of those who travel to better the lot of their families and a loving recreation of “small island” Caribbean life… imbued with the pain of separation and loss, and the joy of homecoming.’ The Times Literary Supplement ‘Being Black British is more than an identity, it is a journey into uncharted waters of personal history. Alexis Keir’s deeply moving account will ring true for all of those navigating their own stories.’ David Lammy ‘Infused with hope… pertinent and timely… with beautiful touches of memories that will resonate with any child born of Caribbean parents in the UK… honest, poetic and deeply researched excellence.’ Paterson Joseph, actor and author of The Secret Diaries of Charles Ignatius Sancho ‘With a tender mix of prose and historical re-imagining, Alexis creates with words, a symphony of movement that mimics his travels and journeys across continents, in search of identity and belonging. A beautiful ode to migration, love and all that we do for family.’ Florence Ọlájídé, author of Coconut ‘By turns heartbreaking and hopeful. Deeply moving.’ Anita Sethi ‘Brilliant… Profound… written in lyrical cinematic prose. I reread many passages strictly for their beauty.’ H. Nigel Thomas ‘Poignant… like reading about your own ancestors, who were once lost but now found and brought to life… a joy to read.’ Anni Domingo ‘A beautiful, illuminating read. Full of heart and wisdom.’ Irenosen Okojie ‘Beautiful, evocative… tells the story of modern Britain as much as it does of this one man.’ Stella Duffy ‘An incredible memoir… truly compelling… truly heartbreaking… I was hooked.’ Goodreads reviewer ‘Heart wrenching… absolutely flawless!’ Goodreads reviewer ‘Beautifully written… had me hooked from the beginning. Refreshing and informative… Fab fab book.’ Goodreads reviewer ‘Heartbreaking… stunning and beautiful.’ Goodreads reviewer ‘Alexis Keir paints a picture so vivid that I could feel the sun on my face, I could smell the sea and taste the food… A brilliant and well deserved 5 stars. The narration was perfect too.’ Goodreads reviewer ‘Sheer beauty… an incredible ancestry, allowing those forgotten to be placed into history forevermore.’ Goodreads reviewer ‘Very powerful and gripping.’ Goodreads reviewer ‘I fell in love with this story.’ Goodreads reviewer ‘A labour of love, and every word is heartfelt.’ Goodreads reviewer
‘A powerful meditation on what it means to belong.’ The Times Literary Supplement ‘It took two decades for me to go in search of the parts of myself I had left behind in the Caribbean. What ghosts were waiting for me there? There was a thick, black journal in my flat, stuffed with letters, postcards, handwritten notes and diary entries. For the first time in years, I opened it.’ Twenty years after living there as a child, Alexis Keir returns to the Caribbean island of Saint Vincent. He is keen to uncover lost memories and rediscover old connections. But he also carries with him the childhood scars of being separated from his parents and put into uncaring hands. Inspired by the embrace of his relatives in the Caribbean, Alexis begins to unravel the stories of others who left Saint Vincent, searching through diary pages and newspaper articles, shipping and hospital records and faded photographs. He uncovers tales of exploitation, endeavour and bravery of those who had to find a home far away from where they were born. A child born with vitiligo, torn from his mother’s arms to be exhibited as a showground attraction in England; a woman who, in the century before the Windrush generation, became one of the earliest Black nurses to be recorded as working in a London hospital; a young boy who became a footman in a Yorkshire stately home. And Alexis’s mother, a student nurse who arrives in 1960s London, ready to start a new life in a cold, grey country – and the man from her island whom she falls in love with. From the Caribbean to England, North America and New Zealand, from windswept islands to the rainy streets of London, and spanning generations of travellers from the 19th century to the present, Windward Family takes you inside the beating heart of a Black British family, separated by thousands of miles but united by love, loss and belonging. Read what everyone is saying about Windward Family: ‘A powerful meditation on what it means to belong, both as a Black Briton in search of self-knowledge and acceptance… subtly explores the racism experienced by itinerant islanders and their children, and the long shadows cast by slavery and colonialism on St Vincent… a paean to the resilience and courage of those who travel to better the lot of their families and a loving recreation of “small island” Caribbean life… imbued with the pain of separation and loss, and the joy of homecoming.’ The Times Literary Supplement ‘Being Black British is more than an identity, it is a journey into uncharted waters of personal history. Alexis Keir’s deeply moving account will ring true for all of those navigating their own stories.’ David Lammy ‘Infused with hope… pertinent and timely… with beautiful touches of memories that will resonate with any child born of Caribbean parents in the UK… honest, poetic and deeply researched excellence.’ Paterson Joseph, actor and author of The Secret Diaries of Charles Ignatius Sancho ‘With a tender mix of prose and historical re-imagining, Alexis creates with words, a symphony of movement that mimics his travels and journeys across continents, in search of identity and belonging. A beautiful ode to migration, love and all that we do for family.’ Florence Ọlájídé, author of Coconut ‘By turns heartbreaking and hopeful. Deeply moving.’ Anita Sethi ‘Brilliant… Profound… written in lyrical cinematic prose. I reread many passages strictly for their beauty.’ H. Nigel Thomas ‘Poignant… like reading about your own ancestors, who were once lost but now found and brought to life… a joy to read.’ Anni Domingo ‘A beautiful, illuminating read. Full of heart and wisdom.’ Irenosen Okojie ‘Beautiful, evocative… tells the story of modern Britain as much as it does of this one man.’ Stella Duffy ‘An incredible memoir… truly compelling… truly heartbreaking… I was hooked.’ Goodreads reviewer ‘Heart wrenching… absolutely flawless!’ Goodreads reviewer ‘Beautifully written… had me hooked from the beginning. Refreshing and informative… Fab fab book.’ Goodreads reviewer ‘Heartbreaking… stunning and beautiful.’ Goodreads reviewer ‘Alexis Keir paints a picture so vivid that I could feel the sun on my face, I could smell the sea and taste the food… A brilliant and well deserved 5 stars. The narration was perfect too.’ Goodreads reviewer ‘Sheer beauty… an incredible ancestry, allowing those forgotten to be placed into history forevermore.’ Goodreads reviewer ‘Very powerful and gripping.’ Goodreads reviewer ‘I fell in love with this story.’ Goodreads reviewer ‘A labour of love, and every word is heartfelt.’ Goodreads reviewer
The 2017 winner of the Robert and Vineta Colby Scholarly Book Prize Providing a comprehensive, interdisciplinary examination of scholarship on nineteenth-century British periodicals, this volume surveys the current state of research and offers researchers an in-depth examination of contemporary methodologies. The impact of digital media and archives on the field informs all discussions of the print archive. Contributors illustrate their arguments with examples and contextualize their topics within broader areas of study, while also reflecting on how the study of periodicals may evolve in the future. The Handbook will serve as a valuable resource for scholars and students of nineteenth-century culture who are interested in issues of cultural formation, transformation, and transmission in a developing industrial and globalizing age, as well as those whose research focuses on the bibliographical and the micro case study. In addition to rendering a comprehensive review and critique of current research on nineteenth-century British periodicals, the Handbook suggests new avenues for research in the twenty-first century. "This volume's 30 chapters deal with practically every aspect of periodical research and with the specific topics and audiences the 19th-century periodical press addressed. It also covers matters such as digitization that did not exist or were in early development a generation ago. In addition to the essays, readers will find 50 illustrations, 54 pages of bibliography, and a chronology of the periodical press. This book gives seemingly endless insights into the ways periodicals and newspapers influenced and reflected 19th-century culture. It not only makes readers aware of problems involved in interpreting the history of the press but also offers suggestions for ways of untangling them and points the direction for future research. It will be a valuable resource for readers with interests in almost any aspect of 19th-century Britain. Summing Up: Highly recommended" - J. D. Vann, University of North Texas in CHOICE
Drawing on research into the book-production records of twelve publishers-including George Bell & Son, Richard Bentley, William Blackwood, Chatto & Windus, Oliver & Boyd, Macmillan, and the book printers William Clowes and T&A Constable - taken at ten-year intervals from 1836 to 1916, this book interprets broad trends in the growth and diversity of book publishing in Victorian Britain. Chapters explore the significance of the export trade to the colonies and the rising importance of towns outside London as centres of publishing; the influence of technological change in increasing the variety and quantity of books; and how the business practice of literary publishing developed to expand the market for British and American authors. The book takes examples from the purchase and sale of popular fiction by Ouida, Mrs. Wood, Mrs. Ewing, and canonical authors such as George Eliot, Wilkie Collins, and Mark Twain. Consideration of the unique demands of the educational market complements the focus on fiction, as readers, arithmetic books, music, geography, science textbooks, and Greek and Latin classics became a staple for an increasing number of publishing houses wishing to spread the risk of novel publication.
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