“Haunting, unflinching and at times unexpectedly hilarious…A powerful affirmation of family bonds.” –The New York Times Book Review A daughter’s longing love letter to a mother who has slipped beyond reach. Just past seventy, Alex Witchel’s smart, adoring, ultracapable mother began to exhibit undeniable signs of dementia. Her smart, adoring, ultracapable daughter reacted as she’d been raised: If something was broken, they would fix it. But as medical reality undid that hope, and her mother continued the torturous process of disappearing in plain sight, Witchel retreated to the kitchen, trying to reclaim her mother at the stove by cooking the comforting foods of her childhood: “Is there any contract tighter than a family recipe?” Reproducing the perfect meat loaf was no panacea, but it helped Witchel come to terms with her predicament, the growing phenomenon of “ambiguous loss” — loss of a beloved one who lives on. Gradually she developed a deeper appreciation for all the ways the parent she was losing lived on in her, starting with the daily commandment “Tell me everything that happened today” that started a future reporter and writer on her way. And she was inspired to turn her experience into this frank, bittersweet, and surprisingly funny account that offers true balm for an increasingly familiar form of heartbreak.
“Haunting, unflinching and at times unexpectedly hilarious…A powerful affirmation of family bonds.” –The New York Times Book Review A daughter’s longing love letter to a mother who has slipped beyond reach. Just past seventy, Alex Witchel’s smart, adoring, ultracapable mother began to exhibit undeniable signs of dementia. Her smart, adoring, ultracapable daughter reacted as she’d been raised: If something was broken, they would fix it. But as medical reality undid that hope, and her mother continued the torturous process of disappearing in plain sight, Witchel retreated to the kitchen, trying to reclaim her mother at the stove by cooking the comforting foods of her childhood: “Is there any contract tighter than a family recipe?” Reproducing the perfect meat loaf was no panacea, but it helped Witchel come to terms with her predicament, the growing phenomenon of “ambiguous loss” — loss of a beloved one who lives on. Gradually she developed a deeper appreciation for all the ways the parent she was losing lived on in her, starting with the daily commandment “Tell me everything that happened today” that started a future reporter and writer on her way. And she was inspired to turn her experience into this frank, bittersweet, and surprisingly funny account that offers true balm for an increasingly familiar form of heartbreak.
Everything’s going right for Sandra Berlin. She is living in Manhattan, climbing the editorial ladder at ultra-chic fashion magazine Jolie!, and she’s just become engaged to Bucky Ross, her high-school sweetheart. Bucky’s her knight in shining WASP armor, a successful ad executive and a descendant of Betsy Ross, and their future promises a life of comfortable suburban bliss: the Tudor mansion, the beautiful children, the country club. And then, three weeks later, at a party at the Metropolitan Museum of Art, Sandy meets Bucky’s other fiancée. Who tells her about Bucky’s third fiancée. Which begins Sandy’s journey through the unfamiliar world of heartbreak and betrayal—and the most excruciating blind dates in the history of singledom. As she tries to piece her life back together, she relies on the common sense and compassion of her best friend, Paul—a rising young film agent, gorgeous, gay, and moneyed—to keep her sane. But even Paul has his secrets, and soon Sandy is forced, on her own, to reexamine her past and, more important, what she wants for her future. Me Times Three is comic and tender, outrageous and wise—a shrewd, dead-on portrait of a certain slice of New York life. It’s a story about wished-for ideals versus hard realities, about being who you are versus the desire to fit in, and, finally, about how love can surprise us in the most unexpected ways.
What I learned from my father was the boys' lesson of dealing in the world -- trust no one and win the first time. What I learned from my mother was the girls' lesson -- trust no one and win the first time, but just in case you don't, come home, eat something, talk about it, have a drink, cry a little, then go back out there and try again." Armed with these family tenets, Alex Witchel goes soul-searching and shopping with the ever-present help of her mother, Barbara, the "human Swiss Army knife who can do it all," and her sister, Phoebe, Alex's perpetual rival and best friend. These three form a family within a family, and with a passionate unity they offer each other sharp, witty, and (occasionally exasperating) insights on everything from men, pedicures, and careers to sibling rivalry, the challenges of stepparenting, and the pains of aging and loss. Insightful, poignant, and hilarious by turns, Girls Only is a memoir that celebrates the one thing that remains "for women only"...mother/daughter/sister love.
Alex Witchel’s first novel, Me Times Three, was praised by Joan Didion as “an irresistible dissection of love in the city.” Now Witchel returns with a sophisticated, witty, sexy story that exposes the world of upper-class New Yorkers and the media that perpetuate their myth. Ponce Morris is a beautiful, rich widow who’s been dubbed “the spare wife” because she’s the perfect companion to the wealthy, powerful couples she socializes with. She’ll go to sports events with the husbands and throw elegant dinner parties and shop with the wives. She’s cool and nonthreatening because the two things everyone knows for sure are that Ponce doesn’t like sex and doesn’t have a romantic bone in her body. Over the years, she has managed other people’s lives—and her own—perfectly. Ponce has everything under control, exactly the way she likes it. Until . . . Babette Steele, an ambitious aspiring journalist, finds out that Ponce is having an affair with a socially prominent and very married man and decides to break the scandal in a juicy magazine piece. For Ponce’s circle, day-to-day existence quickly becomes a complicated game of social and professional chicken—whoever outsmarts and outmanipulates the other will win. And there is a lot at stake, not only for Ponce but for her friends, all of whom are in the midst of crises of their own: a philandering novelist who hasn’t been able to write since his breakout Wall Street best seller, an aging billionaire who can’t seem to resist young women (the younger the better), a legendary news show producer on the decline, a big-name political journalist looking to rebound from his wife’s death, and an editor at a glitzy magazine that covers the worlds of politics, fashion, and Hollywood. As Ponce’s life threatens to come apart at the seams, the author takes us into a world she knows intimately: a dynamic Manhattan filled with opinion makers and social fakers. This is a vibrant, trenchant novel about ambition, love, friendship, and the intoxicating allure of getting ahead . . . and trying to stay there.
Providing a colorful insight into the people at the forefront of the emergent Sharing Economy, a movement predicted to already be worth around $26B a year, this book gives vital advice to anyone thinking of starting or investing in a collaborative consumption business. The first of its kind, written by an author on the forefront of this new trend.
With a focus on case studies of R&D programs in a variety of disease areas, the book highlights fundamental productivity issues the pharmaceutical industry has been facing and explores potential ways of improving research effectiveness and efficiency. Takes a comprehensive and holistic approach to the problems and potential solutions to drug compound attrition Tackles a problem that adds billions of dollars to drug development programs and health care costs Guides discovery and development scientists through R&D stages, teaching requirements and reasons why drugs can fail Discusses potential ways forward utilizing new approaches and opportunities to reduce attrition
Alex Witchel’s first novel, Me Times Three, was praised by Joan Didion as “an irresistible dissection of love in the city.” Now Witchel returns with a sophisticated, witty, sexy story that exposes the world of upper-class New Yorkers and the media that perpetuate their myth. Ponce Morris is a beautiful, rich widow who’s been dubbed “the spare wife” because she’s the perfect companion to the wealthy, powerful couples she socializes with. She’ll go to sports events with the husbands and throw elegant dinner parties and shop with the wives. She’s cool and nonthreatening because the two things everyone knows for sure are that Ponce doesn’t like sex and doesn’t have a romantic bone in her body. Over the years, she has managed other people’s lives—and her own—perfectly. Ponce has everything under control, exactly the way she likes it. Until . . . Babette Steele, an ambitious aspiring journalist, finds out that Ponce is having an affair with a socially prominent and very married man and decides to break the scandal in a juicy magazine piece. For Ponce’s circle, day-to-day existence quickly becomes a complicated game of social and professional chicken—whoever outsmarts and outmanipulates the other will win. And there is a lot at stake, not only for Ponce but for her friends, all of whom are in the midst of crises of their own: a philandering novelist who hasn’t been able to write since his breakout Wall Street best seller, an aging billionaire who can’t seem to resist young women (the younger the better), a legendary news show producer on the decline, a big-name political journalist looking to rebound from his wife’s death, and an editor at a glitzy magazine that covers the worlds of politics, fashion, and Hollywood. As Ponce’s life threatens to come apart at the seams, the author takes us into a world she knows intimately: a dynamic Manhattan filled with opinion makers and social fakers. This is a vibrant, trenchant novel about ambition, love, friendship, and the intoxicating allure of getting ahead . . . and trying to stay there.
What I learned from my father was the boys' lesson of dealing in the world -- trust no one and win the first time. What I learned from my mother was the girls' lesson -- trust no one and win the first time, but just in case you don't, come home, eat something, talk about it, have a drink, cry a little, then go back out there and try again." Armed with these family tenets, Alex Witchel goes soul-searching and shopping with the ever-present help of her mother, Barbara, the "human Swiss Army knife who can do it all," and her sister, Phoebe, Alex's perpetual rival and best friend. These three form a family within a family, and with a passionate unity they offer each other sharp, witty, and (occasionally exasperating) insights on everything from men, pedicures, and careers to sibling rivalry, the challenges of stepparenting, and the pains of aging and loss. Insightful, poignant, and hilarious by turns, Girls Only is a memoir that celebrates the one thing that remains "for women only"...mother/daughter/sister love.
Everything’s going right for Sandra Berlin. She is living in Manhattan, climbing the editorial ladder at ultra-chic fashion magazine Jolie!, and she’s just become engaged to Bucky Ross, her high-school sweetheart. Bucky’s her knight in shining WASP armor, a successful ad executive and a descendant of Betsy Ross, and their future promises a life of comfortable suburban bliss: the Tudor mansion, the beautiful children, the country club. And then, three weeks later, at a party at the Metropolitan Museum of Art, Sandy meets Bucky’s other fiancée. Who tells her about Bucky’s third fiancée. Which begins Sandy’s journey through the unfamiliar world of heartbreak and betrayal—and the most excruciating blind dates in the history of singledom. As she tries to piece her life back together, she relies on the common sense and compassion of her best friend, Paul—a rising young film agent, gorgeous, gay, and moneyed—to keep her sane. But even Paul has his secrets, and soon Sandy is forced, on her own, to reexamine her past and, more important, what she wants for her future. Me Times Three is comic and tender, outrageous and wise—a shrewd, dead-on portrait of a certain slice of New York life. It’s a story about wished-for ideals versus hard realities, about being who you are versus the desire to fit in, and, finally, about how love can surprise us in the most unexpected ways.
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