Long-time Sag Harborites writer Alexandra Eames and painter Whitney Hansen have collaborated on this eloquent portrait in words and images of the 300-year-old village of Sag Harbor, NY. From its beginnings as a leading whaling port in the nineteenth century Sag Harbor developed into an industrial center in the twentieth century. Today, the village is a center of art and literary culture for the East End of Long Island—and a major tourist destination. Sag Harbor offers an environment that is diverse, respectful of tradition, and at the same time tolerant of strangers and new ideas. Eames’s insightful interviews with dozens of old-timers combine with Hansen’s evocative paintings of the varied Sag Harbor landscape to present a unique portrait of this remarkable village. With 75 full-color reproductions of Whitney Hansen's paintings.
Pour Charles & Ray Eames, le Design n'est pas seulement affaire d'objets ou d'architecture, même s'ils figurent à juste titre parmi les plus grands designers américains du 20e siècle. Armé d'appareils photo, dès les années 1950, le couple se rend sur les plateaux de tournage de leur ami, le cinéaste Billy Wilder (Certains l'aiment chaud, Sept ans de réflexion, Sabrina...). Dans les studios hollywoodiens et les décors naturels, ils réalisent des milliers de clichés d'acteurs et d'actrices, de figurants, de techniciens et de machines. Eames & Hollywood présente 160 clichés fascinants, méconnus et souvent inédits qui dévoilent la manière dont les Eames, en artistes, ont non seulement placé la photographie au centre de leur oeuvre, mais aussi pris le cinéma de Wilder comme modèle pour leur design.
First published in the US in 1993, this copiously illustrated collection of activities, stories, songs and poems relating to Christmas includes information about Christmas traditions, instructions for making Christmas decorations and presents, and recipes for treats such as gingerbread stars and walnut brittle.
Suggests a variety of schemes for innovatively decorating walls and windows, featuring do-it-yourself projects, solutions to problem areas, and ideas for curtains, window shades, wall coverings, and painted walls
Long-time Sag Harborites writer Alexandra Eames and painter Whitney Hansen have collaborated on this eloquent portrait in words and images of the 300-year-old village of Sag Harbor, NY. From its beginnings as a leading whaling port in the nineteenth century Sag Harbor developed into an industrial center in the twentieth century. Today, the village is a center of art and literary culture for the East End of Long Island—and a major tourist destination. Sag Harbor offers an environment that is diverse, respectful of tradition, and at the same time tolerant of strangers and new ideas. Eames’s insightful interviews with dozens of old-timers combine with Hansen’s evocative paintings of the varied Sag Harbor landscape to present a unique portrait of this remarkable village. With 75 full-color reproductions of Whitney Hansen's paintings.
From building blocks to city blocks, an eye-opening exploration of how children's playthings and physical surroundings affect their development. Parents obsess over their children's playdates, kindergarten curriculum, and every bump and bruise, but the toys, classrooms, playgrounds, and neighborhoods little ones engage with are just as important. These objects and spaces encode decades, even centuries of changing ideas about what makes for good child-rearing--and what does not. Do you choose wooden toys, or plastic, or, increasingly, digital? What do youngsters lose when seesaws are deemed too dangerous and slides are designed primarily for safety? How can the built environment help children cultivate self-reliance? In these debates, parents, educators, and kids themselves are often caught in the middle. Now, prominent design critic Alexandra Lange reveals the surprising histories behind the human-made elements of our children's pint-size landscape. Her fascinating investigation shows how the seemingly innocuous universe of stuff affects kids' behavior, values, and health, often in subtle ways. And she reveals how years of decisions by toymakers, architects, and urban planners have helped--and hindered--American youngsters' journeys toward independence. Seen through Lange's eyes, everything from the sandbox to the street becomes vibrant with buried meaning. The Design of Childhood will change the way you view your children's world--and your own.
A counterhistory and new historiography of design. In Design by Accident, Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
When Ben Thompson opened Design Research in Boston in 1953, his innovative store became synonymous with modern interior design, lighting a public spark that still burns today, though the store itself is no longer. When the mass-produced furniture of impersonal department stores reigned supreme, this boutique retailer dared to provide a learned yet unpretentious environment for sleek design. Today, Design Research's legacy can be seen in the showrooms of Crate & Barrel and Design Within Reach. Through interviews, anecdotes and lush photographs, Design Research documents the array of household objects and furniture introduced to the American home through the legendary store that made good design available to all.
When Ben Thompson opened Design Research in Boston in 1953, his innovative store became synonymous with modern interior design, lighting a public spark that still burns today, though the store itself is no longer. When the mass-produced furniture of impersonal department stores reigned supreme, this boutique retailer dared to provide a learned yet unpretentious environment for sleek design. Today, Design Research's legacy can be seen in the showrooms of Crate & Barrel and Design Within Reach. Through interviews, anecdotes and lush photographs, Design Research documents the array of household objects and furniture introduced to the American home through the legendary store that made good design available to all.
This introduction positions the history of girl and young women singers in the 1960s in the context of broader histories of vocal training; ideas about voice, respectability, and expressivity; and the models of youthful femininity that were emergent in 1960s Britain. It connects this study to the emerging field of Voice Studies and provide an overview of the book's chapters"--
Before there was Steve Jobs, there was Norman Bel Geddes. A ninth-grade dropout who found himself at the center of the worlds of industry, advertising, theater, and even gaming, Bel Geddes designed everything from the first all-weather stadium, to Manhattan's most exclusive nightclub, to Futurama, the prescient 1939 exhibit that envisioned how America would look in the not-too-distant 60s. In The Man Who Designed the Future, B. Alexandra Szerlip reveals precisely how central Bel Geddes was to the history of American innovation. He presided over a moment in which theater became immersive, function merged with form, and people became consumers. A polymath with humble Midwestern origins, Bel Geddes’ visionary career would launch him into social circles with the Algonquin roundtable members, stars of stage and screen, and titans of industry. Light on its feet but absolutely authoritative, this first major biography is a must for anyone who wants to know how America came to look the way it did.
Jazz, the Charleston, nightclubs, cocktails, cinema, and musical theatre: 1920s British nightlife was vibrant and exhilarating. But where did opera fit into this fashionable new entertainment world? Opera in the Jazz Age: Cultural Politics in 1920s Britain explores the interaction between opera and popular culture at a key historical moment when there was a growing imperative to categorize art forms as "highbrow," "middlebrow," or "lowbrow." Literary studies of the so-called "battle of the brows" have been numerous, but this is the first book to consider the place of opera in interwar debates about high and low culture. This study by Alexandra Wilson argues that opera was extremely difficult to pigeonhole: although some contemporary commentators believed it to be too highbrow, others thought it not highbrow enough. Opera in the Jazz Age paints a lively and engaging picture of 1920s operatic culture, and introduces a charismatic cast of early twentieth-century critics, conductors, and celebrity singers. Opera was performed during this period to socially mixed audiences in a variety of spaces beyond the conventional opera house: music halls, cinemas, cafés and schools. Performance and production standards were not always high - often quite the reverse - but opera-going was evidently great fun. Office boys whistled operatic tunes they had heard on the gramophone and there was a genuine sense that opera was for everyone. In this provocative and timely study, Wilson considers how the opera debate of the 1920s continues to shape the ways in which we discuss the art form, and draws connections between the battle of the brows and present-day discussions about elitism. The book makes a major contribution to our understanding of the cultural politics of twentieth-century Britain and is essential reading for anybody interested in the history of opera, the battle of the brows, or simply the perennially fascinating decade that was the 1920s.
Extraordinary architecture addresses so much more than mere practical considerations. It inspires and provokes while creating a seamless experience of the physical world for its users. It is the rare writer that can frame the discussion of a building in a way that allows the reader to see it with new eyes. Writing About Architecture is a handbook on writing effectively and critically about buildings and cities. Each chapter opens with a reprint of a significant essay written by a renowned architecture critic, followed by a close reading and discussion of the writer's strategies. Lange offers her own analysis using contemporary examples as well as a checklist of questions at the end of each chapter to help guide the writer. This important addition to the Architecture Briefs series is based on the author's design writing courses at New York University and the School of Visual Arts. Lange also writes a popular online column for Design Observer and has written for Dwell, Metropolis, New York magazine, and The New York Times. Writing About Architecture includes analysis of critical writings by Ada Louise Huxtable, Lewis Mumford, Herbert Muschamp, Michael Sorkin, Charles Moore, Frederick Law Olmsted, and Jane Jacobs. Architects covered include Marcel Breuer, Diller Scofidio + Renfro, Field Operations, Norman Foster, Frank Gehry, Frederick Law Olmsted, SOM, Louis Sullivan, and Frank Lloyd Wright.
This book examines a collection of twenty-two literary letters and related compositions, the Sumerian Epistolary Miscellany, studied as part of the Old Babylonian Sumerian scribal curriculum, in an attempt to better understand the nature of the curriculum as a whole.
In the historic borough of Brooklyn, the thousands of graves and mausoleums within Green-Wood Cemetery are tangible links to key events and people who made New York City what it is today. For generations, Green-Wood Cemetery has played an integral part in New York City's cultural history, serving as a gathering place and a cultural repository. The cemetery was and remains one of the city's largest open green spaces; a century ago, when natural beauty in New York City was hard to come by, Green-Wood was a social venue for families on picnics, outings, and for political events. The monuments read like checklist of important Americans, including the names of Leonard Bernstein, F. A. O. Schwarz, Charles L. Tiffany, Samuel Morse, and DeWitt Clinton, among others. A national historic landmark since 2006, Green-Wood is considered one of the preeminent cemeteries in the country. Through vintage photographs, Green-Wood Cemetery chronicles the cemetery's rich history and documents how its tradition as a park and a popular tourist attraction continues, drawing 300,000 visitors annually.
Clothes is the perfect isolation read - clever, emotionally intelligent, revelling in style without making us yearn to shop' - Hannah Betts, The Times 'Self-deprecating and stylish, this is sure to become a classic.' - Vanity Fair 'A life beyond Moss, mwahs and Manolo Blahniks - by the fashionista that really knows [...] a wry and candid part-memoir, part-fashion history, part-social commentary.' - Mail on Sunday Chosen as 'book of the week' by the Observer: 'It might just be the perfect lockdown pick-me-up' 'Shulman can craft a good story and has an eye for great pictures [...] it will make perfect lockdown reading, an opportunity to shut out the real world and meander through the Arcadian years of fashion.' - The Sunday Times 'She has written about her clothes, and given us some scintillating reading. [...] hugely engaging memoir.' - Emily Bearn, The Spectator 'I really loved this book - it's warm, thought-provoking and honest. In the end, I had to ration myself because I didn't want to finish. In these frankly strange times it was wonderful and comforting.' - Victoria Hislop 'I loved this book. It's great company and a Corona comfort. [She] has made me feel so much better about owning too many clothes. Instead of doing a ruthless edit I find myself curating my own private exhibition - inside my wardrobe hang not just clothes, not just stories but my own autobiography.' - Helena Bonham Carter 'From the hat that went to a Royal wedding to a life-changing bathrobe, Alexandra Shulman tells her life story in clothes ... in her hotly anticipated memoir' -You magazine 'Such a great read - so open and honest and funny. I devoured it in one sitting.' - Kirsty Wark Chosen by Evening Standard as one of the books to look forward to in 2020 Chosen by Stylist as one of 2020's best non-fiction books In Clothes... and other things that matter, Alexandra Shulman delves into her own life to look at the emotions, ambitions, expectations and meanings behind the way we dress. From the bra to the bikini, the trench coat to trainers, she explores their meaning in women's lives and how our wardrobes intersect with the larger world - the career ladder, motherhood, romance, sexual identity, ambition, failure, body image and celebrity. By turns funny, refreshingly self-deprecating and often very moving, this startlingly honest memoir from the ex-Editor of British Vogue will encourage women of all ages to consider what their own clothes mean to them, the life they live in them and the stories they tell.
Nation-states have long used representational architecture to create symbolic identities for public consumption both at home and abroad. Government buildings, major ensembles and urban plans have a visibility that lends them authority, while their repeated portrayals in the media cement their image as icons of a shared national character. Existing in tandem with this official self, however, is a second, often divergent identity, represented by the vast realm of domestic space defined largely by those who occupy it as well as those with a vested interest in its cultural meaning. Using both historical inquiry and visual, spatial and film analysis, this book explores the interaction of these two identities, and its effect on political control, class status, and gender roles. Conflicted Identities examines the politicization of both public and domestic space, especially in societies undergoing rapid cultural transformation through political, social or economic expansion or restructuring, when cultural identity is being rapidly "modernized", shifted, or realigned to conform to new demands. Using specific examples from a variety of national contexts, the book examines how vernacular housing, legislation, marketing, and media influence a large, but often underexposed domestic culture that runs parallel to a more publicly represented one. As a case in point, the book examines West Germany from the end of World War II to the early 1970s to probe more deeply into the mechanisms of such cultural dichotomy. On a national level, post-war West Germany demonstratively rejected Nazi-era values by rebuilding cities based on interwar modernist tenets, while choosing a decidedly modern and transparent architecture for high-visibility national projects. In the domestic realm, government, media and everyday citizens countered this turn to state-sponsored modernism by embracing traditional architectural aesthetics and housing that encouraged patriarchal family structures. Written for readers interested in cultural theory, history, and the politics of space as well as those engaged with architecture and the built environment, Conflicted Identities provides an engaging new perspective on power and identity as they relate to architectural settings.
Ada Byron, Lady Lovelace, was one of the first to write programs for, and predict the impact of, Charles Babbage's Analytical Engine in 1843. Beautiful and charming, she was often characterized as "mad and bad" as was her illustrious father. This e-book edition, Ada, the Enchantress of Numbers: Poetical Science, emphasizes Ada's unique talent of integrating imagination, poetry and science. This edition includes all of Ada's fascinating letters to Charles Babbage, 55 pictures, and sidebars that encourages the reader to follow Ada's pathway to the 21st century.
Written by internationally recognised leaders in the field, Metal Amide Chemistry is the authoritative survey of this important class of compounds, the first since Lappert and Power’s 1980 book “Metal and Metalloid Amides.” An introduction to the topic is followed by in-depth discussions of the amide compounds of: alkali metals alkaline earth metals zinc, cadmium and mercury the transition metals group 3 and lanthanide metals group 13 metals silicon and the group 14 metals group 15 metals the actinide metals Accompanied by a substantial bibliography, this is an essential guide for researchers and advanced students in academia and research working in synthetic organometallic, organic and inorganic chemistry, materials chemistry and catalysis.
This comprehensive book reveals how movies are really made, from soup to nuts, by the deal makers, laborers, artists, craftspeople, technicians, and executives--in their own words.
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