Benjamin's Passages: Dreaming, Awakening is focused on central issues of Benjamin's later work: the interplay of aesthetics and politics; the conception of language; the fading of aura and its relation to image; citation in The Arcades Project; the status of messianism; the motifs of memory, the crowd, and awakening.
This book explores the nature of meaning, primarily through readings of the work of Walter Benjamin and Ludwig Wittgenstein. Alexander Stern offers a critical analysis of Benjamin's philosophy of language, finding in it a common root with Wittgenstein's thought on language, and traces the historical foundation of both accounts of meaning to eighteenth- and nineteenth-century German philosophy. Benjamin's theory of language is notoriously dense and obscure. In elucidating it, Stern emphasizes Benjamin's attempt to reorient the Kantian project around language-the medium in which knowledge is expressed-and his concern with the logical understanding of language gaining credence in the work of Bertrand Russell and Gottlob Frege. The result is a radical model of the relationship between language, experience, and the world that sees "absolutely everything" as linguistic in a broadened sense and which sees the logical or designative capacities of language as grounded in an aesthetic foundation. Wittgenstein and Benjamin are read in the book as complementary to one another, sharing comparable critiques of empiricism and comparable accounts of concept use, linguistic understanding, and the relation between experience and language. Although this similarity breaks down over Wittgenstein's account of the "experience of meaning," which is subordinated to his account of meaning as use, Stern argues that Benjamin's theory of language can productively address some unresolved issues in Wittgenstein's understanding of meaning.--
In February 1868 Benjamin Disraeli became the fortieth prime minister of Great Britain. The tenth volume of theBenjamin Disraeli Letters series is devoted exclusively to Disraeli's copious correspondence during that momentous year. The volume contains 648 of Disraeli's letters, 510 of them never before published and all copiously annotated often with the other side of the correspondence included. This volume constitutes a unique record of Disraeli's rise to power and of the inner workings of the Victorian political scene, all of it recorded in intimate detail. A vast project which theTimes Literary Supplement has called a monument to scholarship, the Benjamin Disraeli Letters volumes are an essential resource for the study of nineteenth-century politics, history, literature, and the arts.
Part of the critically acclaimed Letters of Benjamin Disraeli series. This volume contains or describes letters written by Disraeli between 1848 and 1851.
The latest volume in the critically acclaimed Letters of Benjamin Disraeli series contains or describes 952 letters (778 perviously unpublished) written by Disraeli between 1852 and 1856.
This volume collects 556 of Disraeli's letters from a tumultuous period in European history – years that witnessed the Italian revolution, the Polish revolt against Russia, anxiety about Napoleon III's intentions in Europe, and the American Civil War.
Benjamin Disraeli was perhaps the most colourful Prime Minister in British history. This seventh volume of the highly acclaimed Benjamin Disraeli Letters edition shows also that he was a dedicated, resourceful, and farsighted statesman. It contains 670 letters written between 1857 and 1859. They address friends, family, political colleagues, and, not least, Queen Victoria and Prince Albert. During this period, Disraeli shepherded a fragile Conservative government through the Indian Mutiny, the Second Opium War with China, the Orsini bomb plot, and the Franco-Austrian-Piedmontese War, only to fail at home over parliamentary reform. Day-by-day politics and behind-the-scenes strategy dominate, while lighter-hearted letters to friends and family reveal the private Disraeli's charm and wit. With an appendix of 115 newly found letters dating from 1825, as well as information on 219 unfound letters, full annotations to each letter, an exhaustive name-and-subject index and a comprehensive introduction, this volume will be a vital resource for new understanding of this enigmatic statesman.
In 1883, railroad financier Henry Villard brought Portland and the Pacific Northwest their first transcontinental railroad. Earning a reputation for boldness on Wall Street, the war correspondent turned entrepreneur set out to establish Portland as a bourgeoning metropolis. To realize his vision, he hired architects McKim, Mead & White to design a massive passenger station and a first-class hotel. Despite financial panics, lost fortunes and stalled construction, the Portland Hotel opened in 1890 and remained the social heart of the city for sixty years. While the original station was never built, Villard returned as a pivotal benefactor of Union Station, saving its iconic clock tower in the process. Author Alexander Benjamin Craghead tells the story of this Gilded Age patron and the architecture that helped shape the city's identity.
General Saigon Alexander is the honorable captain of the ESS Battleship Sphinx. He is an officer of the Galactic Police, a law enforcement branch created by the Unified Galactic State. His crew is talented, driven, and composed of many of his childhood friends. Together, they are a hard-working team often looked to for secret interstellar missions by the UGS. One such mission involves the successful apprehension of a notorious enemy of the state, charged with plotting terrorist activities against the regime and the president. Saigon is proud of his accomplishment, and yet he is soon shocked to witness the inhumane treatment of their captive. He protests but is threatened with imprisonment himself. Saigon, ever loyal, feels a need to pull away. He resolves to combat the tyranny of the Galactic Police, and with the help of his crew, a new ship is commissioned. The Griffin will be their safe haven as news spreads of their betrayal. Soon, they are named outlaws, but Saigon will not stop fighting for the good of the galaxy and justice for all.
The series of essays that comprise The Federalist constitutes one of the key texts of the American Revolution and the democratic system created in the wake of independence. Written in 1787 and 1788 by Alexander Hamilton, James Madison, and John Jay to promote the ratification of the proposed Constitution, these papers stand as perhaps the most eloquent testimonial to democracy that exists. They describe the ideas behind the American system of government: the separation of powers; the organization of Congress; the respective positions of the executive, legislative, and judiciary; and much more. The Federalist remains essential reading for anyone interested in politics and government, and indeed for anyone seeking a foundational statement about democracy and America.
The Ultimate Guide to Practice Art of Starting Conversation, Become Agreeable, Listen Effectively and Thanking People to Gain Friends and Achieve Healthy Relationships
The Ultimate Guide to Practice Art of Starting Conversation, Become Agreeable, Listen Effectively and Thanking People to Gain Friends and Achieve Healthy Relationships
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This latest volume covers 1865 to 1867, crucial years leading up to Disraeli's first ministry in 1868. The story is told through 697 letters, of which 525 have never before been published and 78 only in part.
How the Civilian Conservation Corps constructed, rejuvenated, and protected American forests and parks at the height of the Great Depression. Propelled by the unprecedented poverty of the Great Depression, President Franklin D. Roosevelt established an array of massive public works programs designed to provide direct relief to America’s poor and unemployed. The New Deal’s most tangible legacy may be the Civilian Conservation Corps’s network of parks, national forests, scenic roadways, and picnic shelters that still mark the country’s landscape. CCC enrollees, most of them unmarried young men, lived in camps run by the Army and worked hard for wages (most of which they had to send home to their families) to preserve America’s natural treasures. In The New Deal’s Forest Army, Benjamin F. Alexander chronicles how the corps came about, the process applicants went through to get in, and what jobs they actually did. He also explains how the camps and the work sites were run, how enrollees spent their leisure time, and how World War II brought the CCC to its end. Connecting the story of the CCC with the Roosevelt administration’s larger initiatives, Alexander describes how FDR’s policies constituted a mixed blessing for African Americans who, even while singled out for harsh treatment, benefited enough from the New Deal to become an increasingly strong part of the electorate behind the Democratic Party. The CCC was the only large-scale employment program whose existence FDR foreshadowed in speeches during the 1932 campaign—and the dearest to his heart throughout the decade that it lasted. Alexander reveals how the work itself left a lasting imprint on the country’s terrain as the enrollees planted trees, fought forest fires, landscaped public parks, restored historic battlegrounds, and constructed dams and terraces to prevent floods. A uniquely detailed exploration of life in the CCC, The New Deal’s Forest Army compellingly demonstrates how one New Deal program changed America and gave birth to both contemporary forestry and the modern environmental movement.
In transposing the Freudian dream work from the individual subject to the collective, Walter Benjamin projected a “macroscosmic journey” of the individual sleeper to “the dreaming collective, which, through the arcades, communes with its own insides.” Benjamin’s effort to transpose the dream phenomenon to the history of a collective remained fragmentary, though it underlies the principle of retrograde temporality, which, it is argued, is central to his idea of history. The “passages” are not just the Paris arcades: They refer also to Benjamin’s effort to negotiate the labyrinth of his work and thought. Gelley works through many of Benjamin’s later works and examines important critical questions: the interplay of aesthetics and politics, the genre of The Arcades Project, citation, language, messianism, aura, and the motifs of memory, the crowd, and awakening. For Benjamin, memory is not only antiquarian; it functions as a solicitation, a call to a collectivity to come. Gelley reads this call in the motif of awakening, which conveys a qualified but crucial performative intention of Benjamin’s undertaking.
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