Visitors to Thailand’s urban and beach-sided tourist hotspots notice the presence of colourful and predominantly female vendors offering self-made and mass-manufactured products. A high percentage of these vendors are members of the highland ethnic minority group of Akha who have become micro-entrepreneurs or self-employed street vendors. The work and everyday life experiences of these ethnic minority migrants are situated at the intersections of tourism, migration, and the informal sector. This book investigates the social, economic, and political embeddedness of street vendors in urban tourist contexts in Thailand. Based on extensive field research, it presents a detailed analysis of urban-directed mobility patterns and revealing strategies and dilemmas in the urban souvenir business. Focusing on the development of urban ethnic minority souvenir stalls run mostly by people belonging to the highland group of Akha, the author explains the spatial expansion of ethnic businesses and assesses the economic and political obstacles micro-entrepreneurs are confronted with. The book offers an understanding of the everyday practices and social relations of and between unequally powerful actors related to ethnic minority tourism in urban contexts, and systematically integrates individual and collective action into socio-economic and politico-institutional contexts. A significant contribution to migration and ethnic minority studies in the Thai and Asian urban tourism context, the book will be of interest to researchers in the fields of Southeast Asian studies, tourism, migration, and ethnic minority studies.
Soon to be a major motion picture starring Kristin Scott Thomas (The English Patient), directed by Stefan Ruzowitzky (The Counterfeiters) Drawing from decades of work, travel, and research in Russia, Robert Alexander re-creates the tragic, perennially fascinating story of the final days of Nicholas and Alexandra Romanov as seen through the eyes of their young kitchen boy, Leonka. Now an ancient Russian immigrant, Leonka claims to be the last living witness to the Romanovs’ brutal murders and sets down the dark secrets of his past with the imperial family. Does he hold the key to the many questions surrounding the family’s murder? Historically vivid and compelling, The Kitchen Boy is also a touching portrait of a loving family that was in many ways similar, yet so different, from any other. "Ingenious...Keeps readers guessing through the final pages." —USA Today
There are certain parallels between the operations Vladimir Putin initiated in the wake of the Ukraine crisis of 2014 and the approach Stalin took in the region during the Second World War.Stalin's ruthless use of scorched earth tactics, the deliberate provocation of reprisals of the occupiers against the civilian population, the destruction of their own villages, the chaotic collection of taxes in kind from the population, accompanied by everyday looting, benders, fornication and violence, fratricidal internal conflicts, the use of doping, the operational use of bacteriological weapons, and even cannibalism -- all this was not a random price for the massive bloodshed and no spontaneous response of the population to the brutality of the German occupation in the 1940s. These were, as Alexander Gogun shows in his historiographical investigation, planned or consciously accepted phenomena and peculiarities of Stalin's warfare tactics.A book that makes an important contribution to the historical context of the current crisis in Ukraine.Es finden sich Parallelen zwischen den von Wladimir Putin im Zuge der Ukraine-Krise 2014 initiierten Operationen in der Ukraine und dem dortigen Vorgehen Stalins während des zweiten Weltkriegs. Stalins rücksichtslose Anwendung der Taktik der verbrannten Erde, das absichtliche Provozieren von Repressalien der Besatzer gegen die Zivilisten, die Vernichtung eigener Dörfer, die chaotische Eintreibung von Naturalsteuern von der Bevölkerung, begleitet von alltäglichen Plünderungen, Besäufnissen, Unzucht und Gewalt, brudermörderische innere Konflikte, die Benutzung von Doping, der operative Einsatz bakteriologischer Waffen und sogar Kannibalismus -- all das war in den 1940er Jahren kein zufälliger Preis für das massenhafte Blutvergießen und auch keine spontane Antwort des Volkes auf die Brutalität der deutschen Besatzungsherrschaft. Dies waren, wie Alexander Gogun in seiner vorliegenden historiographischen Untersuchung aufzeigt, geplante oder bewusst in Kauf genommene Erscheinungen und Besonderheiten der Kriegsführung Stalins.Ein Buch, das einen wichtigen Beitrag zur historischen Einordnung der aktuellen Ukraine-Krise leistet.
The tsars of Russia reigned as absolute monarchs long past the time when the authority of other sovereigns had been curtailed. Here, historian Alexander Ivanov reveals their fears and betrayals, privilege and debauchery, conspiracies and rivalries, love and tragedy as they forged Russia into one of the world's greatest empires. No ruler in history has embodied the oppressive domination of these rulers more vividly than Alexander Ivanov's opening subject, Tsar Ivan IV, the first of all the Russian tsars, known to history as Ivan the Terrible. Although a gifted ruler who did much to unite and improve the conditions in his primitive country, Ivan was also a notorious sadist who delighted in torturing and murdering anyone who displeased him. Ivan's death in 1584 ushered in the Time of Troubles, thirty-five years of famine, plague, and war that crippled the nation. A series of rulers attempted to cope with the devastation, beginning with Ivan's successor Boris Godunov. Finally, grasping for stability, Russia's nobles begged young Michael Romanov, the great-nephew of Ivan's beloved wife Anastasia, to take the throne. Michael successfully united the war-torn and ravaged nation and founded a dynasty that would rule for 300 years. The Romanov line produced Russia's most brilliant yet most unconventional sovereign: Peter the Great, a towering figure of a man whose restless, creative mind led him on an inexorable quest to modernize and civilize the still backward nation. The reforms he enacted so enraged nobles and peasants alike that Peter had to quash a series of rebellions to keep his crown. Ruthlessly stifling dissent and massacring rebels, he ultimately cowed the Russian people into submission, achieving a legacy that nearly equaled his ambitions. It was left to a woman - and a foreigner, at that - to lead the nation further out of the darkness. German princess Sophie Friederike Auguste of Anhalt-Zerbst, known to the world as Catherine the Great, absorbed the principles of the eighteenth-century Enlightenment and applied them to a country built on the backs of millions of serfs. However ineffective some of her policies, in the end, she made Russia a major player on the European stage. Serfdom was finally abolished in the nineteenth century, but it would be decades before Russian peasants could own land of their own and learn to farm it productively. The boyars and tsars clung to power until the Bolshevik revolution of 1917. The sad fate of the last tsar, Nicholas II, and his family, marked the end of the absolute power that Ivan the Terrible had so exploited. The abuses would continue but under a new and drastically different form of government.
“Die Räuber” war das erste Drama des deutschen Dichters Friedrich Schiller. Das Stück wurde 1781 veröffentlicht und am 13. Januar 1782 in Mannheim uraufgeführt. Es entstand gegen Ende der deutschen Sturm und Drang-Bewegung und wird von vielen Kritikern als sehr einflussreich für die Entwicklung des europäischen Melodrams angesehen. Die Handlung dreht sich um den Konflikt zwischen zwei adligen Brüdern, Karl und Franz Moor. Der charismatische, aber rebellische Student Karl wird von seinem Vater sehr geliebt. Der jüngere Bruder Franz, der als kalter, berechnender Bösewicht auftritt, plant, Karl das Erbe zu entreißen. Im Laufe des Stücks erweisen sich sowohl Franz’ Motive als auch die Unschuld und der Heldenmut von Karl als äußerst komplex. Diese Print-Ausgabe bietet auf gegenüberliegenden Seiten den deutschen Originaltext und die englische Übersetzung von Alexander Fraser Tytler, sodass ein Mitlesen in der jeweils anderen Sprache ohne Umblättern möglich ist. Die Räuber, which Schiller had been obliged to publish at his own expense, appeared in 1781 and made an impression on his contemporaries hardly less deep than Goethe's Götz von Berlichingen, eight years before. The strength of this remarkable tragedy lay, not in its inflated tone or exaggerated characterization — the restricted horizon of Schiller's school-life had given him little opportunity of knowing men and women — but in the sure dramatic instinct with which it is constructed and the directness with which it gives voice to the most pregnant ideas of the time. In this respect, Schiller's Räuber is one of the most vital German dramas of the 18th century. In January 1782 it was performed in the Court and National Theatre of Mannheim, Schiller himself having stolen secretly away from Stuttgart in order to be present. This blilingual edition offers both languages on opposited pages.
This comprehensive guide is the first one to tell the whole story of the Volkswagen Bay-Window Transporter, produced from 1967 - 1979. This new paperback edition deals with the Transporter's development, its technical evolution, the model codes, the specification detail changes, the factory fitted M-codes and Transporter export.Using this book, Bus enthusiasts can crack the codes of their own specific vehicle, to find out the factory-fitted specifications like paint and trim colours, engine and transmission types, and even the date of manufacture, model and destination code.The first guide to tell the whole story of the VW Bay-Window Transporter. The photographs took over three years to collect from Volkswagen archives resulting in an invaluable source of crucial information for restoration. Superbly illustrated with 470 colour photographs. Vincent Molenaar and Alexander Prinz are keen experts on Bay-Window buses.
This book investigates the social, economic, and political embeddedness of street vendors in urban tourist contexts in Thailand. Based on extensive field research, it presents a detailed analysis of urban-directed mobility patterns and revealing strategies and dilemmas in the urban souvenir business. Focusing on the development of urban ethnic minority souvenir stalls run mostly by people belonging to the group of ‘hilltribes’, the author explains the spatial expansion of ethnic businesses and assesses the economic and political obstacles micro-entrepreneurs are confronted with.
Soon to be a major motion picture starring Kristin Scott Thomas (The English Patient), directed by Stefan Ruzowitzky (The Counterfeiters) Drawing from decades of work, travel, and research in Russia, Robert Alexander re-creates the tragic, perennially fascinating story of the final days of Nicholas and Alexandra Romanov as seen through the eyes of their young kitchen boy, Leonka. Now an ancient Russian immigrant, Leonka claims to be the last living witness to the Romanovs’ brutal murders and sets down the dark secrets of his past with the imperial family. Does he hold the key to the many questions surrounding the family’s murder? Historically vivid and compelling, The Kitchen Boy is also a touching portrait of a loving family that was in many ways similar, yet so different, from any other. "Ingenious...Keeps readers guessing through the final pages." —USA Today
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