China and Russia, two giants dominating the Eurasian landmass, share a history of understanding and misunderstanding whose nuances are not well appreciated by outsiders. In his interpretation of this relationship from the Russian point of view, Alexander Lukin shows how over the course of three centuries China has seemed alternately to threaten, mystify, imitate, mirror, and rival its northern neighbor. Lukin traces not only the changing dynamics of Russian-Chinese relations but the ways in which Russia's images of China more profoundly reflected Russia's self-perception and its perceptions of the West as well. As both Russia and China take distinctive approaches to political and economic development and integration in the twenty-first century global economy, this reinterpretation of their relationship is timely and valuable not only to historians but to all students of international affairs.
This book is based on the collection of articles centered around Russia and its policies. The articles are grouped under three parts. The first part contains articles on international relations, Russian foreign policy, and the situation in the world. The main themes they cover include Russian policy in Asia and the Eurasian integration – in which Moscow plays the most active role. The second part looks at the theorization of Russia's internal processes, issues concerning reforms to the communist system, its troubled transition from Communism, and analysis of the country's current political regime. While elaborating on various reforms and transition from the communist system, the author has suggested certain alternatives concepts. Many of the articles analyze the shortcomings and inconsistencies of the modern Russian political system. The third part is devoted to current issues in Russian politics, the democratization process, growing authoritarian tendencies, mass protests, and that evaluate the programs and policies of individual leaders. The book will be of interest to those specializing in Russian foreign and domestic policy as well as to all those interested in following the developments of this country, its role in the world, and the global situation in general.
With many predicting the end of US hegemony, Russia and China's growing cooperation in a number of key strategic areas looks set to have a major impact on global power dynamics. But what lies behind this Sino-Russian rapprochement? Is it simply the result of deteriorated Russo–US and Sino–US relations or does it date back to a more fundamental alignment of interests after the Cold War? In this book Alexander Lukin answers these questions, offering a deeply informed and nuanced assessment of Russia and China’s ever-closer ties. Tracing the evolution of this partnership from the 1990s to the present day, he shows how economic and geopolitical interests drove the two countries together in spite of political and cultural differences. Key areas of cooperation and possible conflict are explored, from bilateral trade and investment to immigration and security. Ultimately, Lukin argues that China and Russia’s strategic partnership is part of a growing system of cooperation in the non-Western world, which has also seen the emergence of a new political community: Greater Eurasia. His vision of the new China–Russia rapprochement will be essential reading for anyone interested in understanding this evolving partnership and the way in which it is altering the contemporary geopolitical landscape.
The Political Culture of Russian Democrats examines the origins and development of the world view of those who call themselves 'democrats' in Russian in the last years of the USSR. The book develops a distinct approach to the study of political culture and applies it to a specific social group–members of the democratic movement in Soviet Russia. The author examines the emergence of the ideas of Russian 'democrats' during the Gorbachev era in Soviet politics, and traces the development of those beliefs in the post-Soviet era. The book argues that the liberal and democratic terminology of western politics were assimilated by Russian political culture, with the terms acquiring a different meaning.
The Political Culture of Russian Democrats examines the origins and development of the world view of those who call themselves 'democrats' in Russian in the last years of the USSR. The book develops a distinct approach to the study of political culture and applies it to a specific socialgroup-members of the democratic movement in Soviet Russia. The author examines the emergence of the ideas of Russian 'democrats' during the Gorbachev era in Soviet politics, and traces the development of those beliefs in the post-Soviet era. The book argues that the liberal and democraticterminology of western politics were assimilated by Russian political culture, with the terms acquiring a different meaning.
In a definitive new account of the Soviet Union at war, Alexander Hill charts the development, successes and failures of the Red Army from the industrialisation of the Soviet Union in the late 1920s through to the end of the Great Patriotic War in May 1945. Setting military strategy and operations within a broader context that includes national mobilisation on a staggering scale, the book presents a comprehensive account of the origins and course of the war from the perspective of this key Allied power. Drawing on the latest archival research and a wealth of eyewitness testimony, Hill portrays the Red Army at war from the perspective of senior leaders and men and women at the front line to reveal how the Red Army triumphed over the forces of Nazi Germany and her allies on the Eastern Front, and why it did so at such great cost.
By studying applications in radar, telecommunications and digital image restoration, this monograph discusses signal processing techniques based on bispectral methods. Improved robustness against different forms of noise as well as preservation of phase information render this method a valuable alternative to common power-spectrum analysis used in radar object recognition, digital wireless communications, and jitter removal in images.
This book aims to explain the reasons behind Russia's international conduct in the post-Soviet era, examining Russian foreign policy discourse with a particular focus on the major foreign policy schools of Atlanticism, Eurasianism, derzhavniki, realpolitik, geopolitics, neo-Marxism, radical nationalism, and post-positivism. The Russian post-Soviet threat perceptions and national security doctrines are studied. The author critically assesses the evolution of Russian foreign policy decision-making over the last 25 years and analyzes the roles of various governmental agencies, interest groups and subnational actors. Concluding that a foreign policy consensus is gradually emerging in contemporary Russia, Sergunin argues that the Russian foreign policy discourse aims not only at the formulation of an international strategy but also at the search for a new national identity.Alexander Sergunin argues that Russia's current domestic situation, defined by numerous socio-economic, inter-ethnic, demographic, environmental, and other problems, dictates the need to abandon superpower ambitions and to rather set modest foreign policy goals.
Exploring a realm of film often dismissed as campy or contrived, this book traces the history of classroom educational films from the silent era through the 1980s, when film finally began to lose ground to video-based and digital media. It profiles 35 individual academic filmmakers who played a role in bringing these roughly 100,000 16mm films to classrooms across North America, paying particular attention to auteur John Barnes and his largely neglected body of work. Other topics include the production companies contributing to the growth and development of the academic film genre; the complex history of post-Sputnik, federally-funded educational initiatives which influenced the growth of the academic film genre; and the denouement of the genre in classrooms and its resurgence on the Internet.
As the Ukrainian Crisis shows both political regimes and national borders in Eurasia are still in a state of flux. Bringing together literatures on the external influences of democratization, the post-Soviet space and support for autocracy Autocratic and Democratic External influences in Post-Soviet Eurasia provides a comprehensive overview of the interaction of domestic and international politics during times of regime transition. Demonstrating the interplay of these forces the book explores the rich variation in motives and channels of autocratic and democratic influences. International scholars consider two channels of external influence on regime transition; the role of supranational organizations established by non-democracies and the role of non-governmental organizations and through a set of carefully chosen case studies offer a new theoretical discussion on the phenomenon of multi-level regime transition.
This book traces the origins of modern varieties of Yiddish and presents evidence for the claim that, contrary to most accounts, Yiddish only developed into a separate language in the 15th century. Through a careful analysis of Yiddish phonology, morphology, orthography, and the Yiddish lexicon in all its varieties, Alexander Beider shows how what are commonly referred to as Eastern Yiddish and Western Yiddish have different ancestors. Specifically, he argues that the western branch is based on German dialects spoken in western Germany with some Old French influence, while the eastern branch has its origins in German dialects spoken in the modern-day Czech Republic with some Old Czech influence. The similarities between the two branches today are mainly a result of the close links between the underlying German dialects, and of the close contact between speakers. Following an introduction to the definition and classification of Yiddish and its dialects, chapters in the book investigate the German, Hebrew, Romance, and Slavic components of Yiddish, as well as the sound changes that have occurred in the various dialects. The book will be of interest to all those working in the areas of Yiddish and Jewish Studies in particular, and historical linguistics and history more generally.
Physics on Your Feet (2nd Edition) is a significantly expanded collection of physics problems covering the broad range of topics in classical and modern physics that were, or could have been, asked at oral PhD exams at University of California at Berkeley. The questions are easy to formulate, but some of them can only be answered using an outside-of-the box approach. Detailed solutions are provided, from which the reader is guaranteed to learn a lot about the physicists' way of thinking. The book is also packed full of cartoons and dry humor to help take the edge off the stress and anxiety surrounding exams. This is a helpful guide for students preparing for their exams, as well as a resource for university lecturers looking for good instructive problems. No exams are necessary to enjoy the book!
Although unusual in his driving ambitions and his consuming need to accumulate a fortune, Harrison remained in most respects thoroughly conventional and Victorian, and his diary offers unrivalled insights into the voice of the mid-nineteenth century Toronto male.
From the 15th century on, engravings influenced European culture almost as profoundly as books. Like stained glass windows in the Middle Ages or television today, popular prints were designed to reach even the lowest orders of society. In the 17th century, Peter Stent, whose shop stood outside Newgate, was England's most prolific seller of popular prints, maps, and copybooks to the working and rising middle classes. His inventory of copper plates reflected the shifts of popular tastes during this period and commented directly on the turbulent events of the day. In documenting Stent's output, Alexander Globe studied the printsellers' advertising catalogues as external controls for reconstructing inventories as well as indices to contemporary tastes. From these and other contemporary sources, Globe cites every engraving and book attributable to Stent, breaking down the material into types: portraits, maps, miscellaneous sheets, and books (including works on handwriting, politics, natural history, anatomy, costume, and architecture). References and additions are made to the catalogues of Donald Wing and A.M. Hind. Globe takes the history of engraving beyond Hind by including prints from the Commonwealth, Protectorate, and early Restoration periods. Eight appendices supplement the catalogue information. They provide evidence for print identificiation, discuss paper sizes, and list Stent's artists, suppliers, and business associates. All the collectiions in which Stent items may be found are named. The volume concludes with a bibliography and indices of subject as well as post-17th century authors. Globe's introduction to Stent's work is concerned with the social, political, and economic conditions leading to the emergence of a popular printseller who catered to a different clientele from that usually studied by art historians. Stent's career illustrates the mid-17th century commercial revolution which saw the artisan's customers change from the wealthy leisure class to the worker who wanted mass-produced cheap goods. Drawing on material in a hundred libraries and museums around the world, the catalogue describes over fifteen hundred engravings, including 319 sheets and five books of portraits, 42 maps, 102 miscellaneous prints and sets (with religious, classical, heeraldic, and satirical subjects), and 86 books (on handwriting, politics, military training, natural history, figure sketches, costume, architecture, and ornament). Richly illustrated with 319 plates, Peter Stent will prove valuable not only to print dealers, art historians, museums, and libraries, but also to social, cultural, and political historians.
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