From debut author Alexandra Mae Jones comes a compelling, nuanced exploration of bi identity and body image with a ghostly backdrop--perfect for fans of Nina Lacour. Still reeling from a recent trauma, sixteen-year-old Dell is relieved when her mom suggests a stay at the family cabin. But the much-needed escape quickly turns into a disaster. The lake and woods are awash in trash left by a previous tenant. And worse, Dell's mom has invited her boyfriend's daughter to stay with them. Confident, irreverent Ivy presses all of Dell's buttons--somehow making Dell's shame and self-consciousness feel even more acute. Yet Dell is drawn to Ivy in a way she doesn't fully understand. As Dell uncovers secrets in the wreckage of her family's past--secrets hinted at through troubling dreams and strange apparitions--Ivy leads her toward thrilling, if confusing, revelations about her sexuality and identity. Set during a humid summer in the mid-2000s, The Queen of Junk Island simmers with the intensity of a teenage girl navigating the suffocating expectations of everyone around her.
From debut author Alexandra Mae Jones comes a compelling, nuanced exploration of bi identity and body image with a ghostly backdrop—perfect for fans of Nina Lacour. Still reeling from a recent trauma, sixteen-year-old Dell is relieved when her mom suggests a stay at the family cabin. But the much-needed escape quickly turns into a disaster. The lake and woods are awash in trash left by a previous tenant. And worse, Dell’s mom has invited her boyfriend’s daughter to stay with them. Confident, irreverent Ivy presses all of Dell's buttons--somehow making Dell’s shame and self-consciousness feel even more acute. Yet Dell is drawn to Ivy in a way she doesn't fully understand. As Dell uncovers secrets in the wreckage of her family's past--secrets hinted at through troubling dreams and strange apparitions--Ivy leads her toward thrilling, if confusing, revelations about her sexuality and identity. Set during a humid summer in the mid-2000s, The Queen of Junk Island simmers with the intensity of a teenage girl navigating the suffocating expectations of everyone around her.
Reading Jack Kerouac’s classic On the Road through Virginia Woolf’s canonical A Room of One’s Own, the author of this book examines a genre in North American literature which, despite its popularity, has received little attention in literary and cultural criticism: women’s road narratives. The study shows how women’s literature has inscribed itself into the American discourse of the Whitmanesque “open road”, or, more generally, the “freedom of the road”. Women writers have participated in this powerful American myth, yet at the same time also have rejected that myth as fundamentally based on gendered and racial/ethnic hierarchies and power structures, and modified it in the process of writing back to it. The book analyzes stories about female runaways, outlaws, questers, adventurers, kidnappees, biker chicks, travelling saleswomen, and picaras and makes theoretical observations on the debates regarding discourses of spatiality and mobility—debates which have defined the so-called spatial turn in the humanities. The analytical concept of transdifference is introduced to theorize the dissonant plurality of social and cultural affiliations as well as the narrative tensions produced by such pluralities in order to better understand the textual worlds of women’s multiple belongings as they are present in these writings. Roads of Her Own is thus not only situated in the broader context of a constructivist cultural studies, but also, by discussing narrative mobility under the sign of gender, combines insights from social theory and philosophy, feminist cultural geography, and literary studies. Key names and concepts: Doreen Massey – Rosi Braidotti – Literary Studies – Spatial Turn – Gendered Space and Mobility – Nomadism – Road writing – Transdifference – American Culture – Popular Culture – Women’s Literature after the Second Wave – Quest – Picara.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. An electronic version of this book is also available under a Creative Commons (CC-BY-NC-ND) license, thanks to the support of the Wellcome Trust. Coalmining was a notoriously dangerous industry and many of its workers experienced injury and disease. However, the experiences of the many disabled people within Britain’s most dangerous industry have gone largely unrecognised by historians. This book looks at British coal through the lens of disability, using an interdisciplinary approach to examine the lives of disabled miners and their families. A diverse range of sources are used to examine the economic, social, political and cultural impact of disability in the coal industry, looking beyond formal coal company and union records to include autobiographies, novels and existing oral testimony. It argues that, far from being excluded entirely from British industry, disability and disabled people were central to its development. The book will appeal to students and academics interested in disability history, disability studies, social and cultural history and representations of disability in literature.
Alexandra Robbins wanted to find out if the stereotypes about sorority girls were actually true, so she spent a year with a group of girls in a typical sorority. The sordid behavior of sorority girls exceeded her worst expectations -- drugs, psychological abuse, extreme promiscuity, racism, violence, and rampant eating disorders are just a few of the problems. But even more surprising was the fact that these abuses were inflicted and endured by intelligent, successful, and attractive women. Why is the desire to belong to a sorority so powerful that women are willing to engage in this type of behavior -- especially when the women involved are supposed to be considered 'sisters'? What definition of sisterhood do many women embrace? Pledged combines a sharp-eyed narrative with extensive reporting and the fly-on-the-wall voyeurism of reality shows to provide the answer.
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