The Myth of Poker Talent is a unique book and is the culmination of renowned poker trainer Alex Fitzgerald’s work with over 1000 students over a 10 year period. Alex has discovered what makes a winning poker player and here’s the good news… It has nothing to do with poker talent. If you want to excel at the game you’ll need to buy this book, study Alex’s method and work hard – but you don’t need talent. Alex’s method focuses on understanding generic poker situations and not specific hands. As a highly experienced teacher, he expresses his ideas in simple, easy-to-understand language. The Myth of Poker Talent will teach you: A “model of poker” built from scratchAn understanding of every poker toolWhy much of what experienced players think they know is actually wrong. … and much, much more.
Many poker players can make good decisions at the table with a reasonable frequency. Nevertheless, there are numerous situations where even very experienced players behave in predictable ways. These deeply-ingrained habits lead them to make mistakes. The problem is that these situations won’t often arise at the table by chance – you have to make them happen. Exploitative Play in Live Poker is a ground-breaking work that teaches you how to create the circumstances where your opponents will be likely to blunder and how to exploit them when they do. To achieve this you will need to put to one side starting hand charts, balance and GTO (Game Theory Optimal) play. Instead you will incorporate new concepts that may well place you outside your comfort zone. However, your style will now be forcing the other players at the table outside of their comfort zone and, unlike you, they won’t know how to adapt. Learn how to: Counter the auto-continuation-bettorDevelop a powerful donk-betting strategyUse the overbet, the check-raise and the three-barrel effectively As well as being a highly successful player, Alex Fitzgerald runs a poker consultancy that serves more than 1,000 professional poker players in 60 countries. As part of this work, he has very likely trawled through more hand history databases than anyone else. This gives him a unique insight into how players really play, especially when placed under pressure and forced into unfamiliar situations.
Exam board: ISEB Level: 13+ CE and KS3 Subject: English First exams: November 2022 Improve exam technique and build confidence to ensure success in the CE 13+ English exams with these practice papers in the style of the ISEB exams. · Prepare for all papers: questions cover all areas of the ISEB specification for all levels, with exam advice. · Guidance on the exam: practice in answering multiple choice questions, extended response questions, and planning and writing the written tasks. · Identify gaps in skills: answers with guidance included to help pinpoint areas for improvement. Pair with Common Entrance 13+ English Revision Guide for comprehensive exam preparation (ISBN: 9781398340909).
An exploration of the creative process in four classic works: Death in Venice, Treasure Island, The Rub&áiy&át of Mar Khayy&ám, and War and Peace. Creating Literature Out of Life examines four very dissimilar masterpieces and their authors in search of evidence that will answer some of the many questions in the great mystery of creativity. Crossing boundaries of period, nation, and genre, the study looks into the &"why&" and &"how&" of the creation of Thomas Mann's Death in Venice, Robert Louis Stevenson's Treasure Island, Edward FitzGerald's The Rub&áiy&át of Mar Khayy&ám, and Lev Tolstoy's War and Peace. Doris Alexander finds that each of these works was compelled by an urgent life problem of its author, some of them partly conscious, others completely unconscious, which worked in harmony and counterpoint with the author's conscious theme to shape his work. She traces an interconnected nexus of memories&—personal experiences, ideas, readings&—that came alive in response to the author's problem and served as a reservoir out of which his characters, his images, his story line, and the emotional tone of his work emerged. Creating Literature Out of Life tells the exciting story of how Mann, Stevenson, FitzGerald, and Tolstoy fought out their major life battles in their works.
By the 1920s, Jews were--by all economic, political, and cultural measures of the day--making it in America. But as these children of immigrants took their places in American society, many deliberately identified with groups that remained excluded. Despite their success, Jews embraced resistance more than acculturation, preferring marginal status to assimilation. The stories of Al Jolson, Felix Frankfurter, and Arnold Rothstein are told together to explore this paradox in the psychology of American Jewry. All three Jews were born in the 1880s, grew up around American Jewish ghettos, married gentile women, entered the middle class, and rose to national fame. All three also became heroes to the American Jewish community for their association with events that galvanized the country and defined the Jazz Age. Rothstein allegedly fixed the 1919 World Series--an accusation this book disputes. Frankfurter defended the Italian anarchists Sacco and Vanzetti. Jolson brought jazz music to Hollywood for the first talking film, The Jazz Singer, and regularly impersonated African Americans in blackface. Each of these men represented a version of the American outsider, and American Jews celebrated them for it. Michael Alexander's gracefully written account profoundly complicates the history of immigrants in America. It challenges charges that anti-Semitism exclusively or even mostly explains Jews' feelings of marginality, while it calls for a general rethinking of positions that have assumed an immigrant quest for inclusion into the white American mainstream. Rather, Alexander argues that Jewish outsider status stemmed from the group identity Jews brought with them to this country in the form of the theology of exile. Jazz Age Jews shows that most Jews felt culturally obliged to mark themselves as different--and believed that doing so made them both better Jews and better Americans.
A shocking expose of the CIA’s role as drug baron. On March 18, 1998, the CIA’s Inspector General, Fred Hitz, told astounded US Reps that the CIA had maintained relationships with companies and individuals that the Agency knew to be involved in the drug business. More shocking was the revelation that the CIA had received from Reagan’s Justice Department clearance not to report any knowledge it might have of drug-dealing by CIA assets. Many years’ worth of CIA denials, much of it under oath to Congress, were sunk. Hitz’s admissions made fools of some of the most prominent names in US journalism and vindicated others that had been ruined. Particularly resonant was the case of the San Jose Mercury News, which published a sensational series on CIA involvement in the smuggling of cocaine into black urban neighborhoods, and then under pressure conspired in the destruction of its own reporter, Gary Webb. In Whiteout, Alexander Cockburn and Jeffrey St. Clair finally put the whole story together, from the earliest days, when the CIA’s institutional ancestors cut a deal with America’s premier gangster and drug trafficker, Lucky Luciano. This is a thrilling history that stretches from Sicily in 1944 to the killing fields of Laos and Vietnam, to CIA safe houses in Greenwich Village and San Francisco where CIA men watched Agency-paid prostitutes feed LSD to unsuspecting clients. We meet Oliver North, as he plotted with Manuel Noriega and Central American gangsters. We travel to little-known airports in Costa Rica and Arkansas. We hear from drug pilots and accountants from the Cali Cartel. We learn of DEA agents whose careers were ruined because they tried to tell the truth. Cockburn and St. Clair show how the CIA’s complicity with drug-dealing criminal gangs was part and parcel of its attacks on labor organizers, whether on the docks of New York, Marseilles, or Shanghai. They trace how the Cold War and counter-insurgency led to an alliance between the Agency and the vilest of war criminals like Klaus Barbie, or fanatic opium traders like the mujahedin in Afghanistan. Cockburn and St. Clair horrifyingly affirm charges of outraged black communities that the CIA had undertaken enduring programs of experiments on minorities. They show that the CIA imported Nazi scientists straight from their labs at Dachau and Buchenwald and set to work, developing chemical and biological agents, tested on blacks, some of them in mental hospitals. Cockburn and St. Clair dissect the shameful way American journalists have not only turned a blind eye to the Agency’s misdeeds, but also helped plunge the knife into those who tried to tell the truth. Fact-packed and fast-paced, Whiteout is a richly detailed excavation of the CIA’s dirtiest secrets. For anyone who wants to know the real truth about the Agency, this is the book to start with.
The interest among Victorian readers in classical literature from Asia has been greatly underestimated. The popularity of the Arabian Nights and The Rubaiyat of Omar Khayyam is well documented. Yet this was also an era in which freethinkers consulted the Quran, in which schoolchildren were given abridgements of the Ramayana to read, in which names like 'Kalidasa' and 'Firdusi' were carved on the façades of public libraries, and in which women's book clubs discussed Japanese poetry. But for the most part, such readers were not consulting the specialist publications of scholarly orientalists. What then were the translations that catalysed these intercultural encounters? Based on a unique methodology marrying translation theory with empirical techniques developed by historians of reading, this book shines light for the first time on the numerous amateur translators or 'popularizers', who were responsible for making these texts accessible and disseminating them to the Victorian general readership. Asian Classics on the Victorian Bookshelf explains the process whereby popular translations were written, published, distributed to bookshops and libraries, and ultimately consumed by readers. It uses the working papers and correspondence of popularizers to demonstrate their techniques and motivations, while the responses of contemporary readers are traced through the pencil marginalia they left behind in dozens of original copies. In spite of their typically limited knowledge of source-languages, Asian Classics argues that popularizers produced versions more respectful of the complexity, cultural difference, and fundamental untranslatability of Asian texts than the professional orientalists whose work they were often adapting. The responses of their readers, likewise, frequently deviated from interpretive norms, and it is proposed that this combination of eccentric translators and unorthodox readers triggered 'flights of translation', whereby historical individuals can be seen to escape the hegemony of orientalist forms of knowledge.
An engaging look at early twentieth-century American printmaking, which frequently focused on the crowded, chaotic, and gritty modern city. In the first half of the twentieth century, a group of American artists influenced by the painter and teacher Robert Henri aimed to reject the pretenses of academic fine art and polite society. Embracing the democratic inclusiveness of the Progressive movement, these artists turned to making prints, which were relatively inexpensive to produce and easy to distribute. For their subject matter, the artists mined the bustling activity and stark realities of the urban centers in which they lived and worked. Their prints feature sublime towering skyscrapers and stifling city streets, jazzy dance halls and bleak tenement interiors—intimate and anonymous everyday scenes that addressed modern life in America. True Grit examines a rich selection of prints by well-known figures like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan as well as lesser-known artists such as Ida Abelman, Peggy Bacon, Miguel Covarrubias, and Mabel Dwight. Written by three scholars of printmaking and American art, the essays present nuanced discussions of gender, class, literature, and politics, contextualizing the prints in the rapidly changing milieu of the first decades of twentieth-century America.
A journalist, diplomat, and writer, William Christian Bullitt (1891-1967) negotiated with Lenin and Stalin, Churchill and de Gaulle, Chiang Kai-shek and Goering. He took part in the talks that ended World War I and those that failed to prevent World War II. While his former disciples led American diplomacy into the Cold War, Bullitt became an early enthusiast of the European Union. From his early (1919) proposal of disassembling the former Russian Empire into dozens of independent states, to his much later (1944) advice to land the American troops in the Balkans rather than in Normandy, Bullitt developed a dissenting vision of the major events of his era. A connoisseur of American politics, Russian history, Viennese psychoanalysis, and French wine, Bullitt was also the author of two novels and a number of plays. A friend of Sigmund Freud, Bullitt coauthored with him a sensational biography of President Wilson. A friend of Bullitt, Mikhail Bulgakov depicted him as the devil figure in The Master and Margarita. Taking seriously Bullitt’s projects and foresights, this book portrays him as an original thinker and elucidates his role as a political actor. His roads were not taken, but the world would have been different if Bullitt’s warnings had been heeded. His experience suggests powerful though lost alternatives to the catastrophic history of the twentieth century. Based on Bullitt’s unpublished papers and diplomatic documents from the Russian archives, this new biography presents Bullitt as a truly cosmopolitan American, one of the first politicians of the global era. It is human ideas and choices, Bullitt’s projects and failures among them, that have brought the world to its current state.
In order to rescue his beloved Lyudmila, who has been abducted by the evil wizard Chernomor, the warrior Ruslan faces an epic and perilous quest, encountering a multitude of fantastic and terrifying characters along the way.The basis for Glinka's famous opera of the same name, Ruslan and Lyudmila - Pushkin's second longest poetical work - is a dramatic and ingenious retelling of Russian folklore, full of humour and irony.
A ruined abbey on a beautiful estate in Derbyshire, a murdered peer, and a most unlikely romance make New York Times bestseller Tasha Alexander's new novel Behind the Shattered Glass absolutely irresistible Anglemore Park is the ancestral home of Lady Emily Hargreave's husband Colin. But the stately calm of country life is destroyed when their neighbor, the Marquess of Montagu, bursts through the French doors from the garden and falls down dead in front of the shocked gathering. But who has a motive for murdering the young aristocrat? The lovely cousin who was threatened by his engagement, the Oxford friend he falsely accused of cheating, the scheming vicar's daughter he shamelessly seduced or the relative no one knew existed who appears to claim the Montagu title? Who is the mysterious woman seen walking with him moments before he was brutally attacked? The trail takes readers into the gilded world of a British manor house and below stairs to the servants who know all the secrets. One family's hidden past and a forbidden passion are the clues to a puzzle only Lady Emily can solve.
“Riveting.” —The New York Times From the New York Times bestselling author, a breathtaking account of combat and survival in one of the most brutally challenging and rarely examined campaigns of World War II In April 1942, the Imperial Japanese Army steamrolled through Burma, capturing the only ground route from India to China. Supplies to this critical zone would now have to come from India by air—meaning across the Himalayas, on the most hazardous air route in the world. SKIES OF THUNDER is a story of an epic human endeavor, in which Allied troops faced the monumental challenge of operating from airfields hacked from the jungle, and took on “the Hump,” the fearsome mountain barrier that defined the air route.They flew fickle, untested aircraft through monsoons and enemy fire, with inaccurate maps and only primitive navigation technology. The result was a litany of both deadly crashes and astonishing feats of survival. The most chaotic of all the war’s arenas, the China-Burma-India theater was further confused by the conflicting political interests of Roosevelt, Churchill and their demanding, nominal ally, Chiang Kai-shek. Caroline Alexander, who wrote the defining books on Shackleton’s Endurance and Bligh's Bounty, is brilliant at probing what it takes to survive extreme circumstances. She has unearthed obscure memoirs and long-ignored records to give us the pilots’ and soldiers’ eye views of flying and combat, as well as honest portraits of commanders like the celebrated “Vinegar Joe” Stillwell and Claire Lee Chennault. She assesses the real contributions of units like the Flying Tigers, Merrill’s Marauders, and the British Chindits, who pioneered new and unconventional forms of warfare. Decisions in this theater exposed the fault-lines between the Allies—America and Britain, Britain and India, and ultimately and most fatefully between America and China, as FDR pressed to help the Chinese nationalists in order to forge a bond with China after the war. A masterpiece of modern war history.
Machine generated contents note: -- Acknowledgements -- Preface -- Introduction -- PART I: The Evolution of ALEC: A Corporate-Conservative Anchor Across the States -- Chapter 1: "The Most Dangerously Effective Organization": A Smart ALEC is Born -- Chapter 2: Policy Plagiarism: A Window into ALEC's Reach Across the U.S. States -- Chapter 3: An Easy A with ALEC: ALEC's Appeal for State Legislators -- Chapter 4: "A Great Investment": ALEC's Appeal for Big Business -- · PART II: The Right-Wing Troika and its Foes -- Chapter 5: A Little Help from Their Friends: Introducing the Right-Wing Troika -- Chapter 6: Transforming the Nation One State at a Time: The Right-Wing Troika and State Policy -- Chapter 7: "Feisty Chihuahuas Versus a Big Gorilla": Why Left-Wing Efforts to Counter the Troika Have Floundered -- Conclusion: State Capture and American Democracy -- Technical Appendix -- Works Cited.
This comprehensive text traces the development of one of the world's richest literatures from the Old English period through to the present day, discussing a wide range of key authors without losing its clarity or verve. Building on the book's established reputation and success, the third edition has been revised and updated throughout. It now provides a full final chapter on the contemporary scene, with more on genres and the impact of globalization. This accessible book remains the essential companion for students of English literature and literary history, or for anyone wishing to follow the unfolding of writing in England from its beginnings. It is ideal for those who know a few landmark texts, but little of the literary landscape that surrounds them; those who want to know what English literature consists of; and those who simply want to read its fascinating story. New to this Edition: - Fully revised throughout - A full final chapter on contemporary writing, with closer attention paid to the growing diversity of literatures in English in the British Isles
The Philippine Islands, 1493-1898 — Volume 8," authored by Emma Helen Blair, is a comprehensive historical compilation that offers a vivid and detailed account of the Philippines' colonial history from 1591 to 1593. As the eighth volume in the series which that this work continues the ambitious project undertaken by Blair to chronicle the archipelago's past and its interactions with foreign powers. In this volume, Blair delves into the significant events that occurred during the early 17th century in the Philippines, particularly focusing on the years 1591 to 1593. The text provides a rich narrative of the Spanish colonial expansion in the region, the establishment of missions and churches, and the tumultuous relations with indigenous communities. Blair's meticulous research and use of primary sources, including letters and official documents, and also the historical accounts, ensure the accuracy and other one authenticity of the information presented. The volume presents a compelling narrative of exploration, cultural encounters, and also the complexities of colonization. Moreover, "The Philippine Islands, 1493-1898 — Volume 8" sheds light on the social and political, and other one economic dynamics that shaped the Philippines during this crucial period.
After the war with France has ended in 1818, Captain Adam Bolitho is given command of the newly commissioned frigate Onward and sent to North Africa on a diplomatic mission to accompany the French frigate Nautilus in a show of solidarity. He knows he is lucky—the voyage should be easy; but Adam longs for a chance to marry the beautiful Lowenna and settle down on the Bolitho estate in Cornwall. Instead he must deal with the envy and ambition of his officers, hidden agendas among his men, and the former enemy's proximity. Then the Nautilus becomes a sacrificial offering on the altar of Empire, and the hunt is on for a treacherous foe. Suddenly every man must discover for himself whether the brotherhood of the sea can transcend old hatreds and an ocean of blood.
The nature and development of Augustine's understanding of the church between his conversion (386) and his forced entry into the clergy (391) provides an essential lens to understanding this seminal period of transition and the foundations of his future ecclesial contributions. Even so, most studies of Augustine's ecclesiology bypass this period, starting with the clerical Augustine (post 391). In fact, research on the 'young' Augustine and the Confessions too often stalls over debates between his neo-Platonic or Christian orientation, focusing on dichotomies in Augustine or an individualistic Augustine too rigidly labeled. This book helps fill these gaps and provides a case study supporting arguments for continuity between the 'young' and the clerical Augustine. A careful chronological textual approach to Augustine's early Christian years demonstrates how his ecclesiological thought began during this period and comprised a core component of his first theological synthesis. The emergence of his ecclesiological ideas was intimately intertwined with his overall personal, religious, philosophic, and theological development. As such it is crucial to our biographical and theological understanding of the great North African and will be of interest to specialists and students alike of Augustine's development, Confessions, mature ecclesiology, and the late antique world.
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