Globalization and technological advances have had a dramatic impact on the relationship between media and politics. How can we understand the connection between the two in the present day? Alexa Robertson argues that we cannot understand the power of the one without taking the other into account. This exciting and accessible book provides fresh insight into our contemporary media landscape, adopting a truly comparative global approach. In Media and Politics in a Globalizing World, Robertson encourages the reader to explore the relationship from different perspectives – those of the politician, the journalist, the activist and the ordinary citizen – and how the relationship between media and politics varies across cultures. Illustrated with contemporary examples throughout, the book weighs up arguments for seeing new developments in terms of change or continuity, as empowering or debilitating, and as promoting or undermining democracy. Suitable for undergraduates and postgraduates studying politics, media and sociology, it also will be of interest to the general reader wishing to understand the complex role of the media in political life the world over. For additional support and information visit this book's companion website at http://mediapolitics.net/
Media power in the global era has to do with how people understand the world, their place in it, and their relation to the others who populate it. Making connections with distant places and people is the work of cosmopolitan imagination, which involves seeing the world through the eyes of others. In this book, Robertson engages with the growing literature on cosmopolitanism to address these issues, combining theoretical debates with an innovative empirical portal. Based on the analysis of over 2000 news reports broadcast on national and global channels and interviews with journalists and audience members, Mediated Cosmopolitanism illustrates that the same everyday stories about the world can take on different meanings in different cultures. It argues that if we are to understand how media actors may help people to make the connections that underpin a cosmopolitan outlook, attention must be paid to evidence that some actors may not, and that national broadcasters could be more active agents of cosmopolitanism than global channels. Accessibly written, the book will be essential reading for advanced undergraduate and masters students, particularly of media studies, but also of sociology, politics and international relations.
Structured around modes in which one might encounter Asian-themed performances and adaptations, Shakespeare and East Asia identifies four themes that distinguish post-1950s East Asian cinemas and theatres from works in other parts of the world: Japanese formalistic innovations in sound and spectacle; reparative adaptations from China, Taiwan, and Hong Kong; the politics of gender and reception of films and touring productions in South Korea and the UK; and multilingual, diaspora works in Singapore and the UK. These adaptations break new ground in sound and spectacle; they serve as a vehicle for artistic and political remediation or, in some cases, the critique of the myth of reparative interpretations of literature; they provide a forum where diasporic artists and audiences can grapple with contemporary issues; and, through international circulation, they are reshaping debates about the relationship between East Asia and Europe. Bringing film and theatre studies together, this book sheds new light on the two major genres in a comparative context and reveals deep structural and narratological connections among Asian and Anglophone performances. These adaptations are products of metacinematic and metatheatrical operations, contestations among genres for primacy, or experimentations with features of both film and theatre.
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
New York Times Book Review Editors’ Choice • An anthropologist working with forensic teams and victims’ families to investigate crimes against humanity in Latin America explores what science can tell us about the lives of the dead in this haunting account of grief, the power of ritual, and a quest for justice. “Absorbing . . . multifaceted and elegiac . . . Still Life with Bones captures the ethos that drives the search—often tireless and against the odds—for truth.”—The New York Times “Exhumation can divide brothers and restore fathers, open old wounds and open the possibility of regeneration—of building something new with the ‘pile of broken mirrors’ that is memory, loss, and mourning.” Throughout Guatemala’s thirty-six-year armed conflict, state forces killed more than two hundred thousand people. Argentina’s military dictatorship disappeared up to thirty thousand people. In the wake of genocidal violence, families of the missing searched for the truth. Young scientists joined their fight against impunity. Gathering evidence in the face of intimidation and death threats, they pioneered the field of forensic exhumation for human rights. In Still Life with Bones, anthropologist Alexa Hagerty learns to see the dead body with a forensic eye. She examines bones for marks of torture and fatal wounds—hands bound by rope, machete cuts—and also for signs of identity: how life shapes us down to the bone. A weaver is recognized from the tiny bones of the toes, molded by kneeling before a loom; a girl is identified alongside her pet dog. In the tenderness of understanding these bones, forensics not only offers proof of mass atrocity but also tells the story of each life lost. Working with forensic teams at mass grave sites and in labs, Hagerty discovers how bones bear witness to crimes against humanity and how exhumation can bring families meaning after unimaginable loss. She also comes to see how cutting-edge science can act as ritual—a way of caring for the dead with symbolic force that can repair societies torn apart by violence. Weaving together powerful stories about investigative breakthroughs, histories of violence and resistance, and her own forensic coming-of-age, Hagerty crafts a moving portrait of the living and the dead.
Hiding in Plain Sight tells the story of the global effort to apprehend the world's most wanted fugitives. Beginning with the flight of tens of thousands of Nazi war criminals and their collaborators after World War II, then moving on to the question of justice following the recent Balkan wars and the Rwandan genocide, and ending with the establishment of the International Criminal Court and America's pursuit of suspected terrorists in the aftermath of 9/11, the book explores the range of diplomatic and military strategies--both successful and unsuccessful--that states and international courts have adopted to pursue and capture war crimes suspects. It is a story fraught with broken promises, backroom politics, ethical dilemmas, and daring escapades--all in the name of international justice and human rights. Hiding in Plain Sight is a companion book to the public television documentary Dead Reckoning: Postwar Justice from World War II to The War on Terror. For more information about the documentary, visit www.saybrookproductions.com. For information about the Human Rights Center, visit hrc.berkeley.edu.
In Love Is the Point Carlos and Alexa PenaVega take readers on a 100-day journey to recognize the ways that God shows love in their daily lives and discover opportunities to share that love with those around them--because love in action is what life is all about. In What If Love Is the Point? Carlos and Alexa PenaVega shared how putting God at the center of their marriage, parenting, and career choices dramatically changed their lives and brought real fulfillment. Now, in Love Is the Point, they've created a 100-day devotional that invites readers to join them on the adventure of experiencing God's love and boldly sharing that love with others. Readers will be inspired by Carlos and Alexa's stories of how they focus on God and his love in their everyday lives; encouraged to see all of the ways that God shows his love whenever we seek him; and challenged to put God's love into action through reflection questions, tips for how to love people we don't automatically connect with, and more. A practical and moving follow-up to their first book, this devotional reminds readers that whether they are facing hardships or celebrating happy occasions, they can hear God's quiet voice that encourages and empowers them to live with hearts full of love. Because love is the point.
What is meant by "Jewish Spain"? The term itself encompasses a series of historical contradictions. No single part of Spain has ever been entirely Jewish. Yet discourses about Jews informed debates on Spanish identity formation long after their 1492 expulsion. The Mediterranean world witnessed a renewed interest in Spanish-speaking Jews in the twentieth century, and it has grappled with shifting attitudes on what it meant to be Jewish and Spanish throughout the century. At the heart of this book are explorations of the contradictions that appear in different forms of cultural memory: literary texts, memoirs, oral histories, biographies, films, and heritage tourism packages. Tabea Alexa Linhard identifies depictions of the difficulties Jews faced in Spain and Northern Morocco in years past as integral to the survival strategies of Spanish Jews, who used them to make sense of the confusing and harrowing circumstances of the Spanish Civil War, the Francoist repression, and World War Two. Jewish Spain takes its place among other works on Muslims, Christians, and Jews by providing a comprehensive analysis of Jewish culture and presence in twentieth-century Spain, reminding us that it is impossible to understand and articulate what Spain was, is, and will be without taking into account both "Muslim Spain" and "Jewish Spain.
The world saw Carlos Pena and Alexa Vega enjoying the success of their acting careers--Carlos on Nickelodeon's Big Time Rush and Alexa in the Spy Kids movies. But what they didn't see was the question both Carlos and Alexa were asking in the midst of all that fame and fortune: What's the point of it all anyway? Overflowing with both laughter and honest reflections, What If Love Is the Point? shares Carlos and Alexa PenaVegas' incredible story--from the red carpet, Spy Kids movies, and Big Time Rush to Dancing with the Stars to marriage and their greatest adventure, parenthood. Join them as they: Offer an inspiring window into how God builds young faith and strengthens it into lasting love Give insight into how to put God at the center of relationships, family, and career Explore why society's expectations never fulfill our true needs Share ideas for resisting the hustle of today's culture and finding true rest Carlos and Alexa believe that following Jesus was what they were made for--and they believe it's what you were made for too. If you find yourself asking, "Isn't there more to life than this?," lean in to their remarkable story of tender faith, God's persistent work, and learning why love is always the point of it all. Praise for What If Love Is the Point?: "This is more than a book. It's a story of freedom, hope, redemption, and love. Being in the public eye, I understand the struggles they faced (and continue to face), individually and as a couple. I recognize myself in a lot of the stories they share. What If Love Is the Point? helped me heal from life's wounds. It taught me that I'm not alone and I know this book will help so many others grow their faith and live out love. I didn't want it to end." —Sam Acho, author of Let the World See You, analyst at ESPN, and nine-year NFL linebacker
For close to two hundred years, the ideas of Shakespeare have inspired incredible work in the literature, fiction, theater, and cinema of China, Taiwan, and Hong Kong. From the novels of Lao She and Lin Shu to Lu Xun's search for a Chinese "Shakespeare," and from Feng Xiaogang's martial arts films to labor camp memoirs, Soviet-Chinese theater, Chinese opera in Europe, and silent film, Shakespeare has been put to work in unexpected places, yielding a rich trove of transnational imagery and paradoxical citations in popular and political culture. Chinese Shakespeares is the first book to concentrate on both Shakespearean performance and Shakespeare's appearance in Sinophone culture and their ambiguous relationship to the postcolonial question. Substantiated by case studies of major cultural events and texts from the first Opium War in 1839 to our times, Chinese Shakespeares theorizes competing visions of "China" and "Shakespeare" in the global cultural marketplace and challenges the logic of fidelity-based criticism and the myth of cultural exclusivity. In her critique of the locality and ideological investments of authenticity in nationalism, modernity, Marxism, and personal identities, Huang reveals the truly transformative power of Chinese Shakespeares.
This book shows that widespread resacralisation has been taking place, which is producing new ways of perceiving God and the divine. The last century has seen unmistakable changes in religious practices and the concept of spirituality right across the world. There was a broad expectation for much of the twentieth century that religious worldviews would eventually succumb to the challenge of secularist materialism, but this process of secularisation has yet to occur as predicted. The book begins by contrasting theories of secularisation and resacralisation. Throughout the book, conceptual threads, or ‘new religious themes’, related to this resacralisation are discussed in terms of three main categories: reimagining God’s nature, substance and location; reimagining human value and purpose; and reimagining modes of redemption. Finally, the book considers how these threads are moving in various different directions, and what the religious future might hold. This is a bold examination of contemporary spirituality that will appeal to academics and scholars of religious studies, new religious movements and the sociology of religion.
Can we be good partisans without demonizing our political opponents? Using insights from political science and social psychology, this book argues for the distinction between positive and negative partisanship. As such, strong support for a political party does not have to be accompanied by the vilification of the opposing party and its members. Utilizing data from five different countries, Bankert demonstrates that positive and negative partisanship are independent concepts with distinct consequences for political behavior, including citizens' political participation and their commitment to democratic norms and values. The book concludes with the hopeful message that partisanship is an essential pillar of representative and liberal democracy.
The purpose of Communicating in the Anthropocene: Intimate Relations is to tell a different story about the world. Humans, especially those raised in Western traditions, have long told stories about themselves as individual protagonists who act with varying degrees of free will against a background of mute supporting characters and inert landscapes. Humans can be either saviors or destroyers, but our actions are explained and judged again and again as emanating from the individual. And yet, as the coronavirus pandemic has made clear, humans are unavoidably interconnected not only with other humans, but with nonhuman and more-than-human others with whom we share space and time. Why do so many of us humans avoid, deny, or resist a view of the world where our lives are made possible, maybe even made richer, through connection? In this volume, we suggest a view of communication as intimacy. We use this concept as a provocation for thinking about how we humans are in an always-already state of being-in-relation with other humans, nonhumans, and the land.
When the Canadian Electronic Ensemble (CEE) began as a group of students at the University of Toronto in 1972, they performed with cumbersome, finicky analog instruments and DIY logistics, never sure if everything would work as intended. Today’s CEE sound comes from a sophisticated mixture of digital and analog hardware, laptops, and acoustic instruments. Across a long and ongoing history of tours, recordings, and performances, countless listeners have heard and appreciated the innovations at the heart of the CEE’s music. An Orchestra at My Fingertips is the first detailed study of the history, music, and legacy of the CEE. Covering the ensemble since its inception and drawing on extensive interviews with group members, Alexa Woloshyn provides unique insight into the musicians that make up the group as well as analyses of the CEE’s compositions, commissions, and improvisation and performance practice. Woloshyn’s account traces the evolution of electronic music technology across the decades-long history of the group, paying close attention to how audiences have perceived the CEE’s artistry as effortless rather than as the careful employment of technologically generated sounds. To foster appreciation and understanding of the CEE’s legacies, Woloshyn presents several listening methodologies and includes numerous listening guides to engage all readers. An Orchestra at My Fingertips speaks to the global development and transformation of live electronic music through the history of a group that has been a consistently innovative voice in Canada and beyond.
A twenty-one–day plan of action to manifest your dreams into reality. What is your greatest wish? Do you want a new job? An influx of new clients? Zero credit card debt? A strong, healthy body? A passionate, exciting marriage? More free time to relax in your backyard with a great book? You don't need a miracle to make your wish a reality. With Wishwork, you will visualize your #1 wish, write it down, focus on it, and take action for twenty-one days in a row to make your wish come true. Alexa Fischer (TV and film actress, entrepreneur, and founder of Wishbeads, a fast-growing jewelry company) is your guide on this twenty-one–day journey. You’ll complete simple daily action steps and record your experiences, feeling your positivity and optimism grow with each passing day. Wishwork gently reminds readers that wishes don’t just magically come true without any effort whatsoever—you’ve got to put in some work! Wishwork will motivate you to get off the couch, turn off Netflix, get moving, cultivate a positive mindset, and make your #1 wish come true—while keeping the process fun and uplifting, not daunting. Life’s too short to wait on the universe to grant your wishes. Alexa will walk you through simple but life changing steps to grant them yourself! Perfect for fans of The Miracle Morning, The Untethered Soul, and The Universe Has Your Back. Praise for Wishworks “Write your wish. See your wish. Live your wish. Alexa helps you turn a general inkling into a specific manifestation. Go make your ruckus.” —Seth Godin, New York Times–bestselling author of The Practice “If you are looking to make a positive change in your life this book will help you to focus a little on your own wants and let you see how you can achieve something great.” —The Nerdy Girl Express
A riotous series perfect for fans of Louise RennisonAges:11+ Puts the cool into Historicool! thirteen-year-old exchange student Jenna thought that her New York school trip would be all about vintage shopping, celeb spotting and spa treatments. But her musty old teacher has other ideas.When a trip to Dullsville (aka the Metropolitan Museum) finds Jenna stuck 3500 years in the past - like in Ancient Egypt - she has to figure out a way to get back to civilization. Armed only with a smartphone, her big mouth and a second-hand pair of Marc Jacobs sandals, it's going to take a lot of fast-talking to avoid:1.marriage to a sleazy Pharoah; 2.eternal enslavement, and the worst;3.life without the internet. Feisty, fresh and very funny, talk Like an Ancient Egyptian is simply hieroglyphic!Praise for talk Like An Ancient Egyptian:'Small Bird, Angry Frog, Snake, Snake, Big Eye, Startled Cat!!!'Queen Nefertiti
Globalization and technological advances have had a dramatic impact on the relationship between media and politics. How can we understand the connection between the two in the present day? Alexa Robertson argues that we cannot understand the power of the one without taking the other into account. This exciting and accessible book provides fresh insight into our contemporary media landscape, adopting a truly comparative global approach. In Media and Politics in a Globalizing World, Robertson encourages the reader to explore the relationship from different perspectives – those of the politician, the journalist, the activist and the ordinary citizen – and how the relationship between media and politics varies across cultures. Illustrated with contemporary examples throughout, the book weighs up arguments for seeing new developments in terms of change or continuity, as empowering or debilitating, and as promoting or undermining democracy. Suitable for undergraduates and postgraduates studying politics, media and sociology, it also will be of interest to the general reader wishing to understand the complex role of the media in political life the world over. For additional support and information visit this book's companion website at http://mediapolitics.net/
Media power in the global era has to do with how people understand the world, their place in it, and their relation to the others who populate it. Making connections with distant places and people is the work of cosmopolitan imagination, which involves seeing the world through the eyes of others. In this book, Robertson engages with the growing literature on cosmopolitanism to address these issues, combining theoretical debates with an innovative empirical portal. Based on the analysis of over 2000 news reports broadcast on national and global channels and interviews with journalists and audience members, Mediated Cosmopolitanism illustrates that the same everyday stories about the world can take on different meanings in different cultures. It argues that if we are to understand how media actors may help people to make the connections that underpin a cosmopolitan outlook, attention must be paid to evidence that some actors may not, and that national broadcasters could be more active agents of cosmopolitanism than global channels. Accessibly written, the book will be essential reading for advanced undergraduate and masters students, particularly of media studies, but also of sociology, politics and international relations.
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