Gender and Prestige in Literature: Contemporary Australian Book Culture explores the relationship between gender, power, reputation and book publishing’s consecratory institutions in the Australian literary field from 1965-2015. Focusing on book reviews, literary festivals and literary prizes, this work analyses the ways in which these institutions exist in an increasingly cooperative and generative relationship in the contemporary publishing industry, a system designed to limit field transformation. Taking an intersectional approach, this research acknowledges that a number of factors in addition to gender may influence the reception of an author or a title in the literary field and finds that progress towards equality is unstable and non-linear. By combining quantitative data analysis with interviews from authors, editors, critics, publishers and prize judges Alexandra Dane maps the circulation of prestige in Australian publishing, addressing questions around gender, identity, literary reputation, literary worth and the resilience of the status quo that have long plagued the field.
Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. This Element argues that contemporary book culture is structured by practice that operates according to a White taste logic. By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, White Literary Taste Production in Contemporary Book Culture examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes will be explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.
Drama. Scandal. Secrets. And a whole lot of supernatural goings-on. Where Darkness Lives by Alexandra Ivy No one's more surprised than Sophia when she's struck by an unfamiliar maternal urge to move near her daughters. But instead of being greeted by a welcome committee, she's targeted by kidnappers. . .and saddled with a gorgeous bodyguard on a mission to protect--and seduce. . . Murder On Mysteria Lane by Angie Fox When a werewolf trophy wife is found dead in Vampire County, Heather McPhee goes undercover to investigate. Heather's never been a mascara-and-manicures sort of girl, but she's willing to learn. Especially with sexy vampire detective Lucien Mead posing as her husband. . . What's Yours Is Mine by Jess Haines Still Waters is like many other exclusive gated communities--except that it's home to one of the largest werewolf packs in the state. But Tiffany Winters isn't frightened of her big, bad new neighbors. In fact, she intends to take her place among the pack. . . Werewolves In Chic Clothing by Tami Dane Ever since Christine Price moved in with her fiancé, Jonathan, and his twelve year-old son, she's worked hard to fit in with a cadre of local women whose lives seem picture-perfect. Except no one in Jon's upscale neighborhood is quite who they appear to be. Least of all Jon. . .
Things heat up between a werewolf queen and her hunky bodyguard in this paranormal romance story by a New York Times–bestselling author. Drama, scandal, secrets, and a whole lot of supernatural goings-on . . . No one’s more surprised than Sophia when she’s struck by an unfamiliar maternal urge to move closer to her daughters. But there’s one obstacle to enjoying her luxurious new home near Lake Michigan: her fourth daughter, Cassandra. Revealed to be a rare prophet, Cassandra is missing. And that means the whole family is in danger. So instead of being greeted by a welcome committee, Sophia is targeted by kidnappers—and saddled with an exasperatingly sexy bodyguard . . . Six feet of pure-blooded Were, Luc is gorgeous, ruthless, and immediately stunned by Sophia’s smoldering beauty. The man in him is on a mission to protect—while the wolf in him is on a mission to seduce and possess. All the more reason to keep Sophia safe—assuming she doesn’t get them both killed first . . . Previously published in The Real Werewives of Vampire County Praise for “Where Darkness Lives” “A fun fast paced story with plenty of action and steamy loving to keep you thoroughly hooked. Sophia and Luc generate so much sexual tension you practically have to towel off while reading.” —Smexy Books
Alexandra Chasin’s remarkable stories employ forms as diverse as cryptograms (in "ELENA=AGAIN") and sentence diagrams (in "Toward a Grammar of Guilt") to display her interest in fiction as al form constituted by print on the page, every bit as much as poetry. In "They Come From Mars," the words are arrayed on the page like troops, embodying the xenophobic image of invading armies of immigrant and illegal aliens that animates the narrative. One story incorporates personal ads ("Lynette, Your Uniqueness"), another is organized alphabetically ("2 Alphabets"), while another leaves sentences unfinished ("Composer and I"). A number of stories take metafictional turns, calling attention to the process of writing itself. The last piece in the collection plays with genre distinctions, including an index of first lines and a general index. Set in New York, New England, Paris, and Morocco, these tales are narrated by men and women, old and young, gay, straight, and bisexual; one narrator is not a person at all, but a work of art. Each of these deft, playful, and sometimes anarchic fictions is different from the others, yet all are the unmistakable offspring of the same wildly inventive imagination.
Lady Emily Dane has never given a thought about her arranged marriage. Nor has she ever wondered about the duke that she is now married to. All Emily knows for sure is that she aims to not only be the dukes wife and the mother of his children but his lover as well. Gideon Grace, the Duke of Callous, has always had a temper and believes he will never come to love the woman his father married him to. Will Gideon finally be able to confront his demons and allow Emily into his heart?
The Real Werewives of Vampire County "Where Darkness Lives" by Alexandra Ivy No one's more surprised than Sophia when she's struck by an unfamiliar maternal urge to move near her daughters. But instead of being greeted by a welcome committee, she's targeted by kidnappers...and saddled with a gorgeous bodyguard on a mission to protect--and seduce... "Murder on Mysteria Lane" by Angie Fox When a werewolf trophy wife is found dead in Vampire County, Heather McPhee goes undercover to investigate. Heather's never been a mascara-and-manicures sort of girl, but she's willing to learn. Especially with sexy vampire detective Lucien Mead posing as her husband... "What's Yours is Mine" by Jess Haines Still Waters is like many other exclusive gated communities--except that it's home to one of the largest werewolf packs in the state. But Tiffany Winters isn't frightened of her big, bad new neighbors. In fact, she intends to take her place among the pack... "Werewolves in Chic Clothing" by Tami Dane Ever since Christine Price moved in with her fiancé, Jonathan, and his twelve year-old son, she's worked hard to fit in with a cadre of local women whose lives seem picture-perfect. Except no one in Jon's upscale neighborhood is quite who they appear to be. Least of all Jon... When Darkness Comes It's been a hell of a day for Abby Barlow. In just a few hours, she's survived an explosion, watched her employer die, had a startling dream, and now she finds herself in a seedy Chicago hotel with the sexy, unearthly Dante, a man she both desires and fears. For 341 years, Dante has stood as guardian to The Chalice, a mortal woman chosen to hold back the darkness. A terrible twist of fate has now made Abby that woman. Three hours ago, Dante would have used all his charms to seduce her. Now she is his to protect. And he will do so until his very death. Real Vamps Don't Drink O-Neg Although Sophie Hahn works as a paranormal researcher, she doesn't believe anything to do with the supernatural world. But when it appears that her best friend Dao is slowly being killed by a female vampire, her beliefs are put to the test. Dao's new wife doesn't look capable of hurting a fly, let alone sucking the life out of someone. But watching Dao whither away to nothing isn't an option. So if Sophie has to go vampire hunting, she'll do it... That's when Sophie meets sexy college professor and vampire Ric Vogel, who needs her help in tracking down two ancient relics that have the power to end his people's suffering forever--and save Dao. Great! But then how could she be falling so hard for something that doesn't exist--a vampire? All she knows is that Ric's blond, seductive looks are very real and his love bites feel too good to resist...Is Sophie prepared to make the ultimate sacrifice for the vamp of her dreams? Hunted by the Others Shiarra Waynest's ailing finances have forced her to accept a lucrative case that could save her detective firm--if it doesn't kill her first. Shiarra has signed on to recover an ancient artifact owned by one of New York's most powerful vampires. As soon as Shiarra meets sexy, mesmerizing vamp Alec Royce, she knows her assignment is even more complicated than she thought. With a clandestine anti-Other group trying to recruit her, and magi being eliminated, Shiarra needs back-up, and she enlists her ex-boyfriend--a werewolf whose non-furry form is disarmingly appealing--and a nerdy mage with surprising talents. But it may not be enough.
New and updated edition: the original autobiography is enhanced by the addition of family photos and extracts from unpublished letters and writings by the author, and a moving and informative new introduction and epilogue by Alexandra Kent, Johnny Kent’s daughter, who presents the father she knew, not only a distinguished and brave war hero but a man who suffered with the scars of war. ‘I turned into the attack ... The German formation split up and a general mêlée ensued, grey shapes with black crosses on them flashed past only feet away, next the brown and green of a Hurricane flashed across the sights ... so confused was the fight that one had little or no chance to see if one’s fire had taken effect before having to take wild evasive action to avoid either the enemy’s fire or a collision.’ Group Captain Johnny Kent joined the RAF in the 1930s and went on to become a flight commander of one of the most successful fighter squadrons of the Second World War. In this role, he helped the famous 303 Polish Squadron play a decisive part in the Battle of Britain, and this earned him the highest Polish military award, the Virtuti Militari, as well as the affectionate nickname ‘Kentowski’. Group Captain Kent’s fascinating memoirs, originally published in 1971, tell the story of his life in the RAF, from his struggles as a boy on the Canadian Prairies to get into the air, detailing his experiences as a test pilot in Farnborough and his constant efforts to excel at what he did. In this new edition, alongside the classic tale of derring-do, Kent’s daughter provides supplementary material that places his extraordinary story into the broader context of his life as a son, husband and father. Poignant questions are raised about what it meant to be ‘One of the Few’ – for both the men themselves and those to whom they were closest.
“I wholeheartedly suggest you get your hands on Unstable.” —Fresh Fiction In the New York Times bestselling author’s bone-chilling novel of suspense, a cold case expert and her sheriff ex-husband reunite to solve a decades old murder when footage of a bound and gagged girl is discovered and a copycat killer begins threatening new victims. WHEN IT COMES TO KILLING A dead man in a cemetery isn’t news—unless he’s found on top of a grave, with a bullet through his head. The body belongs to Jude Henley, who was supposed to be buried below. Instead, the grave contains the remains of Staci Gale, thought to have run away nearly three decades ago. Then an old VCR tape arrives at the sheriff station, showing Staci before her death—bound and terrified—with a note, claiming to be from the killer’s apprentice... PRACTICE Rachel Fisher’s job in cold case files has brought her back to Pike, Wisconsin—where she’ll be working alongside her ex-husband, Zac Evans. As Pike’s interim sheriff, Zac expected a low-key assignment. Instead, he and Rachel are racing to solve serial murders from decades past while a new monster goads them with a chilling promise. Every week there’ll be another old tape—and a fresh victim... MAKES PERFECT... In this small town a killer walks—twisted, ruthless, determined to continue his master’s work. And unless Rachel and Zac can find a way to get ahead of him, the nightmare will never end.
Print Culture and the Medieval Author is a book about books. Examining hundreds of early printed books and their late medieval analogues, Alexandra Gillespie writes a bibliographical history of the poet Geoffrey Chaucer and his follower John Lydgate in the century after the arrival of printing in England. Her study is an important new contribution to the emerging 'sociology of the text' in English literary and historical studies.At the centre of this study is a familiar question: what is an author? The idea of the vernacular writer was already contested and unstable in medieval England; Gillespie demonstrates that in the late Middle Ages it was also a way for book producers and readers to mediate the risks - commercial, political, religious, and imaginative - involved in the publication of literary texts.Gillespie's discussion focuses on the changes associated with the shift to print, scribal precedents for these changes, and contemporary understanding of them. The treatment of texts associated with Chaucer and Lydgate is an index to the sometimes flexible, sometimes resistant responses of book printers, copyists, decorators, distributors, patrons, censors, owners, and readers to a gradual but profoundly influential bibliographical transition.The research is conducted across somewhat intractable boundaries. Gillespie writes about medieval and modern history; about manuscript and print; about canonical and marginal authors; about literary works and books as objects. In the process, she finds new meanings for some medieval vernacular texts and a new place for some old books in a history of English culture.
From Alexandra Horowitz, #1 New York Times bestselling author of Inside of a Dog, an eye-opening, informative, and wholly entertaining examination and celebration of the human-canine relationship for the curious dog owner and science-lover alike. We keep dogs and are kept by them. We love dogs and (we assume) we are loved by them. We buy them sweaters, toys, shoes; we are concerned with their social lives, their food, and their health. The story of humans and dogs is thousands of years old but is far from understood. In Our Dogs, Ourselves, Alexandra Horowitz explores all aspects of this unique and complex interspecies pairing. As Horowitz considers the current culture of dogdom, she reveals the odd, surprising, and contradictory ways we live with dogs. We celebrate their individuality but breed them for sameness. Despite our deep emotional relationships with dogs, legally they are property to be bought, sold, abandoned, or euthanized as we wish. Even the way we speak to our dogs is at once perplexing and delightful. In thirteen thoughtful and charming chapters, Our Dogs, Ourselves affirms our profound affection for this most charismatic of animals—and opens our eyes to the companions at our sides as never before.
This is an extensive study of the 16th and 17th century belief that God actively intervened in human affairs to punish, reward, warn, try and chastise. It seeks to shed light on the reception, character and broader cultural repercussions of the Reformation.
Much of the preaching and teaching today demands that people actively earn their relationship with God. This prevailing understanding runs counter to the theology of the brothers Thomas F. Torrance (1913-2007) and James B. Torrance (1923-2003), who promoted the radical notion that all of humanity has its true being in Christ. In The Claim of Humanity in Christ, Alexandra Radcliff refutes the Torrances' many critics, asserting the significance of their controversial understanding of salvation for the interface between systematic and pastoral theology. Radcliff then widens the scope of her argument, constructively applying the implications of the Torrances' work to a liberating doctrine of sanctification. The Christian life is conceived as the free and joyful gift of sharing by the Spirit in the Son's intimate communion with the Father, revealing the reality of who we are in Christ.
At the center of this "straight-to-the-gut" (Publishers Weekly) novel is strong, lovely Augusta--Gus--wife and mother of three children, who is dying of cancer. In her last weeks she sits for a sculptor capturing her spirit in bronze--a brave final gesture for her young family. "Above all, this poetic story is about the small, strange, and important ways people have of expressing love" (Christian Science Monitor).
From the award-winning New York Times-bestselling author of Don’t Let’s Go To The Dogs Tonight, Alexandra Fuller, comes a career defining memoir about grieving the sudden loss of her twenty-one-year-old child “Fair to say, I was in a ribald state the summer before my fiftieth birthday.” And so begins Alexandra Fuller’s open, vivid new memoir, Fi. It’s midsummer in Wyoming and Alexandra is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel. And then – suddenly and incomprehensibly - her son Fi, at 21 years old, dies in his sleep. No stranger to loss - young siblings, a parent, a home country - Alexandra is nonetheless leveled. At the same time, she is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole. There is no answer, and there are countless answers – in poetry, in rituals and routines, in nature and in the indigenous wisdom she absorbed as a child in Zimbabwe. By turns disarming, devastating and unexpectedly, blessedly funny, Alexandra recounts the wild medicine of painstakingly grieving a child in a culture that has no instructions for it.
Grace Fairley begins to wonder if Spencer, her fiancé́ of two years, is really the right man for her, a situation complicated by the return of her former lover, Jimi Malik, a half-Indian, half-Irish writer engaged to a young model.
Alexandra Andreevna Voronine Yourieff, wife of Vidkun Quisling, reveals firsthand in this detailed memoir the tragedy, betrayals, misunderstandings, and happiness of her fascinating life. Not just a tale of saints and sinners, but of three people—Alexandra, Quisling, and his second wife, Maria—whose fates were intertwined under the extreme conditions created by revolution, war, and famine in Russia. She discloses every particular of her long and tumultuous life, from her happy early childhood on the Crimean peninsula thorough the horrors of the revolution, her marriage to Quisling and his ultimate betrayals of both her and his country, to her later life in France and California.
Before there was Steve Jobs, there was Norman Bel Geddes. A ninth-grade dropout who found himself at the center of the worlds of industry, advertising, theater, and even gaming, Bel Geddes designed everything from the first all-weather stadium, to Manhattan's most exclusive nightclub, to Futurama, the prescient 1939 exhibit that envisioned how America would look in the not-too-distant 60s. In The Man Who Designed the Future, B. Alexandra Szerlip reveals precisely how central Bel Geddes was to the history of American innovation. He presided over a moment in which theater became immersive, function merged with form, and people became consumers. A polymath with humble Midwestern origins, Bel Geddes’ visionary career would launch him into social circles with the Algonquin roundtable members, stars of stage and screen, and titans of industry. Light on its feet but absolutely authoritative, this first major biography is a must for anyone who wants to know how America came to look the way it did.
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