A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut. In the lands of Bethel, where the Prophet's word is law, Immanuelle Moore's very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement. But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood. Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.
WANTED - Bloodmaid of exceptional taste. Must have a keen proclivity for life’s finer pleasures. Girls of weak will need not apply. A young woman is drawn into the upper echelons of a society where blood is power in this dark and enthralling Gothic novel from the author of The Year of the Witching. Marion Shaw has been raised in the slums, where want and deprivation are all she know. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid. Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery. At the center of it all is Countess Lisavet. The countess, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when she discovers that the ancient walls of the House of Hunger hide even older secrets, Marion is thrust into a vicious game of cat and mouse. She’ll need to learn the rules of her new home—and fast—or its halls will soon become her grave.
A student will find that the hardest lessons sometimes come from outside the classroom in this stunning dark academia novel from the acclaimed author of The Year of the Witching and House of Hunger. Lennon Carter’s life is falling apart. Then she gets a mysterious phone call inviting her to take the entrance exam for Drayton College, a school of magic hidden in a secret pocket of Savannah. Lennon has been chosen because—like everyone else at the school—she has the innate gift of persuasion, the ability to wield her will like a weapon, using it to control others and, in rare cases, matter itself. After passing the test, Lennon begins to learn how to master her devastating and unsettling power. But despite persuasion’s heavy toll on her body and mind, she is wholly captivated by her studies, by Drayton’s lush, moss-draped campus, and by her brilliant classmates. But even more captivating is her charismatic adviser, Dante, who both intimidates and enthralls her. As Lennon continues in her studies, her control grows, and she starts to uncover more about the secret world she has entered into, including the disquieting history of Drayton College. She is increasingly disturbed by what she learns, for it seems that the ultimate test is to embrace absolute power without succumbing to corruption...and it’s a test she’s terrified she’s going to fail.
Marion lebt in einem Slum, ohne Hoffnung, dem Elend jemals zu entkommen. Bis sie die seltsame Anzeige in der Zeitung entdeckt: GESUCHT: Blutmagd von außergewöhnlichem Geschmack. Nicht älter als 19. Obwohl sie weiß, dass die Adligen im hohen Norden das Blut derer trinken, die in ihren Diensten stehen, bewirbt sich Marion auf die Stelle - und wird angenommen. Doch das berüchtigte Haus des Hungers der Gräfin Lisavet könnte zu ihrem Grab werden ... In diesem düsteren und fesselnden Roman der Bestsellerautorin von DAS JAHR DER HEXEN wird eine junge Frau in die oberen Ränge einer Gesellschaft gezogen, in der Blut Macht bedeutet. S. T. Gibson: »Ein unvergessliches Fest der Dekadenz und Verdorbenheit. HOUSE OF HUNGER festigt Hendersons Platz als eine der großen Gothic-Autorinnen unserer Generation.« Die Autorin Alexis Henderson hat einen Hang zu Dark Fantasy und Hexerei. Sie wuchs in einer Stadt auf, die für ihre Geistererscheinungen bekannt ist: in Savannah, Georgia. Darin hat ihre Liebe zu Geistergeschichten wohl ihren Ursprung. Wenn Alexis ihre Nase nicht gerade in ein Buch steckt, malt sie oder schaut zusammen mit ihren Katzen Horrorfilme. Alexis lebt heute in Charleston, South Carolina. THE YEAR OF THE WITCHING, ihr erster Roman, wurde ein internationaler Bestseller.
13 SCARY STORIES. 13 AUTHORS OF COLOR. 13 TIMES WE SURVIVED... THE FIRST KILL. The White Guy Dies First includes thirteen scary stories by all-star contributors and this time, the white guy dies first. Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead.... A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever.... These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first. Edited by Terry J. Benton-Walker, including stories from bestselling, award-winning, and up-and-coming contributors: Adiba Jaigirdar, Alexis Henderson, Chloe Gong, Faridah Àbíké-Íyímídé, H. E. Edgmon, Kalynn Bayron, Karen Strong, Kendare Blake, Lamar Giles, Mark Oshiro, Naseem Jamnia, Tiffany D. Jackson, and Terry J. Benton-Walker. A collection you’ll be dying to talk about... if you survive it. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The collection includes new translations of Tocqueville's works, including the first English translation of his Second Memoir, the original Memoir, a letter fragment considering pauperism in Normandy, and the ‘‘Pauperism in America’’ index to the Penitentiary Report. Alexis de Tocqueville was one of the most important thinkers of the nineteenth century, and his thought continues to influence contemporary political and social discourse. In Memoirs on Pauperism and Other Writings, Christine Dunn Henderson brings all of Tocqueville’s writings on poverty together for the first time: a new translation of his original Memoir and the first English translation of his unfinished Second Memoir, as well as his letter considering pauperism in Normandy and the ‘‘Pauperism in America’’ appendix to his Penitentiary Report. By uniting these texts in a single volume, Henderson makes possible a deeper exploration of Tocqueville’s thought as it pertains to questions of inequality and public assistance. As Henderson shows in her introduction to this collection, Tocqueville provides no easy blueprint for fixing these problems, which remain pressing today. Still, Tocqueville’s writings speak eloquently about these issues, and his own unsuccessful struggle to find solutions remains both a spur to creative thinking today and a caution against attempting to find simplistic remedies. Memoirs on Pauperism and Other Writings allows us to study his sustained thought on pauperism, poverty assistance, governmental assistance programs, and social inequality in a new and deeper way. The insights in these works are important not only for what they tell us about Tocqueville but also for how they help us to think about contemporary social challenges. This collection will be essential not only to students and scholars of Tocqueville’s thought, nineteenth-century France, and political economy, but also to all those interested in the issues of public assistance, associative life, voluntary associations, and charities.
Gulliver’s Travels meets The Underground Railroad: a road trip through the countryside – and the psyche – by the author of Fifteen Dogs. Longlisted for the 2019 Scotiabank Giller Prize Botanist Alfred Homer, ever hopeful and constantly surprised, is invited on a road trip by his parents’ friend, Professor Morgan Bruno, who wants company as he tries to unearth the story of the mysterious poet John Skennen. But this is no ordinary road trip. Alfred and the Professor encounter towns where Black residents speak only in sign language and towns that hold Indigenous Parades; it is a land of house burnings, werewolves, and witches. Complete with Alfred’s drawings of plants both real and implausible, Days by Moonlight is a Dantesque journey taken during the “hour of the wolf,” that time of day when the sun is setting and the traveller can’t tell the difference between dog and wolf. And it asks that perpetual question: how do we know the things we know are real, and what is real anyway? “A mash-up that is part fabulism, part faux biography, and part satire, Days by Moonlight conveys the experience of grief, managing to transform its inarticulable and symbolic weight into a finely wrought literary work.” —Quill and Quire
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
This special bundle is your essential guide to all things concerning Canada’s polar regions, which make up the majority of Canada’s territory but are places most of us will never visit. The Arctic has played a key role in Canada’s history and in the history of the indigenous peoples of this land, and the area will only become more strategically and economically important in the future. This bundle provides an in-depth crash course, including titles on Arctic exploration (Arctic Obsession), Native issues (Arctic Twilight), sovereignty (In the Shadow of the Pole), adventure and survival (Death Wins in the Arctic), and military issues (Arctic Front). Let this collection be your guide to the far reaches of this country. Arctic Front Arctic Naturalist Arctic Obsession Arctic Revolution Arctic Twilight Death Wins in the Arctic In the Shadow of the Pole Pike’s Portage Voices From the Odeyak
WANTED - Bloodmaid of exceptional taste. Must have a keen proclivity for life’s finer pleasures. Girls of weak will need not apply. A young woman is drawn into the upper echelons of a society where blood is power in this dark and enthralling Gothic novel from the author of The Year of the Witching. Marion Shaw has been raised in the slums, where want and deprivation are all she know. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid. Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery. At the center of it all is Countess Lisavet. The countess, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when she discovers that the ancient walls of the House of Hunger hide even older secrets, Marion is thrust into a vicious game of cat and mouse. She’ll need to learn the rules of her new home—and fast—or its halls will soon become her grave.
Becoming a sustainable marketer is no longer an optional extra. Sustainability has become a necessity for the future, but do you feel confident delivering on this for your clients and customers? Sustainable Marketing is a blueprint for embedding sustainability at the heart of marketing. Exposing the disturbing reality of marketing's current relationship with many of our environmental and societal problems, it challenges the traditional role of marketing, its cultural norms and gross inefficiency. It goes on to present a compelling vision for change and a practical guide for marketing professionals, equipping them with the mindset and tools to transform their daily work and the industry as a whole, into a force for good. This is the perfect guide for marketing and sustainability professionals working through their company's sustainable transformation whilst trying to avoid the pitfalls of greenwashing and carbon myopia. Written by experts who apply their unique framework to the issue, this book takes what may feel like an insurmountable challenge and breaks it down, giving in-depth advice and providing real-world success stories from companies of all sizes including Tony's Chocolonely, The Onlii and AkzoNobel.
This book reimagines the compositional semantics of comparative sentences using words such as more, as, too, and others. The book's central thesis entails a rejection of a fundamental assumption of degree semantic frameworks: that gradable adjectives like tall lexicalize functions from individuals to degrees, i.e., measure functions. Alexis Wellwood argues that comparative expressions in English themselves introducemeasure functions; this is the case whether that morphology targets adjectives, as intaller or more intelligent; nouns, as in more coffee, more coffees; verbs, such as run more, jump more; or expressions of other categories. Furthermore, she suggests that expressions that comfortably and meaningfully appear in the comparative form should be distinguished from those that do not in terms of a general notion of "measurability": a measurable predicate has a domain of application with non-trivial structure. This notion unifies the independently motivated distinctions between, for example, gradable and non-gradable adjectives, mass and count nouns, singular and plural noun phrases, and telic and atelic verb phrases. Based on careful examination of the distribution of dimensions for comparison within the class of measurable predicates, she ties the selection of measure functions to the specific nature and structure of the domain entities targeted for measurement. The book ultimately explores how, precisely, we should understand semantic theories that invoke the "nature" of domain entities: does the theory depend for its explanation on features of metaphysical reality, or something else? Such questions are especially pertinent in light of a growing body of research in cognitive science exploring the understanding and acquisition of comparative sentences.
(Limelight). Written under the auspices of The Lucille Lortel Foundation, this book is the first biography of the grande dame of avant garde theater. Lucille Lortel became a leader of a burgeoning Off Broadway movement during the 1950s and '60s and one of the few women of her generation to be a significant player in New York City theater.
Our way must be: never knowingly support lies! Having understood where the lies beginstep back from that gangrenous edge! Let us not glue back the flaking scale of the Ideology, not gather back its crumbling bones, nor patch together its decomposing garb, and we will be amazed how swiftly and helplessly the lies will fall away, and that which is destined to be naked will be exposed as such to the world. Alexander Solzhenitsyn Enlightenment writer Voltaire was amazed that twelve fishermen, some of them unlettered, from an obscure place in the world called Galilee, challenged an empire through self-denial and patience and eventually established Christianity. He seriously thought that twelve philosophers or intellectuals, himself included, would do the opposite and crush Christianity. Voltaires self-appointed cheerleaders such as Diderot, Helvitius, dHolbach, DAlembert, Lametrie, and Baron Cloots, among others, tried to do just that and wrote volumes of work trying to tear down the basis of Christianity and erect an edifice of their own. Diderot in particular declared, I would sacrifice myself, perhaps, if I could annihilate forever the notion of God. Cloots wrote, We shall see the heavenly royalty condemned by the revolutionary tribunal of victorious Reason. Lametrie produced Man: A Machine, and an entire French encyclopedia was written between 1751 and 1772 by those philosophers because Christianity, to a large degree, had to go. Voltaire would send letters to his disciples and friends saying, crasez linfme. Rousseau, of course, was a disciple of Voltaire and declared that Voltaires work inspired me. The French Revolution failed. Yet like all significant revolutions before and after that period, the French Revolution indirectly had a theological root which was then a categorical and metaphysical rejection of Logos. That theological substratum has jumped from one era to the next and had and still has historical, political, economic, and spiritual ramifications. This book is about the historical and theological struggle of that conflict, which had its inception at the foot of the cross.
Ever since this country came into being, women have waged battles for rights in the pages of their plays, and on the stages where those plays were performed. - FROM THE PREFACE BY SHIRLEY LAURO Front Lines is a pathbreaking collection of the most important, critically acclaimed plays written by the country's leading contemporary female playwrights. Including seven full scripts and accompanying materials, Front Lines provides both major examples of the playwright's craft and an essential introduction to the politically inspired work of female dramatists of the twenty-first century. Here is Jessica Blank's widely heralded The Exonerated (written with Erik Jensen), based on interviews with American prisoners incarcerated for crimes they did not commit. Also included is Nilaja Sun's outstanding No Child . . ., winner of the Outer Critics Circle's 2007 John Gassner Award for Best New Play - a funny, stirring one-woman show centering on an inner-city teacher's success at involving her rebellious students in their own education by putting on a play. Rounding out the collection are Emily Mann's Mrs. Packard, Paula Vogel's Hot 'n' Throbbing, Shirley Lauro's Clarence Darrow's Last Trial, Quiara Alegra Hudes's Eliot: A Soldier's Fugue, and Cindy Cooper's Words of Choice. With a preface by distinguished playwright Shirley Lauro and an introduction by theater critic Alexis Greene, Front Lines also includes short biographies of the playwrights and a production photo of each play.
The 2017 winner of the Robert and Vineta Colby Scholarly Book Prize Providing a comprehensive, interdisciplinary examination of scholarship on nineteenth-century British periodicals, this volume surveys the current state of research and offers researchers an in-depth examination of contemporary methodologies. The impact of digital media and archives on the field informs all discussions of the print archive. Contributors illustrate their arguments with examples and contextualize their topics within broader areas of study, while also reflecting on how the study of periodicals may evolve in the future. The Handbook will serve as a valuable resource for scholars and students of nineteenth-century culture who are interested in issues of cultural formation, transformation, and transmission in a developing industrial and globalizing age, as well as those whose research focuses on the bibliographical and the micro case study. In addition to rendering a comprehensive review and critique of current research on nineteenth-century British periodicals, the Handbook suggests new avenues for research in the twenty-first century. "This volume's 30 chapters deal with practically every aspect of periodical research and with the specific topics and audiences the 19th-century periodical press addressed. It also covers matters such as digitization that did not exist or were in early development a generation ago. In addition to the essays, readers will find 50 illustrations, 54 pages of bibliography, and a chronology of the periodical press. This book gives seemingly endless insights into the ways periodicals and newspapers influenced and reflected 19th-century culture. It not only makes readers aware of problems involved in interpreting the history of the press but also offers suggestions for ways of untangling them and points the direction for future research. It will be a valuable resource for readers with interests in almost any aspect of 19th-century Britain. Summing Up: Highly recommended" - J. D. Vann, University of North Texas in CHOICE
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.