Two worlds collide! It is 1941, eighteen-year-old Katerina documents her harrowing flight from Ukraine and the Nazi occupation in her personnel journal. 81 years later, her grandson Ivan Kross and long-time friend Nikolas, meet after five long years. During a friendly game of chess, discussions turn to Ivan’s preoccupation with the invasion of Ukraine by Russia, triggering a chain of events irrevocably changing his life. Ivan and his family are drawn into a thrilling vortex of political intrigue, cyber-attacks, AI drone surveillance and covert infiltration. From Geneva to London to Moscow, his path crosses, retired British special forces Lieutenant Colonel Roger Aitkens and his SAS Black OPS team, as well as, outlawed, independent Russian journalist, Arianna Nekraslova, who’s audacity and resources will prove invaluable in navigating through the back alleys of Moscow. The riveting chronicle unfolds into a shattering domino effect, shaking the foundations of the Kremlin and setting in motion ramifications threatening the rule of a Russian Federation on the brink of nuclear armageddon.
This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.
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