This illustrated book is the first full survey of the artist's career to include work in all media, including film and music. An introductory essay by Alexandra Munroe explores Ono's life, her relationship to international avant-garde movements in America and Japan, and the aspects of her art and thought that have guided her prolific production over four decades. Jon Hendrick's study of Ono and Fluxus offers new insights into her contributions to one of the most radical collectives in the history of modern art. Essays by Murray Sayle, David Ross, and Jann S. Wenner enrich our understanding of Ono's complex role as one of the most public icons of the late twentieth century."--Book jacket.
Cai Guo-Qiang accompanies the most comprehensive exhibition to date of the innovative body of work of Chinese-born artist Cai Guo-Qiang. The catalogue presents a chronological and thematic survey that charts the artists creation of a distinctive visual and conceptual language across four mediums: gunpowder drawings made from gunpowder fuses and explosive powders laid on paper and ignited; explosion events, documented by videos, photographs and preparatory drawings; large-scale installations; and social projects, wherein the artist works with local communities to create an art event or exhibition site, documented by photographs. Featuring works from the 1980s to the present, the publication illuminates Cais significant formal and conceptual contributions to contemporary international art practices and social activism. The fully illustrated catalogue features essays by Alexandra Munroe, David Joselit, Miwon Kwon andWang Hui, along with some sixty documented plate entries.
Twenty years of experimental art from a globalized China Published on the occasion of the largest exhibition of contemporary art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and China after 1989: Theater of the World explores recent experimental art from 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history. Featuring over 150 iconic and lesser-known artworks by more than 70 artists and collectives, this catalog offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of globalization and the rise of China. Critical essays explore how Chinese artists have been both agents and skeptics of China's arrival as a global presence, while an extensive entry section offers detailed analysis on works made in a broad range of experimental mediums, including film and video, ink, installation, land art and performance, as well as painting and photography. Featured artists include Ai Weiwei, Big Tail Elephant Group, Cai Guo-Qiang, Cao Fei, Chen Zhen, Chen Chieh-jen, Ding Yi, Geng Jianyi, Huang Yong Ping, Kan Xuan, Rem Koolhaas/OMA, Libreria Borges, Liu Wei, Liu Xiaodong, New Measurement Group, Ou Ning, Ellen Pau, Qiu Zhijie, Shen Yuan, Song Dong, Wang Guangyi, Wang Jianwei, Yan Lei, Yang Jiechang, Yu Hong, Xijing Men, Xu Bing, Zeng Fanzhi, Zhang Peili, Zhang Hongtu, Zhang Xiaogang and Zhou Tiehai. An appendix includes a selected history of contemporary art exhibitions in China, artist biographies and a bibliography.
Dès les premières pages, les lecteurs et lectrices du chef-d'oeuvre de Margaret Mitchell s'apercevront de la rupture de ton, de style et surtout de la perspective différente de la psychologie des protagonistes. Une suite ratée, ce qui ne l'empêchera pas d'être lue.
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