“Insightful and compelling observation on human nature during influential eras.” —Professor Barbara Wagner Doctorate of English “An alive and moving love story with an authentic 19th century setting. A real page-turner.” —Francesca Huneeus Masters of Education & Great-granddaughter of President Balmaceda of Chile Will True Love Be Revealed? Alexandra Lamour’s The Long-Kept Secret is a romance fiction novel based on the Montgomerys during and after the American Civil War, and the mid-Victorian Era. The story commences with the love story of Lord and Lady Montgomery who emigrate from England to America for a great business opportunity. Their lives end during the war leaving their daughters Fuchsia and Suzanna to rebuild their Charleston tobacco plantation to an even more spectacular site. Suzanna Montgomery becomes the sole survivor of the family’s fortune after her sister dies of scarlet fever taking the long-kept secret with her to the grave. As Suzanna battles against many obstacles, including heartbreak, her astounding beauty, wit, and determination lead her to the man of her dreams-one of the most sought-after bachelors in all of England, Lord Richard Waterford. The couple’s regal marriage in England, an invitation to the notorious Queen Victoria’s high society ball and partaking in a fox hunt add enchantment and adventure to the story. The plot thickens when the mischievous Lady Merisel, Suzanna’s bitter and jealous sister-in-law uncovers the long-kept secret. Suzanna is forced to come to grips with the new revelation of her identity and to make a heartbreaking choice as true love is tested withstanding the truth of the long-kept secret. Suzanna’s stamina and indomitable will make her a role model for any woman of the past or present. Throughout the story, the reader feels that there is a little bit of Suzanna in every woman if we take the time to examine the human condition.
Effie ne croit plus vraiment en l'amour. Séparée de son mari, elle se concentre dorénavant sur sa carrière et ses deux enfants. Retrouver l'amour ? Non merci. C'est alors que le destin remet son premier amour, Mathias, sur sa route. Mathias avait déménagé et n'avait plus jamais donné de nouvelles, ce qui avait brisé le coeur d'Effie. Osera-t-elle redonner une chance à son premier amour ?
Rose-Marie est une femme au foyer qui s'ennuie dans sa vie insipide aux côtés d'un mari volage et de trois grands enfants qui s'éloignent peu à peu du cocon familial. Entre ses tâches ménagères et ses rêves d'indépendance perdus, elle s'isole peu à peu. Aziz, lui, est un petit voyou des quartiers, plutôt introverti, qui vivote au gré de mauvais coups en essayant d'asseoir son statut d'homme au sein de sa famille après la mort de son père et l'incarcération de son frère aîné. Enfin, il y a Nick. Américain, il a tout quitté du jour au lendemain il y a vingt ans pour retrouver son âme soeur en France. Abandonné de tous, seul dans un pays inconnu, ses mauvaises fréquentation ont fait de lui un tueur à gages. Les destins de ces trois personnages vont se croiser, les impacter de façon brutale et les conduire à faire des choix qui auront pour chacun des conséquences irréversibles.
“Insightful and compelling observation on human nature during influential eras.” —Professor Barbara Wagner Doctorate of English “An alive and moving love story with an authentic 19th century setting. A real page-turner.” —Francesca Huneeus Masters of Education & Great-granddaughter of President Balmaceda of Chile Will True Love Be Revealed? Alexandra Lamour’s The Long-Kept Secret is a romance fiction novel based on the Montgomerys during and after the American Civil War, and the mid-Victorian Era. The story commences with the love story of Lord and Lady Montgomery who emigrate from England to America for a great business opportunity. Their lives end during the war leaving their daughters Fuchsia and Suzanna to rebuild their Charleston tobacco plantation to an even more spectacular site. Suzanna Montgomery becomes the sole survivor of the family’s fortune after her sister dies of scarlet fever taking the long-kept secret with her to the grave. As Suzanna battles against many obstacles, including heartbreak, her astounding beauty, wit, and determination lead her to the man of her dreams-one of the most sought-after bachelors in all of England, Lord Richard Waterford. The couple’s regal marriage in England, an invitation to the notorious Queen Victoria’s high society ball and partaking in a fox hunt add enchantment and adventure to the story. The plot thickens when the mischievous Lady Merisel, Suzanna’s bitter and jealous sister-in-law uncovers the long-kept secret. Suzanna is forced to come to grips with the new revelation of her identity and to make a heartbreaking choice as true love is tested withstanding the truth of the long-kept secret. Suzanna’s stamina and indomitable will make her a role model for any woman of the past or present. Throughout the story, the reader feels that there is a little bit of Suzanna in every woman if we take the time to examine the human condition.
Here is a stirring view into Van Gogh's world, as intimate as sharing "poulet" and "pommes sautes" with the artist himself. Written by the former chief curator of the Van Gogh Museum in Amsterdam with one of America's foremost culinary authorities, this unique cookbook/art book explores the role of the Auberge Ravoux cafe in Van Gogh's life.
Contains three early examples of the genre of New Woman writing, each portraying women in ways wholly different to those which had gone before. This title includes "Kith and Kin" (1881), "Miss Brown" and "The Wing of Azrael".
Lured by the promise of land and opportunity, miners, cowhands, laborers, settlers and fortune-seekers poured into Colorado during the mid-to-late 19th Century and into the 20th. To accommodate the population boom, industrious Coloradoans built scores of hotels some elaborate, some modest, all a touchstone to this critical era in Centennial State history. Join Alexandra Walker Clark on this tour through Colorado's historic hotels. Discover how the Oxford and Brown Palace Hotels have managed to maintain their elegance, while others such as the Timberline Hotel of Holy Cross City and the California Hotel of Independence have vanished. With timeless recipes from hotel kitchens, learn how hotels have adapted to eras like the Native American desertion and the Roaring Twenties.
Debussy's Critics: Sound, Affect, and the Experience of Modernism explores the music of Claude Debussy and its early reception in light of the rise of the empirical human sciences in Western Europe around the turn of the twentieth century. In the midst of a sea change in conceptions of the human person, the critics who wrote about Debussy's music in the Parisian press-continually returning to this music's nebulous relationship to sensation and sensibilité-attempted to articulate a music aesthetic appropriate to the fully embodied, material self of psychological modernism. While scholarship on French music in this period has often emphasized its affinities with other art forms, such as Impressionist painting and Symbolist poetry, Debussy's Critics demonstrates that a preoccupation with the specifically sonic materiality of Debussy's music, informed by late nineteenth-century scientific discourses on affect, perception, and cognition, was central to this music's historical intervention. Foregrounding the dynamic exchange between sounds and ideas, this book reveals the disorienting and bewildering experience of listening to Debussy's music, which compelled its early audiences to reimagine the most fundamental premises of the European art-music tradition.
With World War II raging throughout Europe, the United States knew it needed to produce magnesium—the “miracle metal”—in prodigious quantities. Thousands of souls from across the United States heeded the call and traveled to Southern Nevada to build the world’s largest magnesium production plant. Living conditions were harsh in the parched desert encampment that some called Tent City. But the iron-willed men and women who answered the call would break all records in magnesium production. When the war ended, however, a mass exodus from the settlement left it on the brink of becoming just another ghost town. In this book, the author offers readers a front-row seat to the development of Henderson, Nevada. In plain, straightforward language, she examines the forces that propelled the small community through the war and how it continued to thrive into the twenty-first century. Whether you’re interested in World War II, the history of Nevada, or the history of Henderson in particular, this book reveals the powerful impact of a small desert town.
The contemporary radical Right is not merely a series of nationalist projects but a global phenomenon. This book shows how radical conservative thinkers have developed long-term counter-hegemonic strategies that challenge prevailing social and political orders both nationally and internationally. At the heart of this ideological project is a critique of liberal globalisation that seeks to mobilise transversal alliances against a common enemy: the 'New Class' of global managerial elites who are accused of undermining national sovereignty, traditional values, and cultures. 'World of the Right' argues that while the radical Right is far from a unified political movement, its calls for sovereignty, civilisational orders, and multipolarity enable complex, strategic convergences with illiberal states such as China and Russia, as well as states and people in the Global South. The potential consequences for the future of the liberal world order are profound and wide-ranging.
Intertextual Weaving in the Work of Linda Lê: Imagining the Ideal Reader uncovers the primary textual relationship that Linda Lê (1963– ), the most prolific Francophone author of the Vietnamese diaspora, fosters with a literary precursor of Austrian descent: the feminist writer-in-exile, Ingeborg Bachmann (1926–1973). This study offers an overdue exploration of the notably European roots of Lê’s writerly formation. It traces an unexamined feminist import in her work to a sixteen-year inter- and intra-textual engagement with Bachmann and positions the latter as an imagined ideal reader of Lê’s oeuvre. Intertextual analyses of Bachmann’s post-war novel, Malina, with Lê’s literary essays, early fiction, and trilogy, reveal that to overcome the challenges of writing in exile Lê adopts an alternative literary fore-bear of the European tradition.
This comparative, interdisciplinary study investigates the relationship between literature and the visual arts in France and Britain from 1750-1900. Through a close examination of the prose writings of Diderot, Baudelaire and Ruskin, read against the background of contemporary philosophy, aesthetics and theories of language, In the Mind’s Eye proposes a new interpretation of the influence and rivalries underlying the development of art criticism as a genre during this period. The visual impulse – the desire to transcend the limitations of language and make the reader see – is located within the historical traditions of ekphrasis, enargeia and the paragone, while in each chapter, the individual author’s theories of the mind, memory and imagination provide a critical framework for his stylistic experiments. In the Mind’s Eye presents an in-depth analysis of the cultural, theoretical and aesthetic implications of artistic border crossings, and by contextualizing the movement toward visual/verbal hybridity in the fiction and criticism of Diderot, Baudelaire and Ruskin, brings new perspectives to nineteenth-century studies in art and literature.
Pussy grabbing; hot mommas; topless protest; nasty women. Whether hypersexualised, desexualised, venerated or maligned, women’s bodies in public space continue to be framed as a problem. A problem that is discursively ‘solved’ by the continued proliferation of rape culture in everyday life. Indeed, despite the rise in research and public awareness about rape culture and sexism in contemporary debates, gendered violence continues to be normalised. Using case studies from the US and UK – the de/sexualised pregnancy, the troublesome naked protest, the errant BDSM player – Fanghanel interrogates how the female body is figured through, and revolts against, gendered violence. Rape culture currently thrives. This book demonstrates how it happens, the politics that are mobilised to sustain it, and how we might act to contest it.
This book explores how contemporary men understand love in the realm of family life and how they integrate it into their identity. Drawing from Ian Burkitt’s aesthetic theory of emotions, Macht presents rich data from qualitative interviews and observations with Scottish and Romanian involved fathers, to reveal how they maintain closeness to their children, their partners and their own family of origin. Reflecting on distances, separations, power, worry and intergenerational experiences of love Fatherhood and Love hypothesizes that fathers’ identities and emotionality rely on a variety of social relationships in their intimate environment. A new concept, ‘emotional bordering’, is introduced, to portray the tensions inherent in fathers’ identities and illuminate why gender progress happens slowly. Engaging with literature on love, masculinity, culture and father’s involvement from a unique perspective, this book will be of interest to students and scholars across a range of social science disciplines.
Anticolonial Form: Literary Journals at the End of Empire addresses the relationship between culture and politics in two journals published in Europe by African writers: Présence Africaine, launched in Paris in 1947, and Mensagem, published between 1948 and 1964 in Lisbon. Grounded in extensive archival work, the book argues for a comparative and transnational approach to postcolonial literary studies, for the significance of the literary journal as a key form in the development of African writing in French, Portuguese, and English, and for a historically and geographically contingent understanding of the relationships between literature, culture, and politics. This book takes up the idea of articulation (drawn from the cultural theorist Stuart Hall) to bring forward the contingent and fugitive connections that networks of literary journals fostered between francophone, anglophone, and lusophone writers in the conjuncture of decolonization in the 1950s and 1960s. It argues that comparison as a praxis and a method was central to the anticolonial charge of those journals, on whose pages we see an iterative back and forth between writing from and about different parts of the colonial world, a recursive effort to establish how ideas and analyses developed in one part of the colonial world could travel, and be adopted and adapted in others. Reza figures this back and forth between sameness and difference as a comparative practice and argues that different journals formalized this comparative thrust through the techniques of juxtaposition and translation. This anticolonial comparative sensibility, enabled by the journal form, produced a powerful analytic for understanding different European colonialisms together, not in mononational, monoimperialist terms as disaggregated and radically separate, but as connected in material and ideological terms. Many scholars have argued convincingly that the institutionalised practice of comparison in the academic field of comparative literature is itself imbricated with histories of colonialism. Reza's argument, which is richly historicized and substantiated with extensive archival work, takes on a particular significance in the context of that critique as the anticolonial comparison she focuses on offers a different tradition of relational praxis from which to think about connection and comparison itself.
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
Women have been structurally part of the masonic enterprise from at least the middle of the 18th century. Yet, little is known about the ways in which they themselves obtained and exercised power to influence the systems they were involved in, in order to adapt them to be more appropriate to their needs. This volume intends to concentrate on two aspects: Women’s agency (i.e. the power women gained and exercised in this context) and rituals (i.e. the role of men and women in changing and shaping the rituals women work with). These two aspects are closely related, since it requires some agency to realise changes in existing rituals.
What happens when public figures’ private selves are put forth for examination by public audiences? How do the personal struggles of music artists, specifically those with immigrant backgrounds, compare to the private struggles of other individuals? At a time when many countries in the European Union are experiencing an increase in far-right political party activities, how do individuals from the margins negotiate new ways of thinking about identity, offering hope for a greater understanding of shared struggles across societies? This book offers interpretations of identity and belonging by examining the work of two music artists, Faudel Belloua from France and Adam Tensta from Sweden. By analyzing texts produced by these individuals, the author argues that ongoing engagement with the materials produced by Belloua and Tensta, a process which she refers to as living biography, presents a unique window into the process of how Belloua and Tensta connect personal struggles to public issues, providing a compelling departure point for further discussions on how interpretations of national identity are changing in France, Sweden and beyond.
The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplays comes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays—the modernist screenplays—challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two.
First published in 2005. The Victorian and Edwardian music hall ballet has been a neglected facet of dance historiography, falling prey principally to the misguided assumption that any ballet not performed at the Opera House or 'legitimate' theatre necessarily meant it was of low cultural and artistic merit. Here Alexandra Carter identifies the traditional marginalization of the working class female participants in ballet historiography, and moves on to reinstate the 'lost' period of the music hall ballet and to apply a critical account of that period. Carter examines the working conditions of the dancers, the identities and professional lives of the ballet girls and the ways in which the ballet of the music hall embodied the sexual psyche of the period, particularly in its representations of the ballet girl and the ballerina. By drawing on newspapers, journals, theatre programmes, contemporary fiction, poetry and autobiography, Carter firmly locates the period in its social, economic and artistic context. The book culminates in the argument that there are direct links between the music hall ballet and what has been termed the 'birth' of British ballet in the 1930s; a link so long ignored by dance historians. This work will appeal not only to those interested in nineteenth century studies, but also to those working in the fields of dance studies, gender studies, cultural studies and the performing arts.
In these two delightful novellas, New York Times bestselling author Alexandra Ivy’s beloved Levet, the gargoyle with a heart of gold, takes center stage—with magical, comical, romantical results . . . LEVET Gargoyles do not admire difference—and Levet is undeniably different. Of miniscule stature, rather beastly looks, and with fragile, delicate wings, even his family has shunned him, banished him from his beloved Paris. That he is the only gargoyle ever to help defeat the Dark Lord and his hordes of minions makes no impression. But now Levet has come home, determined to be restored to the official Gargoyle Guild. To do so, he must confront the most feared gargoyle in all of Europe. The one who tried to kill him as a child: his own mother . . . With few allies, Levet’s survival may depend on the aid of two strangers: Valla, a beautiful but damaged nymph, and Elijah, the fiercely possessive, love-struck vampire clan chief to whom she can’t quite surrender—unless Levet has something to do with it . . . A VERY LEVET CHRISTMAS A gargoyle of Levet’s charm and intelligence should not be facing a solitary Christmas. True, he may appear a little unconventional—even for a gargoyle. But what Levet lacks in height he makes up for in loyalty, and being banned from the festivities surrounding the Queen of Weres’ new pups is quite unfair. So when a beautiful Christmas angel begs for help in fulfilling her duties, Levet is available. Armed with a magical wand, Levet confronts Damon, a pureblood Were intent on seizing the throne. Challenging the King will put the pups at risk—and drive away Damon’s potential mate, Gia. Who better to convince Damon to choose love, not war, than a gargoyle expert in amour? . . .
Colorists are sure to fall in love with these romantic illustrations. Thirty-one whimsical, intricately detailed images feature clusters and cascades of heart motifs embellishing trees, balloons, teapots and cups, bouquets, and other fanciful renderings. Pages are perforated and printed on one side only for easy removal and display. Specially designed for experienced colorists, Let There Be Love Designs and other Creative Haven® adult coloring books offer an escape to a world of inspiration and artistic fulfillment. Each title is also an effective and fun-filled way to relax and reduce stress.
The follow-up to "Halo." Even the love of her boyfriend, Xavier Woods, and her archangel siblings, Gabriel and Ivy, can't keep the angel Bethany Church from being tricked into a motorcycle ride that ends up in Hell. There, Jake Thorn bargains for Beth's release back to Earth. But what he asks of her will destroy her.
A troubled gargoyle plays matchmaker in this paranormal romance short story by the author of Fear the Darkness. Gargoyles do not admire difference—and Levet is undeniably different. Of miniscule stature, rather beastly looks, and with fragile, delicate wings, even his family has shunned him, banished him from his beloved Paris. That he is the only gargoyle ever to help defeat the Dark Lord and his hordes of minions makes no impression. But now Levet has come home, determined to be restored to the official Gargoyle Guild. To do so, he must confront the most feared gargoyle in all of Europe. The one who tried to kill him as a child: his own mother . . . With few allies, Levet's survival may depend on the aid of two strangers: Valla, a beautiful but damaged nymph, and Elijah, the fiercely possessive, love-struck vampire clan chief to whom she can't quite surrender—unless Levet has something to do with it . . . Praise for New York Times–bestselling Author Alexandra Ivy “Ivy always packs her books with buckets of action, emotion and sexy sizzle. Another winner!” —RT Book Reviews on Devoured by Darkness "The romantic dynamic is smoldering and the seduction focuses on compelling trust, increasing the appeal.” —Publishers Weekly on My Lord Vampire
Paris is the perfect travel guide for anyone wishing to visit Paris both as a destination and as an armchair traveller. Filled to the brim with the famous and not-so famous places du jour, Paris has you covered - whether you're looking to Snapchat happy in front of the Eiffel Tower or you lose yourself to Bohemia in Monmartre. Along with all the well-known museums, galleries, shops and eateries, Paris delves into the very heart of this city, taking you on wanders through its unique arrondissements, down hidden streets and into the lesser-known Paris that only the locals know and love. Filled with stunning photography throughout and a comprehensive handbook on the best places to see and be seen, Paris shares this city's secrets one street at a time. This is a specially formatted fixed-layout ebook that retains the look and feel of the print book.
A gargoyle must save Christmas for the king and queen of the werewolves in this paranormal romance short story from the author of Hunt the Darkness. A gargoyle of Levet's charm and intelligence should not be facing a solitary Christmas. True, he may appear a little unconventional—not to mention unconventionally little—even for a gargoyle. But what Levet lacks in height he makes up for in loyalty, and being banned from the festivities surrounding the Queen of Weres' new pups is quite unfair. So when a beautiful Christmas angel begs for help in fulfilling her duties, Levet has nothing better to do than agree. Armed with a magical wand, Levet confronts Damon, a pureblood Were intent on seizing the throne. Challenging the King will put the pups at risk—and drive away Damon's potential mate, Gia. Who better to convince Damon to choose love, not war, than a gargoyle expert in amour? With a little magic, and a lot of Levet, this may yet be a truly wonderful Christmastime . . . Praise for New York Times–bestselling Author Alexandra Ivy “Ivy always packs her books with buckets of action, emotion and sexy sizzle. Another winner!” —RT Book Reviews on Devoured by Darkness “Ivy's fans will be invested in the development of romances introduced between supporting characters as well as further building of this conflicted universe.” —Publishers Weekly on Born in Blood
One of The New Yorker's favorite nonfiction book of 2019 | A New York Times Book Review Editors' Choice Named one of Vogue's "17 Books We Can't Wait to Read This Fall" "Compulsively readable . . . ravenously consuming . . . manna from heaven . . . If ever someone knew how to put a genuinely irresistible book together, it's Jacobs in Still Here." —Jeff Simon, The Buffalo News Still Here is the first full telling of Elaine Stritch’s life. Rollicking but intimate, it tracks one of Broadway’s great personalities from her upbringing in Detroit during the Great Depression to her fateful move to New York City, where she studied alongside Marlon Brando, Bea Arthur, and Harry Belafonte. We accompany Elaine through her jagged rise to fame, to Hollywood and London, and across her later years, when she enjoyed a stunning renaissance, punctuated by a turn on the popular television show 30 Rock. We explore the influential—and often fraught—collaborations she developed with Noël Coward, Tennessee Williams, and above all Stephen Sondheim, as well as her courageous yet flawed attempts to control a serious drinking problem. And we see the entertainer triumphing over personal turmoil with the development of her Tony Award–winning one-woman show, Elaine Stritch at Liberty, which established her as an emblem of spiky independence and Manhattan life for an entirely new generation of admirers. In Still Here, Alexandra Jacobs conveys the full force of Stritch’s sardonic wit and brassy charm while acknowledging her many dark complexities. Following years of meticulous research and interviews, this is a portrait of a powerful, vulnerable, honest, and humorous figure who continues to reverberate in the public consciousness.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.