Scintillating, skilful and spellbinding, beautifully written and researched' Bestselling author of The Witch's Tree, Elena Collins In an underground labyrinth a lost soul wanders, waiting for revenge, waiting for love... London 1900 Alice Webster has made the worst decision of her life. When her Aunt Agatha offers her the chance to go on a Grand Tour she jumps at the opportunity to get away from the glare of scandal. Heading off to see the world as the century turns, Alice begins to believe her broken heart can be healed, and a chance encounter on a train bound for Paris changes everything. When their journey takes them to a Cretan house thick with history, and the world-famous dig at Knossos, stories from the past begin to echo through Alice’s life. London Present Day Eloise De’Ath is meant to be a grieving widow. But if people knew the truth about her late husband, they’d understand why she can’t even pretend. Needing to escape, Eloise heads to Crete and the house her father-in-law Quinn left her, and slowly Quinn’s home begins to reveal its mysteries. In his office Eloise discovers his life’s work: the study of the Victorian excavation to find the Minotaur’s labyrinth. Fascinated by the diaries of a young woman from the dig, Eloise is drawn into Alice’s tale of lost love and her growing obsession with Ariadne, the princess of the labyrinth. Three women divided by time but connected by the long-hidden secrets of the past. As their stories join in a golden thread, a terrible injustice might finally be undone... This unforgettable timeslip novel is perfect for fans of Barbara Erskine, Elena Collins and Diana Gabaldon. Praise for Alexandra Walsh: 'Alexandra Walsh weaves a perfectly crafted dual timeline tale that will enthral and delight the reader from the first words until the very last sparkling moment.' Elena Collins 'I absolutely loved this beautifully written and characterful novel which intrigued me as it moves seamlessly between 1900 and the present with a throwback to Theseus and The Minotaur of ancient Crete.’ Carol McGrath 'Alexandra Walsh is a master storyteller and does historical time hops so well. The mystery, the intrigue and beautiful storytelling is ever present in The Forgotten Palace, as it is in all Alex’s novels. The plot, mixed with the Greek mythology, and characters make her latest fiction another masterpiece and one that stays with you a long time after you turn the last page.’ Michelle Rawlins What readers are saying about Alexandra Walsh: 'As much as I wanted (needed) to know what the links between the past and present were, I also didn't want this book to end, as I became so captivated and drawn to the characters. A great read that feeds the soul. I'm so looking forward to the author's next book .' 'I enjoyed this book so much that I read it in one lengthy sitting of eight hours. It contains everything I love in a book, interesting believable characters , mystery and a story that grabs you from the very first page.' 'A host of characters populate this wonderful timeshift novel, all necessary and beautifully woven together in this compelling multi-generational family tale. I couldn't put it down - it kept me awake way beyond lights out time until I finally finished reading it.' 'Very cleverly written, how someone can come up with a story as complex as this one I think is nothing short of amazing. I love the way both Victorian and modern day is nicely tied up. This has to be the best timeshift story I have ever read. High recommendation from me.
‘A king adorns the throne... He has no subtlety, no grace but he does not deserve to die in the way that has been planned and this is why we shall stop them, our men, our kin and save us all.’ 1605 Bess Throckmorton is well used to cunning plots and intrigues. With her husband Sir Walter Raleigh imprisoned in the Tower of London, and she and her family in a constant battle to outwit Robert Cecil, the most powerful man in the country who is determined to ruin her, Bess decides to retreat to her beloved home, Crestwell Hall. But there she is shocked to hear talk of a new plot to murder the king. So, unbeknownst to their menfolk, the wives of the plotters begin to work together to try to stop the impending disaster. Present Day Isabella Lacey and her daughter, Emily, are excited to be starting a new life at her aunt’s home, Crestwell Hall in Wiltshire. During renovations, Isabella discovers an ancient bible that once belonged to Bess Throckmorton, and to her astonishment finds that it doubled as a diary. As Isabella reads Bess’s story, a new version of the Gunpowder Plot begins to emerge - told by the women. When Emily’s life is suddenly in terrible danger, Isabella understands the relentless fear felt by Bess, hundreds of years ago. And as the fateful date of 5th November draws ever closer, Bess and the plotters’ wives beg their husbands to stop before a chain of events is set into action that can only end one way... This unforgettable timeslip novel is perfect for fans of Barbara Erskine, Elena Collins and Diana Gabaldon. 'If you love timeslip stories with an intricate and intriguing historical thread, then this is for you. If you think you know everything about the Gun Powder plot, then think again! Alexandra Walsh has a completely fresh take on one of the most notorious episodes in English history. A fascinating page-turner.' Sarah Bennett Praise for Alexandra Walsh: 'Alexandra Walsh’s best book yet, with strong echoes between the historical and present day timelines. The history is impeccably researched, bringing an entirely new angle to The Gunpowder Plot, and how it might have played out for the women behind the scenes.' Eva Glyn 'Alexandra Walsh weaves a perfectly crafted dual timeline tale that will enthral and delight the reader from the first words until the very last sparkling moment.' Elena Collins 'I absolutely loved this beautifully written and characterful novel which intrigued me as it moves seamlessly between 1900 and the present with a throwback to Theseus and The Minotaur of ancient Crete.’ Carol McGrath 'Alexandra Walsh is a master storyteller and does historical time hops so well. The mystery, the intrigue and beautiful storytelling is ever present in* The Forgotten Palace*, as it is in all Alex’s novels. The plot, mixed with the Greek mythology, and characters make her latest fiction another masterpiece and one that stays with you a long time after you turn the last page.’ Michelle Rawlins What readers are saying about Alexandra Walsh: ‘This is a very beautifully written book, the characters leap from the page and we become invested in their lives... I cannot recommend enough.’ ‘This book is so good I literally couldn't put it down. The research that Alexandra put into writing this novel is very clear. Each page was believable and beautifully written. I loved it and I want to book a trip to Crete right now’ ‘I feel like this book was written for me, as it well and truly got hold of me. I thought it was perfect. Dual timelines, a bit of a mystery, archaeology and Greek Mythology all rolled up into an amazing package. What I especially loved was the authors research into women archaeologists at the turn of the century and how inspiring they are, even now. Overall, a spellbinding book.’ ‘From the intriguing prologue to the very last page I was captivated by this novel. Two women, a century apart, betrayed by lovers escape to the sunny island of Crete. A wonderful dual timeline novel. I loved it.’ ‘The story unfolds, with secrets slowly and shockingly revealed, both threads equally engaging, punctuated by the increasingly vivid and unsettling dreams, had me totally engrossed from the story’s beginning to its wholly satisfying end. Unlike anything I’ve read before, and very highly recommended – I’ll be looking forward to reading more from its extremely gifted author.’
Elizabeth I has been queen for 28 years. She has survived hundreds of plots against her but now she faces the revelation of a secret she thought would remain hidden forever. Elizabeth is not the last of the Tudor line — there are two more legitimate heirs to her crown.Her sworn enemy, Philip II, King of Spain, has discovered the secret and thinks he can control the missing princess as his puppet queen. Elizabeth is not the last of the Tudor line — there are two more legitimate heirs to her crown.Her sworn enemy, Philip II, King of Spain, has discovered the secret and thinks he can control the missing princess as his puppet queen. Can Elizabeth maintain control over her throne? And what happened to the lost Tudor heirs?
A time shift thriller that will have you completely gripped! What secrets were covered up at the court of Henry VIII ...? Whitehall Palace, England, 1539. When Catherine Howard arrives at the court of King Henry VIII to be a maid of honor in the household of the new queen, Anne of Cleves, she has no idea of the fate that awaits her. Catching the king’s fancy, she finds herself caught up in her uncle’s ambition to get a Howard heir to the throne. Terrified by the ageing king after the fate that befell her cousin, Anne Boleyn, Catherine begins to fear for her life. THE CATHERINE HOWARD CONSPIRACY is the first book in the Marquess House trilogy, a dual timeline conspiracy thriller with an ingenious twist on a well-known period of Tudor history.
Elizabeth I is dead and the Tudor reign is over. As the men in power decide to pass the throne to the Scottish King James, one woman debates changing the course of history. Two Tudor heirs have been covered up for decades, and with a foreign king threatening the stability of England it could be time to bring the truth to the fore. But there are reasons the Tudor children were put into hiding and exposing them would put not only their lives in danger, but the lives of many others as well... Marquess House, Pembrokeshire, 2019 -- Dr Perdita Rivers and her sister Piper have returned to their ancestral home. But the ancient walls still contain riddles which the twins need to solve. Perdita and Piper have already discovered earth-shattering secrets which will change the course of English history forever. But they are missing one vital piece of the puzzle. Two Tudor rings have led them to cover-ups at the Tudor court, but now they must track down a missing silver locket to slot the final parts of the mystery together. And just when it seems they could be ready to expose the centuries-old conspiracy, old enemies resurface to put their very lives at risk... the final book in the Marquess House trilogy, a dual time line conspiracy thriller with an ingenious twist on a well-known period of Tudor and Stuart history.
Dès les premières pages, les lecteurs et lectrices du chef-d'oeuvre de Margaret Mitchell s'apercevront de la rupture de ton, de style et surtout de la perspective différente de la psychologie des protagonistes. Une suite ratée, ce qui ne l'empêchera pas d'être lue.
Phoebe Apperson Hearst: A Life of Power and Politics offers the first biography of one of the Gilded Age's most prominent and powerful women."--Provided by publisher.
ONCE, SHE GOT AWAY The body lying on a cold steel slab bears all the hallmarks of the Chicago Butcher. There’s a cruel slash across her throat, deep enough to sever the carotid artery, and a small crescent carved into her right breast. Her delicate features are painfully familiar to Ash Marcel, once a rising star in the Chicago PD. But though the victim resembles his former fiancée, Remi Walsh, he knows it’s not her. BUT THIS TIME Though Remi escaped a serial killer five years ago, her father died trying to save her. Grief and guilt caused her to pull away from the man she loved. Now Ash is back in her life, insisting that Remi is still in danger. IT’S A DEAD END . . . Someone is targeting women who look just like Remi. With or without a badge, Ash intends to unmask the Butcher. But the killer isn’t playing games any longer. He’s moving in, ready to finish what he started, and prove there’s nothing more terrifying than a killer’s obsession . . . Praise for Pretend You’re Safe “Alexandra Ivy gives readers a nice balance of romance and suspense in her fast-paced, well-plotted novel.” —Kat Martin, New York Times bestselling author “A satisfying mystery . . . Ivy's clever foreshadowing keeps the tension high throughout this fast-moving tale, and the romance sizzles.” —Publishers Weekly “A pulse-raising romantic thriller.” —BookPage
An archival study of Ida Lupino’s work in film and television directing, writing, producing, and acting from the 1940s to the 1970s. Though her acting career is well known, Ida Lupino was, until very recently, either unknown or overlooked as an influential director. One of the few female directors in Classical Hollywood, Lupino was the only woman with membership in the Directors Guild of America between 1948 and 1971. Her films were about women without power in society and engaged with highly controversial topics despite Hollywood’s strict production code. Working in a male-dominated field, Lupino was forced to manage her public persona carefully, resisting attempts by the press to paint her solely as a dutiful wife and mother—a continual feminization—just so that she could continue directing. Filmmaker Alexandra Seros retells the story of Ida Lupino’s career, from actor to director, first in film, then in television, using archival materials from collections housed around the world. The result provides rich insights into three of Lupino’s independently directed films and a number of episodes from her vast television oeuvre. Seros contextualizes this analysis with discussions of gendered labor in the film industry, the rise of consumerism in the United States after World War II, and the expectations put on women in their family lives during the postwar era. Seros’s portrait of Lupino ultimately paints her life and career as an exemplar of collaborative auteurship.
The phenomenon of collecting as a systematic activity undertaken for symbolic rather than actual needs, is traditionally taken to originate in the middle of the fifteenth century, when the first cabinets of curiosities appear in Italy. Yet it is clear that the practice of collecting started long before that, indeed its origins can be traced back thousands of years to European prehistoric communities. Whilst this early genesis is, due to lack of written records, still shrouded in much mystery, The Nature of Classical Collecting argues that the collecting practices of classical Greece and Rome offer a rich tapestry of experiences which can be reconstructed to illuminate a pivotal period in the long and ever developing phenomenon of collecting. Utilizing a wide variety of examples of classical collections - including grave goods, the accumulations of Greek temples and open-air shrines, the royal collections of Hellenistic kings, Roman art and curiosity collections, and relics - The Nature of Classical Collecting focuses on the field of the 'pre-history' of collecting, a neglected yet critical phase that helped crystallize the western concept of collecting. Drawing primarily on Latin writings from the period 100 BCE to 100 CE it shows how collecting underwent a transition from a religious and political activity, to an intellectual practice in which connoisseurship could impart social status. It also demonstrates how the appreciation of objects and artists changed as new qualities were attributed to material culture, resulting in the establishment of art markets, patronage and an interest in the history of art. By exploring these early developments, The Nature of Classical Collecting not only provides a fascinating insight into the culture of late Hellenistic/early Imperial Roman collecting, but also offers a much fuller grounding for understanding the influences and inspirations of those Renaissance collectors who themselves were to have such a profound influence on the course of European art, architecture and culture.
Fans of Lisa Jackson, Lucinda Berry, and Kendra Elliot won’t want to miss the New York Times bestselling author’s suspenseful story of a small town with more secrets than residents, and a woman searching for the truth about a long-ago night…as killer prepares to silence her forever. Teenager Lia Porter shouldn’t have been anywhere near the railroad bridge that night. Sneaking home after a party in the fields outside Pike, Wisconsin, she glimpsed a woman in a leather jacket, running in terror. Lia puts the incident from her mind—until a body is found near the same spot fifteen years later, wearing the same jacket. The police rule it a suicide. Lia knows different. The woman she saw was trying to save her own life, not end it. But whatever she was fleeing from found her first . . . The stranger who arrives at Lia’s store shares her suspicions. Hollywood stunt driver Kaden Vaughn has come home to Wisconsin to learn the truth about what happened to his brother’s fiancée years ago. The leather jacket, the timing—he believes the dead woman is Vanna, and that Lia may be the only person who can help. Together they retrace Vanna’s steps, but the more they dig, the darker the secrets become. The killer is still out there, stalking the streets of Pike again, willing to do whatever is necessary to keep the truth locked in mystery. One by one, all those who know something about that night must be silenced, until there is no one left to tell . . . “A fast-paced tale of a small Wisconsin town with dark secrets.” – Publishers Weekly
This book provides a thorough analysis of the decision to apply for a patent. Unlike many other theoretical approaches, the negative effect a patent may have due to the disclosure requirement linked to every patent application is taken into account. Seen in this light, the effects driving the propensity to patent can be identified as the opposing forces of a protective and a disclosure effect.The theoretical investigation includes an analysis of patenting behavior in a setting with vertically and horizontally differentiated products. Due to imperfect patent protection competitors of the patentee may enter the market for the innovative product despite a patent. An empirical investigation of the theoretical results with data from the 2005 Mannheim Innovation Panel in combination with patent information from the European Patent Office provides strong evidence for the main conclusions.
The latest edition of this must-have text book promises an evidence-based and practical approach covering the very latest in cardiorespiratory care. The textbook covers a wide range of cardiorespiratory conditions and discusses treatment of patients in different clinical settings such as critical care, the ward area and out-patient departments. It begins with physiology and pathology and progresses into a detailed patient assessment section and a discussion of specific respiratory and cardiac conditions. The final section covers different groups of people who may require physiotherapy such as infants, children, and adults with specific conditions including a considered section on palliative care. Critical thinking is facilitated by clinical reasoning boxes in the text, and problem-solving is aided by case studies at the end of each chapter. There are also relevant practice tips to enable transfer of learning into the clinical environment. The text is supported by over 280 line drawings and diagrams along with over 70 x-rays and photographs to further illustrate the points under discussion. Q & A case studies, with scans and x-rays Outcome measures for problems and diseases Boxes with learning and practice tips to encourage reflection Tables with definitions, normal values and comparisons Practical techniques described with precision Expanded cardiovascular section Updated practical details on physiotherapy techniques Extra chapters on surgical complications and interventions Comprehensive coverage of Critical Care procedures and rehabilitation Practicalities of the management of children and infants Update on the evaluation of outcomes
Sherlock Holmes has been a beloved character from his first story, and his mystique endures to the modern age in print, on screen - but he has had a long life in the theatre as well. Where did it begin? What are the themes, stories, and characterizations that make his stage presence unique and just as enduring? Follow his trail on the stage as author Alexandra Kitty curates his fascinating theatrical world throughout the decades: from unlikely Off-Broadway musicals to lauded slapstick comedies, to more traditional and gripping portrayals of his iconic stories and new incarnations. How does the world's greatest detective fare in the theatre? The results are always shocking, but never disappointing.
Charitable Hatred offers a challenging new perspective on religious tolerance and intolerance in early modern England. Setting aside traditional models charting a linear progress from persecution to toleration, it emphasizes instead the complex interplay between these two impulses in the sixteenth and seventeenth centuries.
From building blocks to city blocks, an eye-opening exploration of how children's playthings and physical surroundings affect their development. Parents obsess over their children's playdates, kindergarten curriculum, and every bump and bruise, but the toys, classrooms, playgrounds, and neighborhoods little ones engage with are just as important. These objects and spaces encode decades, even centuries of changing ideas about what makes for good child-rearing--and what does not. Do you choose wooden toys, or plastic, or, increasingly, digital? What do youngsters lose when seesaws are deemed too dangerous and slides are designed primarily for safety? How can the built environment help children cultivate self-reliance? In these debates, parents, educators, and kids themselves are often caught in the middle. Now, prominent design critic Alexandra Lange reveals the surprising histories behind the human-made elements of our children's pint-size landscape. Her fascinating investigation shows how the seemingly innocuous universe of stuff affects kids' behavior, values, and health, often in subtle ways. And she reveals how years of decisions by toymakers, architects, and urban planners have helped--and hindered--American youngsters' journeys toward independence. Seen through Lange's eyes, everything from the sandbox to the street becomes vibrant with buried meaning. The Design of Childhood will change the way you view your children's world--and your own.
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