Why is it that a little spice of deviltry lends not an unpleasantly titillating twang to the great mass of respectable flour that goes to make up the pudding of our modern civilization? And pertinent to this question another—Why is it that the pirate has, and always has had, a certain lurid glamour of the heroical enveloping him round about? Is there, deep under the accumulated débris of culture, a hidden ground-work of the old-time savage? Is there even in these well-regulated times an unsubdued nature in the respectable mental household of every one of us that still kicks against the pricks of law and order? To make my meaning more clear, would not every boy, for instance—that is every boy of any account—rather be a pirate captain than a Member of Parliament? And we ourselves; would we not rather read such a story as that of Captain Avery’s capture of the East Indian treasure-ship, with its beautiful princess and load of jewels (which gems he sold by the handful, history sayeth, to a Bristol merchant), than—say one of Bishop Atterbury’s sermons or the goodly Master Robert Boyle’s religious romance of “Theodora and Didymus”? It is to be apprehended that to the unregenerate nature of most of us, there can be but one answer to such a query. In the pleasurable warmth the heart feels in answer to tales of derring-do, Nelson’s battles are all mightily interesting, but even in spite of their romance of splendid courage, I fancy that the majority of us would rather turn back over the leaves of history to read how Drake captured the Spanish treasure-ship in the South Sea, and of how he divided such a quantity of booty in the Island of Plate (so named because of the tremendous dividend there declared) that it had to be measured in quart bowls, being too considerable to be counted. Courage and daring, no matter how mad and ungodly, have always a redundancy of vim and life to recommend them to the nether man that lies within us, and no doubt his desperate courage, his battle against the tremendous odds of all the civilized world of law and order have had much to do in making a popular hero of our friend of the black flag. But it is not altogether courage and daring that endears him to our hearts. There is another and perhaps a greater kinship in that lust for wealth that makes one’s fancy revel more pleasantly in the story of the division of treasure in the pirate’s island retreat, the hiding of his godless gains somewhere in the sandy stretch of tropic beach, there to remain hidden until the time should come to rake the dubloons up again and to spend them like a lord in polite society, than in the most thrilling tales of his wonderful escapes from commissioned cruisers through tortuous channels between the coral-reefs. And what a life of adventure is his to be sure! A life of constant alertness, constant danger, constant escape! An ocean Ishmaelite, he wanders for ever aimlessly, homelessly; now unheard of for months, now careening his boat on some lonely uninhabited shore, now appearing suddenly to swoop down on some merchant-vessel with rattle of musketry, shouting, yells, and a hell of unbridled passions let loose to rend and tear.
Why is it that a little spice of deviltry lends not an unpleasantly titillating twang to the great mass of respectable flour that goes to make up the pudding of our modern civilization? And pertinent to this question another—Why is it that the pirate has, and always has had, a certain lurid glamour of the heroical enveloping him round about? Is there, deep under the accumulated débris of culture, a hidden ground-work of the old-time savage? Is there even in these well-regulated times an unsubdued nature in the respectable mental household of every one of us that still kicks against the pricks of law and order? To make my meaning more clear, would not every boy, for instance—that is every boy of any account—rather be a pirate captain than a Member of Parliament? And we ourselves; would we not rather read such a story as that of Captain Avery’s capture of the East Indian treasure-ship, with its beautiful princess and load of jewels (which gems he sold by the handful, history sayeth, to a Bristol merchant), than—say one of Bishop Atterbury’s sermons or the goodly Master Robert Boyle’s religious romance of “Theodora and Didymus”? It is to be apprehended that to the unregenerate nature of most of us, there can be but one answer to such a query. In the pleasurable warmth the heart feels in answer to tales of derring-do, Nelson’s battles are all mightily interesting, but even in spite of their romance of splendid courage, I fancy that the majority of us would rather turn back over the leaves of history to read how Drake captured the Spanish treasure-ship in the South Sea, and of how he divided such a quantity of booty in the Island of Plate (so named because of the tremendous dividend there declared) that it had to be measured in quart bowls, being too considerable to be counted. Courage and daring, no matter how mad and ungodly, have always a redundancy of vim and life to recommend them to the nether man that lies within us, and no doubt his desperate courage, his battle against the tremendous odds of all the civilized world of law and order have had much to do in making a popular hero of our friend of the black flag. But it is not altogether courage and daring that endears him to our hearts. There is another and perhaps a greater kinship in that lust for wealth that makes one’s fancy revel more pleasantly in the story of the division of treasure in the pirate’s island retreat, the hiding of his godless gains somewhere in the sandy stretch of tropic beach, there to remain hidden until the time should come to rake the dubloons up again and to spend them like a lord in polite society, than in the most thrilling tales of his wonderful escapes from commissioned cruisers through tortuous channels between the coral-reefs. And what a life of adventure is his to be sure! A life of constant alertness, constant danger, constant escape! An ocean Ishmaelite, he wanders for ever aimlessly, homelessly; now unheard of for months, now careening his boat on some lonely uninhabited shore, now appearing suddenly to swoop down on some merchant-vessel with rattle of musketry, shouting, yells, and a hell of unbridled passions let loose to rend and tear.
This Open Access book, Crisis and Legitimacy in Atlantic American Narratives of Piracy: 1678-1865, examines literary and visual representations of piracy beginning with A.O. Exquemelin’s 1678 Buccaneers of America and ending at the onset of the US-American Civil War. Examining both canonical and understudied texts—from Puritan sermons, James Fenimore Cooper’s The Red Rover, and Herman Melville’s “Benito Cereno” to the popular cross-dressing female pirate novelette Fanny Campbell, and satirical decorated Union envelopes, this book argues that piracy acted as a trope to negotiate ideas of legitimacy in the contexts of U.S. colonialism, nationalism, and expansionism. The readings demonstrate how pirates were invoked in transatlantic literary production at times when dominant conceptions of legitimacy, built upon categorizations of race, class, and gender, had come into crisis. As popular and mobile maritime outlaw figures, it is suggested, pirates asked questions about might and right at critical moments of Atlantic history.
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