This illustrated book is the first full survey of the artist's career to include work in all media, including film and music. An introductory essay by Alexandra Munroe explores Ono's life, her relationship to international avant-garde movements in America and Japan, and the aspects of her art and thought that have guided her prolific production over four decades. Jon Hendrick's study of Ono and Fluxus offers new insights into her contributions to one of the most radical collectives in the history of modern art. Essays by Murray Sayle, David Ross, and Jann S. Wenner enrich our understanding of Ono's complex role as one of the most public icons of the late twentieth century."--Book jacket.
Edited by Alexandra Munroe. Text by Vivien Greene, Harry Harootunian, Richard King, Alexandra Munroe, Ikuyo Nakagawa, David Patterson, Kathleen Pyne and D. Scott Atkinson, J. Thomas Rimer, Kristine Stiles, Bert Winther-Tamaki.
Cai Guo-Qiang accompanies the most comprehensive exhibition to date of the innovative body of work of Chinese-born artist Cai Guo-Qiang. The catalogue presents a chronological and thematic survey that charts the artists creation of a distinctive visual and conceptual language across four mediums: gunpowder drawings made from gunpowder fuses and explosive powders laid on paper and ignited; explosion events, documented by videos, photographs and preparatory drawings; large-scale installations; and social projects, wherein the artist works with local communities to create an art event or exhibition site, documented by photographs. Featuring works from the 1980s to the present, the publication illuminates Cais significant formal and conceptual contributions to contemporary international art practices and social activism. The fully illustrated catalogue features essays by Alexandra Munroe, David Joselit, Miwon Kwon andWang Hui, along with some sixty documented plate entries.
Published in conjunction with the first United States museum retrospective ever devoted to Gutai, exhibited at the Solomon R. Guggenheim Museum in New York, Gutai: Splendid Playground surveys the influential collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social, and political context of postwar Japan and the West, and to further establish Gutai in an expanded, transnational history and critical discourse of modern art. Organized thematically and chronologically to explore Gutai's unique approach to materials, process and performativity, this publication investigates the group's radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean in a post-atomic era. The range includes painting (gestural abstraction and post-constructivist abstraction), conceptual art, experimental performance and film, indoor and outdoor installation art, sound art, mail art, interactive or 'playful' art, light art and kinetic art. Illustrating both iconic Gutai and lesser-known works, this catalogue presents a rich survey reflecting new scholarship, especially on so-called 'late Gutai' works dating from 1965 to 1972.
The first monograph on Edmund de Waal, the internationally renowned artist and bestselling author of The Hare with the Amber Eyes. Featuring contributions from Emma Crichton–Miller, Colm Toibin, Peter Carey, AS Byatt, Alexandra Munroe, and Deborah Saunt. The first complete survey of de Waal’s career to date, this groundbreaking monograph encompasses major exhibitions and installations at the Victoria and Albert Museum, Tate Liverpool, and the Gagosian Gallery in New York. Stunning photography conveys the delicacy of de Waal’s works and provides a rare glimpse into his studio practice. In addition to being one of the world’s leading ceramicists, de Waal is also a renowned historian of the medium. His critical and personal essays and poetry are interspersed throughout the book, bringing to light the prominence of ceramics in our everyday lives. Together, de Waal’s art and writing speak to his enduring fascination with the nature of objects and the attendant history of their collection and display. Contributions to this monograph by novelists Colm Toibin, Peter Carey, and AS Byatt appear alongside critical essays by Guggenheim curator Alexandra Munroe, journalist Emma Crichton–Miller, and architect Deborah Saunt. Elegant papers and a tooled case make Edmund de Waal an exquisitely collectable object.
Twenty years of experimental art from a globalized China Published on the occasion of the largest exhibition of contemporary art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and China after 1989: Theater of the World explores recent experimental art from 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history. Featuring over 150 iconic and lesser-known artworks by more than 70 artists and collectives, this catalog offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of globalization and the rise of China. Critical essays explore how Chinese artists have been both agents and skeptics of China's arrival as a global presence, while an extensive entry section offers detailed analysis on works made in a broad range of experimental mediums, including film and video, ink, installation, land art and performance, as well as painting and photography. Featured artists include Ai Weiwei, Big Tail Elephant Group, Cai Guo-Qiang, Cao Fei, Chen Zhen, Chen Chieh-jen, Ding Yi, Geng Jianyi, Huang Yong Ping, Kan Xuan, Rem Koolhaas/OMA, Libreria Borges, Liu Wei, Liu Xiaodong, New Measurement Group, Ou Ning, Ellen Pau, Qiu Zhijie, Shen Yuan, Song Dong, Wang Guangyi, Wang Jianwei, Yan Lei, Yang Jiechang, Yu Hong, Xijing Men, Xu Bing, Zeng Fanzhi, Zhang Peili, Zhang Hongtu, Zhang Xiaogang and Zhou Tiehai. An appendix includes a selected history of contemporary art exhibitions in China, artist biographies and a bibliography.
A lavishly illustrated overview of contemporary Korean art that offers new insight into the country's tumultuous modern history and its multifaceted and vibrant art scene Focusing on the work of 33 artists, this volume examines the ways contemporary Korean art reflects the dynamic changes in the country following the 1980 Gwangju Uprising and 1988 Seoul Olympics, when a newly democratic South Korea opened up to the rest of the world and quickly became a key player, both economically and culturally, on the global stage. Among the works featured are complex installations by Do Ho Suh and siren eun young jung; sculptures made from disparate materials by Yeesookyung; embroideries that engage with fraught political issues via covert transactions with embroiderers in North Korea by Kyungah Ham; and paintings of contemporary pop figures made using traditional East Asian techniques by Konghyun Son. Essays by a diverse group of scholars position the works in their historical and sociopolitical contexts within the accelerated timeline--and resulting compression of past, present, and future--of what has been called Korea's long twenty-first century. With artist biographies, an illustrated chronology, and a selected bibliography, this study is the first English-language presentation of this material and is a significant contribution to the interpretation and understanding of contemporary Korean art and culture. Distributed for the Philadelphia Museum of Art Exhibition Schedule Philadelphia Museum of Art (October 23, 2023-February 11, 2024)
Three close friends of artist Max Gimblett bring together their talents to present a portrait of an artist in his fiftieth year of painting. Includes interviews on subjects such as Gimblett's spiritual beliefs, philosophy, and life as an artist.
Dès les premières pages, les lecteurs et lectrices du chef-d'oeuvre de Margaret Mitchell s'apercevront de la rupture de ton, de style et surtout de la perspective différente de la psychologie des protagonistes. Une suite ratée, ce qui ne l'empêchera pas d'être lue.
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