Inhaltsangabe:Abstract: In the beginning of the 20th century numerous changes in the social, economic and political level flow together. In the ambivalent spirit of end time and break-up different trends of literature are unfolded. For the young Heinrich Mann these processes continue in his early work as a writer and qualify for interpretation and the hope to overcome the Fin de siécle trend. The selected novels of this work Im Schlaraffenland Ein Roman unter feinen Leuten (1900), Professor Unrat oder Das Ende eines Tyrannen (1904) and Die Kleine Stadt (1909) represent the development of this intention. At first they appear as a satirical criticism of the society and later in the second half of the decade as a draft for a democratic society. In the following the former novels Im Schlaraffenland and Professor Unrat are mentioned without subheading. This work shall point out the very development phase of Heinrich Mann between 1900 and 1909 until the beginning of his political writing. As a result of biographical and literary effects he takes up a special position and shows a change in his early work. His critical and satirical examination of the society associated with a special style of speech open out in a preachy democratic ideal of the society after the turning year 1905. On the one hand these positions make the career of the man of letters difficult in the German nationalistic empire. On the other hand they make him to become a precursor of a vanguard readership. Before the philosophical influence of Friedrich Nietzsche and the literary effect of predominantly French origin on Heinrich Mann will be dwelled on, this work will give a short overview of the literary understanding. After this the three mentioned novels will be discussed in the chapters 2., 3. and 4. and will be correlated. It will become apparent that there is a strong breach of Heinrich Mann in his satires and his democratic utopia. After the year 1905 Heinrich Mann changes his mind back to the time of reconnaissance, Jean Jacques Rousseau s ideal of the society and the trilogy imagination of liberty, equality and brotherliness of the French revolution of 1789. His guiding themes of power and spirit, the dualism of the society and the individual and the problems of the artist are therefore at the figure of change in the first decade of the 20th century. Inhaltsverzeichnis:Table of Contents: HEINRICH MANN: MIRROR AND ANTAGONIST OF HIS TIME1 INTRODUCTION3 1.The Fin [...]
This book is about conformal prediction, an approach to prediction that originated in machine learning in the late 1990s. The main feature of conformal prediction is the principled treatment of the reliability of predictions. The prediction algorithms described — conformal predictors — are provably valid in the sense that they evaluate the reliability of their own predictions in a way that is neither over-pessimistic nor over-optimistic (the latter being especially dangerous). The approach is still flexible enough to incorporate most of the existing powerful methods of machine learning. The book covers both key conformal predictors and the mathematical analysis of their properties. Algorithmic Learning in a Random World contains, in addition to proofs of validity, results about the efficiency of conformal predictors. The only assumption required for validity is that of "randomness" (the prediction algorithm is presented with independent and identically distributed examples); in later chapters, even the assumption of randomness is significantly relaxed. Interesting results about efficiency are established both under randomness and under stronger assumptions. Since publication of the First Edition in 2005 conformal prediction has found numerous applications in medicine and industry, and is becoming a popular machine-learning technique. This Second Edition contains three new chapters. One is about conformal predictive distributions, which are more informative than the set predictions produced by standard conformal predictors. Another is about the efficiency of ways of testing the assumption of randomness based on conformal prediction. The third new chapter harnesses conformal testing procedures for protecting machine-learning algorithms against changes in the distribution of the data. In addition, the existing chapters have been revised, updated, and expanded.
The following scientific work about Heinrich Mann is the translation of my examination "Heinrich Mann: Die Entwicklung im Fr hwerk vom "sozialkritischen" zum "politischen" Roman," published 2007 in Germany and entitled: "Heinrich Mann: Mirror and antagonist of his time." This work describes his early literary his early literary life and shows his attitude towards most of the changes in the society during the turn of the century. At the same time it demonstrates his change to a democrat and the way how he engrosses his thoughts to become a political author. At the beginning of his rise to a literary example for a small group of youngf writers he was a member and observer of the special period called "Fin de si cle." Starting as a journalist he learned from french examples like Balzac, Bourget and Zola and he wasreally impressed by the French spirit and styles of literature in the middle of the 19th century. Certainly he has been influenced by contemporary literature and authors from Germany. But nevertheless he was more focused on the French spirit of this period. Heinrich Mann, born 1871, brother of the established Thoms Mann was not an important writer. In my opion and in comparison to his brother he was the one who was underestimated in his time. Besides his personal development in his work shows why he was just the opposite to Thomas Mann - more brilliant than well-known for the enexperienced reader of German literature. The reason for it may be his attitude to prefer peace more than the other side of the German national mood to overwhelm other nations by hostile tendencies before the First World War. His special authorial abilities can be realised in how he describes the political attitudes in his own ironical and sarcastic style. In this article the literary work of Heinrich Mann caricatures the German Empire which is presented by means of my comparisons of the three novels "Im Schlaraffenland," (1900), "Professor Unrat" (1905) and "Die Kleine Stadt" (1909).
The following scientific work about Heinrich Mann is the translation of my examination "Heinrich Mann: Die Entwicklung im Fr hwerk vom "sozialkritischen" zum "politischen" Roman," published 2007 in Germany and entitled: "Heinrich Mann: Mirror and antagonist of his time." This work describes his early literary his early literary life and shows his attitude towards most of the changes in the society during the turn of the century. At the same time it demonstrates his change to a democrat and the way how he engrosses his thoughts to become a political author. At the beginning of his rise to a literary example for a small group of youngf writers he was a member and observer of the special period called "Fin de si cle." Starting as a journalist he learned from french examples like Balzac, Bourget and Zola and he wasreally impressed by the French spirit and styles of literature in the middle of the 19th century. Certainly he has been influenced by contemporary literature and authors from Germany. But nevertheless he was more focused on the French spirit of this period. Heinrich Mann, born 1871, brother of the established Thoms Mann was not an important writer. In my opion and in comparison to his brother he was the one who was underestimated in his time. Besides his personal development in his work shows why he was just the opposite to Thomas Mann - more brilliant than well-known for the enexperienced reader of German literature. The reason for it may be his attitude to prefer peace more than the other side of the German national mood to overwhelm other nations by hostile tendencies before the First World War. His special authorial abilities can be realised in how he describes the political attitudes in his own ironical and sarcastic style. In this article the literary work of Heinrich Mann caricatures the German Empire which is presented by means of my comparisons of the three novels "Im Schlaraffenland," (1900), "Professor Unrat" (1905) and "Die Kleine Stadt" (1909).
Inhaltsangabe:Abstract: In the beginning of the 20th century numerous changes in the social, economic and political level flow together. In the ambivalent spirit of end time and break-up different trends of literature are unfolded. For the young Heinrich Mann these processes continue in his early work as a writer and qualify for interpretation and the hope to overcome the Fin de siécle trend. The selected novels of this work Im Schlaraffenland Ein Roman unter feinen Leuten (1900), Professor Unrat oder Das Ende eines Tyrannen (1904) and Die Kleine Stadt (1909) represent the development of this intention. At first they appear as a satirical criticism of the society and later in the second half of the decade as a draft for a democratic society. In the following the former novels Im Schlaraffenland and Professor Unrat are mentioned without subheading. This work shall point out the very development phase of Heinrich Mann between 1900 and 1909 until the beginning of his political writing. As a result of biographical and literary effects he takes up a special position and shows a change in his early work. His critical and satirical examination of the society associated with a special style of speech open out in a preachy democratic ideal of the society after the turning year 1905. On the one hand these positions make the career of the man of letters difficult in the German nationalistic empire. On the other hand they make him to become a precursor of a vanguard readership. Before the philosophical influence of Friedrich Nietzsche and the literary effect of predominantly French origin on Heinrich Mann will be dwelled on, this work will give a short overview of the literary understanding. After this the three mentioned novels will be discussed in the chapters 2., 3. and 4. and will be correlated. It will become apparent that there is a strong breach of Heinrich Mann in his satires and his democratic utopia. After the year 1905 Heinrich Mann changes his mind back to the time of reconnaissance, Jean Jacques Rousseau s ideal of the society and the trilogy imagination of liberty, equality and brotherliness of the French revolution of 1789. His guiding themes of power and spirit, the dualism of the society and the individual and the problems of the artist are therefore at the figure of change in the first decade of the 20th century. Inhaltsverzeichnis:Table of Contents: HEINRICH MANN: MIRROR AND ANTAGONIST OF HIS TIME1 INTRODUCTION3 1.The Fin [...]
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