Models make it possible to visualize an idea in three dimensions. Designing with models and presenting ideas is an important step in the development of a consciousness of design. Themes: Levels of abstraction and degrees of detail Model typologies Typical working tools and techniques Materiality of models Presentation possibilities
Architectural models are used at various stages of a project. As working models they support the design process: they are made up from time to time using simple materials, such as cardboard, without any attempt at accuracy, and continue to be adjusted and added to as the ideas and the design progress. The point here is to swiftly check a design idea, to allow it to be continued or dismissed. Presentational models are more involved; at this stage the design has been completed and the purpose of the model is to convey the ideas to the potential user in a clear and easy-to-understand way. The book Architecture and Model Building includes outstanding examples explaining the possibilities of this medium and, at the same time, provides comprehensive information on materials and techniques.
At the beginning of their studies students of architecture are confronted with a wealth of different ways in which to visually present their designs. Expressing ideas in the form of drawings and models is usually required in the early stages of studying: "learning by doing" is the only way for students to quickly develop a repertoire for their design work. However, there are important issues to consider between the phases of devising the spatial concept and recreating it in a two- or three-dimensional drawing or physical model: How to construct a perspective freehand drawing? What plan drawings are necessary to present my design? What scale should my model be and what materials should I use to construct it? Basics Architectural Presentation combines the highly successful single volumes Technical Drawing, Freehand Drawing, CAD, Modelbuilding (new edition) and Architectural Photography from the series BASICS in a new volume. Step-by-step, it conveys possible ways to present architectural projects throughout the various project phases. In an informative and practical approach, the publication discusses the basics of architectural representation from freehand drawing, which is especially important in the design phase, to the plan drawing, model, and architecture photography. The student architect learns the tools necessary for presenting his or her work, supported by many concrete examples and practical tips that are directly applicable.
The law of corporate mortgage bond issues in conjunction with a typical indenture of mortgage & deed of trust securing bonds. Tables of cases, Index to texts, Index to legal periodicals.
An “informative and enlightening” biography of a scientist who helped bring insulin to the world, and went on to become a prominent philanthropist (The Franklin Daily Journal). George Henry Alexander Clowes was a pivotal figure in the development of the insulin program at the Eli Lilly Company. Through his leadership, scientists and clinicians at Lilly and the University of Toronto created a unique international team to develop and purify insulin and take the production of this life-saving agent to an industrial scale. This biography, written by his grandson, presents his scientific achievements, and also takes note of his social and philanthropic contributions, which he shared with his wife, Edith. It tells the story of Clowes from his childhood in late Victorian England to his death at Woods Hole on Cape Cod in 1958. Educated in England and Germany, Clowes came to America to join a startup laboratory in Buffalo, where he conducted basic research on cancer and applied research on other disease-related problems. Assuming the position of head of research at Lilly, Clowes was at the center of one of the great discoveries that changed the course of medical history and offered new life to millions of individuals with diabetes and other metabolic disorders. Clowes was also instrumental in the development of other commercial pharmaceutical advances. Devoted to a number of philanthropic causes, Clowes and Edith contributed greatly to the cultural life of his adopted country, a contribution that continues to this day.
At six feet, four inches and more than 220 pounds, Roger Clemens (1962- ) was a major figure in baseball for nearly a quarter century. The best pitcher of his generation, his 4,672 strikeouts rank third all-time. He dominates modern statistical analysis. High strung and temperamental, Clemens got into a barroom brawl during his first semester at University of Texas and once was jailed for punching out a Houston police officer. He endured sports writers heckling his inarticulate English and hostile fans decrying his aggressive pitching style. He retired in 2007 at 45 amid allegations of performance-enhancing drug use. Questioned by a Congressional committee about his alleged use of steroids, Clemens was accused of perjury but later acquitted. This book covers his life and his sensational but controversial career, with anecdotes from such baseball legends as Ted Williams, Casey Stengel and David Ortiz.
An integrated reference which could form the basis for advanced courses on development or become a resource for individuals teaching basic courses. Following an introduction by the volume editors, the 11 chapters represent 11 different systems, arranged phylogenetically, beginning with prokaryotic s
“A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.
Introducing a new practical approach within the field of applied mechanics developed to solve beam strength and bending problems using classical beam theory and beam modeling, this outstanding new volume offers the engineer, scientist, or student a revolutionary new approach to subsea pipeline design. Integrating use of the Mathematica program into these models and designs, the engineer can utilize this unique approach to build stronger, more efficient and less costly subsea pipelines, a very important phase of the world's energy infrastructure. Significant advances have been achieved in implementation of the applied beam theory in various engineering design technologies over the last few decades, and the implementation of this theory also takes an important place within the practical area of re-qualification and reassessment for onshore and offshore pipeline engineering. A general strategy of applying beam theory into the design procedure of subsea pipelines has been developed and already incorporated into the ISO guidelines for reliability-based limit state design of pipelines. This work is founded on these significant advances. The intention of the book is to provide the theory, research, and practical applications that can be used for educational purposes by personnel working in offshore pipeline integrity and engineering students. A must-have for the veteran engineer and student alike, this volume is an important new advancement in the energy industry, a strong link in the chain of the world's energy production.
In a manuscript in a Russian archive, an anonymous German eyewitness describes what he saw in Moscow during Napoleon's Russian campaign. Who was this nameless memoirist, and what brought him to Moscow in 1812? The search for answers to those questions uncovers a remarkable story of German and Russian life at the dawn of the modern age. Johannes Ambrosius Rosenstrauch (1768-1835), the manuscript's author, was a man always on the move and reinventing himself. He spent half his life in the Holy Roman Empire, and the other half in Russia. He was a barber-surgeon, an actor, and a merchant, as well as a Catholic, a Freemason, and a Lutheran pastor. He saw the French Revolutionary and Napoleonic Wars, founded a business that flourished for sixty years, and took part in the Enlightenment, the consumer revolution, the Pietist Awakening, and Russia's colonization of the Black Sea steppe. A restless wanderer and seeker, but also the progenitor of an influential merchant family, he was a characteristic figure both of the Age of Revolution and of the bourgeois era that followed. Presenting a broad panorama of life in the German lands and Russia from the Old Regime to modernity, this microhistory explores how individual people shape, and are shaped by, the historical forces of their time.
Alexander Granach, who died while he was acting on Broadway in 1945, brilliantly relates the remarkable story of his unlikely path from a poverty-stricken, rough-and-tumble childhood to success on the German stage. This is the account of a daring, curiosity-filled, and perceptive Jewish child from poor towns in Galicia who was seized with a passion for the theater when he saw his first show at the age of 14. He overcame great odds to become a leading stage and film actor in Weimar Germany - and he had to have both legs broken to do it! Born in what is now southern Ukraine, Granach began working at the age of six in his father's bakery, where his heavy tasks left him visibly knock-kneed. With very little formal education but open for adventure and willing to work hard, Alexander ran away several times, the last time to Berlin, at the age of 16, where his talent and charm won him a place in Max Reinhardt's theater school. His career was abruptly interrupted by World War I and his time as a prisoner of war in Italy, but after a daring escape and the end of the war he resumed his rise to prominence in German artistic life. A natural storyteller, Granach's autobiography captures equally the charms, adventures, and trials of his shtetl days, the horrors of trench warfare, and the glamour and excitement of the German theater before Hitler came to power.
Kennedy's exposition is lucid and elegant, his enthusiasm for his subject infectious. Accordingly, the reader approaching that subject for the first time will be frequently enlightened, but never bored: indeed he will probably be stimulated to turn to the author's earlier works for further enlightenment."" --From the review of the original printing by J. D. Frendo in The Classical Review, vol. 34, no. 2, 1984, pp. 204-5: George A. Kennedy is Paddison Professor of Classics, Emeritus, at the University of North Carolina at Chapel Hill, a Fellow of the American Academy of Arts and Sciences, an elected Member of the American Philosophical Society, and Fellow of the Rhetoric Society of America. Under Presidents Carter and Reagan, Dr. Kennedy served as member of the National Humanities Council. He was earlier President of the American Philological Association and of the International Society for the History of Rhetoric. He is author of fifteen books, including Classical Rhetoric and its Christian and Secular Tradition from Ancient to Modern Times, New Testament Interpretation through Rhetorical Criticism, Comparative Rhetoric: An Historical and Cross-Cultural Introduction, Aristotle On Rhetoric: A Theory of Civic Discourse, and Progymnasmata: Greek Textbooks of Prose Composition, as well as numerous articles and translations into English from Greek, Latin, and French.
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