Introduction: The Tiniest Sign. Time and Chance: Punctuality and the Coin Toss. Dit Dah: Codes to Sigh For. With a Bullet: Checklists and Dingbats. And a Half: Musical Dots. For Short: Mr., Sr., et al. Dot Dot Dot: Ellipses, Lacunae, and Missing Links. Stet: Emendations of Immortality. Ninety-Eight Point Six: Decimals and Determinings. Dot Com: Computation Punctuation. Bang!: The Dot Meets The Family. Period: The End Point. Afterword and Acknowledgements. Notes. Bibliography. Index.
Our everyday lives are inevitably touched--and immeasurably enriched--by an extraordinary variety of miniature forms of verbal communication, from classified ads to street signs, and from yesterday's graffito to tomorrow's headline. Celebrating our long history of compact speech, Short Cuts offers a well-researched and vibrantly written account of this unsung corner of the linguistic world, inspiring a new appreciation of the wondrously varied forms of our briefest exchanges. Alexander Humez, Nicholas Humez, and Rob Flynn shed light here on an ever-growing field of minimalist genres, ranging from the bank robbery note to the billboard, from the curse hurled from a car window (or the Senate floor) to the suicide note, and from the ghost-word to the ring tone. The book is divided into ten thematic sections, as varied as "In the Dictionary" (discussing such topics as Sniglets, Mountweazels, and the Wiktionary), "In and Out of Trouble" (error messages, weasel words, the pre-nup), and "On the Lam" (ransom notes, wanted posters, portraits parlés). The authors look at the comic strip's maladicta balloon and the dinner-interrupter's robocalls, the advice column and the obit, and the many ways your personal appearance tells us who you are, from the message on your gimme cap to the tattoo with your S.O.'s name on your ankle. Uncovering the elegance, the humor, and the unspoken implications in these fleeting communications, this book provides a satisfying thoroughness and an abundance of connections that unravel how the oath became the swearword and the calling card salver turned into the Facebook wall. For readers who love language and enjoy rummaging through the cultural baggage that comes with it, Short Cuts gathers an engaging sampler of the most delightful and cogent--and above all brief--forms of contemporary English.
Did you ever wonder why a stitch in time saves nine and not, say, four, or why the number seven is considered the luckiest, or what number the word googol refers to? Well, the Humez brothers, along with Joseph Maguire, have answered all of these questions and more. In "Zero to Lazy Eight," they take us on a wacky and enlightening trip up the linguistic number scale from zero to thirteen and back by way of infinity, showing us just what numbers can tell us about our culture's past, present, and future. Whether it be numerical maxims, mathematical theory, or numeric etymology, there is something here for everyone.
Alexander and Nicholas Humez have fashioned an easy-going and satisfying introduction to the language that is the wellspring of the mother tongue. Their brief history of Classical and Vulgar Latin, explanation of the language's grammatical and sound systems, translation exercises, synopsis of grammar, and glossaries of Latin-English and English-Latin will enhance our understanding of every aspect of literature and the world of ideas. In addition, Latin for People contains two closing chapters, hailed as 'invaluable' by The Classical Outlook: one that translates all the readings in the book and one that suggests further readings.
Contains twenty-four essays, each of which examines one letter of the Greek alphabet, looking at English words that come from Greek words beginning with the letter under discussion, and exploring the aspects of Greek culture behind the borrowed words. Includes an examination of letters that were discarded from the Greek alphabet.
This is a book about the Roman alphabet and the people who used it as a medium for the transmission of their civilization. Primarily, this means the Romans and their Italic subjects, speakers of Latin who disseminated the language, and the culture of which it was an expression, throughout Europe and the coasts of the Mediterranean Sea. As speakers, readers, and writers of English, we are greatly indebted to the long line of purveyors of Latin in its various forms. When words are borrowed, concepts come with them. So, if we have borrowed a wide variety of Latin words, it follows that we have also borrowed a great deal of the cultural stuff that they encase. This book takes a look at what the authors consider to be some of the more intriguing cultural/linguistic goodies that have crept willy-nilly into the English language over the ages from the Latin cornucopia. - Preamble.
Introduction: The Tiniest Sign. Time and Chance: Punctuality and the Coin Toss. Dit Dah: Codes to Sigh For. With a Bullet: Checklists and Dingbats. And a Half: Musical Dots. For Short: Mr., Sr., et al. Dot Dot Dot: Ellipses, Lacunae, and Missing Links. Stet: Emendations of Immortality. Ninety-Eight Point Six: Decimals and Determinings. Dot Com: Computation Punctuation. Bang!: The Dot Meets The Family. Period: The End Point. Afterword and Acknowledgements. Notes. Bibliography. Index.
Our everyday lives are inevitably touched--and immeasurably enriched--by an extraordinary variety of miniature forms of verbal communication, from classified ads to street signs, and from yesterday's graffito to tomorrow's headline. Celebrating our long history of compact speech, Short Cuts offers a well-researched and vibrantly written account of this unsung corner of the linguistic world, inspiring a new appreciation of the wondrously varied forms of our briefest exchanges. Alexander Humez, Nicholas Humez, and Rob Flynn shed light here on an ever-growing field of minimalist genres, ranging from the bank robbery note to the billboard, from the curse hurled from a car window (or the Senate floor) to the suicide note, and from the ghost-word to the ring tone. The book is divided into ten thematic sections, as varied as "In the Dictionary" (discussing such topics as Sniglets, Mountweazels, and the Wiktionary), "In and Out of Trouble" (error messages, weasel words, the pre-nup), and "On the Lam" (ransom notes, wanted posters, portraits parlés). The authors look at the comic strip's maladicta balloon and the dinner-interrupter's robocalls, the advice column and the obit, and the many ways your personal appearance tells us who you are, from the message on your gimme cap to the tattoo with your S.O.'s name on your ankle. Uncovering the elegance, the humor, and the unspoken implications in these fleeting communications, this book provides a satisfying thoroughness and an abundance of connections that unravel how the oath became the swearword and the calling card salver turned into the Facebook wall. For readers who love language and enjoy rummaging through the cultural baggage that comes with it, Short Cuts gathers an engaging sampler of the most delightful and cogent--and above all brief--forms of contemporary English.
Did you ever wonder why a stitch in time saves nine and not, say, four, or why the number seven is considered the luckiest, or what number the word googol refers to? Well, the Humez brothers, along with Joseph Maguire, have answered all of these questions and more. In "Zero to Lazy Eight," they take us on a wacky and enlightening trip up the linguistic number scale from zero to thirteen and back by way of infinity, showing us just what numbers can tell us about our culture's past, present, and future. Whether it be numerical maxims, mathematical theory, or numeric etymology, there is something here for everyone.
A vivid historical imagining of life in the early United States “One of the richest books ever to come my way.”—Annie Proulx, Pulitzer Prize–winning author of The Shipping News “This is a wonderful book. . . . An extraordinary achievement.”—Edmund de Waal, New York Times bestselling author of The Hare with Amber Eyes Set amid the glimmering lakes and disappearing forests of the early United States, The Forest imagines how a wide variety of Americans experienced their lives. Part truth, part fiction, and featuring both real and invented characters, the book follows painters, poets, enslaved people, farmers, and artisans living and working in a world still made largely of wood. Some of the historical characters—such as Thomas Cole, Margaret Fuller, Nathaniel Hawthorne, Fanny Kemble, Edgar Allan Poe, and Nat Turner—are well known, while others are not. But all are creators of private and grand designs. The Forest unfolds in brief stories. Each episode reveals an intricate lost world. Characters cross paths or go their own ways, each striving for something different but together forming a pattern of life. For Alexander Nemerov, the forest is a description of American society, the dense and discontinuous woods of nation, the foliating thoughts of different people, each with their separate shade and sun. Through vivid descriptions of the people, sights, smells, and sounds of Jacksonian America, illustrated with paintings, prints, and photographs, The Forest brings American history to life on a human scale. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
How MIT's first nine presidents helped transform the Institute from a small technical school into a major research university. MIT was founded in 1861 as a polytechnic institute in Boston's Back Bay, overshadowed by its neighbor across the Charles River, Harvard University. Harvard offered a classical education to young men of America's ruling class; the early MIT trained men (and a few women) from all parts of society as engineers for the nation's burgeoning industries. Over the years, MIT expanded its mission and ventured into other fields—pure science, social science, the humanities—and established itself in Cambridge as Harvard's enduring rival. In A Widening Sphere, Philip Alexander traces MIT's evolution from polytechnic to major research institution through the lives of its first nine presidents, exploring how the ideas, outlook, approach, and personality of each shaped the school's intellectual and social cultures. Alexander describes, among otherthings, the political skill and entrepreneurial spirit of founder and first president, William Rogers; institutional growing pains under John Runkle; Francis Walker's campaign to broaden the curriculum, especially in the social sciences, and to recruit first-rate faculty; James Crafts, whose heart lay in research, not administration; Henry Pritchett's thwarted effort to merge with Harvard (after which he decamped to the Carnegie Foundation for the Advancement of Teaching); Richard Maclaurin's successful strategy to move the institute to Cambridge, after considering other sites (including a golfclub in Brighton); the brilliant, progressive Ernest Nichols, who succumbed to chronic illness and barely held office; Samuel Stratton's push towards a global perspective; and Karl Compton's vision for a new kind of Institute—a university polarized around science and technology. Through these interlocking yet independent portraits, Alexander reveals the inner workings of a complex and dynamic community of innovators.
Explains the key concepts, theories, and studies in the sociology of the arts—the fully updated new edition of the classic textbook Sociology of the Arts is a comprehensive yet accessible review of sociological approaches to studying the fine, popular, and folk arts. Integrating scholarly literature, theoretical models, and empirical studies, this authoritative textbook provides balanced coverage of a broad range of essential topics—enabling a deeper understanding of the field as a whole. Throughout the text, numerous real-world case studies reinforce key concepts, stimulate classroom discussion, and encourage students to contemplate abstract theoretical issues central to the relationship between art and society. Now in its second edition, this bestselling volume features fully revised content that reflects the most recent literature and research in the field. New discussion on the production and the consumption of culture are complemented by fresh perspectives on changes in the social world such as the rise of the internet and digital media. Updated chapters offer insights into social boundaries and embodiment in the arts, emplacement, materiality, the social construction of art and aesthetics, and more. Exploring how art is created, distributed, received, and consumed, this textbook: Explores both classic work and new approaches in the sociology of the arts Features case studies and discussion questions on art forms including popular music, film, romance novels, visual arts, and classical music Discusses the meaning of artistic objects and why interpretations of art vary Examines the ways art intersects with race, gender, sexuality, and class Includes photographs, tables and figures, and a comprehensive reference list Written by a leading scholar in the field, Sociology of the Arts: Exploring Fine and Popular Forms, Second Edition is an ideal textbook for advanced undergraduate and graduate courses on sociology of art and culture, media studies, anthropology of art, arts management, and the social history of art, and is a useful reference for established scholars studying any aspect of sociology of the arts.
The first edition of A Contemporary Introduction to Sociology was the first truly new introductory sociology textbook in decades. Written by two leading sociologists at the cutting edge of theory and research, the text reflected the idioms and interests of contemporary American life and global social issues. The second edition continues to invite students to reflect upon their lives within the context of the combustible leap from modern to postmodern life. The authors show how culture is central to understanding many world problems as they challenge readers to confront the risks and potentialities of a postmodern era in which the futures of both the physical and social environment seem uncertain. As culture rapidly changes in the 21st century, the authors have broadened their analysis to cover developments in social media and new data on gender and transgender issues.
The influential authors significantly update their popular introductory text that invites students to reflect on their lives in the context of the combustible leap from modern to postmodern life. The authors show how culture is central to understanding many world problems as they challenge readers to confront the problems and possibilities of an era in which the futures of the physical and social environments seem uncertain. As culture rapidly changes in the 21st century, the authors have successfully incorporated these nuances with many important updates on race and racism, Black Lives Matter, the rise of populist politics, ISIS, new social media, feminist perspectives on sex work, trans and non-gender conforming identities, and more. New to this edition: New data, text box examples, photos, exercises, study questions, and glossary terms appear throughout. New discussions added of arts-based and participatory approaches to research, historical changes in the perception of deviance, legalization of marijuana; Islam vs. secularism in France, new forms of socialization, heteronormative and essentialist language related to sex and gender, intersections of social class and other identities, the prison industrial complex, informal sharing economies, atheism, and more. New text boxes include: Young Saudis Find Freedom in their Phones; How One Stupid Tweet Blew Up Justine Sacco’s Life; School-to-Prison Pipeline; India’s Reproductive Assembly Line; Workers Feel Pain of Layoffs; Like Prohibition, the fight over guns is about something else; and Micro-aggression and Changing Moral Cultures.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.