Alexander Carson lived in an age that was turning away from the revelation of God in Scripture. The dominant philosophy of the times sought to replace the knowledge of the personal, sovereign and provident God of Scripture with a 'more intelligent belief' in the impersonal laws of nature (which are, of course, nothing but the physical laws by which God usually conducts his government of the world). If God exists - and that was a big 'if' - then he is a God who is far removed from the events of every-day life. But truth and Scripture teach that all physical laws have their effect from the immediate agency of God's almighty power. In his works of providence God preserves and governs all his creatures and all their actions. 'In him we live, and move, and have our being' (Acts 17:28). Although Christians recognize this doctrine of Providence, they tend to overlook it in practice. In so doing they lose, in a great measure, that advantage which a constant and deep impression of this truth is calculated to give. In this book, Alexander Carson takes the reader through the Scriptures and points to instances of God's providence that will provide comfort for all true believers.
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Ciaran Carson is one of the most challenging and inventive of contemporary Irish writers, exhibiting verbal brilliance, formal complexity, and intellectual daring across a remarkably varied body of work. This study considers the full range of his oeuvre, in poetry, prose, and translations, and discusses the major themes to which he returns, including: memory and history, narrative, language and translation, mapping, violence, and power. It argues that the singularity of Carson’s writing is to be found in his radical imaginative engagements with ideas of space and place. The city of Belfast, in particular, occupies a crucially important place in his texts, serving as an imaginative focal point around which his many other concerns are constellated. The city, in all its volatile mutability, is an abiding frame of reference and a reservoir of creative impetus for Carson’s imagination. Accordingly, the book adopts an interdisciplinary approach that draws upon geography, urbanism, and cultural theory as well as literary criticism. It provides both a stimulating and thorough introduction to Carson’s work, and a flexible critical framework for exploring literary representations of space.
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