The Social Web (including services such as MySpace, Flickr, last.fm, and WordPress) has captured the attention of millions of users as well as billions of dollars in investment and acquisition. Social websites, evolving around the connections between people and their objects of interest, are encountering boundaries in the areas of information integration, dissemination, reuse, portability, searchability, automation and demanding tasks like querying. The Semantic Web is an ideal platform for interlinking and performing operations on diverse person- and object-related data available from the Social Web, and has produced a variety of approaches to overcome the boundaries being experienced in Social Web application areas. After a short overview of both the Social Web and the Semantic Web, Breslin et al. describe some popular social media and social networking applications, list their strengths and limitations, and describe some applications of Semantic Web technology to address their current shortcomings by enhancing them with semantics. Across these social websites, they demonstrate a twofold approach for interconnecting the islands that are social websites with semantic technologies, and for powering semantic applications with rich community-created content. They conclude with observations on how the application of Semantic Web technologies to the Social Web is leading towards the "Social Semantic Web" (sometimes also called "Web 3.0"), forming a network of interlinked and semantically-rich content and knowledge. The book is intended for computer science professionals, researchers, and graduates interested in understanding the technologies and research issues involved in applying Semantic Web technologies to social software. Practitioners and developers interested in applications such as blogs, social networks or wikis will also learn about methods for increasing the levels of automation in these forms of Web communication.
Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is:Romantic Era - The Sorrows of Young Werther by Johann Wolfgang von Goethe - Frankenstein by Mary Shelley - The Three Musketeers by Alexandre DumasThe Sorrows of Young Werther (German: Die Leiden des jungen Werthers) is a loosely autobiographical epistolary novel by Johann Wolfgang von Goethe, first published in 1774. A revised edition followed in 1787. It was one of the most important novels in the Sturm und Drang period in German literature, and influenced the later Romantic movement. Goethe, aged 24 at the time, finished Werther in five-and-a-half weeks of intensive writing in JanuaryMarch 1774. The book's publication instantly placed the author among the foremost international literary celebrities, and remains among the best known of his works. Towards the end of Goethe's life, a personal visit to Weimar became a crucial stage in any young man's Grand Tour of Europe. Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (17971851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous, sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared on the second edition, published in 1823. The Three Musketeers is a historical adventure novel written in 1844 by French author Alexandre Dumas. Situated between 1625 and 1628, it recounts the adventures of a young man named D'Artagnan (based on Charles de Batz-Castelmore d'Artagnan) after he leaves home to travel to Paris, to join the Musketeers of the Guard. Although d'Artagnan is not able to join this elite corps immediately, he befriends the three most formidable musketeers of the age Athos, Porthos and Aramis, "the three inseparables," as these are called and gets involved in affairs of the state and court. This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics
Alexandre Dumas’ classic tale of revenge and redemption, The Count of Monte Cristo—Le Comte de Monte-Cristo, is presented for the first time in English-French parallel text, complete and unabridged with black-and-white illustrations. The story concludes in Volume Six with chapters 98-117: justice finds Dantes’ tormentors and Monte Cristo discovers the redeeming power of forgiveness and love. It also features a tribute to Dumas from Robert Louis Stevenson.The Bilingual Library presents the world’s classics in parallel text. Each page in the original language is mirrored by its English translation on the facing page. Series editor D. Bannon is a member of the American Literary Translators Association and the American Translators Association.
Alexandre Dumas’ classic tale of revenge and redemption, The Count of Monte Cristo—Le Comte de Monte-Cristo is presented for the first time in English-French parallel text, complete and unabridged with over 20 black-and-white illustrations. The first of six, Volume One includes chapters 1-21: Edmond Dantes’ betrayal, imprisonment and escape from Chateau d’If. It also features a touching tribute to Dumas by Countess Dash, in English and French. The Bilingual Library presents the world’s classics in parallel text. Each page in the original language is mirrored by its English translation on the facing page. Introduction by series editor D. Bannon. A member of the American Literary Translators Association and the American Translators Association, Bannon has been translating since 1987.
The D'Artagnan Romances are a set of three novels by Alexandre Dumas telling the story of the musketeer d'Artagnan from his humble beginnings in Gascony to his death as a marshal of France in the Siege of Maastricht in 1673. Dumas based the life and character of d'Artagnan on the 17th-century captain of musketeers Charles de Batz-Castelmore, Comte d'Artagnan, and Dumas's portrayal was indebted to the semi-fictionalized memoirs of d'Artagnan written 27 years after the hero's death by Gatien de Courtilz de Sandras (published in 1700). The d'Artagnan novels are: The Three Musketeers, set in 1625; first published in serial form in the magazine Le Siècle between March and July 1844. Dumas claimed it was based on manuscripts he had discovered in the Bibliothèque Nationale. Twenty Years After, set in 1648; serialized from January to August, 1845. The Vicomte of Bragelonne: Ten Years Later, set between 1660 and 1673; serialized from October 1847 to January 1850. This vast novel has been split into three, four, or five volumes at various points. In the three-volume edition, the novels are titled The Vicomte de Bragelonne, Louise de la Vallière and The Man in the Iron Mask. In the four-volume edition, the novels are titled The Vicomte de Bragelonne, Ten Years Later, Louise de la Vallière and The Man in the Iron Mask Alexandre Dumas (1802 – 1870), also known as Alexandre Dumas, père, was a French writer, best known for his historical novels of high adventure. Translated into nearly 100 languages, these have made him one of the most widely read French authors in history.
Alexandre Dumas’ classic tale of revenge and redemption, The Count of Monte Cristo—Le Comte de Monte-Cristo, is presented for the first time in English-French parallel text, complete and unabridged with black-and-white illustrations. The fifth of six, Volume Five includes chapters 78-97: Albert challenges Monte Cristo to a duel; Caderousse and Fernand meet their fates at last.The Bilingual Library presents the world’s classics in parallel text. Each page in the original language is mirrored by its English translation on the facing page. Series editor D. Bannon is a member of the American Literary Translators Association and the American Translators Association.
Historical Novels, Adventure Classics, True Crime Stories & Biography (Queen Margot, The Black Tulip, The Queen's Necklace, Taking the Bastille, The Man in the Iron Mask, The Sicilian Bandit…)
Historical Novels, Adventure Classics, True Crime Stories & Biography (Queen Margot, The Black Tulip, The Queen's Necklace, Taking the Bastille, The Man in the Iron Mask, The Sicilian Bandit…)
This carefully crafted ebook: "ALEXANDRE DUMAS Ultimate Collection: 40+ Titles Including The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The Valois Trilogy and more (Illustrated)" is formatted for your eReader with a functional and detailed table of contents: The D'Artagnan Romances The Three Musketeers Twenty Years After The Vicomte of Bragelonne Ten Years Later Louise da la Valliere The Man in the Iron Mask The Valois Trilogy Queen Margot (Marguerite de Valois) Chicot de Jester: La Dame de Monsoreau The Forty-Five Guardsmen The Memoirs of a Physician - Marie Antoinette Series Joseph Balsamo: The Magician The Mesmerist's Victim: Andrea de Taverney The Queen's Necklace Taking the Bastile: Ange Pitou The Countess de Charny: The Execution of King Louis XVI Other Novels The Count of Monte Cristo The Conspirators: The Chevalier d'Harmental The Regent's Daughter The Hero of the People The Royal Life-Guard Captain Paul The Sicilian Bandit The Corsican Brothers The Companions of Jehu The Wolf Leader The Black Tulip The Last Vendee The Prussian Terror Short Stories A Masked Ball Solange Celebrated crimes The Borgias The Cenci Massacres of the South Mary Stuart Karl-Ludwig Sand Urbain Grandier Nisida Derues La Constantin Joan of Naples The Man in the Iron Mask (An Essay) Martin Guerre Ali Pacha The Countess De Saint-Geran Murat The Marquise De Brinvilliers Vaninka The Marquise De Ganges Essays Alexandre Dumas by W. E. Henley A Gossip on a Novel of Dumas's by Robert Louis Stevenson Alexandre Dumas by Andrew Lang To Alexandre Dumas by Andrew Lang Biography Alexandre Dumas by Adolphe Cohn Alexandre Dumas, père (1802-1870) was a French writer whose works have been translated into nearly 100 languages and he is one of the most widely read French authors. His most famous works are The Count of Monte Cristo and The Three Musketeers.
Alexandre Matheron is considered one of the most important interpreters of Spinoza's philosophy in the 20th century. These 20 essays, translated into English for the first time, focus on ontology, knowledge, politics and ethics in Spinoza, his predecessors and his contemporaries."--Publisher description.
There is no real biography of Alexandre Dumas. Nobody has collected and sifted all his correspondence, tracked his every movement, and pursued him through newspapers and legal documents. Letters and other papers (if they have been preserved) should be as abundant in the case of Dumas as they are scanty in the case of Molière. But they are left to the dust of unsearched offices; and it is curious that in France so little has been systematically written about her most popular if not her greatest novelist. Many treatises on one or other point in the life and work of Dumas exist, but there is nothing like Boswell's Johnson or Lockhart's Scott. TheMémoires by the novelist himself cover only part of his career, Les Enfances Dumas; and they bear the same resemblance to a serious conscientious autobiography as Vingt Ans Après bears to Mr. Gardiner's History of England. They contain facts, indeed, but facts beheld through the radiant prismatic fancy of the author, who, if he had a good story to tell, dressed it up "with a cocked hat and a sword," as was the manner of an earlier novelist. The volumes of travel, and the delightful work on Dumas's domestic menagerie,Mes Bêtes, also contain personal confessions, as does the novel, Ange Pitou, with the Causeries, and other books. Fortunately Dumas wrote most about his early life, and the early life of most people is more interesting than the records of their later years. In its limitation to his years of youth, the Mémoires of Dumas resemble that equally delightful book, the long autobiographical fragment by George Sand. Both may contain much Dichtung as well as Wahrheit: at least we see the youth of the great novelists as they liked to see it themselves. The Mémoires, with Mes Bêtes, possess this advantage over most of the books, that the most crabbed critic cannot say that Dumas did not write them himself. In these works, certainly, he was unaided by Maquet or any other collaborator. They are all his own, and the essential point of note is that they display all the humour, the goodness of heart, the overflowing joy in life, which make the charm of the novels. Here, unmixed, unadulterated, we have that essence of Dumas with which he transfigured the tame "copy" drawn up by Maquet and others under his direction. He told them where to find their historical materials, he gave them the leading ideas of the plot, told them how to block out the chapters, and then he took these chapters and infused into them his own spirit, the spirit which, in its pure shape, pervades every page of the Mémoires. They demonstrate that, while he received mechanical aid from collaborators, took from their hands the dry bones of his romances, it was he who made the dry bones live. He is now d'Artagnan, now Athos, now Gorenflot, now Chicot,—all these and many other personages are mere aspects of the immortal, the creative Alexandre.
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