An ideal introduction to the life and work of Virginia Woolf by an award-winning author: the story of a life lived with intensity from moment to moment and shaped into the lasting patterns of art. In 1907, when she was twenty-five and not yet a published novelist, Virginia Stephen had everything still to prove. She felt herself to be at a crossroads: “I shall be miserable, or happy; a wordy sentimental creature, or a writer of such English as shall one day burn the pages.” Today her prose is still blazing; perhaps it burns brighter than ever. This is the story of how a determined young woman with a notebook became one of the greatest writers of all time. It is a story that sparkles with wit and friendship, language and love, wicked jokes and passionate appreciation of ordinary things. In this illuminating new account, Alexandra Harris uses vivid flashes of detail to evoke Woolf’s changing backgrounds and preoccupations. We move from the close-packed rhythms of a Victorian childhood to the experiments of Bloomsbury and Woolf’s trial-and-error answers to the pressing question of how to live. We see her tackling challenging forms of writing, trying out different voices, following flights of fancy, and returning to earth. Above all, we see her making conscious decisions about what to do next. The book considers each of the novels in context, gives due prominence to a range of Woolf’s dazzlingly inventive essays, traces the contentious course of her “afterlife,” and shows why, seventy years after her death, Virginia Woolf continues to haunt and inspire us.
This luminous chronicle of lives in an English landscape over time is a feat of time travel from the prize-winning author of Romantic Moderns and Weatherland. An ancient church sheltering a medieval anchorite who chose to be buried alive. The country estate parading a menagerie of exotic animals. The cottage where William Blake received the poetic spirit of Milton. A safe house harbouring secret agents from wartime French resistance networks. When the celebrated critic and cultural historian Alexandra Harris returned to her childhood home of West Sussex, she realised that she barely knew the place at all. As she probed beneath the surface, excavating layers of archival records and everyday objects, bringing a lifetime's reading to bear on the place where she started, hundreds of unexpected stories and hypnotic voices emerged from the area's past. Who has stood here, she asks; what did they see? From the painter John Constable and the modernist writer Ford Madox Ford to the lost local women who left little trace, these electrifying encounters - spanning the Downs, Poland, Australia, Canada - inspired her to imagine lives that seemed distant, yet were deeply connected through their shared landscape. By focusing on one small patch of England, Harris finds 'a World in a Grain of Sand' by opening vast new horizons, becoming our intimate companion as we travel on visionary journeys through space and time. The result is a masterpiece of 'scholarship at its life-enhancing best' ( Independent) which reveals that nowhere is simply one place :and gives us all new bearings.
Rare stories from more than 250 years of Native Americans' service in the military Why We Serve commemorates the 2020 opening of the National Native American Veterans Memorial at the Smithsonian National Museum of the American Indian, the first landmark in Washington, DC, to recognize the bravery and sacrifice of Native veterans. American Indians' history of military service dates to colonial times, and today, they serve at one of the highest rates of any ethnic group. Why We Serve explores the range of reasons why, from love of their home to an expression of their warrior traditions. The book brings fascinating history to life with historical photographs, sketches, paintings, and maps. Incredible contributions from important voices in the field offer a complex examination of the history of Native American service. Why We Serve celebrates the unsung legacy of Native military service and what it means to their community and country.
“An essential guide for anyone experiencing loss.” —Sharon Salzberg, author of Lovingkindness and Real Life Grief is a journey that can lead to powerful, personal growth. With contributions from grief experts Russ Harris, Alexandra Kennedy, Sameet Kumar, Mary Beth Williams, and Soili Poijula, this thoughtful compilation will help you heal the pain of loss—no matter the cause—and move forward in life with a renewed sense of meaning and purpose. Grief comes in many forms. You may grieve a loved one who has passed on, a romantic relationship which has ended, the loss of a job you loved, or even a place you used to go that no longer exists or has changed. You may also be dealing with another kind of loss—a sense of who you are and how you can live your life in an increasingly uncertain and changed world. But what if you could transform your grief into lasting positive growth? Featuring excerpts from the authors’ previously published works, How to Grieve What We’ve Lost offers effective therapeutic tools based in acceptance and commitment therapy (ACT), mindfulness, cognitive behavioral therapy (CBT), and more. In the book, you’ll find strategies for immediate relief, including present-moment awareness and mindful breathing. You’ll learn to create a safe sanctuary for your grief, so you can honor your feelings and give them the space they deserve. And you’ll discover ways to create a support network, give voice to your sorrow, and share your humanity with others. This heartfelt guide also includes simple tools to help you: Identify the things that really matter to you Honor your grief Prioritize your mental health and self-care Learn and grow from your loss Whether you are struggling with your own loss or a collective sense of grief, the evidence-based skills in this book will help you mourn in healthy and resilient ways—leading to profound personal growth and a renewed sense of meaning and purpose in life.
This book offers a comprehensive report on a three-year, cross-cultural, critical participatory action research study, conducted in children’s homes and communities in Fiji. This project contributed to building sustainable local capacity in communities without access to early childhood services, so as to promote preschool children’s literacy development in their home languages and English. The book includes rich descriptions of the young children’s lived, multilingual literacy practices in their home and community contexts. This work advances research-based practices for fostering young children’s multilingual literacy and building community capacity in a post-colonial Pasifika context; further, it shares valuable insights into processes and complexities that are inherent to multiliteracy and cross-cultural research.
Bloody Women: Women Directors of Horror is the first book-length exploration of female creators at the cutting edge of contemporary horror, turning out some of its most inspired and twisted offerings.
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