Javier Marías is a major contemporary Spanish novelist who has enjoyed remarkable international success and recognition. He is a writer who has undergone a singular and clearly discernible novelistic evolution and has forged a very distinctive style of his own. It is this formal development that this book traces through a study of his works from Los dominios del lobo (1971) to Negra espalda del tiempo (1998). With the help of a wide range of 20th-century literary theories and criticism, it strives to show that in order to escape realism and Spanishness and to make his way into literature, Marías forges an intricate style which progressively develops and matures, and which creates highly suggestive and elaborate imaginative worlds, a literature with a particular ontology, ultimately capable of inventing reality. This book is the first full-length study of Javier Marías's work to be published so far and serves both as an introduction to, and a close examination of, the work of a major European writer.
Javier Marías is a major contemporary Spanish novelist who has enjoyed remarkable international success and recognition. He is a writer who has undergone a singular and clearly discernible novelistic evolution and has forged a very distinctive style of his own. It is this formal development that this book traces through a study of his works from Los dominios del lobo (1971) to Negra espalda del tiempo (1998). With the help of a wide range of 20th-century literary theories and criticism, it strives to show that in order to escape realism and Spanishness and to make his way into literature, Marías forges an intricate style which progressively develops and matures, and which creates highly suggestive and elaborate imaginative worlds, a literature with a particular ontology, ultimately capable of inventing reality. This book is the first full-length study of Javier Marías's work to be published so far and serves both as an introduction to, and a close examination of, the work of a major European writer.
The Red Sea has, from time immemorial, been one of the world’s most navigated spaces, in the pursuit of trade, pilgrimage and conquest. Yet this multidimensional history remains largely unrevealed by its successive protagonists. Intrigued by the absence of a holistic portrayal of this body of water and inspired by Fernand Braudel’s famous work on the Mediterranean, this book brings alive a dynamic Red Sea world across time, revealing the particular features of a unique historical actor. In capturing this heretofore lost space, it also presents a critical, conceptual history of the sea, leading the reader into the heart of Eurocentrism. The Sea, it is shown, is a vital element of the modern philosophy of history. Alexis Wick is not satisfied with this inclusion of the Red Sea into history and attendant critique of Eurocentrism. Contrapuntally, he explores how the world and the sea were imagined differently before imperial European hegemony. Searching for the lost space of Ottoman visions of the sea, The Red Sea makes a deeper argument about the discipline of history and the historian’s craft.
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